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Ağitlarin Mizahi Değeri

Author(s): Emre Yüceland / Language(s): Turkish / Issue: 35/2017

Laments as based on mournings are a way of social communication. Laments which are told in greetings, farewells, funeral homes or where death is occured are genres that are called as ‘sagu’ in preIslamic period Turkish literature keep produced actively today and come up with a spesific event. While the reproducing process of narratives can make radical changes in their forms, meaings and melodies, they can also change their main themes. With this aspect reproducing process of laments can be examined with the help of irony and reproducing and it is possible to identify their turning into humorous elements. In this study, by identifying laments which directly of indirectly wrapped into humorous or funny character the background of changing and transformation of these texts will be examined.

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Aşık Veysel Türk Dünyasında

Author(s): Irfan Murat Yildirim / Language(s): Turkish / Issue: 2/2004

Aşık Veysel is an important figure among the 20th century Turkish minstrels and an outstanding thinker. His fame reached Azerbaijan and some important studies were done for him. This influence in Azerbaijan is to be studied within a perspective from Yunus Emre to Tufarganlı Abbas. It seems philosophical influence of Aşık Veysel has encompassed some contemporary Azerbaijani poets.

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Ayşegül Gürdal’ın “Duvar” Öyküsü Üzerine Bir Çözümleme

Author(s): Tuba Dalar / Language(s): Turkish / Issue: 28/2015

The stating point of this story type which is mentioned with various names of the World literature is the time issue of modern human who has been limited and restricted in every sense. Short-short story type which is accepted as a subtype of the story a reduces narration to minimal level by using limited number of words. Short-short story puts emphasizes on existential problems such as alienation melancholy loss of self value and confrontation of the person by self. In these stories which are set by a rhetoric without beginning and ending the meaning proliferate by flourishing with the readers interpretation. In this study, Ayşegül Gürdal’s short-short story called ‘Duvar’ will be analysed in the light of existansialism.

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AZƏRBAYCANIN ORTA ASİYA, TÜRKİYƏ VƏ İRANLA ƏDƏBİ-MƏDƏNİ ƏLAQƏLƏRİ (1920-30-cu illər)

Author(s): Sikar M?h?mm?d?li QASIMOV / Language(s): Azerbaijani / Issue: 2/2009

Makalede 1920-1930 yıllarında formalaşan inzibati-amirlik sisteminin Azerbaycan’ın medeni ilişkilerinin genişlenmesine gösterdiği tavsatıcı tesirden sosyalizm kuruculuğu yıllarında inzibati-amirligin yaratıcı aydınlara vurduğu zarardan, onların Türk Halkları ile yaklaşmasına imkan verilmemesi hakkında konuşulur. Zengin kaynaklar esasında Azerbaycan’ın Orta Asya, Türkiye ve İran’la edebimedeni ilişkileri ve şu ilişkilerin Türk halklarının yaklaşmasındakı rolü işıklan”tırılımıştır.

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Azerbaycan-Türk Müziğinden Kesitler

Author(s): Naile Agababa / Language(s): Turkish / Issue: 60/2009

Sâh Ismail was also a prolific Sufi poet and wrote under the pen name Kathai. He wrote in the Turkish language and in the Persian language. His divân, or collected poems, numbers about 400 ghazals, together with some 100 qasidas and rubais, and it remains popular to this day. He's surviving poetical output in Persian is much less sizable: all that remains of his Persian verse are four bayts, or couplets, and one mukammas, a kind of poem written in cunquains. Most of the poems are considered with love. His other serious work includes the Nasihatname, a book of advice, and unfinished Dahnçme, a book which extols the virtues of love. He loved music and invited musicians, poets, painters, scholars and art critics to his purpose. He gave them the enable for stimulating creative initiative. In palace gave them the rank of Ozanhan. There was an orchestra in the Shah Ismail's army. This orchestra was formed from musical instruments as Ceng, ud, berbet, ney and sinj. In the streets of Tebriz were shown a plays of the street theater. Shah Ismail liked to watch these plays. We had to search the roots of contemporary music in this plays.

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Bağdaşıklık ve Kutadgu Bilig’de Sözcük Bağdaşıklığı

Author(s): Sirvan Kalsin / Language(s): Turkish / Issue: 88/2016

Text is described as a sequence of cohesive sentences, not a random arrangement of sentences. Thus, cohesion is considered as the major criterion in recognizing a sentence sequence as a text. Since it includes the situations where one constituent is tied to another in a discourse, textual integrity is related to cohesion frequently. It’s what makes a composition a text, and all the language features that constitute the intratextual relations. There is a variety of works among our historical period texts that can be examined in this respect. One of these texts is the Kutadgu Bilig, which is one of the important works of the Karahanlı Turkish. Kutadgu Bilig, a didactic work written in verse, in addition to including historic period grammar features, in the way it treats the following three the subjects of whose importance is universally well accepted (Til Erdemin Münin Asıgın Yasın Ayur; Edgülük Kılmak Ögdisin Asıgların Ayur; Bilig Ukuş Erdemin Asıgın Ayur), is not a sequence of random sentences. In the work, important concepts that are important in developing the textual construct and meaning pattern is reflected in lexical cohesion. This contributes to revealing the basic ideas in the text and to the integrity of the text. This study reports and informs on cohesion, which is one of the most important criterion in textuality. Moreover, it investigates Kutadgu Bilig, a work that used textual criterion in meaning patterns artfully, in terms of lexical cohesion.

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Bahar Çiçekleri Kokuyor Akşam

Author(s): Sükran Belen / Language(s): Turkish / Issue: 120/2003

Poem: Spring Flowers Smell Evening

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BALIKESİR’DE BULUNAN BİR CÖNKTE ÂŞIK ÖMER’İN ŞİİRLERİ

Author(s): Asli BÜYÜKOKUTAN TÖRET / Language(s): Turkish / Issue: 27/2019

Cönks are notebooks consisting transcribed oral folk literature, tekke-sufi literature, and even classical Turkish literature along with information about prayers, sorcery, and folk medicine and veterinary. Cönks that are known also as "sefine (chief)", "sığır dili (cattle's tongue), and "dana dili (calf's tongue) based on their longitudinally opening shape and their content, include some of the poems of the prominent poets of the minstrel literarture such as Aşık Ömer. The article focuses on Aşık Ömer's poems that are included in a cönk, which is located in our library, but are not included or included with some word and sentence differences in existing divans. Ten poems belonging to Aşık Ömer, one of the prominent representatives of seventeenth-century literature, who gave examples with Arabic (aruz) prosody due to his familiarity with classical literature, were given in comparison with "Aşık Ömer Hayatı ve Şiirleri (Aşık Ömer, His Life and Poems) by Sadettin Nüzhet Ergun, "Aşık Ömer Divanı" by Yakup Karasoy and Orhan Yavus, and "Aşık Ömer, Şiirler, Gazeller (Aşık Ömer, Poems, Gazels)" by Rıza Fazıl. In addition, two poems which are not included in the mentioned studies have been introduced to the scientific world.

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BALKAN SAVAŞLARININ TİYATROMUZA İLK YANSIMALARINDAN BİRİ MEHMET SIRRI’NIN TÜRK KANI ADLI PİYESİ

Author(s): Can Sen,Mustafa Doruk Mutlu / Language(s): Turkish / Issue: 1/2016

The Balkan wars which had serious bad impacts in Turkish history also influenced Turkish literature and as a result of this lots of literary work written which refer Balkan wars. When we look at history of Turkish theater, we see that some plays which addressing Balkan wars were written during the war. One of the first reflection of Balkan Wars to Turkish theater is the play named Türk Kanı written by Mehmet Sırrı (Sanlı) in 1913 who is important intellectual of İzmir. In this article the literary and historical dimensions of this play will be analyzed.

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Balkanlar’da Türk dilinin yaşatilmasinda “Prilozi” ve “Behar” dergilerinin önemi

Author(s): Irfan Morina / Language(s): Turkish / Issue: Special/2017

In 1950 notable turcologists of Bosnia such as Branislav Djurdjev, Nedim Filipovic, Hamid Hadzibegic, Muhamed Mujic ,Hazim Sabanovic, Besim Korkut who worked in Orientalni INSTITUTE (Oriental Institute) in Sarajevo within the frames of their program started publishing scientific journal named Prilozi za Orientalnu Filologiju (Contributions to Oriental Philology). First edition was published in 1950; editions first to seventh were known under the name Prilozi za Orijentalnu Filologiju i Istoriju Jugoslovenskih Naroda pod Turskom Vladavinom(Contributions to Oriental Philology and History of Yugoslav Nations under the Turkish Ruling). While starting from the eighth edition to the present day, editions are known under the name Prilozi za Orijentalnu Filologiju (Contributions to Oriental Philology). Initially, journal started to be published annually where afterward it was published irregularly and occasionally once in two years. In the worldwide scientific researches, journal was mostly given POF ascription. Prilozi za Orijentalnu Filologiju is particularly active in three areas in accordance to the objective of the foundation of Oriental Institution called Orijentalni Institut in Sarajevo. Team consist of scientific and experted groups specialized in Arabic, Turkish and Farsi and with special interest to the parts introducing Bosnian cultural heritage in these languages striving to contribute to language and literature of Ottoman period with their miscellaneous articles. These kind of writings are constantly given in the first part called “Philology” under “Language” and “Literature” titles. This is followed with the part of Bosnia-Herzegovina in Ottoman period and the history, doctrines, religion and culture of the areas of the period Yugoslavia. In this part special interest is given to social, political, economic and cultural history of Ottoman period Bosnia-Herzegovina, researching history of art heritage. It is given place to Ottoman period diplomacy supported by handwritings and archive files and documents scientifically prepared by Department of History. These kinds of writings are always given in the second part of the journal known as “History and Diplomacy”

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Barış Müstecaplıoğlu’nun Şamanlar Diyarı Dizisi Üzerine Fantastik Bir İnceleme

Author(s): Samil Yesilyurt / Language(s): Turkish / Issue: 32/2016

Even if boundaries vary as a literary genre fantastic which leads readers to a mysterious world with the atmosphere between reality and fiction, has an adventure based on the past in Turkish Literature. But fantastic which rules the fiction world entirely in the meaning of literary genre and drawn by western theorists, has showed an increase in written narratives, especially in the last two decades. Barış Müstecaplıoğlu who gives successful samples of this genre, made a name for himself with prior Perg Efsaneleri afterwards Şamanlar Diyarı series. Şamanlar Diyarı series which is set as a subject of study, consists of three books: Şamanlar Diyarı, Keşifler Zamanı, Özgürlük Uğruna. With featuring of many characteristics of fantastic genre and especially with revealing the stress of indecision, fantastic can heightened acceleration of narrations in Turkish Literature there is no study based on these novel series yet in this context. The aim of this article is to make firm corporations which novels move to central while they form fantastic world examining the novel series which is talked about in the direction of fantastic genre’s essential principles.

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Basîrî’nin Yeni Türkçe Şiirleri

Author(s): Ahmet Içli / Language(s): Turkish / Issue: 31/2016

One of the important source of Classical Turkish literature are magazines. Maganizes could be identified as works have the characteristics of compilation. Studies on magazines which include poetic or prosaic, poets and texts that are written in various lines are increasingly continued during the recent years. In this accelerated process about magazine studies that inclued texts and poems, it could be reached to a new poet or poet’s new poems in every new magazine. There are 2 (two) Basîrîs in 16th century Turkish literature based on available information. Those which Alaca, Khorasanian, Şarkî, Acem and Baghdadian’s Turkish poems are broadcasted. Aynîzâde Abdulgânî Basîrî who died late in same century has only one couplet in Zübdetü’l-Eşar. There are 13 poems/odes registered to the name of Basîrî in the magazine that called as well “Bahru’l-Maarif” or “Sandukatu’l-Maarif” completed by Kasîmî in early of 17th century. One of them is the same with an ode which is seen among Baghdadian Basîrî’s broadcasted poems. Other 12 odes are not existed in broadcasted texts. Our article is a broadcasting of nicknamed Basîrî’s 12 new poems are written in A.D 1625 in Kasımî magazine that we’ve just determined and completed studies on and made it ready to broadcast.

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Bati Rönesansinda Rabelais, Türkçe Yazinda Köy Enstitülüler

Author(s): Alper Akçam / Language(s): Turkish / Issue: 67/2011

Rabelais’s novel is the most important mile stones of the European Renaissance. Rabelais opened a new door into the field of literature. Cervantes, Shakespeare and Goethe passed from this door and a great conversion and transformation period into the historical process started in Europe which intend to shake the world as the re-emergence area. According to Mihail Bahtin who has detailed studies on Renaissance, the basic feature of this conversion is Rabelais’s multi sign system originating from humour of grotesk folk culture. This system transfered to literary world and improved against language and perception system which has only one declarative language and based on fear. The foundation of Turkish Republic is defined as a cultural revolution by a lot of thinkers. After the Turkish Republic, one of the most important conversions in new Turkish cultural enviroment is the elements of grotesk folk culture which were transfered by authors graduated from village institute slightingly. There are some important parallels and identities between Rabelais’s novel and the works of authors graduated from village institute. Rabelais’s novel was not understood by Enlightement Movement and Romanticism which was born as reaction against Enlightement Movement and tried to trivialized. The works belonging to authors graduated from village institute vilified with “Village Novel” label and was excluded from cultural pradigma. This case generates a similar tableau between Rabelais’s novel and the works of authors graduated from village institute.

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BATILI PARADİGMALARIN DÖNÜŞTÜRÜCÜLÜĞÜ BAĞLAMINDA TANZİMAT ŞİİRİNDE DEİST ETKİLER

Author(s): Ümmühan GÖKMEN / Language(s): Turkish / Issue: 14/2019

The relationship between literature, especially poetry, and philosophy dates back to archaic times. It is a key to observe how the paradigm shifts in philosophy can transform the poet's persona and the content of the poems. Scientific and philosophical developments in the West induced individual and social paradigms to reshape. This transformation, with the declaration of Tanzimat, has changed the way of individuals' positioning themselves with society and existence. Impacts of the change first observed in the poetry which had been the main communication tool of the Ottoman literature for centuries. In this context, one of the salient transformation in poems during the Tanzimat Reform Era was the reflection of deist ideas on the content of the writings.

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Bekar Danışmanlığı (BD) Ve Özerk-İlişkisel Bekar Danışmanlığı Modeli (ÖİBDM): Türkiye’de Yeni Bir Kavram, Araştırma, Uzmanlık Ve Çalışma Alanı

Author(s): Kâmile Bahar Aydin / Language(s): Turkish / Issue: 36/2017

In this study, I attempt to introduce in general "Single Counseling" as a new concept and psychological counseling field in Turkish literature and "Autonomous-Relational Single Counseling Model (ARSCM)”, developed for single population living in Turkey. The single population consists of never married, divorced and widowed adults with age 18 and over. Single Counseling is a professional assistance to meet developmental, adaptive and social needs of single populations. ARSCM is a single counseling based on Çiğdem Kağıtçıbaşı's "Autonomous-Relational Self Model". The need for Single Counseling stems from a variety of reasons on individual, cultural, socio-economic and universal dimensions. There are two main objectives of the Single Counseling: First objective is to prepare the individual for marriage and family life, the second objective is to prepare the individual for single life. ARSCM is a developmental, preventive, adaptive, sustained and supportive psycho-social assistance form.

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Bellekte Kalan (Sedat Veyis Örnek’in Metinleri)

Author(s): Isa’nin Son Günleri / Language(s): Turkish / Issue: 82/2015

Remaining in Memory (Texts of Sedat Veyis Örnek)

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Benlikten Kaçişin Öyküsü: Abdullah Efendi’nin Rüyalari

Author(s): Tülin Arseven / Language(s): Turkish / Issue: 61/2010

Ahmet Hamdi Tanpınar is one of the distinguished author of modern Turkish Literature. Very precious poets, novels and stories were won to Turkish Literature by Ahmet Hamdi Tanpınar. One of his important stories is Abdullah Efendi’nin Rüyaları. In this study Abdullah Efendi’nin Rüyaları will be analysed content.

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BILDUNGSROMAN’A TEMATİK BİR YAKLAŞIM: DAVID COPPERFIELD VE ÇALIKUŞU

Author(s): Yusuf Ziyaettin Turan,Rasit Çolak / Language(s): Turkish / Issue: 07/2016

In this paper, Charles Dickens’s David Copperfield (1850), from English literature, and Reşat Nuri Güntekin’s Çalıkuşu (1920), from Turkish literature, are analyzed through the Bildungsroman tradition which is also named as the novel of education, the novel of formation or the novel of artist. The reason why these two novels are subject to this study is that though they were written in different countries and periods they have similar thematic features. As a methodology, the thematic features of Bildungsroman in the Western literatures – which is a formative novel of a character from his/her youth to his/her maturity – is applied for the study. Therefore, initially the definition of Bildungsroman in Western literatures is given in the study and then according to the certain literary works on Bildungsroman, the general literary features of Bildungsroman are discussed in this paper. Later, the thematic features of David Copperfield and Çalıkuşu are elaborated respectively in the context of plot. In the last part of the paper, the thematic features and the plot structure observed in both novels are compared each other through the Bildungsroman tradition. As a result, it can be asserted that although the novel Çalıkuşu which is an important work of Turkish Literature, belongs to a different culture and period, it has the thematic features of Western Bildungsroman tradition in which David Copperfield is also included to a large extent, related to the theoretical discussion conducted in this study. The whole maturation process of the heroine observed in Çalıkuşu, as it is in David Copperfield, has an important role for achieving this result.

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BİR URUM ŞAİRİ VALERY KÖR VE ONUN “HASAVET YAZMAHLARI” ADLI ŞİİR KİTABINDAN SEÇMELER

Author(s): Erdogan Altinkaynak / Language(s): Turkish / Issue: 35/2017

Urums are a Turkish speaking community, who were forced by Russians to migrate to upper regions of Azakh Sea in accordance with the policies followed to realize their aims on Ottoman State. Their language can be regarded as a dialect of Crimean Tatar Turkish. The poems composed in Urumian Turkish by Valery Kior (Kör=Blind in Turkish) are in free verse. He compiled all his poems in three books. These poems are the first literary texts written in Urumian Turkish.

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BİRİNCİ DÜNYA SAVAŞI KONULU SIRP VE TÜRK TARİHİ ROMANLARINDA GERÇEK VE KURGU

Author(s): AYKUT KSENIJA,STEFANI MILJKOVIC / Language(s): Turkish / Issue: 1/2016

The First World War had multiple effects on people who have lived in Southeastern Europe. Both Serbs and Turks participated in the war under different circumstances. Both nations shared common features that greatly affected their future. These features mainly pertained to the survival of arduous battles and the suffering of high casualty rates. The outcome of the war has to a large extent reflected upon the literary scene of both nations. Even though the writing style of Serbian and Turkish writers differed, there was a common humanistic aspect that was shared by the two nations. This aspect allowed the two nations, which had previously experienced the tragedy of war, to absorb the universal values such as peace and empathy, and to express these values through their literary works.Turkish and Serbian writers described the events from the war period with great ingenuity. During our research, we have uncovered common features pertaining to these two seeminlgy distant literary scenes. The research encompasses these common features as well as analyzes Turkish and Serbian literary works.

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