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In his seminal articles Le monde et le pantaloon and Peintres de l’empêchement, written in the 1940s about the art of brothers Abraham and Gerardus Van Velde, Samuel Beckett talks about painting and the crisis of representation. He concludes that, nowadays, the object is undressed and what is left to represent on stage blocks the very representation. This is the source of his characters’ indeterminism, and their feeling of perpetual confinement; and this is the barrier that marrs human condition. Is there a way out? The playwright’s reply allows us to envisage the possibility of escaping this prison, and indeterminism, through a kind of avant-garde art about acceptance which, in the absence of the object, makes a new object visible.
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The double is part of the themes used by literary fiction in order to emphasize the dual nature of both the human being and the universe, exploring the complex inner world of the character and his relation with the other. The relationship between I and other is part of the choices made by the authors so their characters take different attitudes towards the double. The connection between I and you is of particular interest to us in the context of Quebec literature because it is part of the territories which are most affected by cultural diversity. In this article, we would like to present a novel by Monique LaRue Les faux fuyants (1982). It operates with a special type of double:entwining. By analyzing twins as a classic double type, we would like to point out the poetic means used by the author to present this kind of duality.
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The article investigates the methods of teaching geography in school. The basic components and organization of the teaching of geography in the methods of explaining the concept, Venn diagram, the insert. Non-traditional educational technologies enhance learning motivation and interest of the student to the school, brought up in children’s self-esteem and respect, give them a sense of creative freedom.
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The article approaches the subject of the human body, and particularly the female nude, focusing on current artistic experiences. We were interested in whether the French avant-garde artists that put at the center plastic body experiments(particularly the female body) have influenced the twentieth century artistic thinking. In this context we briefly follow the evolution and metamorphosis of nude image in the work of Pablo Picasso and Yves Klein, trying to determine which artistic concepts promoted by these artists left for future generations of creators questions still to be answered today.
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The article deals with one of the major aspects of the old believers’ polemics – the traditions of liturgical pronunciation. The study analyses some old-believers’treatises on the issue and reveals the key reasons for the topicality of the polemics, as well as the arguments and counter-evidence presented by the defenders of “khomovoye” and “istinnorechnoye” singing.
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Panait Istrati’s book, Spovedanie pentru învinşi, can beconsidered the “novel” of the relations of the author with theSoviet Union, being also the “card” of the citizen writer, fighterfor freedom and social justice. The authenticity of the reportderives from the reconstruction based on the author’s memory,returned to Paris after sixteen months in the U.S.S.R., and alsofrom the sincerity of his tone. Written in French language andbuilt on the European report size, Spovedanie pentru învinşi can be interpreted as a pretty random connection between thejournal and pamphlet.
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