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ТРАГЕДИЈА КОМИКЕ ИЛИ МОРАЛНА ДОСЛЕДНОСТ

ТРАГЕДИЈА КОМИКЕ ИЛИ МОРАЛНА ДОСЛЕДНОСТ

Author(s): Miodrag Ilić / Language(s): Serbian Issue: 168-169/2014

Покаткад се питам: шта би било са свима нама, са нашим духовним животом, са нашим позориштем, литературом, српском културом уопште, да се у Београду 1864. године, у породици Ђорђа и Љубице Нуше, није родио Алкибијад, који ће са навршених 18 година узети име Бранислав и презиме Нушић? Много штошта од наших нарави и људских слабости in generis било би прећутано, а огромну празнину у свести сваког нашег човека не би попунила сва потоња остварења у области хумора, сатире и позоришне праксе у протеклих 15 деценија. И данас се над нашим трагикомичним недаћама често зачује вапај: „Где је сада Нушић да ово прикаже?“

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Трагический и парадоксальный мир Оcкара Уайльда в интерпретации А. Мирэ

Трагический и парадоксальный мир Оcкара Уайльда в интерпретации А. Мирэ

Author(s): Maria Mikhailova,Sofya Kudritskaya / Language(s): Russian Issue: 2/2021

This article analyzes the reception of the figure of O. Wilde, the 19th-century English writer, and his works in the prose and criticism of Alexandra Mikhailovna Moiseeva (1874 1913), who entered the history of Russian literature of the Silver Age by the name of “Mire”. The study focuses mainly on her story Black Panther (1909), in which the author provides an original perspective on the tragic love episode in Wilde’s life. Attention is also paid to the thematic similarities between the works of Wilde and Mire in terms of genre, plot and literary image, as well as Mire’s interpretation of Wilde’s works in her critical reviews.

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Трагови средњевековне материјалне културе са локалитета Градина на Јелици

Author(s): Dejan Bulić / Language(s): Serbian Issue: 50/2003

The remnants of the multilayer fort at the Gradina site on Jelica Mountain have been attracting researchers since the 19th century. The site was visited in 1865 by Janko Safarik within the framework of research of antiquities in the Rudnik and Cacak districts. This was followed by another visit of the great researcher Felix Kanitz, especially valuable due to the sketch that he had left us with. Gradina was sketched by a team of the Cacak National Museum and the first archaeological excavations started in 1984. Gradina is located on one of the ridges of the Jelica Massif in the area of the Grab village at a height of 846 m. Being a few kilometers away of the present urban center of Cacak, it offers a splendid view over the Western Morava River on the north, and the whole Dragacevo region to the south-west. A relatively simple approach to the town was from the west, with an easy slope towards the present CacakGoracici road. From the other sides, the fort is surrounded by steep slopes and bluffs. The Early Byzantine road has been continuously used as confirmed by the find of a gate on the present forest road. The paper deals with medieval remnants, primarily ceramic material, on the basis of which their secondary utilization during the early Middle Ages has been observed at several Early Byzantine sites. These are sites number I, II, III, IV, V and VII. On the basis of this material too the rampart reducing the original fort to the zone of Upper Town only has been dated as a medieval one. The finds of the ceramic material in basilicas A, B and E confirm the secondary use of these sites most probably for housing purposes, for there is no proof that the church was used for cult practicing. The chronological span of the site has been determined according to the ceramic material. Pots and earthenware covers are mostly represented, while earthenware dishes for baking bread and bottles are rather rare. The way in which they were made is different too, from kneading on the slow wheel to their make on the fast wheel, although this does not determine the chronology, for we have seen the same shops making dishes both on the slow and on the fast wheel. The dating of dishes was made according to the existing analogies. However, we have to note that the medieval pottery from the neighboring sites differs from the Gradina pottery both by shape and by make. This confirms that the dating of the medieval phase of neighboring sites represents a terminus ante quem for our material, being the beginning of the 10th century. We could conclude that in the stratigraphy of the Jelica Mountain one can observe clear traces of the town destruction by fire, provoked probably by the devastating campaign of either the Avarians or the Slavs. When had it happened exactly we do not know – in the eighties of the 6th century or at the beginning of the 7th century? However, Jelica has a specific feature throwing a different light to the period immediately before the Slav conquests: it is the continuation of life after a short period , until the second half of the 9th century or the beginning of the 10th one. It is possible that the reasons for abandoning Gradina and moving to new sites in the vicinity of Cacak were in the expansion of the Serbian territory in the thirties. Therefore I am of the opinion that the remnants of the material culture from Jelca could be ascribed to the Serbs, linking the ceramic material which helped us to establish the chronological framework of the site with the territory that the Serbs occupied upon settling, and with all historical data at our disposal. One should not exclude the presence of some other small Slavic groups, for some material characteristic for areas under the Avarian domination has been found too. Besides, one should expect similar finds on the northern borders of the Serbian territory of that time, where the Serbs have fulfilled their duties as federates of the Empire.

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Традиции восточной археографии в Казани и Казанском университете

Традиции восточной археографии в Казани и Казанском университете

Author(s): Diliara Usmanova,Dina Mustafina / Language(s): Russian Issue: -/2015

This article is devoted to the history of the development and elaboration of the eastern archaeography in Kazan, which is addressed to the trace and study of oriental manuscripts in Arabic writing. It’s been revealed that archaeoraphical studies with far more than bicentenary tradition were discovered due to oriental studies in Kazan University. Also, the aforementioned studies were influenced by academicians’ gathering activity of Razryad vostochnoy slovesnosti and by Tatar enlighteners and intellectuals. The authors have closely examined an entirely new phase in the development of archaeographical studies, which took place in 60-s of the 20th century after regular archaeoraphical expeditions. Due to that, the number of manuscripts and black-letter books in the Science Library’s funds of Kazan University has dramatically increased. An establishment of Archaeographical laboratory turned out to be a logical continuation of previous expeditions that were oriented to the enlargement of cameralistic research, to the composition of inquiry publications and to the preparation of unique handwritten texts for printing. The authors of the above-named article have also defined perspectives of eastern archaeography’s development in Kazan University.

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Традиции греко-римской образованности при остготском королевском дворе на рубеже V—VI вв.

Author(s): Vladimir M. Tyulenev / Language(s): Russian Issue: 1/2016

On the example of the court of ostrogothic kings, first of all Theodoric the Great, the article considers the question of traditions of the Roman education in barbarous society in times of medieval civilization formation. Ostrogothic queens and princesses, practically all involved in the Roman system of knowledge act as the main object of study. It is proved that during education and training of representatives of a ruling dynasty the same qualities and the same knowledge which formed the basis of the late Roman pedagogical system were translated to them

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Традиции, традиционализация и културна полиглосия в съвременното българско общество
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Традиции, традиционализация и културна полиглосия в съвременното българско общество

Author(s): Ana Luleva / Language(s): Bulgarian Issue: 3/2019

The reference to “Traditions” is increasingly a part of the public discourse in Bulgaria. The paper aims to problematize the uses of the “Tradition” as a concept and cultural practice and to analyze its relationship with the process of re/traditionalisation. The conclusion is, that the emic essentialisation and reification of Tradition and the rise of the re/traditionalisation are signs of the rediscovery of the “traditional” and the ethnic culture as a strong identification resource, of the “hot” ethno-nationalism and ethno-nostalgia. This results in the situation of a cultural polyglossia in the (post)modern, postsocialist society.

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Традиција и трансформација. Политичке и друштвене промене у Србији и Југославији у 20. веку
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Традиција и трансформација. Политичке и друштвене промене у Србији и Југославији у 20. веку

Author(s): / Language(s): Serbian

Средином деведесетих година прошлог века, у сред ратова и разградње државе и друштва, писање о модернизацијским процесима у Србији могло је изгледати у најмању руку необично. Упркос томе, прва два зборника радова које је реализовао Институт за новију историју Србије у оквиру пројекта Модернизацијски процеси у Србији 19. и 20. Века (1994, 1998) следила су логику тематске разуђености појма модернизације и, судећи по тадашњој међународној научној рецепцији, превазишла су очекивања аутора и учесника. Уз поступно ширење хронолошких граница и отварање запостављених тема и проблема, овај интердисциплинарни пројекат је заживео као својеврсно критичко огледало у годинама деструкције југословенског простора.

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ТРАДИЦИОНАЛНАТА АРХИТЕКТУРА – МОДЕЛИ НА ЗАШТИТА И ЗАЧУВУВАЊЕ НА ФУНКЦИЈАТА

ТРАДИЦИОНАЛНАТА АРХИТЕКТУРА – МОДЕЛИ НА ЗАШТИТА И ЗАЧУВУВАЊЕ НА ФУНКЦИЈАТА

Author(s): Ekaterina Namicheva Todorovska,Petar Namichev / Language(s): Macedonian Issue: 09/2020

The development of traditional architecture of the 18th, 19th and early 20th centuries forms the basis for the analysis of possibilities, their incorporation into contemporary function and need. The analysis of the existing capacities in the rural tourism creates a direction of a certain development of the capacities on the territory of the state. Presentation of conservation interventions provides a realistic picture of the possibilities of adaptation of residential buildings to fit the contemporary needs of rural tourism. At the same time, through the presented methods, analyzes and guidelines for conservation, a certain valorisation of the values of the buildings with historical traditional characteristics is set, as part of the Balkan heritage. The realization of a certain form of rural tourism synthesizes cultural, natural and social resources as a definite integral model. The process of modern tourism development should encourage the preservation of authentic traditional indigenous architectural values, adapted to the needs of the local population, with a view to preserving the original form of traditional buildings. Development plans at regional level must include projects to implement the traditional residential architecture, thus creating new spatial capacities, while at the same time putting contemporary architecture into function by raising the level of protection of buildings, as part of the region's national cultural heritage.

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Традиционално сеоско неимарство у културном пејзажу Мачве, Посавине и Поцерине

Традиционално сеоско неимарство у културном пејзажу Мачве, Посавине и Поцерине

Author(s): Ljiljana Grčić,Mirko Grčić / Language(s): Serbian Issue: 1/2007

Cultural landscape of Macva, Pocerina and Posavina (western parts of Serbia) is transforming during the process of village urbanization. Within our sight, valuable and old objects of cultural inheritance are disappearing. Perception of cultural values of these objects, their preservation and protection are the fundament of mental identity as well as tourist development.

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ТРАДИЦИОНЕН КОСТЮМ И УКРАСА В СТАРИТЕ ОКРЪЖИЯ ‒ СОФИЙСКО, КЮСТЕНДИЛСКО И ТРЪНСКО, СПОРЕД ДЪРЖАВЕН ДОКУМЕНТ ОТ КРАЯ НА XIX В: МЕЖДУ САКРАЛНОТО И ВСЕКИДНЕВНОТО
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ТРАДИЦИОНЕН КОСТЮМ И УКРАСА В СТАРИТЕ ОКРЪЖИЯ ‒ СОФИЙСКО, КЮСТЕНДИЛСКО И ТРЪНСКО, СПОРЕД ДЪРЖАВЕН ДОКУМЕНТ ОТ КРАЯ НА XIX В: МЕЖДУ САКРАЛНОТО И ВСЕКИДНЕВНОТО

Author(s): Yavor Ivanov / Language(s): Bulgarian Issue: 19/2021

In the 19th century, on the territory of Bulgaria was gathered information on traditional clothing by different population groups. This paper presents just a part of work corpus of handwritten documents, housed 289 in the in the Scientific Archives of the Bulgarian Academy of Sciences. The article provide information on the domestic production of clothing, fabrics and decoration which the subject of analysis are names of clothes, decoration, material and ornaments in the old districts of Sofia, Kyustendil and Tran.

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Традиционни и съвременни интерпретации на музикално-танцов фолклор в градска среда (унгарски реалности)
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Традиционни и съвременни интерпретации на музикално-танцов фолклор в градска среда (унгарски реалности)

Author(s): Natalia Rashkova / Language(s): English,Bulgarian Issue: 3/2018

The article presents research work on a joint project of BAS and the Hungarian Academy of Sciences, relating to the research on good policies and practices of safeguarding, adoption and upholding of traditional skills from various areas of folk culture and displaying those in specific venues in a contemporary city. The fieldwork observations conducted in Budapest evinced the strong presence of folk music and dance in the events and celebrations held in the city. Established institutional cultural models and method for teaching and joint experience of folklore are highlighted such as Zoltán Kodály’s concept of safeguarding traditional folk music, his method for teaching folk music and the Dance-house (‘Táncház’) movement that enjoyed international recognition and were inscribed on the list of UNESCO’s Intangible Cultural Heritage and the Register of good safeguarding practices.

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Традиционните сватбени обичаи в Македония и политиката на ВМOРО по отношение на брака и семейството (края на XIX – началото на XX в.)
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Традиционните сватбени обичаи в Македония и политиката на ВМOРО по отношение на брака и семейството (края на XIX – началото на XX в.)

Author(s): Elena Aleksandrova / Language(s): Bulgarian Issue: 3/2018

The author aims to focus on the traditional customs in Macedonia regarding wedding and marriage; on the attitude of IMARO towards these institutions; the new marital “rules” imposed by the Organization and engagement norms between the partners; the techniques used by IMARO, and the goals it pursued. In the end, an attempt is made at revealing the effect of the Organization’s activity in this direction, the changes made and the results achieved. The researcher uses a variety of sources, including a large amount of memoirs, as well as program and other documents issued by IMARO.

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Традиционното тамбурджийско свирене от югозападна българия днес в практиката на няколко изявени местни изпълнители
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Традиционното тамбурджийско свирене от югозападна българия днес в практиката на няколко изявени местни изпълнители

Author(s): Valeri Dimchev / Language(s): English,Bulgarian Issue: 3/2019

This article deals with this Bulgarian folk musical instrument and the tamboura playing tradition in Bulgaria’s southwest. The role of the tamboura in the traditional way of life has been explored. In the course of study meetings have been held and interviews taken with tambourists and tamboura teachers from various regions, schools, ethnic or age groups. The selection of tambourists’ accounts imply that the tamboura has been a must for people’s everyday lives at working bees, weddings, family feasts, etc. Todor Preshelkov recalls that tambouras were to be found in every house, which suggests that the instrument was extremely popular across the entire southwest of Bulgaria. The reason as to why and how it came to be the case is not easy to explain. Still, several very important factors could be defined: the tamboura has a natural dynamic balance with the human voice, which presupposes its role as appropriate accompaniment; it is suitable for both solo (instrumental or instrumental/ vocal) and group performances (with a shepherd’s pipe, timbrel, bagpipe); it simultaneously provides tune and rhythm; by playing the melody and holding the bourdon note at the same time it completely and authentically reflects the traditional musical aesthetic of Bulgaria’s southwest; the materials for tamboura-making are easily obtainable. As a result, it may be inferred that the traditional tambourian style typical of Bulgaria’s southwest is still extant and practiced by many performers within that region; the specific tambourian two-part playing fully reflects the musical aesthetic of the locals; the traditional playing of Bulgaria’s southwest has to be studied consistently at all levels of teaching and education, such as children’s centres for music, schools of music, as well as higher education institutions.

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Традиционные семейные обряды украинцев Подолья: архаичные элементы культурного текста

Традиционные семейные обряды украинцев Подолья: архаичные элементы культурного текста

Author(s): Inna Gorofyanyuk / Language(s): Russian Issue: 1/2021

Podolia is an ethnographic region of Ukraine, which is known for active interethnic contacts for many centuries, which, on the one hand, have systematically enriched the Podolsk spiritual and material culture, and on the other hand, in various spheres of the traditional culture of the Podolians, there is a preservation of many Slavic archaic elements. The article presents the archaic elements of the traditional culture of the Ukrainians of Podolia in traditional family rituals – birthlore, wedding and funeral on the material of the verbal component of the cultural text. Field records of dialectal texts, made by the author in 2006–2014 in more than 100 villages of Vinnitsa region served as empirical basis of the study. The family rites texts attest the realization of the main semantic oppositions of the Slavic picture of the world: "top" – "bottom", "full" – "empty", "own" – "alien". The motives of the cult of ancestors, deception of death, syncretism of agrarian and family rituals are elements of the archaic, which constitute an essential part of the folk consciousness and beliefs of the Podolians. Several fragments of the folk culture of the Ukrainians of Podolia presented in the article through the prism of the comparative typological analysis, with the involvement of data from other Slavic traditions, signal the preservation of the general archaic fund of the spiritual culture of the Slavs.

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Традиционные ценности гагаузов вчера и сегодня

Традиционные ценности гагаузов вчера и сегодня

Author(s): Lubov Ostapenko,Irina Subbotina / Language(s): English,Romanian,Russian Issue: 1/2019

One of the long-term priorities of ethno-sociological studies has always been the analysis of the state and development of basic values for different nationalities under the influence of different transformational processes. The political, socioeconomic and spiritual crisis that has spread over the territory of the former Soviet Union, and the high level of impoverishment among local people have led to a situation when the adaptation processes have influenced the system of beliefs and the morale of individuals. The structure of social life milestones has also changed. The Gagauz people, known for sticking to their traditional culture, the traditional way of life and moral principles, are of special interest from the point of view of analyzing the influence of radical outside environmental transformations on the spiritual world of the people. Multiple ethno-sociological studies carried out in Gagauzia in different periods among members of different age groups have shown that there have been serious changes in the system of Gagauz life values since the end of 1990s. The studies have uncovered the following: the dynamics in the system of life values and ideals of people; people’s perceptions of the main moral features: a decrease in significance of certain components of value structure and an increase in others; growth in the pragmatism of mass consciousness, of young people in particular, for whom a rational approach and the profit criterion have become more typical while choosing their moral compass. Nevertheless, such basic traditional life values of Gagauz people and key features of their spiritual make-up as family, respect for the parents and diligence are still of great importance and are handed down from generation to generation.

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ТРАДИЦІЙНА ЕСТРАДНА ПІСНЯ: КОНЦЕПТУАЛІЗАЦІЯ ПОНЯТТЯ

ТРАДИЦІЙНА ЕСТРАДНА ПІСНЯ: КОНЦЕПТУАЛІЗАЦІЯ ПОНЯТТЯ

Author(s): Olga Leonidivna Zosim / Language(s): Ukrainian Issue: 2/2022

The purpose of the research. The study attempts to conceptualize the definition of «traditional pop song» from the standpoint of contemporary musical variety studies. The research methodology is based on the use of historical, cultural, systemic, contextual, and analytical methods, the combination of which made it possible to determine the specific features of the traditional Ukrainian pop song. The scientific novelty of the work lies in the fact that for the first time in Ukrainian science the concept of «traditional pop song» is conceptualized. Conclusions. The traditional pop song occupies a significant place in the Ukrainian cultural space, while it has not yet been comprehended as a cultural and artistic phenomenon in Ukrainian science. Based on the selection of three parameters (socio-cultural, age and style), the specifics of the Ukrainian traditional pop song were revealed. It is revealed that its stylistic features were formed during the 1950– 1970s. («classic pop song»), in the 1980s. there has been a process of stabilization, since the 1990s. the identification of the traditional pop song as a specific, conservative stylistic direction begins, which focused on the achievements of the classical Ukrainian pop song and opposed the influences of the Western trends of popular music, trying to preserve the originality of the Ukrainian musical variety art. The fundamental non-commercial nature of the traditional pop song is rooted in the art of the Soviet era and is the opposite of show business with its desire to quickly update musical styles. During the period of active development of the commercial direction of pop music in the 1990s. the traditional pop song was considered archaic and opposed to the «fashionable» directions of «youth music». Today, this opposition is not relevant: the traditional pop song as a stylistic direction based on the aesthetics of the second half of the 20th century is popular among performers and listeners of all ages. The stylistic diversity of the traditional pop song is associated with a long time of formation of the Ukrainian classical pop and its artistic achievements. Therefore, despite a certain conservatism, the Ukrainian traditional pop song is a significant layer of Ukrainian musical culture.

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ТРАДИЦІЇ БОГОСЛУЖБОВОГО ХОРОВОГО ВИКОНАВСТВА ГАЛИЧИНИ В КУЛЬТУРНО-МИСТЕЦЬКІЙ ПРАКТИЦІ КАМЕРНОГО ХОРУ «КРЕДО» (М. ІВАНО-ФРАНКІВСЬК)

ТРАДИЦІЇ БОГОСЛУЖБОВОГО ХОРОВОГО ВИКОНАВСТВА ГАЛИЧИНИ В КУЛЬТУРНО-МИСТЕЦЬКІЙ ПРАКТИЦІ КАМЕРНОГО ХОРУ «КРЕДО» (М. ІВАНО-ФРАНКІВСЬК)

Author(s): Zhanna Zvarychuk / Language(s): Ukrainian Issue: 37/2020

The purpose of the article is determined by the need to highlight the cultural and artistic activities of the first professional liturgical choir of the Ukrainian Greek Catholic Church (UGCC) and to study (in retrospect) the significance of this activity for enriching the Halychyna traditions of liturgical performance. The methodology of the study is to combine cultural and musicology methods. This methodology allows forming a holistic view of the spiritual musical culture and choir singing of the Ukrainians. The scientific novelty of the work is determined by the need to improve the study and the evaluation of the scale of cultural and artistic activity of the bishopric chamber choir "Credo" in all-Ukrainian and world musical and scientific contexts, to prove the relation of his activity to the historic processes of the formation and development of the liturgical choir art of Halychyna. Conclusions. The spiritual musical culture of the Ukrainians has been formed for many centuries. It has been closely connected with Christianity for more than a thousand of years. Spiritual choir singing has undergone a few stages in its development, from the ancient monody to the modern polyphony. It was removed from practice for a long time but during the years of Independence of Ukraine, there arose new tasks for its revival. The bishopric chamber choir "Credo" takes an important place in this process. It is the first professional choir organized in the central cathedral of the UGCC in Ivano-Frankivsk. Thanks to the initiated professional liturgical practice of the choir, the process of church singing renaissance were introduced in the region. The chamber choir "Credo" is not only the representative of the Halychyna church liturgical traditions, but also a propagandist and integrator of the national musical culture in the world cultural space by means of performing, recording, and publishing. The choir popularizes national musical culture at all the stages of its creative activity.

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Традиції і новаторство у камерно-інструментальній музиці одеських композиторів кінця ХХ – початку ХХІ століть

Традиції і новаторство у камерно-інструментальній музиці одеських композиторів кінця ХХ – початку ХХІ століть

Author(s): Anastasia Igorivna Kravchenko / Language(s): Ukrainian Issue: 27/2015

The present article is dedicated to the research of chamber instrumental works of Odessa composer school representatives of late XX – early XXI century. During the study, analysis of instruments, genre and stylistic guidelines of modern ensemble works has been made. Besides, the study outlines the correlation between tradition and innovation in inter-genre and inter-style level, which is a reflection of great historical dialogue of cultures and eras beyond space and time barriers. At the current stage of Ukraine’s musical art development, achievements of previous generations of specialists in composition techniques get further development and deeper understanding. The number of musical expression tools is constantly being expanded by exploration of infinite possibilities of instruments in intonation and sonorism types of music; genres and styles get renovated. This all leads to formation of modern musical vocabulary and enrichment of the genre and stylistic content of the national musical culture. Most part of chamber instrumental works written at the turn of XX and XXI centuries is currently out of cultural and scientific research fields and that it why it requires a comprehensive study from the modern theory, cultural history and musicology points of view.

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Траектории на движение на светите мощи и поклонничеството на Балканите през ХІІІ век
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Траектории на движение на светите мощи и поклонничеството на Балканите през ХІІІ век

Author(s): Snezhana Rakova / Language(s): Bulgarian Issue: 1/2015

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Траекториите на познанието: професионалното израстване на първите руски академични слависти О. Бодянски, И. Срезневски, П. Прeйс и В. Григорович
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Траекториите на познанието: професионалното израстване на първите руски академични слависти О. Бодянски, И. Срезневски, П. Прeйс и В. Григорович

Author(s): Teodorichka Gotovska-Henze / Language(s): Bulgarian Issue: 1/2021

In 1835 the Universities of St. Peterburg, Moscow, Kharkov and Kazan opened new departments for Slav Studies and for the purpose of better professional qualification they sent four approved young professors to spend time abroad among the Slav peoples. The study presents the long-time stay of the first Russian academic assistants Joseph Bodyanskiy, Peter Preiss, Izmail Sreznevskiy and Viktor Grigorovich among the Slavs of Habsburg Monarchy and the Turkish Empire, their every-day life, their studies and the closer relationships, they established with the most prominent representatives of the national literary circles. The direct observations of the Russian travelers are an important contribution for the understanding of the national Revival processes among the Slav peoples.

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