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TÜRK HALKININ ÇOCUK EDEBİYATININ FLASH ŞİİRİ TÜRÜ VE ÖĞRETİM YÖNTEMLERİ

Author(s): Kamalbek Berkimbayev,Dudarisha Sartbayeva,Aygerim Tineybayeva / Language(s): Turkish Issue: 31/2016

The present study aims to explore the lullabies and rhymes of Turkic people, which are the types of flash poetry genre of children's literature by using typological analysis. Qualitative analysis techniques were used in this descriptive study. Data were collected via analyzing appropriate books and magazines in the sphere of children’s literature by using the method of inner analysis. It should be noted and paid attention to the inner analysis of children's folklore and to remember the following conditions. First, must be identified the creator of the works and then by whom and how they are performed. For example, lullabies have been composed by parents and performed by them. A great number of children's literature works are based on customs and traditions of people.

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ПРОБЛЕМАТИКА ТУРЕЦКОЙ ЖЕНСКОЙ ПРОЗЫ НАЧАЛА XXI ВЕКА: ГЕНДЕРНЫЙ АСПЕКТ

Author(s): Lidia Vladislavovna Sofronova / Language(s): Russian Issue: 1/2016

Seven novels written by four Turkish female writers in the last ten years are under consideration. The main task is to find out the common in problematics, literary techniques associated with the specifics of gender perception in the Turkish female novel. The painful transformation process of the traditionalist views on gender roles in the family and society under the pressure of new norms and standards of the globalized world is in the focus of female authors. The gender approach to the analysis of Turkish literary works appeared with the author’s awareness of her feminine essence, as opposed to the masculine point of view dominating in the life and literature. The previously taboo topics started being discussed due to the process of women writers’ self-identification The literary heroine is represented as a so-called “traumatic subject”. The theme of violence against a girl, woman caused by a man, her parents, and relatives permeates the narrative. The main conflicts of novels concern parents’ relationship, as well as mother-daughter and father-daughter relationships. The method of “autobiographical confession” dominates in modern women’s writing. The critical feminine look at the private and social life of parents, blaming them for the unsuccessfulness of their children in their future adult life are new for the Turkish female novel. The chronotope of these novels is characterized by a wide geographical coverage and non-linearity of time, sometimes its cyclicality. The discontinuity of time is provided by the character’s associative reminiscences (also through the inclusion of old letters and diaries in the narrative) which interrupt the time sequence.

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Tuna Dergisinde Göç Şiirleri: “1989 Göçü”

Tuna Dergisinde Göç Şiirleri: “1989 Göçü”

Author(s): Cahit Kahraman,Ilhan Güneş / Language(s): Turkish Issue: 2/2016

The last migration of the Bulgarian Turks, known as the “Migration of the 1989”, represents the subject matter of numerous articles, interviews, stories, poems, books, and even whole journals and magazines. One of these publications is “Tuna Journal”. Tuna Journal was founded by Mehmet Çavuş, also an immigrant from Bulgaria as well as an author and poet, in 1996. During its history between 1996 and 2009, the Journal offered discussion and consideration field for problems about literature, art, culture, and education. The Journal supported the pen experts grown up in Bulgaria and created independent writing opportunity for the immigrant writers. The Journal included introductions of authors and poets, surveys, criticisms, interviews, essays as well as short stories, anecdotes, memoirs and even jokes. The aim of the present paper is to scan and analyze the poems focused thematically on “migration” and published in Tuna Journal, and to determine the viewpoints of immigrants on migration issue. It is also aimed to find out the created migration perception by categorizing these poems which were written by an army of writers migrated from Bulgaria with regard to feelings and thoughts created by migration. Our study also deals with questions such as how the migration was reflected through the eyes of these writers migrated from Bulgaria in the 1989 and what feelings of the migrants the Journal mirrored along with the messages which it transmitted to the readers.

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TÜRK EDEBİYATINDA DRAMATURG SANATININ DOĞUŞU ve GELİŞİMİ

Author(s): Kenan Güzel / Language(s): Turkish Issue: 25/2015

It is known that the real source of Turkish dramaturgy inspired from religious – based theatric ceremonies of Turks. But western-type theater was introduced with our culture with the Rescript of Gülhane (Tanzimat) which is considered as the officially end of Ottoman Empire. İbrahim Şinasi Efendi went down in the modern Turkey’s history as the first Turkish play writer and dramaturge by writing “Marriage of a Poet” comedy in 1859. The word of “dramaturge” got into Turkish literature history after the establishment of “Theater Committee” in 1873 consisting of Turkish writers. Aiming to develop dramaturgy, and to do this job better, “Literary Commission” was established within the ''Darülbedayi-i Osmani'' theater. In 1929 officially first dramaturge was reported to the duty by state in Turkish literary history.

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P. N. BORATAV AZERBAYCAN ve AŞIK SANATI HAKKINDA

Author(s): Mehmet Can Cihan / Language(s): Turkish Issue: 23/2014

In the article, one of the famous Turkish folklorist of the 20th century, Pertev Naili Boratav’s scientific researches and opinions about creativity of ashug art are discussed. The effect of these investigations to Azerbaijan folklore-study, the importance of these investigations in the studying ashug art and the values of these investigations in terms of modernity are studied. The controversial tunes of Pertev Naili Boratav’s scientific and ideological reasons have been detected.

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SÛDÎ’NİN ŞERH-İ BOSTAN’INDA GEÇEN ARKAİK KELİMELER

Author(s): İbrahim Okatan / Language(s): Turkish Issue: 19/2013

Sûdî, lived in the sixteenth century, is a writer who wrote commentaries to three works of literature as listed significant and basic pieces of Iranian literature. They are annotated with Divan of Hafiz, Gulistan and Bostan works of Sa'di Şîrâzî. These three works have not only been read in Iran but in the Anatolian area and widely translated into many of the world classic works. Sûdî's Bostan Commentary includes a significant number of words of archaic language that are really important in terms of our literature and language. In this article, the archaic words in Sûdî's Bostan Commentary have been viewed, the use of archaic words by other writers and poets has been compared and Sûdî has been put forth to wield a lot of archaic words. As writing the commentary on Bostan, Sûdî followed the method of other commentators and he gave plenty of places in his commentary to Turkish archaic words that could be understood at that time. Literary works as they serve the development of a language is a document that conveys the language for future generations. There are a large number of Turkish words have fallen from the use of language today.

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BULGARİSTAN TÜRKLERİ ÇOCUK ŞİİRİNDE MİLLİYET KAVRAMI ve BULGARLARIN ELE ALINIŞI

Author(s): Atıf Akgün / Language(s): Turkish Issue: 15/2012

The poets of children poems in Bulgaria have used the concept of nationality in different ways as a result of the changes in the political life of the country they belong to. Also the place of other nations in the poems has showed differences according to the poet or the time. Sometimes, the concept of other nation has given as brother nation or it has given the source of assimilation and cruelty. These poems should be studied and examined in different ways to make avaIliable in academic world. In this study we have tried to study and examine the way of using the notions Turkish Identity and Other Nation in children poems where Turkish is seen as a minority language. By using the sample which has been created by the poems of different Turkish poets, the ways of using these notions have been identified with their reasons with their relations to the time they belong to. In conclusion part, we have focused on the properties of literary language which helps to shape the counciousness of national language, identity and culture and we have evaluated the counciousness of nationality and othering in Bulgarian Turks' children poems.

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DİVAN ŞİİRİNDE TÜTÜN KULLANIMI VE YAPRAK TÜTÜN İÇMEKTEN DOLAYI HAYATINI KAYBEDEN ŞEYHÜLİSLAM EBULMEYÂMİN MUSTAFA EFENDİ

Author(s): H. Ibrahim Okatan / Language(s): Turkish Issue: 29/2016

This article examines tobacco and tobacco smoking in the Ottoman Time. There was a continuing debate about whether or not tobacco smoking was allowed in Islam. It is interesting to see that tobacco smoking increased. During that time another issue was that careless smoking caused fire and threatened public order in Istanbul. As a result of this, the State prohibited smoking tobacco by law. This restriction was implemented strictly and those who did not obey the law were punished severely, including the death penalty. In the Ottoman poem, tobacco smoking was worked out extensively. This article reviewed 250 Divan Poems on tobacco and tobacco consumption. These poems were categorised by two groups: The firs group reviews the comfort of tobacco smoking. The second group looks at the prohibition of tobacco smoking. In this study, special focus was paid attention on the life and poems of Şeyhülislam Ebulmeyâmin Mustafa Efendi, the Chief religious official in the Ottoman Empire, who was known as died of tobacco smoking. The debate about the effect of tobacco smoking on health and the view of Islam on tobacco smoking is seen widely in Ottoman Poem.

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KUTADGU BİLİG’İN ÜÇ BOYUTU VE TOPLUM SINIFLANDIRMASI

Author(s): Ali Çavuşoğlu / Language(s): Turkish Issue: 13/2012

One of the first literary books given knowledge about the structures of culture, ethic and thought is Kutadgu Bilig in Turkish Islamic literature. Most important features of the book is being constructed around a hero called Gündoğdu and being a systematic work both for internal and external features. It shows also cultural level that Turcs reached contextually and formally. Yusuf Has Hacib is one of the important men of the era in sociology, political sciences, ethics and religion as it had been understood in his work. He had seen himself responsible about society, state government and had given advise how a good administrator and administration must be. He prepared his work to lead the society as many men of letters and thinker had done. Taking place global values in the work and opinions and judgements overlap with the indications of modern sciences increase the importance of work in addition. Works, experimentals, observations, evidences being made beforehand has a contribution in the healthy progress in every field today. Especially on culture which never will be mentioned as old this contribution grows more. Kutadgu Bilig the headstone of Turkish Islamic culture stand in front of us a concrete example that culture never will be named as old and in every culture there are portions to be benefitted.

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«KUTADGU BİLİG» ESAS ALAN KAYNAKLAR

Author(s): Bakytgül Kulzhanova / Language(s): Turkish Issue: 14/2012

IX – XV yüzyıllarda Orta Asyanın kültürel gelişme seviyesi Batı Avrupa ülkelerinden üstün olup, bu devrin Türk halkları için Uyanış Çağı olduğu tarihten malumdur. Özellikle X – XII yüzyıllarda Orta Asya ile Kazakistan halklarının dili ve edebiyatının büyük çapta gelişmesindeki yeni yükseliş, müslümanlar için “ilerleme devri” olmuştu [1, 4]. XI – XII yüzyıllarda Karahanlı devletinin güçlenmesiyle birlikte kültür ve edebiyat yeni bir gelişim seviyesine yükseldi. XI yüzyılda Türk İli – Türkistanın kültürel gelişme seviyesinin daha üstün olduğunu gösteren yadigarlar az değildir. Bu asırlarda yaşamış olan baba Türkler gelecek kuşaklarına çok büyük edebikültürel miras bırakmışlardır. Türklerin manevi-kültürel ve tarihi geçmişinde bu yüzyıllarda yaşamış büyük düşünen fikir ve ilim sahipi şahsiyetler, şairler ve dil uzmanları Türk edebiyatının yükselişine, gelişine ölçülmeyecek kadar emek harcamışlardır. Şöhreti dünyaya yayılmış El-Farabi, Ahmed Yükneki, Yusuf Balasağunlu (Has Hacib), Mahmud Kaşgarlı yapıtları o devirdeki ileri fikrin yüksek zirveleriydi. Ta o zamanlarda “Türkçülük” bayrağını yükselten bilginler, öz yapıtlarıyla dünya edebiyatının ileri gelen şahısları tarafından iyi tanılıyordu.

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EMİNE SEVİNÇ ÖKSÜZOĞLU’NUN “TÜRKOĞLU TÜRKLERİZ BİZ” ADLI ŞİİRİNİ TAHLİL

Author(s): Nurullah ÇETİN,Emine SEVİNÇ ÖKSÜZOĞLU / Language(s): Turkish Issue: 6/2010

İzlek: Türk milleti, uzun tarihinden süzülüp gelen tam bağımsız ve bağlantısız hür bir millet ve devlet olarak yaşama azim ve iradesini korumada kararlıdır. Türk, millî ve manevî kimliğini oluşturan tüm değerlerini tahrip ve yok etmeye yeltenenlere karşı en sert bir şekilde tepki vermeye hazırdır. Düşünce: Şiir, barındırdığı düşünce unsuru bakımından ideolojik bir şiirdir ve Türk-İslam ideolojisini hemen hemen bütün boyutlarıyla yansıtmaktadır. Ayrıca şairenin bütün millî değerlerle adeta onlarda fani olurcasına özdeşlemesi, onu bir millet mistiği hâline getiriyor. Olay: Şiirin yüzey yapısında belirli bir olay yok. Ancak derin yapısında Türk milletinin tarihte ve günümüzde yaşadığı, yüzyüze kaldığı bazı millî olaylara parça parça göndermeler yapılmaktadır. Varlık: Şiirde öne çıkan bir varlık anlayışı yok. Yalnız bayrak, vatan, toprak gibi somut nesneler, millî değerleri ve önemleri bakımından ele alınmaktadır. Bu da sezgici/idealist yaklaşıma bağlıdır.

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Female Pioneers Of Poetry: Zubeyde Fitnat Hanim, Nigâr Hanim And Carmen Sylva

Female Pioneers Of Poetry: Zubeyde Fitnat Hanim, Nigâr Hanim And Carmen Sylva

Author(s): Sara HUNZIKER / Language(s): English Issue: 2/2017

In a world where polygamous marriages are not an exception but a rule, the lyrics of a series famous women poets, reflect the aspiration of finding and preserving the same soul mate during their lives and even in death. Their plead for their natural right to choose their own soul partner is reflected in a series of extremely sensitive verses written by Turkish and Romanian women poets, of Christian and Muslim background, such as Zubeyde Fitnat Hanim, Nigâr Hanım or Camen Sylva. Early pioneers of feminism, the creeds of these impressive women poets juxtapose in their fervent longing for the ideal love, which shall not be shared with anyone, transcending thus the limits imposed by society or religion.

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Recenzie

Author(s): Róbert Gáfrik,Kristína Kállay,Adam Bžoch,Jakub Souček,Nikola Danišová / Language(s): Slovak,English Issue: 4/2020

Review of: Ben Hutchinson: Comparative Literature. A Very Short Introduction, Oxford: Oxford University Press, 2018. xviii + 140 pp. ISBN 978-0-19-880727-8 Charles Sabatos: Frontier Orientalism and the Turkish Image in Central European Literature, Lanham, MD: Lexington Books, 2020. 183 pp. ISBN 978-1-7936-1487-2 Louis Breger: Dostojevskij. Autor ako psychoanalytik, Prel. Barbora Al Zafari. Bratislava: Vydavateľstvo F, Pro mente sana, 2019. 303 s. ISBN 978-80-88952-99-2; Tomáš Horváth: Medzi invariantom a idiolektom. Detektív, dobrodružstvo, des, Bratislava: Veda, vydavateľstvo SAV, 2020. 432 s. ISBN 978-80-224-1799-0 Mariana Čechová: Ikonizácia pádu a vzostupu (v arcinaratívoch Popoluškinho typu), Bratislava: Veda, vydavateľstvo SAV, 2019. 232 s. ISBN 978-80-224-1793-8

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Patriarchal Intolerance in Elif Shafak’s The Island of Missing Trees
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Patriarchal Intolerance in Elif Shafak’s The Island of Missing Trees

Author(s): Andreea Ionescu / Language(s): English Issue: 1/2024

Elif Shafak, a best-selling novelist of Turkish origin, once self-declared bisexual, is controversial today in her motherland, as she questions the patriarchal culture and all its traditions. In her latest novel, Shafak speaks about migration and relocation, and chooses to include two homosexual characters facing the intolerance of the islanders from the two communities in Cyprus’ divided capital ‒ Nicosia. The two male characters are not only in a love affair, but they also belong to politically opposing nationalities: Greek and Turkish. Shafak’s talent makes the story to be very meaningful for our complex existences and the next generations to come.

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Tuğçe Yaşar (2022). Kurtarılmış Zamanlar

Tuğçe Yaşar (2022). Kurtarılmış Zamanlar

Author(s): Tuncay Bilecen / Language(s): Turkish Issue: 2/2023

Review of: Tuğçe Yaşar (2022). Kurtarılmış Zamanlar. Sözcükler Yayınları, 77 sayfa.

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Sözü Güzelleştiren Sanatlardan Mukabele Sanatının İncelenmesi: Kur’ân-ı Kerim Örneği

Sözü Güzelleştiren Sanatlardan Mukabele Sanatının İncelenmesi: Kur’ân-ı Kerim Örneği

Author(s): Halil İbrahim Kocabiyik,Sebahat Çakir / Language(s): Turkish Issue: 34/2024

Mukabele is one of the figures of speech that beautify the meaning, which is also mentioned as equivalent in the science of bedi'. The source of beauty in the metaphor, which is defined as bringing two or more meanings together and then mentioning the opposite or related meanings of each one respectively, is the syntax harmony between the opposing or compatible meanings. Although it is an independent art of painting, it is seen that it is not discussed under a separate title in rhetoric books. In this study, the definition of mukabele, its classification, and the difference between it and tıbâk/contrast will be discussed and evaluations will be made by giving some examples from the verses of the Holy Quran and the poems of important poets of Turkish literature. We will examine the art of mukabele in terms of the arrangement of words, in the form of compound mukabela and non-composed mukabele, and division based on numbers (two with two, three with three, four with four, five with five, six with six). Our aim is to contribute to a clearer understanding of the nature of response.

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Mecelle’nin Külli Kaidelerinde Yapılan Söz Sanatları ve Bunların Yeni Külli Kaide Yazımındaki Örnekliği

Mecelle’nin Külli Kaidelerinde Yapılan Söz Sanatları ve Bunların Yeni Külli Kaide Yazımındaki Örnekliği

Author(s): Hatice Keskin,Sead Ibrić / Language(s): Turkish Issue: 35/2024

The Majallah is of great importance not only because it is the first legal text about Islamic law but also because it is a product of historical significance for Turkish literature. Particularly, the 99 general principles at the beginning of the Majallah are an abstract representation of many issues in Islamic law, expressed through various rhetorical devices. Although the Majallah, one of the rare texts where the relationship between law and literature can be evaluated, has been expressed by different authors to have employed various rhetorical devices in its general principles, no study analyzing them has been encountered. This study aims to identify the rhetorical devices used in the general principles, thereby creating a perspective on which rhetorical devices can be applied in the writing of general principles that will be easily memorized like proverbs, and become part of the vernacular. For this purpose, data was collected using the document review method, and the content analysis method from qualitative research methods was applied. The 99 general principles and the rhetorical devices in Turkish literature were examined together, matching the principles with the relevant rhetorical devices and categorizing them. As a result of the research, 9 different rhetorical devices found in the general principles were identified. Suggestions have been made on which types of legal principles these arts were used in the production and which arts could be utilized in which legal situations in the writing of general principles hereafter.

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Psihoanalitički pristup pripovijetkama Vlasnica kuće, Ljetna noć i Putovanje vozom Ahmeta Hamdija Tanpinara

Psihoanalitički pristup pripovijetkama Vlasnica kuće, Ljetna noć i Putovanje vozom Ahmeta Hamdija Tanpinara

Author(s): Melinda Botalić,Nadira Žunić / Language(s): Bosnian Issue: 25/2024

The paper deals with the psychoanalytical approach to dreams and the unconscious in three short stories by the Turkish author Ahmet Hamdi Tanpınar. Insight into the nature of the human psyche and language as a medium of expression will be based on the works of Sigmund Freud and Jacques Lacan. The psychoanalytical literature that we will use in this research will represent the fundamental theoretical basis on which we will try to valorize the above-mentioned stories. As part of the reading of the short stories The Owner of The House, Summer Night and Train Journey by the Turkish author Ahmed Hamdi Tanpınar, the emphasis will be on elements such as time, the past, dreams, the unconscious, the other or the personal history of the characters about the world they build within themselves. The identity crises experienced by the protagonists of the analyzed stories have their roots in childhood traumas, and dreams represent the key to uncovering the unconscious. By applying Freud's psychoanalysis to the text, they tried to reveal the symptoms of the text and the unconscious mechanisms whose meaning is hidden in images, symbols, and metaphors. In his short stories, we find the story of the collapse of the inner world of the hero, of their escape from reality and continuous search, while the subject(s) of the text itself is constructed through its past, or more precisely, it is defined by a complex of events and people from the past.

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THE EVER-SURPRISING ELIF SHAFAK: “THERE ARE RIVERS IN THE SKY”

THE EVER-SURPRISING ELIF SHAFAK: “THERE ARE RIVERS IN THE SKY”

Author(s): Anca Bădulescu / Language(s): English Issue: 39/2024

Elif Shafak’s new novel, the story of a lost poem, published in 2024, surprises the readers again. Not only does it focus on a host of historical-cultural issues, but it also creates a very subtle, complex narrative structure. The time span encapsulated in the novel astonishes by its vastness: the novel starts with Arthur’s birth on the banks of the River Thames during Queen Victoria’s reign. The other two narrative threads, closely interwoven with the former, jumps to our times, 2014 and 2018, by the River Tigris and the River Thames, unfolding Narin’s and Zaleekhah’s life stories, respectively. This article aims at following the intricate design of the three storylines, while trying to reveal the versatility and rich imagery of Shafak’s truly amazing prose.

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Manastırlı Mehmed Rifat’ın Manzum İlmihal’indeki İman Bahsi Üzerine Bir Değerlendirme

Manastırlı Mehmed Rifat’ın Manzum İlmihal’indeki İman Bahsi Üzerine Bir Değerlendirme

Author(s): Hüseyin Şıra / Language(s): Turkish Issue: 4/2024

Literature has interacted with religion throughout history. This has sometimes been achieved by using religious arguments in literary texts and sometimes by explaining religious issues through literature. Religious themes also occupied a large place in the literature that developed with the Turks’ acceptance of Islam. Many religious literary genres such as tawhid, munacat, na’t, mawlid, hilya, qisas-i enbiya, and menaqibname have emerged based on Allah, the Prophet Muhammad, the Qur’ān and Sufism. Although the existence of independent works based on faith, worship and morality dates back to earlier times, it is known that verse texts written in the form of catechism date back to the 16th century. It has been seen that many poems have been written that deal with some of the subjects of Fiqh or Theology as well as basic religious information that needs to be known in general, such as 32 fard and 54 fard. In this study, the issues of faith in the Manzum İlmihal of Manastırlı Mehmed Rifat, who came to the fore as a general, statesman, linguist and playwright in a period when the innovation movements in the Ottoman Empire gained momentum in the second half of the 19th century, were discussed. The section of the poem, which consists of 22 chapters and 247 couplets in total, is the section where the first 114 couplets, which explain the condition of faith, are discussed together with the Introduction. It has been seen that this work, which does not aim to appeal to a wide audience, aims to enable students in primary schools to learn the principles of belief and worship of Islam in an easy and memorable way. As a matter of fact, it has been determined that this issue, which was mentioned at the beginning of the work, was realized by using simple and understandable language throughout the text. The issue of whether the style and style of this text can be used in today’s religious education activities has been discussed. In addition, a comparison is made with the relevant parts of Birgivî’s Vasiyetnâme, which was written before the text and is one of the most famous examples of its kind, and the similar and different aspects are generally emphasized.

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