Pohádkové příběhy v české literatuře pro děti a mládež (1990–2010)

Author(s): Milena Šubrtová / Language(s): English,Czech Publication Year: 0

It is not possible to describe the position and the form of fairy tale in the Czech literature for children and youth of the past two decades without returning to transformations of the Czech literary scene immediately after 1989. The 1990s in the Czech literature for children and youth were a turbulent period influenced by social changes brought about byde–monopolization and fragmentation of publishing activities and also by the chance of open confrontation with the international book production featuring top as well as trivial and utilitarian works. The new national production of that period remained in the shadow of edition returns to the time–tested books from the golden collection of the Czech literature and also returns to the banned authors of the previous period. Quantitatively, catchy translations prevailed on the book market.

Ozvuky čtvrtkovské poetiky v pohádkách Emila Šalouna a Jaromíra Kincla

Author(s): Jitka Zítková / Language(s): Czech Publication Year: 0

The chapter Ozvuky čtvrtkovské poetiky v pohádkách Emila Šalounaa Jaromíra Kincla [Resonance of Čtvrtek’s poetics in fairy tales by Emil Šaloun and Jaromír Kincl] deals with distinct motif and language features of their texts. She analyzes similarities and differences in their work – having a lot of common features – where we do not find only similar heroes but also books that stand outside the “Čtvrtekian” tradition of modern fairy tale due to their distinctive updating character and situational comicality.

Vyprávím pohádku obrazem (K obrázkovým knížkám Pavla Čecha a Martiny Skaly)

Author(s): Martin Reissner / Language(s): Czech Publication Year: 0

The topic of picture books is dealt with in Martin Reissner’s paper Vyprávím pohádku obrazem (K obrázkovým knížkám Pavla Čecha a Martiny Skaly). [Telling a fairy tale with pictures (Towards fairy tale books by Pavel Čech and Martina Skala)]. Among distinguished authors of picture fairy tale books is the painter, author of comics, illustrator and author of original books, Pavel Čech, who has been offering readers and spectators for two decades fairy tales full of sensitivity and nostalgia.

Autorské pohádkové knihy Petra Nikla a Františka Skály

Author(s): Martin Reissner / Language(s): Czech Publication Year: 0

The experimental Czech fairy tale includes some books by the artist, theatre author, musician and writer, Petr Nikl. Despite the fact that in the recent years the literary quality of his texts has not increased he still remains an important figure in the area of the modern original fairy tale. Similarly, the fairy tales by the painter, graphic, conceptual artist and writer, František Skála, are aimed at readers and fans of his multi-media works as a whole. In comparison with Nikl he fascinates readers with his ability to find and emphasize aesthetic qualities in ordinary and banal connections, stories and artifacts while originally dealing with the natural environment at the formal (artistic) as well as the story-telling (literary) level. Both the writers are dealt with by Martin Reissner in the chapter Autorské pohádkové knihy Petra Nikla a Františka Skály [Original fairy talebooks by Petr Nikl and František Skála].

Lyrizace v prozaickém textu (Nad pohádkovou tvorbou Radka Malého)

Author(s): Miroslav Chocholatý / Language(s): Czech Publication Year: 0

Various literary works by Radek Malý include poetry, translations, drama, literary science and also books for children. Miroslav Chocholatý’s chapter Lyrizace v prozaickém textu (Nad pohádkovou tvorbou Radka Malého) [The poetic in a prosaic text (Towards fairy tales by Radek Malý)] is an analysis of the author’s modern fairy tale called František z kaštanu, Anežka ze slunečnic [Frank from the chestnut, Agnes from the sunflowers] (2006). He analyzes the author’s metaphors and peculiarities of the compositional build-up of that book. He also point out the postmodern character of the text, especially in the area of the multi-layer meaning character.

Pohádkové příběhy pro dvojího adresáta (Tvorba Michala Viewegha a Pavla Šruta)

Author(s): Naděžda Sieglová / Language(s): Czech Publication Year: 0

A consequence of the changing position of the child in the world of the adults, shifts within genres, syncretic tendencies in arts as well as in life, is the growing number of books labeled as books with uncertain orientation. Naděžda Sieglová deals with them in the chapter Pohádkové příběhy pro dvojího adresáta (Tvorba Michala Vieweghaa Pavla Šruta) [Fairy tales for a double addressee (Works by Michal Viewegh and Pavel Šrut)]. Out of individual personal experience respecting the possible child reader and reflecting parental experience arose the book by Michal Viewegh Krátké pohádky pro unavenérodiče [Short fairy tales for tired parents].

Pohádky Ludmily Klukanové a Jiřiny Salaquardové

Author(s): Jiří Poláček / Language(s): Czech Publication Year: 0

Jiří Poláček in the chapter Pohádky Ludmily Klukanové a Jiřiny Salaquardové [Fairy tales by Ludmila Klukanová and Jiřina Salquardová] analyzes two fairy tales by Ludmila Klukanová (Z pohádkových končin [From fairy tale parts], 1993) and Jiřiny Salaquardové (Pohádky ze stříbrných hor [Fair tales from silver mountains], 1996) within the context of their all production aimed especially at adult readers. First, he interprets individual fairy tales and then he defines their general features while comparing the analyzed books.

Antropomorfizace jako prostředek komunikace (Nad pohádkovými příběhy Pavla Brycze)

Author(s): Miroslav Chocholatý / Language(s): Czech Publication Year: 0

Pavel Brycz is among authors writing books for both adults and children. The subject of Miroslav Chocholatý’s chapter Antropomorfizace jako prostředek komunikace (Pohádky Pavla Brycze) [Anthropomorphization as a means of communication (Fairy tales by Pavel Brycz)] is the fairy tales Kouzelný svět Gabriely [The wonder world of Gabriela] (2006) that were originally broadcast as a radio series, the book Dětský zvěřinec [The children’s menagerie] (2008) on the basis of which Brycz wrote a script for a TV series of bedtime stories, and the latest publication Bílá paní na hlídání [The white lady as a baby-sitter] (2010).

Myśl Gastona Bachelarda: interpretacje francuskiej krytyki i próba antropologicznej syntezy

Author(s): Kamila Morawska / Language(s): Polish Publication Year: 0

Problem jedności

Author(s): François Dagognet / Language(s): Polish Publication Year: 0

O nieco zapomnianej książce Bachelarda

Author(s): Henryk Chudak / Language(s): Polish Publication Year: 0

Wertykalność marzenia

Author(s): Marta Ples-Bęben / Language(s): Polish Publication Year: 0

Usmena književnost u povijestima hrvatske književnosti

Author(s): Nikola Sunara / Language(s): Croatian Publication Year: 0

Oral literature exists as long as humankind. Through history, that kind of literature was known as folk, anonymous, folklore, traditional, peasant (during the reign of Croatian Peasant Party). Oral literature is the tradition of written literature. In the past, oral literature was often given more attention than the written, and sometimes it was neglected. A great interest in folk literature emerged in the Renaissance period. Michel de Montaigne was enthusiastic about folk poetry and since his time term folk literature has been in use. The oral literature has reached its peak of popularity during the Romanticism. Approach to the oral literature in Croatian histories of literature is fourfold. Some literary historians barely mention it in their histories. Others speak of it peripherally when dealing with, for example, Petar Hektorović, Ivan Gundulić, Andrija Kačić Miošić, and many others. Some literary historians write about both oral (folk) and written literature in their histories of literature. The final approach is by those authors who have written histories of oral (folk) literature. Some literary historians have written histories of oral literature. Maja Bošković-Stulli in collaboration with Divna Zečević dedicated the first book of 1978 edition Povijest hrvatske književnosti: u sedam knjiga to the oral literature. In that history, the authors wrote about folk literature alongside the oral. In 1990 Tvrtko Čubelić published a monograph Povijest i historija usmene narodne književnosti. Marko Dragić published Poetika i povijest hrvatske usmene književnosti in 2008 and Stipe Botica published Povijest hrvatske usmene književnosti in 2013.

Les traducteurs dans la littérature québécoise

Author(s): Jean Delisle / Language(s): French Publication Year: 0

Nombreux sont les écrivains d’expression française au Canada qui ont trouvé dans la pratique de la traduction un moyen de subsistance connexe à l’écriture originale. "Nos écrivains, constate Pierre Baillargeon, exercent tous un métier parallèle; ils sont avocats, médecins, traducteurs, prêtres" (Baillargeon 1944, 53). Dans Les médisances de Claude Perrin, il écrit: "Manger ou ne pas manger, là est la question. Je soutenais que, pour l’écrivain, il y a toujours de la vache enragée, le petit emploi [...]" Baillargeon 1973, 118). À ses yeux, le métier de traducteur était un petit emploi. Les écrivains québécois ne sont pas différents des autres, cependant. Chateaubriand, par exemple, a pu assurer sa subsistance à Londres grâce à des travaux de traduction. Émile Littré a travaillé comme traducteur au National, un grand journal libéral où il traduisait des articles de la presse allemande ou anglaise. Ce sont deux exemples parmi tant d’autres

Poznámky ke komparativní poetice

Author(s): Zdeněk Hrbata / Language(s): Czech Publication Year: 0

Starting with a reflection on one part of Cervantes’ novel (Part I, Chapter 18 – Don Quixote describes what he sees: imaginary knights and their coats-of-arms or armours), this paper traces the possibilities of interrelationship between different kinds of arts as they appear in historical poetics and aesthetics. It mentions main tendencies in interdisciplinary and semiotics (intersemiotics) studies from the 18th century to the contemporary period. Besides the intermediality or transmediality, e.g. their projects of semiotics macromodes, we propose as a considerable and constant possibility for comparative poetics (and according to Jan Mukařovský) the comparison of themes considered, in the words of Gérard Genette, as generic essences.

Киркегор и Достоевски - Pro et Contra

Author(s): Nikolay Neychev / Language(s): Bulgarian Publication Year: 0

The work deals with the elucidation of the temporal problems (the questions of Chronos, Kairos and Eternity) in the worldview concepts of Kierkegaard and Dosto evsky. The text argues that the two authors are of the same mind only with regard to the detrimental effect of prophanic time (chronos) on human existence. But they are full antagonists on the issue of how the kairotic moment transforms meaningless time into the fullness of Divine Eternity. According to Kierkegaard, this is only possible through a vague revelation of man's inner subjectivity, while for Dostoev sky this is impossible to achieve without the act of divine incarnation, that is, with out the visible iconic presence of the Divine Person.

"С елените и дунавските лебеди": история и колективна психика

Зеленохорският и краловедворският ръкопис в прочита на Едгар Кине

Author(s): Xavier Galmiche / Language(s): Bulgarian Publication Year: 0

Released in 1817 and 1818, the Manuscripts of Zelená Hora and Hradec Králové in Bohemia are part of the literary mystifications whose vogue spread across Europe from the end of the eighteenth century. They remain until today the most often pre sented among the Czech literary corpus: this exceptional reception extends for over a hundred and fifty years. Among the philologists and scholars who first devoted texts of modest but decisive scope to them, the French poet and Romantic thinker Edgar Quinet brings a comparative perspective in his article “From the Epic of the Bohemi ans” (1831). This essay proposes to read this early chapter of the French reception of modern Czech literature as an example of historiography based on analogy and empa thy. It is indeed possible to understand these early analyses in the context of the “pre history” of French comparative literature, philosophically influenced by Vico, Herder and the French Ideologues and initiated by Claude Fauriel, but also in a subjective understanding of the history in which Quinet includes his own experience of the Napo leonic wars: an individual and collective psychoanalysis?

Of Words and Water

Author(s): David Jenkins / Language(s): English Publication Year: 0

To honor Professor Cholakova on the occasion of her 60th birthday, I am happy to contribute this study of some fifteen pages, which I call “Of Words and Water.” This essay touches on many of the areas suggested in the invitation for the Fest schrift: aesthetic, psychological, philosophical, and spiritual problems and their provisional mythopoetic solutions, in exemplary poems by two French symbolist poets – “Invitation to the Voyage” by Charles Baudelaire and “The Drunken Boat” by Arthur Rimbaud – and “The Idea of Order at Key West” by Wallace Stevens, and refers the understanding of archetype, as developed by Carl Gustav Jung and Northrop Frye, to comments by the poets themselves, and to other scholarly insights. The “academic excursus” is introduced by a personal and general introduction.

Autour d’un théorème de Brouwer et à travers une poésie de Baudelaire

Author(s): Sânziana Caraman,Lorelei Caraman / Language(s): French Publication Year: 0

What does the hairy ball theorem have in common with one of the most famous French poets of all time? Going around Charles Baudelaire’s words, can one come across topology? And working around the idea of infinity, can one come across the transdisciplinary embrace of both metaphors and functions? From literary tropes to fixed points, from Baudelaire to Brouwer, and from the concrete to the abstract, this paper sets out to playfully explore the invisible lines uniting together, around and across, the power of poetics and the beauty of mathematics.

Vznik romantických národních eposů: srbsko-finské paralely

Author(s): Eliška Jiráňová / Language(s): Czech Publication Year: 0

The desire for freedom is typical of the period of Romanticism; even the nations that were in the thrall of other countries started to develop their own national literatures, which were flourishing. Romanticists and their interest in the Balkans and the Orient marked the principal period when a connection between Serbian and Finnish literatures was formed. The two seemed to be totally different at first; however, there are many shared elements and influences especially in the area of Romantic literature. Serbian Folk Songs written by Vuk Stefanović Karadžić was translated to German and German men of letters were captivated; they brought the songs to the attention of Swede Johann Ludwig Runeberg, the Finnish national revivalist. Recognition of the Serbian epic was a sentiment shared across the Finnish-Swedish intelligentsia. Elias Lönnrot took charge of the idea to prepare a similar Finnish epic consisting of folk songs. The collection of folk songs and the creation of national epics drew the attention of the European intelligentsia of the period to small European nations, and these areas became a source of interest. Both epic works were studied by Czech scholar and translator Josef Holeček.