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«ТУНИССКОЙ ПАША» МИХАИЛА МАТИНСКОГО

Author(s): Mikhail Matinski,Alexander Lifshits / Language(s): Russian Issue: 2/2015

Более полувека назад замечательный историк русской литературы XVIII столетия П. Н. Берков пообещал опубликовать написанное Михаилом Матинским (1750–1820) и никогда не издававшееся либретто оперы Василия Пашкевича «Тунисской Паша»: «Текст ее <пьесы. – А.Л.> будет напечатан мною в одном из ближайших выпусков сборника „XVIII век“ »1. Обещание, однако, осталось не выполненным. Известный П. Н. Беркову и, похоже, единственный сохранившийся список этого драматического сочинения2 остался лежать в Театральной библиотеке в Санкт-Петербурге.

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O příznacích totality ve všedním životě a jejich uměleckém zobrazení

Author(s): Pavel Vlk / Language(s): Czech Issue: 4/2019

Klimeš, Ivan and Jan Wiendl (eds). Kultura a totalita, Vol. 4: Každodennost. Prague: Filozofická fakulta Univerzity Karlovy, 2016, 442 pp., ISBN 978-80-7308-701-2. The reviewed publication is the last volume of the remarkable collective publication project comprehensively titled "Culture and Totalitarianism", in which its editors, film historian Ivan Klimeš and literary historian Jan Wiendl, attempt to present the notion of “totalitarianism” through an analysis of its manifestations in art and culture in the Czech public space in the 19th and 20th century, since the national renaissance until the fall of the Communist regime. They approach the notion of totalitarianism in an innovative and unconventional manner, reflecting it not primarily in a political framework, but against a broader backdrop, using an interdisciplinary interconnection of philosophy and selected art disciplines. While the previous volumes were examining manifestations of the broadly defined totalitarianism inconnection with the topics of nation, war, and revolution, the final one, titled "Everydayness", focuses on manifestations of totalitarianism in artistic depictions of everydayness. The reviewer presents in detail the initial, more general studies, as well as different case analyses and insights into the history of literature, film, and theatre, concluding that the publication is an inspiration for interested parties from many fields and it has succeeded in meeting its objective

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Emanuel Famíra – muž, který netoužil po Jaru

Author(s): Ondřej Holub / Language(s): Czech Issue: 2/2020

The case study deals with the Czechoslovak artist Emanuel Famíra (1900–1970), an autodidact who was active in multiple areas of art and who closely associated his lifeand work with the Communist movement. In the early 1920s, Famíra started performing as a solo dancer of the ballet troupe of the National Theatre in Prague and also became a relatively successful painter and sculptor. In the 1930s, he was also involvedin political theatre and these activities earned him several months of imprisonment. He established Proletscéna, an avant-garde theatre, of which he was a playwright, director and actor, and also the puppet Theatre of Pioneers, for which he was creating remarkable puppets. He joined the Communist Party of Czechoslovakia and was participating in its promotional events. After the liberation in 1945, he was the director of the ballet troupe of the National Theatre in Prague for a short time, and then hewas making his living as a graphic artist and pedagogue. His graphic work drew from impressionist-realistic traditions and subsequently identified itself with templates of socialist realism. In the 1950s, he was officially recognized, but he was finding himself increasingly on the periphery of artistic and social life in the 1960s. He could not identify himself with the advancing liberalization, he was openly opposing the reform movement during the Prague Spring, and joined an informal group of “old” orthodox Communist led by Josef Jodas (1905–1970) after the Soviet occupation. The presented study aims to examine the reasons and personal motives which caused Famíra to radically oppose ideas of the “socialism with a human face”. Methodologically inspired by works of German historian Jochen Hellbeck, the author attempts to look into Famíra’s intellectual, worldview and political development through the optics of his autobiography, diary entries, correspondence, and theoretical reflections of art work, and to set it into a historical context. Using the above as a basis, he attempts to define a certain type of revolutionary narrative shared by the group of Czechoslovak Communist “dogmatists” referred to above in the end of the 1960s. The author hypothesizes that the original source and also the keystone of the “Stalinist” political mentality was the intransigent strategy of the international Communist movement inthe first half of the 1930s, which was declared by the Communist International under the banner of fight against the so-called social fascism and of “class against class”. In his opinion, the profoundly adversarial perception of the world became a part of the identity of individuals such as Emanuel Famíra, surviving as an “undercurrent” in the Communist movement and activating itself in emergencies such as the Prague Spring.

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Рецензия на монографията "Медийните биографии на естрадните музиканти в България след 1989 г.”

Author(s): Gergana Rayzhekova / Language(s): Bulgarian Issue: 9/2021

A review of the monograph “Media biographies of estrada musicians in Bulgaria after 1989” by Assoc. Dr. Zhana Popova. The monograph is a result from the work on the scientific project “The soft power of popular music in media (by examples from Bulgaria and the Balkans”, financed by the Bulgarian National Science Fund.

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Оригиналът в епохата на дигиталната му възпроизводимост

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Оригиналът в епохата на дигиталната му възпроизводимост

Author(s): Ivan Svilenov Stefanov / Language(s): Bulgarian Issue: 2/2022

The problem with the original in the era of its digital reproducibility concerns both photography, which until recently dominated media in contemporary art, and more conventional art forms, such as painting and music, which entered the digital universe and became irreversibly devalued because of the accessibility and malicious democracy of the new digital meta universe. Entering the second decade of the 21st century, the economic trap in which the arts fall is becoming clearer, and the traditional idea of the uniqueness of the original work falls under the pragmatic critique of the consumer world, in which everyone can and wants to own, in the digital format, all the information of interest or need. A new chance for artists to declare the originality of their digital work is the emerging NFT culture, and an interesting question that may arise from now on is whether a potential shift of big capital to the originals in their digital version will not orient the gallery spaces to other purposes than commercial? Obviously, interesting restructuring in the world of art is forthcoming and the emergence of new and more important institutions than galleries and museums is not excluded.

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Prikazi

Author(s): Senka Božić-Vrbančić,Jelena Kupsjak,Maja Flajsig,Tanja Petrović,Velna Rončević,Andrea Matošević,Iva Grubiša,Ljiljana Marks,Iris Biškupić Bašić,Andrea Klobučar,Tea Škokić,Olga Orlić,Marijana Belaj / Language(s): Croatian Issue: 44/2021

Review of: Senka Božić-Vrbančić i Jelena Kupsjak - Feral Atlas. The More-Than-Human Anthropocene, Anna Tsing, Jannifer Deger, Alder Keleman Saxena i Feifei Zhou, ur., Stanford University Press, Stanford, 2020. Maja Flajsig - Ekofeminizam. Između ženskih i zelenih studija, Goran Đurđević i Suzana Marjanić, ur., Durieux, Zagreb, 2020., 479 str. Tanja Petrović - Transformacija rada. Narativi, prakse, režimi, Ozren Biti i Reana Senjković, ur., Institut za etnologiju i folkloristiku, Zagreb, 2021, 388 str. Velna Rončević - Anne Allison, Precarious Japan, Duke University Press, Durham, 2013., 256 str. Andrea Matošević - Priče iz konzerve. Povijest prerade i konzerviranja riba na sjeveroistočnom Jadranu, Iva Kosmos, Tanja Petrović i Martin Pogačar, ur., Srednja Europa, Zagreb, 2020., 301 str. Iva Grubiša - Jasna Čapo, Dva doma. Hrvatska radna migracija u Njemačku kao transnacionalni fenomen, Durieux, Zagreb, 2019., 392. str. Ljiljana Marks - Olga Supek, Ljeto u Detroitu. Studija jedne lokalne četvrti iz perspektive ekonomske antropologije, Hrvatsko etnološko društvo, Zagreb, 2020., 179 str. Iris Biškupić Bašić - Katarina Bušić, Zbirka narodnih nošnji hrvatske dijaspore (The Croatian Diaspora Folk Clothing Collection), Etnografski muzej, Zagreb, 2019., 192 str. Andrea Klobučar - Kapa dolje! Priča o (ne)pokrivanju glave, Mareta Kurtin, ur. Etnografski muzej, Zagreb, 2019., 344 str. Tea Škokić - Liber Monstrorum Balcanorum. Čudovišni svijet europske margine, Miranda Levanat-Peričić i Tomislav Oroz, ur., Jesenski i Turk i Institut za etnologiju i folkloristiku, Zagreb, 2019., 371 str. Olga Orlić - Devedesete. Kratki rezovi, Orlanda Obad i Petar Bagarić, ur., Institut za etnologiju i folkloristiku, Jesenski i Turk, Zagreb, 2020., 427 str. Marijana Belaj - Antropologija izvan akademije – osvrt na Godišnji skup HED-a 2020: Etnografska istraživanja na tržištu

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Рекламата за „Чудото на XIX ВЕК“. Свидетелства в българския периодичен печат (1896–1914)

Author(s): Peter Kardjilov / Language(s): Bulgarian Issue: 11/2022

Тoday, cinema is an art, accompanied by its own sciences, its own film criticism and its own film journalism. But what happened in the years immediately after its birth. There was a Word – describing something new and unknown; admiring a technical invention that even his fathers did not believe in; recreating the atmosphere that prevailed during the first sessions and the reactions of the surprised audience… It is from this Word, preserved to this day in the advertisements printed in the then Bulgarian periodicals, that modern film criticism is born. This article with the help of concrete examples, traces this process of turning the „reclamo” („cry of praise”) into an intellectual activity.

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Българското списание „Роден глас” – комуникационно изкуство зад граница

Author(s): Anzhela Georgieva / Language(s): Bulgarian Issue: 11/2022

The article examines the processes of the development of the Bulgarian magazine, published in the Czech Republic, 'Roden glas' ('Native voice'), and its half-century history. The purpose of an article is to analyze the factors that led to the need of a migrant community to publish its own media and to reason the significance of this type of media products as main contributors to the cultural identity of the Bulgarian diaspora and the preservation of its history.

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Рецензия на книгата „Между миграция и уседналост: Екзотичният друг и новото българско кино (към културологичните полета на идентичността, различието и дискурса свой/чужд)“

Author(s): Peter Ayolov / Language(s): Bulgarian Issue: 11/2022

The book by Assoc. Prof. Dr. Andronika Martonova is another contribution to the study of cinematography in Bulgaria. Author of numerous articles in the most popular Bulgarian media, the author presents a complete text of 200 pages, in which she masterfully traces the thread of otherness and alienation in the new Bulgarian cinema. The book is part of the project “Post-totalitarian Bulgarian cinema - models and identities” and manages to outline the contours of a bridge in the transition in Bulgarian cinema between the two eras. Cinema before the changes also had its hits in describing otherness, as most of the films are described accurately in the introduction. The book traces the search for a new Bulgarian identity as a theme for the new Bulgarian cinema.

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Съвременни научни изследвания в областта на интериорния дизайн

Author(s): Boris Serginov / Language(s): Bulgarian Issue: 11/2022

The review addresses the book “Structural Approach in Interior Design in the Twentieth Century” by Bilyana Kaloyanova, PhD. The scientific and applied significance of the publication will benefit researchers and professionals working in the field of interior design.

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Filantrópia vagy plutokrácia? A Soros-realizmustól a Soros-tervig

Author(s): Beata Hock / Language(s): Hungarian Issue: 30/2022

Following the regime change of 1989/1991, the cultural infrastructure has also undergone significant transformation in most Eastern European countries. Two "foreign", i.e. transregionally and transnationally operating donor organisations have played a significant role in this transformation: the Soros Foundation (later Open Society Foundations / OSF) and the ERSTE Foundation. Their initiatives have led to the creation and increasing professionalisation of the field of contemporary arts in the region. Given that the organisations in question have provided corporate philanthropy, a potential tension arises between the progressive social content of the objectives promoted on the one hand, and the more conservative economic policies enabling the wealth being donated, on the other. This is particularly relevant in the case of the Soros Foundation/OSF, which, unlike the ERSTE Foundation, has a decades-long history of political philanthropy and currently efficiently advocates, on a global level, a range of progressive social causes. This paper explores this tension and weighs the kind of democratic deficit inherent in philanthropy, especially in its politically motivated forms.

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Van-e kiút a kulturális kapitalizmusból?

Author(s): Jean-Louis Fabiani / Language(s): Hungarian Issue: 30/2022

Cultural commons are not as easy to define as natural commons, such as air, water and other natural resources, which should be equally and universally shared. Dipesh Chakrabarty helped us provincialize Europe, but in his article “The climate of histo

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Проф. д.изк. Анна Илиева (1933–2021)

Author(s): Evgenia Grancharova / Language(s): Bulgarian Issue: 4/2021

In memoriam

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Наблюдаваният човек

Author(s): Nikolay Tsenkov / Language(s): Bulgarian Issue: 1/2023

The article considers some modes of artistic performance as a reaction against the present technological determinism. This creative resistance has a kind of game-based, competitive element – “to outwit the system” – which is a form of play. This line emerges as a kind of sociological and aesthetic strategy in some new art movements, an artistic reflex in defense of the "right to remain invisible". Briefly: the article will trace how the observed person (homo vigilatus), playing (homo ludens), consolidates with a new discourse his role as a creator (homo creator).

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На ръба на играта: "Притчата за Стенли/The Stanley parable"

Author(s): Snezhana Popova / Language(s): Bulgarian Issue: 13/2023

Galactic Cafe's videogame The Stanley Parable (2013), with a 2022 remake as The Stanley Parable Ultra Delux, becomes a base for reflections about the communicative boundaries of the game in its classical parameters.

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Животът като игра и играта като живот: качества и особености на успешната симулационна игра

Author(s): Gergana Minkova / Language(s): Bulgarian Issue: 13/2023

The study, based on part of an even larger study in the gaming field, examines the characteristics and features of simulation games, focusing on some of the most widely recognized benchmarks in the genre - The Sims, Animal Crossing and Second Life. What makes a simulation successful and how can it hold the attention of the audience? The text offers hypotheses and possible answers, developing on the basis of fan base behaviour, aesthetic qualities and product capabilities.

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Технологичното решение за изнасяне на подкастите на БНР в отделна среда

Author(s): Alexandra Ilieva / Language(s): Bulgarian Issue: 13/2023

The Podcast as a separate format has gradually become more and more popular in the Bulgarian National Radio network. This process was initiated back in 2019 when “BETAgames” became the first ever BNR podcast. The development of the podcasts in the BNR network went through different stages, each of which implemented different technical and consumer solutions. These technological solutions to a very large extent influenced and shaped the way the audience accepted the new format. The article studies these different stages with a strong accent on the implemented solutions and the feedback from the audience. In addition, the article includes some recommendations that would increase the popularity and the reach of the podcasts in the BNR framework, resulting in an even higher level of fulfilment of the statutory mission of the Bulgarian public service radio.

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Новите медийни фигури от социалните мрежи

Author(s): Ivelina Georgieva / Language(s): Bulgarian Issue: 13/2023

The easy and free access to social networks enables many individuals to gain popularity with their media activities. There are also more and more internet celebrities who create content for mass audiences primarily on platforms such as YouTube, Facebook and Instagram. The text examines the interaction between traditional media and social networks through the prism of the popular personalities in them

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Рецензия на книгата „Фирмената реклама в България през първите десетилетия на ХХ век“

Author(s): Nikola Vangelov / Language(s): Bulgarian Issue: 13/2023

The monograph studies the business advertising in Bulgaria in the early twentieth century. More than 200 print adverts that are typical for the period have undergone detailed analysis. The German, Austrian and Swiss advertising theory and practise are also analysed, so that a comparison with the Bulgarian print advertising is made. The art critic’s read on the advertising communication makes up for a gap in the Bulgarian scientific field and is also useful for the specialists, as well as a wide range of readers, who are interested in visual communication.

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Staging Race and Gender in the Era of Contemporary Crises: Dramas of African American Women Playwrights

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Staging Race and Gender in the Era of Contemporary Crises: Dramas of African American Women Playwrights

Author(s): Ifeta Čirić-Fazlija / Language(s): English Issue: 39/2022

Starting from the premise that contemporary crisis is a pervasive continuation of the modern “series of interrelated crises” (Fernández-Caparrós and Brígido-Corachán vii), this article examines the manner in which the US theater has responded to the outbreak of the COVID-19 pandemic. Simultaneously considering crises as “agents of change and transformation” (xvii) and bearing in mind the #MeToo, and Black Lives Matter movements, the article questions the likelihood of contemporary American theater overcoming its own crisis of representation. Relating modern and current crises, the essay first outlines twentieth century dramatic literature and theaters against the backdrop of the World Wars, the 1918 health crisis, economic depression, and post-war (racialized) society, focusing on plays by American women of color. The study then centers on dramatic and theatrical developments brought about by the annus horribilis of 2020, surveying new genres, authors and performances, and discerning no significant improvement in systemic discrimination on Broadway stages. The essay also offers complementary reading of Trouble in Mind (1955), a meta-drama mirroring systemic racial and gender discrimination in American theaters, and By the Way, Meet Vera Stark (2011) which unravels similar issues, albeit in the film industry.

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