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Ağri Daği efsanesi'nin Dağ'da birleşimi-anlamda karşitliği: Musa Daği’nda 40 Gün

Author(s): Yasar Kop / Language(s): Turkish / Issue: 34/2017

Many discussions that began with the conflicts and historical events between the Armenians and the Muslim Turks in the last days of the Ottoman State have come up to date. However, despite the fact that about a century has passed since the events of 1915, different namings have been made for the events that happened between the two nations. Of course, being an accused target of an invented genocide is perhaps a heavier accusation than being a perpetrator. The painful situation will be even more painful if historic finds are left on the edge and the events of 1915 are drawn towards the arena of politics, and if novels, films and oral and / or local history methods are used as arguments. One of the arguments used in this study, "40 Days in Musa Dag", is emphasized, and it is emphasized that a legendary situation is shown as a reality despite the lack of evidence. As a result, it has been concluded that the source of written or visual media that appeals to a target audience cannot be verified without internal and external criticism without reaching the primary sources.

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Alageyik Efsanesi ile Kocacaş Destanında Ortak Unsurlar

Author(s): Sule Gezer / Language(s): Turkish / Issue: 89/2017

Literature from the past up to the present day from the value judgments of the society, the perception of life and their beliefs in their world hosts the content. In this regard, literature is a tool that enables the transfer of Culture. That belong to the past period, a belief, a way of life, sometimes when it is transferred to the current social environment is repeated. In this case, literary narratives, as a literary production have been associated with the old content, and carry traces of them. These texts provides the transition between the collective consciousness of a nation that is under the transfer of intellectual values caused by an organic bond. This bond that exists in modern culture as renewed in the past through a narrative similar occurs again. In addition, has a common background and the same culture at different times in different regions from each other, brothers who are members of communities of faith bearing the same motifs and similar elements of narratives can reveal. In this study, a common history and culture, Turkish culture, with the two brothers belonging to the community two of the common motif of narrative texts. will be evaluated in terms of. One dimension of this narrative that carries the legend of a folk literary narrative of Yaşar Kemal entitled The fallow deer, and the other that belongs to the Kyrgyz Turks and Kococas that are present in the oral environment is epic. Beliefs that the Turks belong to the period of hunting and gathering, which is located in the center of this narrative, this period featured in the deer/is centered around the cult of the loser. In this context, narratives and motifs that are common to both episodes have been identified. This partnership in which both of Turkish tribes in the cultural sense, born from the same source, the same culture in different geographies of the phenomena that they are.

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Almanya’da Yaşayan Azerbaycan Kökenli Bir Yazar: Orhan Aras

Author(s): Asuman Gürman Sahin / Language(s): Turkish / Issue: 01/2016

Turks, who have emigrated to Germany as workers, have found a place in literature for themselves in the country they lived. In Germany, lots of studies have been conducted on the development of Modern Turkish Literature. However, a lack of studies on Turkish artists’ lives and literary works is noteworthy. A master’s thesis was prepared by the writer of this paper about the life and literary works of Orhan Aras- an author about whom there is no information in the literature on authors of Turkish origin living in Germany. The purpose of the current study is to identify and plot where Orhan Aras stands in the Turkish literature developing in Germany as an author whose family migrated from Azerbaijan to Turkey, and who was born in Turkey and has been living in Germany. The analysis is conducted in two stages. In the first stage, the shared characteristics of second generation authors including Orhan Aras are presented, and in the second stage unique characteristics of the author are introduced. The foremost characteristic of the author distinguishing him from his contemporaries is his Azerbaijani accent and themes rooted in his family.

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Ambiwalencje nowoczesności. Powieść turecka i modernizm

Author(s): Piotr Kawulok / Language(s): Polish / Issue: 6/2013

In this paper, I examine the development of the Turkish novel from its beginning in the second half of the nineteenth century until the 1970s in terms of the concept of literary modernity. While it is often argued by many scholars that modernism, or literary modernity, began in Turkey only with the publication of Oğuz Atay’s Tutunamayanlar in 1971, I try to demonstrate that the chief concepts – as opposed to techniques – of modern literature were present in the Turkish novel from its very beginning. Modernity is thus exposed as a self-contradictory, ambiguous entity which encompasses various, often conflicting, tendencies.

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An ecocrıtıcal readıng of representatıons of nature in modern Turkısh novel

Author(s): Berrin N. Aksoy / Language(s): English / Issue: 2/2019

Modern Turkish novel developed in the 19th century, greatly inspired by the translations of foreign models. Since then, it has undergone a gradual transformation in terms of style, subject matter and innovative genres and modes of expression thanks to the potentials provided by local cultural and traditional literary sources. Of those, people’s ballads, court poetry and folkstories and songs which have celebrated the geographical, regional and natural characteristics of the homeland and which portrayed the forms of a relationship between the human and nature lie deep in the cultural memory and consciousness of the people. Such a literary climate enables novelists to weave several representations of this relationship between human and nature as a dominating metaphor or motif in their work. In this paper, I will trace the manifestations of this relationship and their artistic and literary functions in the novel Kuyucaklı Yusuf (Yusuf from Kuyucak) by Sabahattin Ali, and Ortadirek (The Wind from the Plain) by Yaşar Kemal.

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An Integrated Approach To Teaching/ Studying Postcolonial Poetry

Author(s): Belgin Elbir / Language(s): English / Issue: 2/2019

This article presents a discussion on teaching/ studying postcolonial poetry in English as part of a course on modern and contemporary poetry in a foreign language literature classroom at university level. The argument in the article is based on ways and benefits of using an integrated approach that pays attention to, and puts emphasis on, fostering students’ literary and language competence to meet their academic and occupational needs. The particular poems chosen to illustrate the argument are by Grace Nichols and John Agard, two contemporary immigrant poets from the Caribbean, whose work can be regarded as highly representative of the characteristic features and major concerns of much postcolonial poetry produced in Britain by poets from former colonies.

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Anadolu Ağitlarinin Türküleşme Süreci Ve Üç Ağit Örneği

Author(s): Merdan Güven / Language(s): Turkish / Issue: 75/2013

The elegies are invaluable works which take the place in cultural world of humanity since the starting of Human History. Composed of both literature and different musical works, elegy is of not only nationalistic features but also universal understandigs. The word of Elegy is directly associated with the meaning expressed as “crying”in a lot of world languages. The elegies are both literary and musical and sociologic documentaries reflecting social structure of societies. As well as expressing of various elements of life styles societies, the elegies harbour a lot of properties such as language, religion, history and traditions of nations. One of the most important features of the elegies is that they have comfortive effect both during their performance and after performance. People provide a spirutual discharge by means of elegies following to a dead person. Even if performing elegy seemed like a rebellion of People against the death, all these cries or elegies prepares a ground for new contstrection of family regulation and soothing of the spirit in the last moment. The tradion of expressing the elegy in Turkish Society has been performed with know application. The tradition of Elegy in the old ages of the history has been continuing with very little change. The elegies don’t stay as they were said first. The elegies adopted by society have been gone far away by repating of the society again and again. Like every musical work, the elegies as regards their melodies have undergone to the changing considerably with their initial forms. The elegies are very emotional works as regards their melodies. Parallel to the change of the society in time, the elegies also might lose their emotional features. Even this change occurs so rapidly that an emotional elegy can transform into rithmic dance. Three examples of the elegies we tried to show here with their notes, it has been abserwed that the elegies of Anatolia have changed in time.

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ANADOLU TÜRKMEN AĞITLARININ YAPISI

Author(s): Evrim Ulusan Öztürkmen / Language(s): Turkish / Issue: 27/2019

On a verbal level, an elegy can be regarded as the narrative form of the death process. Elegies transmit the news of death, depict manner of death and convey the guidelines for re-ordering the lives of those left behind and dissolving the ambiguity following death. They describe the emotional responses to death such as pain, sorrow, anger and despair. However, the structure of an elegy cannot be limited to its verbal layout as the elegy is a performative poetic form. In the performances of elegies, the tears, meanings, tremors, accompanying the tune, and the responses of people to the transformative capacity of nature materialise through human voice and gestures, and they are transferred onto a cultural level. In order to interpret the characteristics of this poetic form, the melody of an elegy, the physical acts of its performer and the audience should be evaluated together. In this study, the elegy is addressed as a performative poetic form and the characteristics of Anatolian Turkmen elegies are discussed. Following a structuralist approach, elegies are analysed on thematic, melodic and dramatic levels. As a conclusion, it is established that Turkmen elegies follow some consistent and continuous patterns. The function of the findings in the organisation of Anatolian Turkmenian society is discussed. The elegies are types of rites-of-passage poems which guide the mourning communities from turmoil to order; therefore, elegies mostly deal with matters of life preceding and following death, rather than the death itself.

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Ankara’da Sahne Hareketleri

Author(s): Sedat Veyis Örnek / Language(s): Turkish / Issue: 82/2015

ÖTEYE DOĞRU yaşamakla ölmek arasındaki bıçak ağzı kadar keskin çizginin öbür tarafında, ölüm tarafında cereyan eden bir dram. Biz artık öyle bir yerdeyiz ki, kurtuluş için attığımız her adım, sarfettiğimiz her söz, her kımıldanış boş ve köksüz. Bütün yapıcı ve yaratıcı kabiliyetlerimizi kaybetmiş, ısrar ve çırpınmalarımıza rağmen mağlûb olmuşuz artık. Biz artık biziz. Sadece boyumuzla, gözümüzün rengiyle, saçlarımızla değil, hayat maceramızla, hayat maceramızın çizdiği kader grafiğiyle biziz. Tutulan ayna fiziğimizin hududunu aşıp içimizi aydınlatıyor ki kamarot, “Efendiler gemi limana noktamıza varıncaya kadar ışığa boğuyor.”

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Anlam Çerçecesi Açisindan OLVIDO

Author(s): Tülin Arseven / Language(s): Turkish / Issue: 60/2009

Ahmet Muhip Diranas is one of the distinguished poets of modern Turkish literature. Very precious and unforgettable poets were won to Turkish poets by Ahmet Muhip Diranas. One of his important poems is Olvido. „Frameworks in terms of the meaning Olvido“ titled in this study Olvido poet will be analysed in two different respect: content and presentation.

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ARAPÇA GÜZEL SÖZLER DERLEMESİ NESRÜ’L-LEÂLÎ’NİN MENSUR BİR TERCÜMESİ

Author(s): Âdem CEYHAN,Hasan Yilmaz / Language(s): Turkish / Issue: 03/2019

Nesrü’l-leâlî is a booklet that is prepared by Tabersî and it contains approximately 290 Arabic aphorisms of Hz. Ali chosen among his thousands words which was organized in accordance with the order of elifba. These wise words which express the ideas and recommendations of morality and dignity, have been the subject of translation and commentary activities of various scholars, poets and writers for centuries. The oldest examples that can be identified in the history of Turkish literature which were created in 15’th century, its translations and interpretations have continued for centuries. There are some well known literary figures such as Ali Şîr Nevâî, Kastamonulu Latîfî and Muallim Nâcî among the interpreters of this collection which have been translated or interpreted by four scientists, poets and writers. There are also Turkish translations of the book whose translaters are unknown. In these studies, one of the first Turkish translations of Arabic language prose whose author and the date of writing are unknown, its first introduced then the text of booklet translated into new letters are given. After the translation of the vocabularies, the unclear translator also expresses the ideas or lessons learned from them. The Turkish translation of the short Arabic text, which included the advice to the people and the people who followed the translation process, was included in the study, considering that it could be the work of the same translator as well.

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ARNAVUT KÜLTÜR VE EDEBİYATINDA MEVLİD YAZMA GELENEĞİ

Author(s): MERAL JAJHAI / Language(s): Turkish / Issue: 2/2015

Similar to other Muslim communities, mawlid occurs as the expression of love for our Prophet in the Albanian community. Recently, it has gained a wider place in cultural life as the written work or celebration ceremony.Mawlid is used to revive the religious life and in individual plans as signification tool for changes in all stages of life. In the beginning, it was performed in Turkish. In the passage of time, it started to be performed in Albanian which contributed to the accumulation of mawlids among the Albanians. Besides its educational character, mawlid is also a source of hope to gain intercession from Hz. Muhammed (s.a.v.), keep his name alive and commemorating him. This is one of the main motives behind survival and popularity of mawlid among the Albanian Muslims.In the light of texts of mawlids and latest research related with it, this study aims to focus on the development of mawlid as a part of the Albanian culture.

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Asyada bir kadin tezkireci (Dr. Şefika Yarkin)

Author(s): Murat Akyüz / Language(s): Turkish / Issue: 33/2017

In order not to forget peopled deemed important (valuable) and to make their memories last forever many have been in a search. One of these endeavors is observed to be “tadhkira”, a collection of records on the lives and works of the poets as well as prominent individuals (as a type biography). In this study, the term tadhkira has been initially defined while the reasons for the historical development of the tadhkira preparation as well as the tradition of composing them about poets have been emphasized. The heritage of drafting poet tadhkira in Turkish which was associated by the name Ali Shir Nevai, later on began to develop in the lands of Anatolia and Azerbaijan. Other than the work composed in Eastern Turkish by Ali Shir Nevai and Sadiki, unfortunately, no other examples have been written until XX century. Completely all of them written either in eastern or in western Turkish languages had been by males authors. At this point, Shefika Yarkin has been the pioneer female tadhkira author in Central Asia with her work named “Ipek Taleleri” (Silken Fates) covering the Uzbek poets of Afghanistan while writing the first biography on women poets. In this paper, while more information is provided about other works of Shefika Yarkin, the importance of the piece named “Ipek Taleleri” elaborating Uzbek women poets has been emphasized. The Purpose: To discover the female tadhkira authors besides the work done on women in the past and present.

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Ataol Behramoğlu’nun Şiirlerinde Şiddetli İmge ve Bunaltı İzleği

Author(s): Vedi Askaroglu / Language(s): Turkish / Issue: 28/2015

A person begins to question the meaning of his/her existence in the presence of pressurizing spaces of the soul. Death, destruction and war are concrete cases which put great pressure on the soul of humans. These phenomena not only make humans question everything meaningful but also sweep away all the meaning of life, for humans have always been directed to live with others in the same space depending on them. In the case of death, the value of emotions, ideas and sharing turns into dust and nihilism, and losses emerge like messengers / clues of one's finite fate. Destruction leads to complete absence of understanding for a mind used to living in a cosmos based on logical cause-effect relationship, and humans suddenly find themselves in a horrible case of hollowness and chaos. Violent image is the tragic scream of a person who suffers from existential agony, questioning both his/her own identity and the community s/he lives in, in the presence of destruction, annihilation and loss of meaning. Violent image, which reflects the verbal incarnation of futile questioning and emotions, has an important significance in the poetry of Ataol Behramoğlu, who has a sensitive mind. Behramoğlu writes about the reflections of his mind against death, destruction, war, degeneration and loss of meaning on a personal level with the subject "I" and on a universal level with the subject "we".

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Aticilik Sporunda Bir Osmanli Sultaninin Performansini Dönemin Şiirinden Okumak: Tarih Manzumelerine Göre II. Mahmud’un Ok Ve Tüfek Aticiliği

Author(s): Özge Öztekin / Language(s): Turkish / Issue: 63/2010

Mahmut II is also successful in archery and shooting along with his ruler identity. This could also be learnt -albeit partial- from poetry world of that time. History poems in collected poems of some poets such as Enderunlu Vâsıf, Keçecizâde İzzet Molla and Lady Leyla offer poetic materials on Mahmut II’s shooting.

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ATTİLA İLHAN’IN ŞİİR KADINLARINDA ANNELİK BİÇİMLERİ: SIĞINMA, DOĞURGAN, SEVGİLİ…

Author(s): Fatih Arslan / Language(s): Turkish / Issue: 9/2017

Turkey itself has a line in one of the poet and poetry, which completed its maturation in this area is Attila Ilhan. the battle before him, our ideology and poetry together with İlhan urban structure organized by social changes associated with them and noticed its different returns. Even personally it has been involved in these changes and transformations. a phenomenon known as social realism and serious in the sense that the first mention of a unique structure and format began with İlhan can say. Urban people as the hero of the language revealed a partial half rebellious types. their whole life "can say that rowdy" behavior affects the entire text. Long life and different values, Ilhan manner in which they live period, Turkey has revealed a retrospective of his works.Poetry is one of the personal values of women. the pursuit of a woman image without actually wrote and lived. Characters typical feminist women from the traditional women formed until the time women entered the effort to witness the world. The different categories and will be quite comprehensive Attila Ilhan women will just try to look at the context of motherhood. Although the essential qualities of motherhood denominator, though the move permanent asylum women, fertility, lover, attitude, such as home-space has important referent are feminine values in poetry. Unknown women converted to the known values of Ilhan poetry. Motherhood seems to just this one known value structuring holdings.

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Auratik Hirsizin Tarihsel Sermayesi -Cingöz Recai Serileri Üzerinde Bir Çoklu Uyum Analizi Uygulaması-

Author(s): Seval Sahin / Language(s): Turkish / Issue: 68/2011

In this article, Cingöz Recai crime fiction series, published between 1924-1960 by Peyami Safa under the penname Server Bedi, are examined through Pierre Bourdieu’s concept of capital and habitus along with Franco Moretti’s approach to literary genre. In this study, it is benefited from Multiple Correspondence Analysis which Bourdieu used to study the education system, academic and literary field in France and thanks to it, how Cingöz and foreigners are positioned and what kind of relations there were between their positions and the ideology of the period are questioned. In addition to this, it is made a point of how the history exchanged a historical capital in the novelistic space through Walter Benjamin’s concept of auratic object.

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Avrupa Birliği Ekseninde Diş Göçün Edebiyatina Yansimasi

Author(s): Hüseyin Dogramacioglu / Language(s): Turkish / Issue: 60/2009

The experience of our nation who have a lived out migration is today forgotten in the last days try to enter the European Union. Out-migration in Germany axis had influenced our society deeply once upon a time. Our literature has reflected foreign migration and the status of both the survivors and those who went has taken place in our novels and stories in different sections. Bad effects of the out-migration on our people still continue. To remember the out-migration in the past through our literary works will help solve similar problems we can encounter in future.

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Ayfer Tunç’un Modernizmle Derdi: Faillik ve İktidar

Author(s): Çimen Günay-Erkol / Language(s): Turkish / Issue: 01/2017

Ayfer Tunç, a prominent contemporary writer of Turkish literature, emphasizes the problems of modernism in her novels and presents the struggles of people alienated from the society and the nature in the modernizing world. In Tunç’s literature, themes such as “freedom”, “decision making” and “searching the truth” integrate with several social and political problems related with modernism and grow bigger. Public domain is taken into consideration, around these themes and as an attempt to create a common world. Tunç’s attempts to deal with modernism, requires a re-questioning of concepts such as “agency”, “power”, “public domain”, “evil”, “violence”, similar to that of Hannah Arendt who is one of the foremost thinkers of 20 the century that worked on social politics. In this article, Tunç and Arendt are brought into investigation to discuss the ways they treat the impasses of modernism. Arendt’s famus concept “banality of evil” took its place in history as an important criticism to modernism. Tunç’s 2014 novel Dünya Ağrısı (The World Pain) presents a fictional view of Arendt’s “banality of evil” while the writer’s 2009 novel Bir Deliler Evinin Yalan Yanlış Anlatılan Kısa Tarihi (The Unconfirmed Short History of a House for the Mad) brings the “banality of madness” to the fore. In this article, in the framework of her two novels, impasses of modernism, which Tunç fictionalizes with her unique style are presented and discussed in the light of Arendt’s critical thought.

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Aylak Adam Ve Tuhaf Bir Kadin Sokaklarda Gezinirken: Ayni Sokaklar[Da] Farkli Deneyimler[Le]

Author(s): Meral Akbas,Nihan Bozok / Language(s): Turkish / Issue: 81/2015

Every steps on the streets has many stories. The thousand-word stories of the people taking the roads are the proofs of how this world we live in contains many different experiences. The streets of cities change and gain new meanings with new people stepping them. For instance, a street for whom is dark and not walkable after a certain time may be the house of another people; a street which is open to be stepped anyone, every hour, may not be a place where inspires same feelings to every people passing in that street. Just like Beyoğlu… In this study, by following the novels of Yusuf Atılgan, Aylak Adam [The Idle Man, 1959] and of Leyla Erbil, Tuhaf Bir Kadın [The Strange Woman, 1989], both of which settled in Beyoğlu, it will be examined how male and female writers narrate different lives, feelings, thoughts and interpretations of men and of women walking on the streets. Moreover, the images of ‘flâneur’ and of ‘flâneuse’, rather than historical figures, will be discussed as critical metaphors with reference to the comparison between The Idle Man by Yusuf Atılgan and The Stranger Woman by Leyla Erbil. An analysis on the lives of Mister C, idle of the years 1950s, and of strange woman, Nermin who walks in Beyoğlu in 1980s, that refers to the different experiences of urban/public/street by men and women, will give a chance to a critical interpretation of the social history of Turkey and to a re-reading of past.

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