Cookies help us deliver our services. By using our services, you agree to our use of cookies. Learn more.
  • Log In
  • Register
CEEOL Logo
Advanced Search
  • Home
  • SUBJECT AREAS
  • PUBLISHERS
  • JOURNALS
  • eBooks
  • GREY LITERATURE
  • CEEOL-DIGITS
  • INDIVIDUAL ACCOUNT
  • Help
  • Contact
  • for LIBRARIANS
  • for PUBLISHERS

Content Type

Subjects

Languages

Legend

  • Journal
  • Article
  • Book
  • Chapter
  • Open Access
  • Fine Arts / Performing Arts

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Result 24261-24280 of 26260
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 1213
  • 1214
  • 1215
  • ...
  • 1311
  • 1312
  • 1313
  • Next
Idea wolności w tekstach piosenek heavymetalowych lat 80. w twórczości TSA, Turbo i KAT

Idea wolności w tekstach piosenek heavymetalowych lat 80. w twórczości TSA, Turbo i KAT

Author(s): Maciej Kopiński / Language(s): Polish Issue: 04 (27)/2015

This article focuses on principal subjects used in works of the following bands: TSA, Turbo and KAT. It characterizes the most important and most frequently used topics in the lyrics of songs. Characterization made in this article answers the question how lyrics fit music in common heavy metal convention. Furthermore, special attention waspaid to the subjects of freedom and mutiny as topics especially important in the context of Polish political system in the 1980s. Analysis of selected examples gives an overview of the specific approach of heavy metal musicians to these subjects, different from the approach of rock and punk rock musicians in that period. The main part of the article is preceded by an introduction presenting the origins of heavy metal music in Poland. The author shows its beginnings and influences of Western heavy metal bands on the form of heavy metal music in Poland. The scope of the work were the 1980s, since that decade was the space for the origin and evolution of heavy metal in Poland, as TSA, Turbo and KAT are the first Polish bands which began playing in this style and contributed to its development.

More...
Polski epizod w działalności artystycznej pianisty i kompozytora Josepha Woelfla

Polski epizod w działalności artystycznej pianisty i kompozytora Josepha Woelfla

Author(s): Ewa Bogula-Gniazdowska / Language(s): Polish Issue: 02 (25)/2015

Joseph Woelfl, an Austrian pianist and composer, was born on 24th December 1773 in Salzburg, where he began his musical education. In 1790 he left his hometown for Vienna, most probably following Wolfgang Amadeus Mozart. He can’t have stayed there long as in 1791 he was admitted for service at Prince Michał Kleofas Ogiński’s estate, where he spent about fifteen months. Prince Ogiński is remembered in the history of music mainly as the master of the stylised polonaise. The short cooperation with Woelfl bore fruit in their artistic activities, as Prince Ogiński created his first stylised polonaises during that time. Similarly, Woelfl was inspired by Polish surroundings. During his stay in Warsaw he created „Polonaise”, which became part of his sonata, marked as Fw 7 by Margit Haider-Dechant in the Joseph Woelfl. „Verzeichnis seiner Werke”, which was probably performed during a public concert in the capital of the Polish-Lithuanian Commonwealth in 1792. The Polish dance must have made a great impression on the Austrian composer, as Polonaise in the form of a rondo reappeared in his musical output in the third movement of Piano Concerto No. 1 op. 20, published in Paris nearly ten years later. Neither Joseph Woelfl nor above mentioned Piano Concerto op. 20 are currently popular in Poland. Thus, I would like to have a closer look at the piece, paying particular attention to the third movement „Rondo à la Polonaise” and at the same time referring to the mutual inspirations of the Austrian and Prince Michał Kleofas Ogiński.

More...
Едно изображение на св. Никола Нови в контекста на стенописта в Арбанаси от XVII–XVIII век
4.90 €
Preview

Едно изображение на св. Никола Нови в контекста на стенописта в Арбанаси от XVII–XVIII век

Author(s): Vanya Sapundzieva / Language(s): English,Bulgarian Issue: 1/2015

The article examines an unpublished image of St. Nickolas the New in the loft of St George Church in Arbanassi. After a short review of the cult to the five saints that bear the name of St Nicholas the New, the author limits the choice of a particular saint to two alternatives – the most popular saint in the post-Byzantine era in terms of representation frequency – St Nicholas of Vuneni (the New) and St Nicholas of Sofia (the New). The difficulty in the precise definition of the image in Arbanassi is due mainly to the varying iconography and to the practice of representing newer saints with features of known namesakes that already have a widespread cult. Nevertheless, arguments are given in support of both possible variants, which are based on the ethnic content and the livelihoods of the population in Arbanassi, as well as on the most probable origin of the icon-painters who decorated the loft of St George Church in Arbanassi. An attempt is made to examine the murals in the context of the church complex in Arbanassi by seeking stylistic and iconographic similarities, which would provide a possibility to identify the specific prerequisites for identification on the background of the development of post-Byzantine art in the Balkan context.

More...
Docudrama czyli świadkowanie między trudnymi i łatwymi przyjemnościami

Docudrama czyli świadkowanie między trudnymi i łatwymi przyjemnościami

Author(s): Wiesław Godzic / Language(s): Polish Issue: 02/2015

The goal is to explain the importance of docudrama for Polish spectators. It could be said that after years of rejection docudrama (when docusoaps and reality shows dominated) the 67 programmers turned back to this genre. Author advocates for Polish docudrama as a very important genre in Poland due to its proximity to film documentary tradition and its ideology. Author produces a series of close analyses of different recent 67 productions dealing with representation of history. In Warsaw Uprising (2013) reality has been, so to speak, glued together and colourised in order to make it attractive. Serial docudrama Time of Honor (2008-2014) describes as well as rewrites episodes from the BBCC. It is a dramatized story of real historical events pretends to be docudrama. On the other hand Great Escapes (2005-2006) series attracted large audiences and demonstrated an efficient and original use of the language of television.

More...
Dna jako kod kulturowy

Dna jako kod kulturowy

Author(s): Jan Domaradzki / Language(s): Polish Issue: 02/2015

Science has always fascinated artists and many inventions and discoveries have become a source of artistic inspiration. Also, genetics and the deoxyribonucleic acid molecule (€[), represented by the double helix model, inspires visual arts and becomes a leitmotiv for artistic creativity, an object of art and even an artistic technique. Thus, the aim of the present paper is to describe cultural representations of deoxyribonucleic acid in painting, sculpture, architecture, cinema, music and functional art. It expresses the three main forms by which €[ is represented in modern art, such as: an icon, an index and a symbol. Nevertheless, €[ is also used by artists as a unique crafting tool and an artistic technique that can be observed in bioart. Another example of cultural presence of €[ is common speech, where it is one of the most popular metaphors frequently used in marketing, economic consulting, urban planning, sport and advertising. The paper argues that €[ is not only a biological code but a cultural one as well. It is a symbol of modern science and a cultural icon. And it is due to the fact that this ‘molecule of life’ is immensely rich in cultural meanings: it is associated with uniqueness, beauty and casual power. It is the essence of life and the source of immortality. At the same time, €[ enables to propagate new explanations of social ideas on human nature, heredity, destiny, the origins of life, identity, morality and the organization of society.

More...
Performans zmediatyzowany. Hot or not?

Performans zmediatyzowany. Hot or not?

Author(s): Wojciech Kowalczyk / Language(s): Polish Issue: 02/2015

Text is trying to give a definition of performance studies as a new research perspective in context of new media. For author important is relation between artistic performance and everyday performance. Main goal of the text is showing a relation between develop of performance studies and dispute about using new media by theater and performance artists. At the same time this text is showing, how conflict between theoretics from Silicon Valley had an influence in performance studies. New media as a cultural phenomenon are crucial for performance art, because it based on physical presence of sender and receiver the communicate. Author is focused on new media role in culture and their influence on performance art. Therefore, the author compares and tries to and similarity between the two performers that use new media in their works, Steve Kardinal and Merce Cunningham, whose activities are located at the two poles of performance art.

More...
Stredoveké jadrá meštianskych domov na Alžbetinej ulici č. 17  a Dominikánskom námestí č. 11  v Košiciach

Stredoveké jadrá meštianskych domov na Alžbetinej ulici č. 17  a Dominikánskom námestí č. 11 v Košiciach

Author(s): Michaela Haviarová,Jozef Tihányi / Language(s): Slovak Issue: 1/2013

The houses on the Dominikanske Square 11 and Alzbetina Street 17 are situated in the northwest quarter of the medieval city. An important finding was reached during the research of the houses, what is the definition of the medieval ground alignment. The house at the Dominikanske square 11 had practically today's niveau and the plain of the square leaned towards the Dominican church. At Alzbetina Street 17, there is the 15th century entrance situated in the depth of approximately 3m below the surface. The primary single-room houses were apparently shifted behind today’s street front. The 14th century heart of the house on Alzbetina Street 17 was partly vaulted and partly covered by flat ceiling. The 15th century house on Dominikanske Square 11 apparently replaced older building. The single room with the barrel vault remained.

More...

ERZURUM YÖRESİNDE İCRA EDİLEN SÖZLÜ ESERLERDE KULLANILAN TÜRK DİN MUSİKİSİ VE GELENEKSEL TÜRK HALK MÜZİĞİ ORTAK MAKAMLARININ İNCELENMESİ

Author(s): Ahmet Mutlu Terzİoğlu / Language(s): Turkish Issue: Special/2016

Erzurum has a quite wide and old culture structure as it has been on the route of Silkroad and has hosted various big civilizations for centuries. This cultural accumulation emerges itself not only in one specific field but also in various fields. Because Erzurum is in a geopolitical location which is open to interaction, it has made great progress in all fields of art and it is a city where religious and nonreligious written, oral and visual art works can be frequently seen. The limitations of this study are Turkish Religious Music and Traditional Turkish Folk Music samples which are performed in Erzurum, and the purpose of this study is to determine the similarities of these modes performed in Erzurum territory, to contribute to the literature with the obtained findings and to prepare the necessary ground for the future generations to continue to perform these modes.

More...

ÇİZGİ FİLMLERİN İLKÖĞRETİM ÇAĞI ÇOCUKLARININ TOPLUMSALLAŞMA SÜRECİNE ETKİLERİNİN DEĞERLENDİRİLMESİNE YÖNELİK ÖLÇEĞİN GELİŞTİRİLMESİ

Author(s): Özcan Demir,Ahmet Atan,Yücel Gelişli / Language(s): Turkish Issue: 31/2016

The effect of media content to the socialization process of children is a major subject of communication studies. Cartoons are one of the most watched contents of television among children. In this study it is aimed to develop the scale about the effects of cartoons telecast on Turkish televisions to the socialization process of elementary school students in Turkey. The research is a descriptive study. 10-12 years of age group students in elementary schools in 9 counties within the borders of the Ankara city Metropolitan Municipality made up the research population. In the scale development stage, the application was made with 572 students in the scope of Explanatory Factor Analysis (EFA) and with 350 students for Confirmatory Factor Analysis (CFA). The scale was prepared to determine the relationship between cartoons and socialization in the research scope and applied to 150 students. As a result of the explanatory Factor Analysis it is concluded that the scale has a structure of 35 items with 2 factors. The Confirmatory Factor Analysis (CFA) verified the two factors structure of the scale. The fit indices were found as χ2=1770.02, X2/sd= 3.17, RMSEA=0,079, CFI=0.94, NNFI=0.94 and NFI=0.91.

More...

ИНТЕРМЕДИАЛЬНОСТЬ ЛИТЕРАТУРНОГО И ТЕАТРАЛЬНОГО ТЕКСТА (НА ПРИМЕРЕ РОМАНА ОРХАНА ПАМУКА «МЕНЯ ЗОВУТ КРАСНЫЙ» И ОДНОИМЁННОГО СПЕКТАКЛЯ ТАТАРСКОГО ГОСУДАРСТВЕННОГО АКАДЕМИЧЕСКОГО ТЕАТРА ИМ. Г. КАМАЛА)

Author(s): Elena Nikolaevna Shevchenko / Language(s): Russian Issue: 1/2016

Orhan Pamuk is Turkey’s prominent contemporary novelist and recipient of the 2006 Nobel Prize in Literature. The main theme of his works is the clash of the Eastern and Western civilizations, interaction between cultures and their interpenetration. Russian readers are familiar with O. Pamuk’s novels “The Black Book”, “The White Castle”, “My Name Is Red”, “Snow”, “Istanbul. The City of Memories”, as well as with his short stories and essays. The novel “My Name Is Red” (1998), on which this paper is focused, talks about the penetration of the traditions of European painting into the Eastern art and their influence on Turkish miniatures. O. Pamuk considers the problem of dramatic interaction between the “native” and the “foreign”, shows the painful process of understanding of their own identity by Turkish artists. The philosophical reflections on art, faith, and traditions are closely connected with the detective plot and love story of the novel. The novel has a complex polyphonic structure: it consists of numerous alternating monologues of characters, such as the painted dog, Satan, dead artist, and, finally, the Red – the life-giving and fire-like element and the color which gave the title to the novel. The problems raised in the novel determine its distinct intermedial character. The aim of this paper is to identify and systematize the intermedial components (manifestations of the pictorial and literary interaction) of the novel. The paper is conditionally divided into two parts. The first part analyzes the novel under consideration. The second part of the article is devoted to the intermediality of the play based on O. Pamuk’s novel and staged in 2014 by M. Kal’sin, the director of the G. Kamal Tatar State Academic Theater (Kazan). In our opinion, the intermedial field of the play expands as the rich visual imagery is added to the verbal techniques of thematization of the works of visual art. This includes the accentuated decorativeness of the play seen in the stage design and costumes, images of Turkish miniatures projected on the screen (by A. Votyakov), and creation of characters through choreography (by M. Bol’shakova). It is shown in the paper how the intermedial references in the novel and the play based on it contribute to the main idea, thereby helping to realize the author’s intent by means of different kinds of art.

More...
SANAT EĞİTİMİNDE YARATICILIK ALANI OLARAK HEYKEL SANATI ÜZERİNE: TOPLUMSAL BELLEK

SANAT EĞİTİMİNDE YARATICILIK ALANI OLARAK HEYKEL SANATI ÜZERİNE: TOPLUMSAL BELLEK

Author(s): Hülya Uysal / Language(s): Turkish Issue: 32/2016

In the education system the areas of sculpture art education is not at a spot it should be and the attenion towards it should be more. In our land for thousands of years the there have been outbursts of sculture within our culture and arts. This accumulation can evaluate the structure in the best way is nowdays education system. We are in such a state that we have a art past but no future. Today is the best way to assess depends on the past and the future. Art is the reason of existence. There has been a dialogue between art and human nature for centuries, and they both complement each other. Education is a scientific concept and much later, so the evolutionary development of the human mind and as a result brought by this development, thoughts and writings began with the creation of thought. Art is the memory of a society. Every community has with the art and culture that it created itself. Each society's understanding of art and art policy as well as the necessity of art is a universal value that should not be ignored. For this reason art, and art education, sculpture art and sculpture education on the subject of individuals and consequently as a result of collecting and winning the event will be focused on the results and suggestions will be given.

More...
OKUL ÇALGILARI I VE OKUL ÇALGILARI II DERSLERİNİN ÖĞRENCİ BEKLENTİLERİ VE BEKLENTİLERİN KARŞILANMA DÜZEYİ AÇISINDAN İNCELENMESİ (ÖMER HALİSDEMİR ÜNİVERSİTESİ ÖRNEĞİ)

OKUL ÇALGILARI I VE OKUL ÇALGILARI II DERSLERİNİN ÖĞRENCİ BEKLENTİLERİ VE BEKLENTİLERİN KARŞILANMA DÜZEYİ AÇISINDAN İNCELENMESİ (ÖMER HALİSDEMİR ÜNİVERSİTESİ ÖRNEĞİ)

Author(s): Aysun Rabia Hamzaoğlu Birer / Language(s): Turkish Issue: 32/2016

The purpose of this research is to determine the students’ expectations from the School Instruments I ve II (Recorder) lessons at Ömer Halisdemir University Faculty of Education Department of Fine Arts Education, Music Department. 38 students who attend this course have been interviewed at their first lesson and their expectations have been recorded. The result of this interview shows that 73,69% of the students’ expectation is “to be best at playing a recorder and teaching it to their future students”. The School Instruments I ve School Instruments II lessons have been studied with the same research students and they have been asked to evaluate the level of their expectations met with five point Likert scale at the last lesson. Results show that 50% of the students’ expectations have been met “totally”, and 44,74% have been met “significantly”.

More...

BÖLGELERE GÖRE TÜRKÜLERDE KADIN KIYAFETLERİ

Author(s): Serenat Istanbullu,Feyzan Göher Vural / Language(s): Turkish Issue: 23/2014

Folk songs reflect the characteristics of the society which they belong. Turkish Folk Songs (Türkü) include numerous cultural features and historical development which spread over thousands years of Turkish society. There are some investigations on Turkish Folk Songs’ rhythmic and musical structures. But at the same time, Turkish Folk Songs’ lyrics are very important for cultural investigations. This descriptive research which based on literature review, has analyzed that 2000 Turkish Folk Songs which belong Turkey’s seven region. It has been determined that clothes and accessories which belong women and has been compared among seven geographic region.

More...

ПРОИЗВЕДЕНИЯ СРЕДНЕВЕКОВОГО ИСЛАМСКОГО ИСКУССТВА С ЭПИГРАФИЧЕСКИМИ НАДПИСЯМИ В СОБРАНИИ АРХЕОЛОГИЧЕСКОГО МУЗЕЯ КФУ

Author(s): Svetlana Igorevna Valiulina,Alsu Renatovna Nuretdinova,Damir Adgamovich Shagaviev / Language(s): Russian Issue: 3/2016

During the 19th – early 20th century, owing to the efforts of members of the Society of Archeology, History and Ethnography at the Kazan University, the collection of the Archaeological Museum was formed by acquisitions from the private collections. These materials were rarely accompanied by passport data and, therefore, had limited opportunities in terms of scientific application. The article aims to attribute some works of medieval Islamic art in the museum collection. To fulfill this aim, traditional methods (comparative-typological, stylistic, and linguistic) were used in the comprehensive study along with those commonly applied in natural sciences (semi-quantitative emission spectral analysis for ceramic products, and, most importantly, non-destructive method of scanning electron microscopy (SEM) for determination of the chemical composition of a metal candlestick stand). Products made of brass, bronze, kashin (faience), and ceramics are similar in the presence of epigraphic inscriptions, which extends their informational potential. The findings were made possible during identification of the stylistic features of these products, compliance of the morphological characteristics with the nature of epigraphic inscriptions, and, for toreutics products, the content or semantic component of often fragmentary texts appeared to be minor, while the performance or style turned out to be more important – handwriting of inscriptions, its involvement in the ornamental composition of works. Stylistic expressiveness of the artifacts and wide geography of their parallels, – Mosul, Herat, Nishapur, Merv, Samarkand, etc. – allowed to present the reliable morphological and technological description, as well as to date, based on analytical data and a wide range of the parallels, each subject within the 10th – 14th century and to determine the probable production center. The obtained results are important and will be used for further study of crafts products of the Volga Bulgarians, primarily from Bilyar and Bolgar (the capital centers of the state beginning from the 10th century), which became one of the components of Islamic culture since the time of the adoption of Islam.

More...
Zachodnia i wschodnia tradycja wykonawcza śpiewu sakralnego: aspekt estetyczny

Zachodnia i wschodnia tradycja wykonawcza śpiewu sakralnego: aspekt estetyczny

Author(s): Ievgeniia Lazarevych / Language(s): Polish Issue: 04 (31)/2016

Fundamental differences between Kyiv-Pechersk choral style and Western model of performance of religious chants can be considered in various contexts and at several levels. One should take into account diversity of church rules (canon), mentality, even geographical location and physiological capabilities of voices of the singers coming from a particular area. The performance practice is also connected with such factors as cultural traditions, language, way of life and social issues related to faith. It is therefore understandable that, after a short period of a fragile cultural unity of the Church, different traditions emerged. The author argues that the way of singing is directly dependent on the fundamental philosophical and theological ideas, originating from the Church canon. Then, the differences between chant performance in two main branches of the Christian Church seem to be a consequence of the distinct ways in which the theological doctrine, dogma of the Church, the temporal and spatial principles of worship and art developed in Roman Catholic and Byzantine Orthodox traditions. The two different perceptions of communication with God and its influence on church singing are considered by the author as an exemplary case.

More...
Dwa Źródła Aretuzy. Semantyka, literackie właściwości i funkcjonowanie aspektów kompozycji Karola Szymanowskiego w sonecie Jarosława Iwaszkiewicza

Dwa Źródła Aretuzy. Semantyka, literackie właściwości i funkcjonowanie aspektów kompozycji Karola Szymanowskiego w sonecie Jarosława Iwaszkiewicza

Author(s): Łukasz Kraj / Language(s): Polish Issue: 04 (31)/2016

The purpose of this article is to define the possible meanings and connotations of musical compositions and their conversion into the lingual substance of poetry. Since the issue is varying internally and always needs particular examples, the undertaken analysis concerns two pieces of art: Fountain of Arethusa by a Polish composer Karol Szymanowski and a sonnet of the same title written by his friend and relative, writer Jarosław Iwaszkiewicz. Firstly, the matter of literary title and its associations is compared in both pieces, which leads to conclusion that while the name of composition generates loose and imprecise connotations, literature requires more specification, nonetheless both the composer and the poet understand mythical subject alike and reception of the work of the latter is based on emotional and semantic qualities similar to those included in the composition. Then, the subject of musical genre is depicted, with emphasis placed on literary connotations and their implications in the process of transcription of music into words. As the poet uses sonnet, which apparently has got poor connections to music, the motives of such choice are enumerated, including significance in European culture and interior dichotomy, both of which one can find in Szymanowski’s work. Further, the article describes relations between music character indications in musical score and particular lexemes in the poem. Musical work can exist in literature in many ways, first of which is being a theme of objective or subjective description. Such illustration of music in the poem is analysed. Then the euphonious and rhythmic features of the text are described in order to prove that music exists in the sonnet in its sound as well as being a scheme which is reinterpreted and imitated by the writer. The analysis shows that although one cannot translate musical matter into words, it is impossible to ignore many intersemiotic correlations between music and literature. Every example of such coexistence – either on the ground of semantics or form – must be studied individually.

More...
Периодика 2016

Периодика 2016

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 33/2016

Content of the main Bulgarian scientific journals for the current year in linguistics, literature, history, folklore, ethnography, archaeology and art studies

More...
Uraz – bliskość – nie‑pamięć. Psychoanalityczny dyskurs traumy od Freuda do Ettinger

Uraz – bliskość – nie‑pamięć. Psychoanalityczny dyskurs traumy od Freuda do Ettinger

Author(s): Anna Kisiel / Language(s): Polish Issue: 2/2016

Trauma is a notion whose perception in the psychoanalytic discourse has undergone dynamic changes, starting from the transfer of this concept to the psychic ground, through the conceptualisation of its impossibility of being shared, ending with Bracha L. Ettinger’s intervention. The aim of this paper is twofold: to track these changes and to (re)define the potential of the trauma discourse(s). After the analysis of main assumptions concerning the psychic wound in the thought of the fathers of psychoanalysis, the author proceeds to the branch of trauma studies influenced by the Holocaust, so as to finally introduce Bracha L. Ettinger – a clinical psychoanalyst, theoretician, artist, feminist and member of the Second Generation after the Holocaust – and her matrixial theory. As the author endeavours to demonstrate, this thought provides us with the tools to rethink the shape and possibilities of the trauma discourse.

More...
Влиянието на модерния национализъм върху формирането на представите за художествен стил

Влиянието на модерния национализъм върху формирането на представите за художествен стил

Author(s): Nikolay Papuchiev / Language(s): Bulgarian Issue: 101/2016

Focusing on the modern Bulgarian culture in the period between 1878 and 1944, this article explores the role of modern nationalism in forming the special attitudes in Bulgarian society towards values of traditional culture. The main accent is put on the place of National ethnographic museum as a key element of creating and spreading the knowledge about the romantic past of the nation and its significance as a cultural heritage in the present. The next topic in the analysis is closely connected to the question of how museum acted as a mediator in the field of culture in the examined period. Why the modern Bulgarian urban population decorated its homes with things that are similar to (or the same as) the traditional ones, what was accepted as original and where is the place of the aesthetic – these are amongst the principal questions in the article.

More...
Leone Leoni – zapomniany kompozytor wczesnego baroku

Leone Leoni – zapomniany kompozytor wczesnego baroku

Author(s): Róża Zuzanna Różańska / Language(s): Polish Issue: 01 (32)/2017

The article is a pioneer attempt in Polish literature to develop a syn- thetic resume and the characteristics of the work of the Italian Baroque composer Leone Leoni. Leoni was highly valued in his time; also, he is said to be one of the creators of dramma per musica genre, and his religious compositions served as model examples of counterpoint for many centuries. e rst part of the text presents the state of research concerning the life and work of the artist; then, the second part con- tains his biography. e last part discusses Leoni’s works. Finally, the rank of his output is regarded.

More...
Result 24261-24280 of 26260
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 1213
  • 1214
  • 1215
  • ...
  • 1311
  • 1312
  • 1313
  • Next

About

CEEOL is a leading provider of academic eJournals, eBooks and Grey Literature documents in Humanities and Social Sciences from and about Central, East and Southeast Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, researchers, publishers, and librarians. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. CEEOL supports publishers to reach new audiences and disseminate the scientific achievements to a broad readership worldwide. Un-affiliated scholars have the possibility to access the repository by creating their personal user account.

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 102056
VAT number: DE300273105
Phone: +49 (0)69-20026820
Email: info@ceeol.com

Connect with CEEOL

  • Join our Facebook page
  • Follow us on Twitter
CEEOL Logo Footer
2025 © CEEOL. ALL Rights Reserved. Privacy Policy | Terms & Conditions of use | Accessibility
ver2.0.428
Toggle Accessibility Mode

Login CEEOL

{{forgottenPasswordMessage.Message}}

Enter your Username (Email) below.

Institutional Login