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Von den Sitten der Morlacken zur Weltliteratur

Author(s): Norbert Mecklenburg / Language(s): German Issue: 24/2015

The reception history of the South Slav folk ballad »Hasanaginica« is an excellent example of the dialectics of regional origins and universal value, of cultural and poetic alterity. Due to Goethe’s adaptation of the ballad, which was translated into many languages, this poem became a part of world literature. Its transcultural potential can best be observed on the way peculiarities of a cultural space influenced by the Ottomans are poetically generalized into a humanistic critique of the patriarchy. In the course of its reception history, which was marked by a series of national monopolizations of the poem, its universal message has been preserved to this day.

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Bosanski psaltir

Author(s): / Language(s): Bosnian,Old Slavonic Issue: 60/2012

Verzija crkvenoslavenskog psaltira uvrštena u Hvalov zbornik donosi niz zagonetki. Iako se rukopis po svome kolofonu vezuje za Crkvu bosansku, i premda je pisan za pokrovitelja Hrvoja Vukčića Hrvatinića koji je njegovao veze sa hrvatskim glagoljašima u sklopu Rimokatoličke crkve, struktura teksta psaltira sasvim jasno je izvedena iz pravoslavne prakse. Njegovi psalmi podijeljeni su na uobičajenih dvadeset katizmi (u staroj praksi istočnog monaštva, mjesta na kojima se čitanje može prekinuti kako bi pastva sjela) koje se, opet, dalje dijele na slave (mjesta za pojanje slavoslovlja). Takve podjele, koje potječu iz istočnog monaštva, nepoznate su u zapadnoj crkvi. Pored toga, nakon 150 kanonskih psalama slijedi ”psalam bez broja”, pjesma Davidova o pobjedi nad Golijatom, te skup biblijskih pjesama, iz Starog i Novog zavjeta, koje su u istočnoj crkvi postale ustaljeni dodatak psaltiru za razliku od ponešto drugačijeg izbora biblijskih pjesama uobičajenog na Zapadu. Stoga se naoko čini da ta komponenta Zbornika ide u prilog tezi da je verzija Svetog pisma koju je koristila Crkva bosanska navodno došla iz istočnog, pravoslavnog izvora. Tako se Hvalov psaltir, još otkako je Rački o tome pisao, često navodi kao dokaz – gotovo kao jedini dokaz – da su bosanski krstjani vjerovatno priznavali i koristili Stari baš kao i Novi zavjet.

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BAŠESKIJINE FOLKLORISTIČKE ZABILJEŠKE

Author(s): Sead Šemsović / Language(s): Bosnian Issue: 13/2015

This paper examines the diverse treasures of folklore in Mula Mustafa Baseski’s famous Chronicles (Ljetopis). As the first Bosnian folklorist, his notes are extremely valuable to the understanding of Bosniak folklore heritage. Intangible culture holds a special place within cultural heritage. This study addresses the topics of dances, dancers and places to dance, musicians, singers and instrument makers, and storytellers, each of which renders a unique image of life in Sarajevo in the second half of the 18th century. The chronicler introduces us to the most important cultural events from which we, today, can learn of the full range of important testimonies about dance, playing musical instruments, and narration.

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TIPOVI I KARAKTERISTIČNI MODELI EPSKIH FORMULA U PARRY-LORDOVOJ ZBIRCI PJESAMA

Author(s): Tarik Ćušić / Language(s): Bosnian Issue: 81-82/2018

Revolucionarnu teoriju da je “gramatika” epskog pjesništva zasnovana na epskoj formuli utemeljio je Milman Parry (1902– 1935), profesor Harvardskog univerziteta. On je izučavao tehniku stila komponiranja Homerovih slavnih epova pod osnovnom pretpostavkom da dugi epovi nisu nastajali spajanjem kraćih balada u jednu cjelinu nego da ih je mogao otpjevati jedan pjevač služeći se tradicionalnim sredstvima. Nalazeći da se u bošnjačkoj epskoj tradiciji baštini komponiranje dužih epskih pjesama, Milman Parry odlučio se tridesetih godina 20. stoljeća za terenska istraživanja na južnoslavenskom prostoru.

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Upotreba grafičkih organizatora pri karakterizaciji likova u Ćopićevoj priči Čudesna sprava

Author(s): Lejla Ovčina / Language(s): Bosnian Issue: 6-7/2018

A theme of childhood interwoven with humorous details in the short story The amazing device is close to students in lower grades, and as such, it is suitable for teaching as well as a creation of a methodological approach to studying in the fourth grade. The paper defines research tasks on the basis of which a student is expected to reach a solution independently. Through the offered model, we can notice the relationship between the characters, as well as their actions and behaviour. A particular emphasis is placed on the characterization, through the use of graphic organizers as reading strategies and reading comprehension. The proposed approach is related to The character analysis in five steps and is focused on a student's independent work. Tasks and questions that help students to create graphic organizers independently have been specified.

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Recenzija: Jugoslovenske socijaldemokratske stranke 1914—1918; Književnost Mlade Bosne I

Author(s): Franc Rozman / Language(s): Slovenian Issue: 1-2/1969

The review of: - Vlado Strugar, Jugoslovenske socijaldemokratske stranke 1914—1918. Zagreb 1963, 322 strani. - Predrag Palavestra, Književnost Mlade Bosne I. Strani 303 Hrestomatija II. 416 strani. Svjetlost, Sarajevo 1965.

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LA TRADUZIONE COME NEGOZIAZIONE: CONSIDERAZIONI SULL’ESEMPIO DELLA TRADUZIONE ITALIANA DI SARAJEVSKI MARLBORO (LE MARLBORO DI SARAJEVO) DI MILJENKO JERGOVIĆ

Author(s): Nada Županović Filipin,Mia Brnović / Language(s): Italian Issue: 1/2019

The goal of our research was to study processes that take place in translation and compare culture-specific items in the source text to their equivalents in the target text. In the first part of the paper we examined certain theoretical aspects of translation, while in the second part we carried out a comparative traductological analysis employing the previously-presented theories. The analysis focuses on the treatment of culture-specific items in Le Marlboro di Sarajevo, Ljiljana Avirović’s Italian translation of Miljenko Jergović’s book Sarajevski Marlboro. Analysing both the source and target text, we tried to establish similarities and differences that emerge when translating culture-specific items that are frequently considered untranslatable. Finally, referring to individual examples, we discussed the overall orientation of the Italian text and tried to establish whether the translation is more oriented towards the adequateness of cultural items in the source language and culture (source oriented) or towards their acceptability in the target language and culture (target oriented).

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Intertekstualne veze: franjevački ljetopisi – Andrić – suvremeni hrvatski pripovjedači

Author(s): Dolores Grmača / Language(s): Croatian Issue: I/2019

This paper contains seven independent scientifi c researches and two workshops linked to a mutual literary corpus (the 18th century Franciscan chronicles and the opus of contemporary narrators), as well as the key theoretical concepts that have marked the last decades in humanities and social sciences. These include cultural memory phenomenon, different strategies on remembering and forming of the individual and collective identity. In the introduction the theoretical foundations of the research have been laid down by presenting what is it that includes intertextuality, cultural memory, memory and history, as well as presenting the 18th century Franciscan chronicles with which contemporary narrators, starting with Ivo Andric, establish intertextual connections. The second part focuses on the ways Bosnian Franciscan are shaped in the works of Ivo Andric. It is primarily based on the Franciscan chronicles and follows the strategy of creating „figures of memory“ – the friars function as the guardians of memory and time. They accumulate memories, write them down and keep them away from oblivion. It is also a method to fight the „evil“ around us. The relationship between history and fiction is investigated in the third part of the paper on the example of Andric’s Travnička hronika (The Chronicles of Travnik), a model example of subjecting the documentary material to fantasy and to the performative power of the text. The text takes a role of a keeper, but also maker, of memories – a cornerstone in shaping the identity of a community.

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Ne/svakidašnja jadikovka

Author(s): Ivana Seletković / Language(s): Bosnian Issue: 29/2019

Aristotel u Nikomahovoj etici piše da je domišljatost strahovito vješto pogađanje. Kada netko svoju zbirku eseja naslovi Dosadna razmatranja, ne može se čitatelj pred takvim nazivom ne upitati što je tu tako vješto smješteno u kontekst dosadnog razmatranja/razmišljanja i da li te teme koje su obuhvaćene tim naslovom pogodile srž neporecive neobuzdanosti dokolice, ima li ondje ironije. Ali vješto zavođenje naslovom naići će na otpor u sadržaju kojeg Karahasan dijeli na Sjećanja, Pejzaže i Ljude. Odsutnost onoga tko piše daje primat samom sadržaju.

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Dekonstrukcija kulturno- identitetskih stereotipa u romanu Prokleta avlija Ive Andrića

Author(s): Azra Ičanović / Language(s): Bosnian,English Issue: 8-9/2020

By placing Ivo Andric in the context of Western European tradition of Orientalism, the paper discusses the deconstruction of the cultural-identity stereotypes in the novel “The Damned Yard”. With the aim of showing that the stereotypical cultural divides are one of the mechanisms of political action by which he, through the attempt of monopolization of culture and construction of an eligible collective identity which van (and must) be accomplished as vassal, seeks to establish and/or maintain the absolute power, the paper, starting from questioning postcolonial opposition East-West in Andric‘s “Devil‘s yard”, is considering the hybrid identity of the protagonists of the novel and their confrontation with the repressive measures of the totalitarian regime as factors of degradation orientalist discourse and deconstruction of cultural-identity stereotypes. The paper leads to the conclusion that in the process of identity hybridization of Camil and Fra Peter and the proces of articulation of the identity, moral and existential drama of a man exposed to repressive measures of the totalitarian political system, all the difference between the characters, including those which are arising from cultural and civilizational division into East and West, are deleted and relativized.

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Bosanski dramski univerzum

Author(s): Nedim Mušović / Language(s): Bosnian Issue: 77-78/2020

Polifonija književno‑istorijskih tokova je nešto na čemu se zasniva literarni odliv većine nacionalnih umjetničkih korpusa jednog podneblja, stoga se u procesu objedinjavanja duhovnih aktivnosti neminovno spajaju pisane tradicije različitih svjetova što je prvenstveno nametnuo nesretni bosanskohercegovački geostrateški položaj koji je nakon austrougarske okupacije krenuo pravcem modernih evropskih društvenih pravaca, unoseći u svoj, do tada prilično zatvoreni, izolovani i nedostupni svijet nove koncepte i nove funkcionalne pojave na koje se trebalo adaptirati, socijalno i mentalno uklopiti, kao i slobodno prilagoditi u svrhu korištenja njihovih postojećih kapaciteta i potencijala. Individualne nacionalne književnosti teško prihvataju integraciju u širi konceptualni kontekst, težeći ka subjektivnoj izdvojenosti sa, po mogućnosti, minimalnim dodirima ili pretapanjima u neki globalni okvir koji bi, po tim shvatanjima, grubo narušio osebujni karakter isključivosti koja po ovakvom perspektivnom shvatanju nema pežorativni prizvuk, već naprotiv, posjeduje toliko potrebitu nužnost odvajanja od drugih, ne bi li se time očuvala tzv. imanentna jednonarodna ekskluzivnost. U tom smislu višeglasna bosanskohercegovačka uzajamna prožetost je nešto na čemu se neminovno temelji njen ipak jedinstven vremenski otisak i početno ishodište, bez obzira na sve pritiske da se ona poništi ili na bilo koji način degradira na nebitnu osnovu. Raznoliki faktori unutar tog integriteta se nipošto međusobno ne isključuju već istovremeno stoje jedni uz druge i u komparativnom i u uzajamnom odnosu, tvoreći time jedinstvo sa tek formalnim razlikama. Ovom modelu bosanskohercegovačke kulturološke komponente pripada neizostavno i drama kao literarna forma, sa svim svojim relevantnim faktorima i sa svim svojim normativnim činiocima. Tako na književnoj periodnoj vertikali moderni dramski oblik predstavlja jedan od najmlađih literarnih žanrova u Bosni i Hercegovini s obzirom da je, koliko je poznato, prvi dramski pokušaj, vesela igra Majčin amanet izašao iz pera teologa i svećenika Ivana Lepušića tek 1885. godine, nastao ponajviše pod izravnim uticajima melodramskih pučkih igara i sveprisutne folklorne drame, toliko popularne i prisutne u to doba u slavenskim zemljama složene i multikulturalne Habzburške Monarhije.

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Ivo Andrić i pacifizam

Author(s): Miran Todorović / Language(s): Croatian Issue: 77-78/2020

Pacifizam, iako utjecajan u određenim povijesnim razdobljima, ostaje do danas nedovoljno istražen pojam u znanstvenim istraživanjima. Iako su zadnjih godina zabilježeni određeni pomaci u pozitivnom smjeru, još uvijek izgleda kao da je veliki potencijal ove teme ostao nezapažen praktički u svim područjima humanističkih i društvenih znanosti – od povijesti, sociologije, politologije, sve do kulturoloških studija i znanosti o književnosti. Jednostavna pretraga Hrvatske znanstvene bibliografije CROSBI pokazuje tek 11 radova vezanih uz pojam pacifizma u rasponu od 1990. do 2019. godine. Neprepoznatost njene vrijednosti je jedan mogući razlog neistraženosti te teme, a drugi bi razlog mogao biti njeno svjesno zanemarivanje zbog netočne pretpostavke da u njoj nema dovoljno materijala za istraživanje. Da to nije tako pokazale su studije izašle u 2015. godini koje pokazuju bogat, neki bi rekli i nedovoljno prepoznat, antiratni i mirovni angažman u Hrvatskoj i regiji za vrijeme prije, tijekom i neposredno nakon Domovinskog rata i rata u Bosni i Hercegovini. Također je vrlo poznata činjenica da su se brojni glazbenici, umjetnici i pisci u svojim djelima i nastupima strogo protivili ratu i isticali njegove posljedice. Svejedno, znanstvena istraživanja koja bi potvrdila te prakse su rijetkost i zato vrijedi spomenuti navedene studije iz 2015. godine: riječ je o knjizi Borile smo se za vazduh Bojana Bilića i zborniku radova Opiranje zlu u uredništvu Vesne Janković i Bojana Bilića. Ti su izvori važni iz razloga što ne samo da su prvi koji specifično istražuju pacifističke prakse (u smislu da im je to primarni cilj, a ne usputni podatak) na ovim geografskim prostorima, nego i zato što predstavljaju primjer internacionalne i znanstvene suradnje među mladim znanstvenicima, od kojih većina radi i djeluje u inozemstvu, što može biti jedna od mnogo poražavajućih činjenica današnjega stanja u društvu ako je razlog iseljavanja nemogućnost mladih perspektivnih ljudi da svoje potencijale iskoriste u svojim domicilnim zemljama. Internacionalni pristup se pokazao izrazito plodonosan za područje pacifizma koje i samo po svojim principima ne dozvoljava nikakva ograničenja ni usustavljivanja po ikakvim nacionalnim ili klasnim osnovama.

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IVO ANDRIĆ’İN DRİNA KÖPRÜSÜ ADLI ROMANINDA DİNİ VE ETNİK ÇEŞİTLİLİKTEKİ İKİLİ ZITLIKLAR VE HİYERARŞİ

Author(s): Özlem ULUCAN / Language(s): Turkish Issue: 19/2020

Due to its geopolitical position and ethnic diversity, the Balkans maintains its spesific position in academic studies. In addition, hosting the plot of The Bridge on Drina by which Ivo Andrić won the Nobel Prize in 1961 has been among significant factors in maintaining the Balkans’ position on agenda. The Bridge on Drina is panorama of Turkish/Muslim, Serbian/Christian, and Jewish citizens living together about four centuries around the Bridge on Drina that links Bosnia and Serbia. While the protogonist of the work is the Bridge on Drina, together with it, we witness the fate of the people living around, the influence of Ottoman Sultanate and the Austro-Hungarian Empire, both playing significant role in the change and transformation of the Balkans, and the process of confusion, resistance and adaptation stemming from the downturn of transition from feudal system to the capital one merging with the nationalist discourse of the time. There are hundreds of studies on the Bridge on Drina on international academic fields, however, the related studies in Turkey are limited and they are either on a general evaluation of on the work, or they mostly focus on tolerance and humanism of Ivo Andrić. The aim of this study is revealing that the ethnic and religious diversity in the work is narrated in a hierachy, and leaving aside his humanist ideology, the writer promotes his own ethnicity and religion while indirectly determining the position of the citizens he otherized.

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O BOSANSKOMUSLIMANSKIM PJESMAMA ERLANGENSKOG RUKOPISA

Author(s): Tarik Ćušić / Language(s): Bosnian Issue: 87-88/2019

Erlangenski rukopis je najstarija zbirka pjesama nastala na štokavskoj osnovici. Pored kršćanskih pjesama i onih čija se provenijencija ne može utvrditi, a pretežito je riječ o lirski intoniranim pjesmama, ova zbirka sakuplja pedesetak bosanskomuslimanskih pjesama od ukupno njih 217. Nastao krajem 17. ili početkom 18. stoljeća, kako je to dosad manje-više prihvaćeno u južnoj slavistici, ovaj rukopis je i dan-danas obavijen velom enigmatičnosti, prije svega, iz ortografskih razloga koji usko koreliraju sa pisarevim stranim porijeklom.

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ODNOS LAURE PAPO BOHORETE PREMA DRUŠTVENO-POLITIČKIM KRETANJIMA IZMEĐU DVA SVJETSKA RATA

Author(s): David Kamhi / Language(s): Bosnian Issue: 87-88/2019

Krajem Prvog svjetskog rata u Evropi, pa i šire, desile su se velike promjene u smislu razvitka društvenog i, posebno, političkog života. Te promjene su se reflektirale i na novoproglašenu Državu Srba, Hrvata i Slovenaca (kasnije Jugoslaviju) i, posebno, na Bosnu i Hercegovinu, u kojoj su zbog klasne, nacionalne i konfesionalne heterogenosti te slabog razvoja demokratskih institucija te promjene donekle bile usporene. Laura Papo Bohoreta, “La Franceza”, djevojački Luna Levi – rođena 28. marta 1891. godine u Sarajevu, a umrla 12. jula 1942. u bolnici u kojoj su radile sestre milosrdnice, također u Sarajevu – kao i mnogi bosanski Sefardi bila je uključena u spomenute procese.

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KORELACIJA VARIJANATA BALADE O POGIBIJI HIVZI /HIFZI/ HIMZI-BEGA ĐUMIŠIĆA

Author(s): Avdija Avdić / Language(s): Bosnian Issue: 85-86/2020

Još u ranom djetinjstvu slušao sam “starinske” pjesme koje je moj otac pjevao u trenucima dobrog raspoloženja. I, zadržao sam ih u svom pamćenju, neke u cjelosti, neke djelomično. Jedna od tih koje sam djelomično zapamtio jeste balada o pogibiji Hifzi/Hivzi/Himzi-bega Đumišića. Kasnije sam u literaturi pronašao ovu pjesmu. U izbjeglištvu u Holandiji upoznao sam Selmana Sinanovića, rodom iz sela Urišići kod Srebrenice koji mi je kazao jednu od varijanata ove lijepe balade. Pjesme, dakle, stignu dokle i ljudi stignu. U teškim vremenima ljudi se raseljavaju, napuštaju svoj zavičaj, svoju imovinu, svoja ognjišta… Svoje pjesme, pak, nose sa sobom. Hivzi-beg Đumišić je historijska ličnost. Bio je poznat kao veliki junak i prije svoje pogibije. Njegova pogibija opjevana je kao djelo izdaje bijeljinskog komandanta Salih-paše. Od petnaest poznatih varijanata, u ovom radu je priloženo pet u cjelosti i početak jedne (prve). U radu se nastoji pojedinosti varijanata, kao i različitosti, mada ne sve, prikazati u njihovom uzajamnom odnosu.

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Bosnia, Neoliberal Capitalism, Conservative Consciousness, and Citizens' Naivety

Author(s): Senadin Lavić / Language(s): English Issue: 1/2020

The historical process has posed a challenging question about Bosnia's national identity today. It is quite obvious that since the end of the 19th century, the historical course of a nation has been reduced to a "religious group" in which it is possible to recognize regression and unconscious existence. This represents a trace of the Ottoman period of hegemony in Bosnia, when the identity of the people was determined by religious affiliation. Therefore, it is no coincidence that the end of the Austro-Hungarian monarchy in Bosnia, left Bosniaks solely perceived and defined as Muslims. What looks like naivety and powerlessness during the 20th century, should in fact be seen as ignorance of, and non-reflexivity on, one's own existence. In the Yugoslav system, they were designated as Muslims - with the capital letter M. At the time, it was announced as the solution to the national question! The clash of unfinished ethnic-religious constructions of Bosniak identity and the process of globalization in the first decades of the 21st century, led to paradoxical and somewhat tragic self-experiences and attempts to develop national consciousness, based on a religious matrix that is the foundation of conservative consciousness. This moves the whole of human destinies in the wrong direction once again, and the importance of the national or civic identity and political philosophy of statism are undermined and blurred by non-reflexive voluntarism. It seems that citizens’ naivety and their lack of knowledge about themselves and their own state framework, have led to a disastrous anti-Bosnian mentality and the extinguishing of the Bosnian national civic identity.

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On Power and Time. Reflections on The Fortress by Meša Selimović

Author(s): Filip Kovačević / Language(s): English Issue: 03/2011

In this article, the author examines the relationship between power, time, and human reality. Using a novel by the Bosnian writer Meša Selimović as a case study, the author tests two metaphysical claims: power submits to power only, and the passage of time empties the significance of each and every human activity. The author finds that Selimović’s novel confirms both. The conclusion is profoundly pessimistic. The lives of human beings are doubly unhappy: they are spent in protracted struggles for resources and recognition that yield power, and also even the accomplishments of the victorious in these struggles will be erased by the passage of time. However, the understanding of the second claim might retroactively ameliorate the conditions of human life. Yet as evidenced by Selimović’s novel, in the world dominated by power, this does not happen. The case of Šehaga Sočo shows that even the one whose personal experience convinced him of the meaninglessness of it all is unable to break out of the cycle of rivalry and revenge. At his deathbed, he orders the death of his rivals, though he knows that to him dying, it makes no difference whether they live or die. Why not opt for forgiveness? Because, as Selimović emphasizes, power’s insistence on self-perpetuation is illogical, and it is logic that tells us not to engage in meaningless tasks. In other words, human reason is powerless to provide us with a more tolerant world.

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Frazemi u službi karakterizacije likova u romanu Gospođica Ive Andrića

Author(s): Marijana Nikolić,Edna Klimentić / Language(s): Bosnian Issue: 14/2018

The paper will present phrasemes isolated from the novel The Woman from Sarajevo written by Ivo Andric. This paper is based on the definition of phrasemes as expressions consisting of at least two autosemantic words and at least one of them must have transposed meaning. It is going to be very interresting to analyse phrasemes imposing miss Rajka’s fi gures related to material values, especially money.

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GEMINIRANI KONSONANTI U LJETOPISU MULA MUSTAFE BAŠESKIJE

Author(s): Kerima Filan / Language(s): Bosnian Issue: 47-48/1999

The subject of this work are the geminated consonants in The Chronicle (Ljetopis) by Mula Mustafa Bašeskija, that were written in Turkish, with certain elements of the Turkish used by the people of Bosnia and Herzegovina. This dialectic peculiarities are clearly shown by the way geminated consonants are written. It has been discovered that Bašeskija wrote some of the Turkish words with tasdîd (illerii, kıssa), while the others have tašdid only partially (billur, çölle, üççer). Considering the fact that the gemination of the consonants is an unknown category in Turkish language, this secondary gemination is considered to be the characteristic of Turkish spoken by the population of Bosnia. Further on, this work gives a review of words with etymological gemination written without tasdîd in The Chronicle. On the one hand, it has been pointed out to the examples widely used in Turkish with reduced gemination, and adopted as such in Bosnian dialect of Turkish. In the text of The Chronicle, this phonetic change is shown by the spelling of the lexeme without the tasdîd (kasab) or with modified spelling (saraç, tabak).

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