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Chłopiec i dziewczynka. Pedagogia Artura Daniela Liskowackiego

Chłopiec i dziewczynka. Pedagogia Artura Daniela Liskowackiego

Author(s): Urszula Chęcińska / Language(s): Polish Issue: 2/2021

The author of the article, using the term “pedagogy” taken from the publications of Zbigniew Kwieciński and Bogusław Śliwerski, discusses the pedagogical aspects of Artur Daniel Liskowacki’s work for children. The main goal of Liskowacki’s pedagogy is education for participation in culture and the implementation of educational goals related to early school Polish education. According to the author, Liskowacki’s pedagogy is clearly connected with the subjectivity of the child and his creativity, it fits into the framework of intersemiotic translation, it develops a child’s tendency to artistic and linguistic activities. The article is a review, it is a preview of a monograph in the field of literary pedagogy and pedagogy of creativity.

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„Sonata niemożliwa”? Eine kleine w przekładzie na język niemiecki

„Sonata niemożliwa”? Eine kleine w przekładzie na język niemiecki

Author(s): Dorota Sośnicka / Language(s): Polish Issue: 2/2021

The article constitutes a comparative analysis of a German translation of Artur Daniel Liskowacki’s Eine kleine (2000), which was published under a new title Sonate für S. (2003). Based on an examination of the musical composition of this work, but also in relation to Friedrich Ernst Daniel Schleiermacher’s concept of two methods of literary translation, that is – according to contemporary terminology – an adaptation or an exoticisation of a literary text, some shortcomings of this translation are revealed. As a result, the music of Liskowacki’s original Polish sentences is unfortunately lost in the translation into German. This situation is caused by the marketing decisions made by the German publisher, as well as an attempt made by the translator to adjust (adapt) the work to the tastes of the readers of German sentimental memoir literature, and thus impose on Liskowacki’s novel a meaning of a sentimental journey into a lost land of childhood and youth. Above all, this is indicated by acomplete omission of the Polish subtitle „quasi una allemanda”, which is a significant clue on how this work should be read, as only a quasi-German story; in fact, it is an attempt to perceive the history of S. (Stettin-Szczecin) through the eyes of its contemporary, Polish citizen, who tries to recreate the picture of the city as it was seen by its German inhabitants of the past.

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Plotkarz i prorok. Osoba i spuścizna Wacława Alfreda Zbyszewskiego we wspomnieniach wybranych przedstawicieli II Wielkiej Emigracji

Plotkarz i prorok. Osoba i spuścizna Wacława Alfreda Zbyszewskiego we wspomnieniach wybranych przedstawicieli II Wielkiej Emigracji

Author(s): Jędrzej Bończak / Language(s): Polish Issue: 108/2021

Wacław Alfred Zbyszewski (1903-1985) began his literary career in 1923 as one of the youngest publicists in the Second Polish Republic. Following the outbreak of World War II, he found himself in exile in London, then in Germany, and at the end of his life in Paris. During almost fifty years of his activity as a collaborator of the most important Polish information and opinion-forming outlets: “Dziennik Polski”, the weekly “Wiadomości”, the monthly “Kultura” and the Polish Section of Radio Free Europe, he became one of the most interesting and popular journalists. This article is an attempt to answer the question of how such a long journalistic activity was evaluated by the most prominent figures of the Polish culture on emigration, including Zbyszewski’s superiors and editorial colleagues, and what was their attitude towards Wacław Zbyszewski himself. In order to do so, the article collects and discusses memoirs devoted to Zbyszewski and the activities of the institutions he was associated with during World War II and the Cold War. Among the authors of the source materials used in the article are Stefania Kossowska, Maria Danilewiczowa and Jerzy Giedroyc.

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Zapiski krytyczne

Zapiski krytyczne

Author(s): Not Specified Author / Language(s): Polish Issue: 59/2021

Review of: Katarzyna Płonka-Bałus, Średniowieczne rękopisy iluminowane Biblioteki i Muzeum Książąt Czartoryskich w Krakowie, t. 2: Bawaria, Czechy – Polska, Kraków 2018 (H.R.) Beda Czcigodny, Dzieje Kościoła Anglów / Historia Ecclesiastica gentis Anglorum, wprow., tłum. i oprac. Iwonna Salamonowicz-Górska, indeks Tadeusz Kołosowski, Warszawa 2020 (R.R.) Łacina w Polsce. Średniowieczne piśmiennictwo myślicielskie. Antologia, wybór, wstęp i koment. Juliusz Domański, red. Elżbieta Szablewska, Kraków 2020 (H.R.) Szymon Wieczorek, Galla Anonima opowieść o królu Bolesławie i ubogim kleryku. Moraliter, anagogice, allegorice, historice, Rzeszów 2020 (R.R.) Joan A. Holladay, Genealogy and the Politics of Representation in the High and Late Middle Ages, Cambridge–New York 2019 (H.R.) Mirosław Jan Żarowski, Kadłubek. Zaślubiny żalu i wesołości, cz. 1, Wrocław 2020 (R.R.) Marek G. Zieliński, Archiwum Fary Chełmińskiej, Bydgoszcz 2019 (J.J.) Późnośredniowieczne spisy wywołanych z Jawora i Świdnicy, wyd. i oprac. Mateusz Goliński, Kraków 2020 (M.A.K.) Marcin Kuźmicki, Emendacje w tekstach średniowiecznych – problem ich interpretacji i edycji (na przykładzie zapiski sądowej z księgi ziemskiej poznańskiej II), „Linguistica Copernicana”, 17, 2020, s. 239–258 (M.K.) Maciej Woźny, Rycerstwo opolskie do połowy XV wieku, Katowice 2020 (M.A.K.) Agata Kwaśnicka-Janowicz, Staropolska terminologia bartnicza (na tle porównawczym), Kraków 2018 (A.P.) Witold Hake, Dariusz Nowacki, Polskie sygnety herbowe z XV–XX w. w kolekcji Zamku Królewskiego na Wawelu i zbiorach prywatnych, Warszawa 2020 (R.F.-W.) Jacek Pielas, Oleśniccy herbu Radwan w XV–XVII wieku. Z dziejów szlachty małopolskiej doby nowożytnej, Kielce 2020 (B.Cz.) Michał Skoczyński, Nieznany przywilej odpustowy dla parafii św. Mikołaja i św. Barbary w Radzimiu (AGAD, sygn. Dok. Perg. 7410), „Studia Lednickie”, 18, 2019, s. 135–149 (T.W.) Dorota Masłej, Jak rodził się średniowieczny tekst. Tak zwane „Kazania augustiańskie” w perspektywie historycznojęzykowej, Poznań 2020 (H.R.) Ewa Kobylińska, Przyczynek do biografii Łukasza z Wilkanowa, doktora obojga praw i teologii (XV/XVI wiek) i dziejów jego księgozbioru, „Rocznik Biblioteki Narodowej”, 51, 2020, s. 243–258 (P.P.-Ż.) Wojciech Świeboda, „Ego librarista”. Działalność Jana ze Skawiny jako bibliotekarza na Wydziale Prawa Uniwersytetu Krakowskiego, „Archiwa, Biblioteki i Muzea Kościelne”, 113, 2020, s. 407–429 (K.F.) Zenon Piech, Stanisław Krzyżanowski – badacz „rzeczy dyplomatycznej w Polsce” czy organizator nauki?, w: Katedra historii polskiej na Uniwersytecie Jagiellońskim. Odniesienia, interpretacje, pamięć, red. Krzysztof K. Daszyk, Tomasz Kargol, Kraków 2019, s. 145–202 (P.W.) Mieczysław Mejor, Metoda wydawnicza Brygidy Kürbis, „Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria”, 20, 2020, s. 154–165 (M.M.)

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Функционально-семантическая значимость молчания в волшебной сказке

Функционально-семантическая значимость молчания в волшебной сказке

Author(s): Iwona Rzepnikowska / Language(s): Russian Issue: 1/2022

This article focuses on the silence of a fairy tale hero, i. e. a deliberate withholding from speaking that is a metonymic manifestation of a symbolic death. The aim of the study was to determine the meanings of silence that are representative of this type of narration and to indicate their probable mythical and ritual connotations. Research materials included mainly Polish and Eastern Slavic tales of a sister whose silence constitutes a precondition for bringing her brothers, previously turned into birds, back into human form. The analysis showed the use of a semantic component essential to silence required to keep a secret and impossibility of revealing the truth. If a spell can be a result of a parental curse, then suspending communication becomes a form of maintaining bonds with the brothers killed by words. It can also be interpreted as a reflection of the speech behaviour of the parents, who violate the basic folk ethics of the word. The analysed narratives preserved the magical functions of silence as the assurance of the effectiveness of objects made in complete silence (in the given example — shirts made for the spellbound brothers). Nevertheless, in other variants of plot type 451, the silence of the heroine is the most significant precondition for her own existential transformation, with numerous narratives describing the multi-stage nature of the rite of passage (a marriageable girl → a married woman → a newly delivered mother → a mother). In this indirect way the fairy tale reveals the limits of female communicative behaviour in folk culture. In order to present the essence of the liminality of the given story’s heroine, the “stasis” category was used, which helped to correlate her (and any other fairy tale protagonist) basic existential experience with a temporal dimension of human existence construed as regular consecutive time passages and pauses, moments of inactivity (stasis).

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Creaţia lui Norman Manea din perspectivă poloneză (în lectura lui Stanisław Barańczak)

Creaţia lui Norman Manea din perspectivă poloneză (în lectura lui Stanisław Barańczak)

Author(s): Joanna Dembińska-Pawelec / Language(s): Romanian Issue: 4/2019

The article presents the reception of works of Norman Manea in Poland. In 1992, in the Polish magazine about books, Stanisław Barańczak published a sketch about Manea's writing entitled On Clowns and Executioners. Barańczak, a Polish poet, translator, essayist, professor at Harvard University, was an immigrant living in the United States for eleven years. He read Manea's books in English and recommended his work to Polish translators and readers. The books of the Romanian writer were published in the “Meridian” series by the Foundation “Pogranicze”, whose honorary patron was Czesław Miłosz. In 2012, Manea's book entitled Hideout was published by the Czytelnik Publishing House. In Poland, Norman Manea books were nominated for the prestigious Angelus Central European Literary Award.

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Olga Tokarczuk în România

Olga Tokarczuk în România

Author(s): Constantin Geambașu / Language(s): Romanian Issue: 1/2020

The author analyzes the reception of Olga Tokarczuk's creation in Romania, starting from the translated texts and critical comments (articles, studies, conferences, interviews etc.). Olga Tokarczuk is the best known contemporary Polish novelist in Romania, due to the numerous translations (almost all the novels have been translated into Romanian, except for the Books of Jacob, a fresco novel, which is going to be published next year). A great role in promoting the works of the writer came to the Polirom publishing house in Iași, which has published over the years the author series, dedicated to Olga Tokarczuk. The article highlights the quality of the translations too. Cristina Godun played a special role in this regard by managing to render in Romanian the particularities of the narrative and the style of the author. The reception, complex phenomenon, also entails the evaluation of difficulties in the translation process. In Olga Tokarczuk’s case, most of the difficulties are related to changing the stylistic register, depending on the themes and the areas covered, but also on the acquisition of the lesser-known marginal spaces.

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Modalități de obiectivare a stării lirice în poezia lui Zbigniew Herbert și Stanisław Barańczak

Modalități de obiectivare a stării lirice în poezia lui Zbigniew Herbert și Stanisław Barańczak

Author(s): Marina Ilie / Language(s): Romanian Issue: 3/2016

Preliminarii. În ce mod se articulează identitatea subiectului în textul poetic? Problema enunţătorului, a individualităţii prezente implicit sau explicit în poezie nu este nici pe departe una nouă, impunându-se drept temă de reflecţie de sine stătătoare în prima jumătate a secolului al XIX-lea, odată cu aparţia Prelegerilor de estetică hegeliene, în care va fi examinată pe larg distincția dintre subiectul realului biografic şi subiectul realului poetic.

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„Secolul meu” de Aleksander Wat în receptarea criticii

„Secolul meu” de Aleksander Wat în receptarea criticii

Author(s): Constantin Geambașu / Language(s): Romanian Issue: 1/2016

Autor zajmuje się odbiorem krytycznym Mojego wieku Aleksandra Wata, skupiając się na dwu zasadniczych wątkach książki: na komunizmie i religii. Wat przeżywa podwójny kryzys: nihilizmu i komunizmu. Religia, do której dochodzi poprzez nawrócenie, staje się ocaleniem, chociaż jest to proces złożony i nie do końca przyswojony. Wśród krytyków toczyła się również dyskusja na temat struktury i charakteru Mojego wieku: w jakim stopniu jest to dokument historyczny czy utwór literacki? Autor artykułu podkreśla wartości poznawcze i hermeneutyczne tego cennego i oryginalnego świadectwa o XX-ym wieku.

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Identitatea națională și resentimentul

Identitatea națională și resentimentul

Author(s): Maria Hoșciuc / Language(s): Romanian Issue: 2/2015

В этой статье рассматривается проблема украинской идентичности и появление ресентимента в контексте многолетного доминирования национальной культуры другими культурами. Для этого было проанализировано эссе украинского современного писателя Юрия Андруховича, из которого выходит, что ресентимент присущен постколониальной действительности, а также был сделан сравнительный анализ этого эссе и эссе польского современного писателя Анджея Стасюка, которые появились в одной книге Моя Европа.

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Tadeusz Różewicz între realism şi postmodernism

Tadeusz Różewicz între realism şi postmodernism

Author(s): Constantin Geambaşu / Language(s): Romanian Issue: 2/2014

On the basis of concrete poetry, published in volumes that were printed especially in the late twentieth century and early twenty-first century, the author analyzes the important components of Tadeusz Różewicz’s poetics passing from Realism to Postmodernism. The poet had lately cultivated the postmodern technique, largely based on fragmentation, intertextuality, physicality and puns upon words.

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A X-a ediţie a festivalului internaţional „Zile şi nopţi de literatură”

A X-a ediţie a festivalului internaţional „Zile şi nopţi de literatură”

Author(s): Irina Ionescu / Language(s): Romanian Issue: 1/2013

Conference-Report: A X-a ediţie a festivalului internaţional „Zile şi nopţi de literatură” (Irina Ionescu)

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„Nedivina comedie” de Zygmunt Krasiński între istorie şi metafizică

„Nedivina comedie” de Zygmunt Krasiński între istorie şi metafizică

Author(s): Constantin Geambaşu / Language(s): Romanian Issue: 4/2010

The author of the research focuses particularly on the structure of the drama The Undivine Comedy, trying to define more clearly the boundaries between the two settings of the plot, i. e. historical and metaphysical. Z. Krasinski goes beyond historical and social framework in order to penetrate even deeper into the metaphysical realm (the role of Providence both in history and in human life) by analyzing the issue of revolution in a broader context (historical-philosophical and religious). He is interested especially in people‘s ―undivine" attitude and its consequences. The research pinpoints the fundamental idea of the Polish author: revolutions are not part of the divine plan for the world, and a world deprived of God is doomed to chaos and extinction. Man's moral transformation may be achieved only through faith in God, and salvation - through solidarity and harmony. Yet, beyond Krasinski's constructive effort, a careful analysis of the text allows to catch a glimpse of the utopian character of such a vision.

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Drama „Kordian” de Juliusz Słowacki (structură şi semnificaţie)

Drama „Kordian” de Juliusz Słowacki (structură şi semnificaţie)

Author(s): Constantin Geambaşu / Language(s): Romanian Issue: 2/2010

Kordian is a drama with a complex structure, a multilevel text, open to multiple interpretations, depending on the angle of assessment. Beyond ideas deeply rooted in the Polish history and mythology, the text drew the attention of literary critics and historians thanks to its literary value, lexical and imaginative richness, and various poetic and prosodic resources. This article deals with the drama’s structure and meanings, focusing on the causes that contributed to the tragedy and the failure of the main character.

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Recenzii

Recenzii

Author(s): Octavia Nedelcu,Cristina Godun,Antoaneta Olteanu / Language(s): Romanian Issue: 2/2010

Reviews: CÂNTECUL DE LEBĂDĂ DUPĂ 20 DE ANI... Voislava Stoianovic, Додири и прожимања/Contacte şi interferenţe. Timişoara, 2009, 273 p., ediţie îngrijită de Stevan Bugarski (Octavia Nedelcu) Constantin Geambaşu, TEXTE ȘI CONTEXTE. INCURSIUNI CRITICE ÎN LITERATURA POLONĂ, Editura Universităţii Bucureşti, 2009, 211p. (Cristina Godun) V.I. Tihomirova, Pol’skaja proza o Vtoroj mirovoj vojne v sociokul’turnom kontekste 1989- 2000, Moskva, Institut Slavjanovedenija RAN, 2004, 212 p. (Antoaneta Olteanu)

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Konferencja naukowa „Constantin Noica i filozofia rumuńska XX wieku”

Konferencja naukowa „Constantin Noica i filozofia rumuńska XX wieku”

Author(s): Andrzej Zawadzki / Language(s): Polish Issue: 2/2010

Conference-Report: Konferencja naukowa „Constantin Noica i filozofia rumuńska XX wieku” (Andrzej Zawadzki)

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„Prawiek i inne czasy” Olgi Tokarczuk w perspektywie lingwistyki kulturowej i ekologicznej

„Prawiek i inne czasy” Olgi Tokarczuk w perspektywie lingwistyki kulturowej i ekologicznej

Author(s): Ewa Sławek / Language(s): Polish Issue: 1/2022

Taking recourse to such concepts of cultural and ecological linguistics as the linguistic picture of the world, mental maps, stereotypes and linguistic ecosystem the article tries to reinterpret Olga Tokarczuk’s Primeval and Other Times. Our analysis demonstrates that the Nobel prize winning writer has constituted a historical, cultural, and social portrait of a part of Central Europe called “provincial Poland.” This cultural construction is composed of a system of truths and myths, as well as fictitious imaginings. These are mental cliches which still actively influence cultural and social behaviour in this part of the world. Ecological linguistics helped to identify ways in which Tokarczuk, assuming a proecological attitude, deconstructs the tradition of anthroponormative thinking.

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„Nunta” de S. Wyspiański – exemplu de artă sincretică

„Nunta” de S. Wyspiański – exemplu de artă sincretică

Author(s): Jadwiga Mihai / Language(s): Romanian Issue: 1/2008

Drama Nunta a lui S. Wyspiański este un text pluristratificat nu doar din punct de vedere literar; structura lui transpare în câteva planuri care se întrepătrund, fiind un excelent exemplu de artă sincretică prin îmbinarea de elemente ale dramei poetice, muzicalităţii, plasticităţii, credinţelor populare şi istoriei. După părerea teoreticianului literar Andrzej Hejmer, muzicalitatea, în accepţiune generală, sugerează îndeaproape „legătura genetică dintre literatură şi muzică, dintre estetica literară şi cea muzicală, dintre anumite aspecte ale operei literare şi aspecte ale compoziţiei muzicale”.

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Henryk Sienkiewicz – homo viator

Henryk Sienkiewicz – homo viator

Author(s): Lech Ludorowski / Language(s): Polish Issue: 1/2006

Homo viator. Podróżny. Wędrowiec, ale nie tułacz zagubiony w labiryncie błędnych dróg, błąkający się bezradnie po manowcach życia. To człowiek aktywny, działający. Człowiek w ruchu, w drodze prowadzącej do wytkniętego celu. I umiejący swoje zamierzenie osiągnąć.

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MOTIVE ÎNGEMĂNATE ÎN LIRICA WISŁAWEI SZYMBORSKA ŞI A ANEI BLANDIANA

MOTIVE ÎNGEMĂNATE ÎN LIRICA WISŁAWEI SZYMBORSKA ŞI A ANEI BLANDIANA

Author(s): Cristina Godun / Language(s): Romanian Issue: 1/2005

Ideea de a trasa o paralelă între creaţiile celor două scriitoare s-a născut firesc şi parcă de la sine, încurajată de similitudinile adeseori frapante care se insinuau în imaginaţia mea, pe măsură pe lectura mă cuprindea şi mă încătuşa.

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