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How to Defend the Law of Non-Contradiction without Incurring the Dialetheist’s Charge of (Viciously) Begging the Question

How to Defend the Law of Non-Contradiction without Incurring the Dialetheist’s Charge of (Viciously) Begging the Question

Author(s): Marco Simionato / Language(s): English Issue: 2/2024

According to some critics, Aristotle’s elenctic defence (elenchos, elenchus) of the Law of Non-Contradiction (Metaphysics IV) would be ineffective because it viciously begs the question. After briefly recalling the elenctic refutation of the denier of the Law of Non-Contradiction, I will first focus on Filippo Costantini’s objection to the elenchus, which, in turn, is based on the dialetheic account of negation developed by Graham Priest. Then, I will argue that there is at least one reading of the elenchus that might not be viciously question-begging. In doing so, I will leverage, reinterpret and adjust the distinction between two senses of epistemic dependence, offered by Noah Lemos and originally based on some thoughts about George Edward Moore’s ‘proof of an external world.’ The key point of my counter-objection to recover the elenchus is to use the distinction between a necessary-condition relation between propositions (p only if q) and a grounding relation between facts (the fact that an epistemic agent S believes that p is grounded in the fact that S believes that q), where p and q are the content of S’s beliefs.

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On the Philosophical Archaeology of Art History

On the Philosophical Archaeology of Art History

Author(s): Tomáš Murár / Language(s): English Issue: 2/2024

Given the different material on which art history as a scientific field has taken shape compared with other historical and philosophical disciplines, this study offers a new historiographical approach to understanding its origin. This approach is explored not in relation to gathering information about the figures and institutions of art history but as an epistemological foundation for understanding the concept of seeing as a deliberate tool of art history. The study argues that the act of seeing, as the archè of art history, can be defined as the philosophical archaeology recently proposed by Giorgio Agamben.

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Par-delà Nietzsche

Par-delà Nietzsche

Author(s): Victor Kocay / Language(s): French Issue: 1/2024

This article presents Nietzsche's notion of the Übermensch (le surhomme in French) as a development of romanticism conceived of as a quest to reveal the sentiment that defines or characterizes each individual as an individual. This approach reveals the affinities between Nietzsche and Schopenhauer, notably with respect to Schopenhauer's notion of Will that Nietzsche transforms into that of the Will to power, thereby underscoring what can be considered as Nietzsche's individualism. We argue that as a romantic notion, the notion of Übermensch fashions an ideal of what life could be but overlooks the importance of otherness and the role that otherness plays in defining the individual. Going beyond Nietzsche implies that the Übermensch, as a logical construct neglects the desire to please that constitutes an important part of an individual's relation with otherness.

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Sortir du nihilisme: Nietzsche, Mill et l’individualité comme clé de transformation morale et civilisationnelle

Sortir du nihilisme: Nietzsche, Mill et l’individualité comme clé de transformation morale et civilisationnelle

Author(s): Camille Dejardin / Language(s): French Issue: 1/2024

Nietzsche’s criticism of the masses could have looked hackneyed at the end of the XIXth century, had it not the originality of moving onto psychological and biological levels what others previously elaborated only at a social scale: a "herd instinct" explaining both the lack of social cohesion and the loss of possible individual affirmation in democratic and egalitarian ages. As he sees the utilitarian promotion of happiness and empathy as part of the problem, he fiercely condemns John Stewart Mill’s philosophy – as he understands it. Our point is to throw into relief that Mill’s theory of individuality is but closer to Nietzsche’s views for regenerating life against the spreading of democratic "nihilism". Our cross-reading of Mill and Nietzsche therefore aims at offering a reassessment of their antagonism and at highlighting ways of overcoming "nihilism" via culture and cultivation of the "character" and the individual surpassing of oneself.

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Friedrich Nietzsche, "Der Meister des Verdachts". Über die Nietzsche-Lektüren von Michel Foucault und Paul Ricœur

Friedrich Nietzsche, "Der Meister des Verdachts". Über die Nietzsche-Lektüren von Michel Foucault und Paul Ricœur

Author(s): Yvanka Raynova / Language(s): German Issue: 1/2024

The term "masters of suspicion", which summarizes the critical views of Marx, Nie-tzsche, and Freud, has found its way into contemporary philosophy through Paul Ricœur and is considered his kind of "patent". It is less well known that Michel Foucault also wrote a text on the subject of "Nietzsche, Freud, Marx" in which he speaks of suspicion. The author therefore asks herself where this thematic agreement comes from and undertakes a comparison of Foucault's and Ricœur's readings of Nietzsche. In doing so, she puts forward two theses that she attempts to prove. The first thesis is that Ricœur actually begins where Foucault left off and leads us in a direction that is opposite to that of Foucault. The second thesis is that Foucault stays closer to Nietzsche by trying to advance his "suspicion" instead of overcoming it, as Ricœur does.

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Vliv Dostojevského na pojetí krásy Pavla Evdokimova

Vliv Dostojevského na pojetí krásy Pavla Evdokimova

Author(s): Lenka Fílová / Language(s): Czech Issue: 2/2024

The paper examines the influence of the novelist Fyodor Dostoevsky (1821–1881) on the concept of beauty of the post-revolutionary Russian emigrant, Orthodox lay theologian living and working in France, Paul Evdokimov (1901–1970). First, Dostoyevsky is viewed in the context of Evdokimov’s education, which played a crucial part in his interpretation of Dostoyevsky’s texts. Next comes an analysis of texts on beauty from Dostoyevsky’s novels selected by Evdokimov to highlight the key themes Evdokimov chooses in relation to beauty. More specifically, the article traces both authors’ understanding of the beauty of creation. The ideas reflected by Evdokimov are then compared with his theology of beauty, as presented in his seminal book, which, in addition to the theology of beauty, deals with the art of the icon. The conclusion of the article brings an assessment of Dostoyevsky’s influence on Evdokimov’s understanding of beauty.

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Alteritatea ființei prin limbaj și semnul lingvistic în concepția Sfântului Augustin

Alteritatea ființei prin limbaj și semnul lingvistic în concepția Sfântului Augustin

Author(s): Cristian Pașcalău / Language(s): English Issue: 4/2024

The current essay is meant to revisit a core theme in the philosophy of language, namely the role of the subjectivity and alterity in shaping human consciousness through language and linguistic signs, associated with the understanding of reality as inner construct in the fabric of human mind. A loose critic against some paradigms that reduce language to a means of communication, or an abstract, logical device is provided. We also briefly examine Saint Augustine's semiotic project, as it unfolds from some of his most seminal works.

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Znovuobjavenie personálneho Stvoriteľa ako ponuka viery pre dnešnú spoločnosť

Znovuobjavenie personálneho Stvoriteľa ako ponuka viery pre dnešnú spoločnosť

Author(s): Gloria Braunsteiner / Language(s): Slovak Issue: 1/2025

The scientific and technical development is connected also with Theology, which is not isolated from new scientific knowledge. The Church has learned from the conflict with Galilei, to whom she was not open enough. The Biblical story on Creation is neither a historical nor a scientific report, but it wants to describe in a backward sight the testimony of faith in the Creator and does not need to supply missing knowledge but to express the rationality of being convinced in faith, that God is in his strength of being the Savior of the world the only and unique Creator. The world did not come to being by chance of evolutionary mutation and selection, although development is rooted in everything what God has created.

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Certainty in Uncertainty: The Value of Stoic Virtue Ethics
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Certainty in Uncertainty: The Value of Stoic Virtue Ethics

Author(s): Martin Smith / Language(s): English Issue: 1/2025

As part of a dissertation that proposes a virtue ethics, this chapter questions Aristotle’s thought concerning reality’s metaphysical grounds. Where rather than reason as the universal organising principle, an arational order is suggested in its place. One that necessarily situates wisdom as the subject’s preeminent faculty. Considering Machiavelli in this frame, and addressing the consequences of intellectual overreach, the significance of moral realism is emphasised. In response, Stoic virtue is proposed as the most suitable approach, particularly amidst societal moral decline. Thereafter, practical wisdom is highlighted as the means to temper extremes, towards an accord with the principles about which reality is organised.

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Ницше като гностик
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Ницше като гностик

Author(s): Galin Penev / Language(s): Bulgarian Issue: 1/2025

The article raises a point concerning the rehabilitation of some gnostic motives in the works of Nietzsche, especially in the latest ones: Daybreak, Ecce Homo, and Antichrist. What makes sense of this point is the statement that the Creator is a Usurper who does not care about the human fate, sorrows, and desires. In fact, the gnostic “cruel daddy,” announced by Nietzsche, is the other side of his Dionysian religion, a hidden steam engine of the modern times self-actualization. Nietzsche turned out to be the most influential gnostic of the XIX century due to his devotion of thought and heart to preaching a new gospel of the modern man.

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Władysław Tatarkiewicz – logos i ethos wychowawcy polskiej inteligencji

Władysław Tatarkiewicz – logos i ethos wychowawcy polskiej inteligencji

Author(s): Paweł Skrzydlewski / Language(s): Polish Issue: 1/2016

W artykule pragnę ukazać losy życiowe prof. Władysława Tatarkiewicza i ich wpływ na jego formację intelektualną, a także dokonywane przez niego wybory moralne, intelektualne. Był on wychowawcą i nauczycielem wielu polskich pokoleń intelektualistów, a jego opracowania z dziedziny etyki, historii filozofii oraz estetyki stanowią wielki skarb intelektualnej kultury polskiej. Do dnia dzisiejszego w kulturze polskiej mało znaną jest sprawa roli jaką w jego formacji intelektualnej odegrała religia katolicka i sama polska kultura narodowa. Droga życia profesora Władysław Tatarkiewicza była złożona, bogata, moralnie piękna, a w swojej treści osadzona w polskości i tradycji narodowej, katolickiej. Zasadniczą rolę w formacji Tatarkiewicza odegrało obok domu rodzinnego, żyjącego kulturą szlachecką, ziemiańską – klasyczne gimnazjum. Ukończył je w Warszawie w wieku lat siedemnastu. Przez zapoznanie się z greką, łaciną oraz literaturą klasyczną rozmiłował się w greckim ideale kalokagatheii. Tam też swoją uwagę zwrócił ku sztuce, architekturze oraz rozważaniom z dziedziny estetyki i filozofii. Jak pisał „Wychowałem się w domu wierzącym. Prawdy wiary były dla mnie w dzieciństwie i później taką samą rzeczywistością jak fakty otaczającego mię świata. Niemało ułatwiły mi życie, choć czasem myślę, że wiara religijna jest rzeczą, którą należy samemu zdobyć, a nie dziedziczyć” (Wspomnienia, s. 120).

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Voir et entendre flou

Voir et entendre flou

Author(s): André Scala / Language(s): French Issue: Special/2024

Between two forms of uncertainty as non-coincidence with oneself, Cartesian imprecision and Merleau-Ponty’s blur, there is the Goethean trouble, the empirical-transcendental condition of all vision which, both sensitive and metaphysical, frees the gaze from the tactile imperatives of clearness and opens it to the musical aspect of the fuzziness.

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Le flou chez Gérard de Nerval

Le flou chez Gérard de Nerval

Author(s): Vasile Spiridon / Language(s): French Issue: Special/2024

The art of Gérard de Nerval — visionary poet and vagrant prose writer — is primarily bringing together in his work touching appearances of reality. This romantic writer scrutinises reality, but not to the purpose of clarification and enlisting into patterns. A poetics of profusion and blending is activated and causes a dissolution of the clean and clear form. By using these antithetical pairs of the open and the closed, the deep and the high, the light and the dark — the spatio-temporal translation of his metaphysical drama —, Nerval creates an unusual literary geography. The Nervalian fictional world is thus recomposed by reflections, vague states and complex trajectories and these few uses of vagueness in his prose have aroused interest in the communication presented below. We examined some uses of the real/vague dialectics as it manifests itself in his prose work Sylvie and Aurélia.

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Smiech a humor v kresťanstve

Smiech a humor v kresťanstve

Author(s): Ľuboš Rojka / Language(s): Slovak Issue: 4/2024

Laughter and humour are integral parts of human life, including Christian life. In antiquity, Greek philosophers like Plato generally condemned laughter, considering it a manifestation of a loss of self control. Similarly, early Christian thinkers, inspired by Plato and the Scriptures, perceived laughter negatively. In contrast, Thomas Aquinas, influenced by Aristotle, attributed a positive role to laughter and humour, highlighting their potential educational function and importance in maintaining a balanced lifestyle. Søren Kierkegaard believed that humour is an essential part of Christian life, marking the transition from the ethical to the religious level of existence. Modern theories of humour point to it as a mechanism for overcoming differences between expectations and reality, which can be useful in Christianity for a deeper understanding of religious truths and thus overcoming misconceptions. Despite its complexity, humour in the Christian context opens up space for a more positive and humane perception of faith.

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What Is so Bad about Permanent Coincidence without Identity?

What Is so Bad about Permanent Coincidence without Identity?

Author(s): Harold Noonan / Language(s): English Issue: 4/2024

‘What is so bad about permanent coincidence without identity?’ (Mackie 2008: 163). This is the very question at the heart of the debate between pluralists and monists about constitution (Baker 1997, Fine 2003, Gibbard 1975, Johnston 1992, Lewis 1986, Thomson 1983). My answer to Mackie’s question is that it contradicts a supervenience principle we all believe we know to be true. I approach this by considering three possibilities and the supervenience principles with which they conflict. One is somewhat politically controversial; the others are described by Wittgenstein (1967) and Dummett (1979). I focus on the possibility described by Dummett and the su- pervenience principle with which it conflicts. Our reaction to that possibility shows that we believe that supervenience principle to be true. But I argue that (as is obvious), it is inconsistent with permanent coincidence without identity. That is what is so bad about permanent coincidence without identity.

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Вестернизъм и комунизъм (Европа и Изтокът във възгледите на Карл Маркс и Фридрих Енгелс)
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Вестернизъм и комунизъм (Европа и Изтокът във възгледите на Карл Маркс и Фридрих Енгелс)

Author(s): Ivan Katzarski / Language(s): Bulgarian Issue: 14/2024

The article explores a rarely studied topic – theWesternism of Marx and Engels. In a theoretical and abstract framework, they anticipate that, in the course of capitalist development, national distinctions will gradually disappear, eventually ceasing to exist entirely under communism, along with class divisions. National oppression is also expected to vanish. In line with these broad ideas, the „Сlassics” condemn the destructive impact of Western expansion on the countries and regions affected by this expansion. Marx and Engels, particularly the former, compiled a well-documented dossier on the West's crimes in subjugated countries and regions. However, they also firmly believed that the victims of this expansion were deserving of their fate because they stood as obstacles to „progress”, being perceived as „barbarians” obstructing the path of Western civilization. This viewpoint provides a form of philosophical justification for these crimes. Subsequently, as an alternative to Westernism, I briefly examine the symbiotic relationships between the archai cand modern elements in certain Eastern societies (Japan, India, and China). The conclusion offers a brief comparison of the Westernism of Marx and Engels with contemporary Westernists and outspoken anti-communists.

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Идеология и морал
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Идеология и морал

Author(s): Stiliyan Yotov / Language(s): Bulgarian Issue: 14/2024

The article is an attempt to take stock of personal experience related to studying the topic of ideology in the 1980s in the philosophy faculties of Bulgaria and with the discussions on this topic. Initially, it reconstructed the way in which the original texts of Marx and Engels were read, which contrasted with the circulating official versions. Then it draws attention to a deficient moment in education related to the neglect of a certain type of interpretations following the work of Antonio Gramsci, enjoying at the same time an increased interest in the world. Finally, it offers an attempt to explain the meaning of alternative readings of ideology, related, on the one hand, to the work of Louis Althusser, on the other, to that of N. Abercrombie, B. Turner, St. Hill, who break with the traditional idea of a direct relationship between the economic structure of society and ideology, as well as of the relationship between a ruling class and an oppressive ideology. Against this background, the problem of the relationship between ideology and morality is addressed and the thesis is defended that morality may not be a form of ideology, but a critique of ideology.

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Защо не съм комунист?
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Защо не съм комунист?

Author(s): Karel Chapek / Language(s): Bulgarian Issue: 14/2024

The article is based on the thesis that not being a communist is not only a negation, but also a definite ideological and life credo. The author dwells on the topic not so much because he needs to debate on communism, but rather to defend before himself about the fact that he is not a communist and why he cannot be one. He is alien to communism which instead of help, holds out the banner of revolution. Communism's last word is rule, not rescue: its slogan is power, not help. It does not consider poverty, hunger, unemployment to be an unbearable pain and shame, but a welcome reserve of dark forces, an impetus for mass rage and resistance. According to him, “the social system is to blame for this”. All of us are guilty of this, whether we ignore human misery with our hands in our pockets or with the flag of revolution in hand.

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Gestika v raně novověkém herectví (a kazatelství?)

Gestika v raně novověkém herectví (a kazatelství?)

Author(s): Magdaléna Jacková / Language(s): Czech Issue: 2/2025

The performative aspect – delivery – was considered a crucial, if not the most important, component of rhetoric already in antiquity. This was undoubtedly also true for early modern homiletics. However, this aspect of sermons remains virtually unknown today, primarily because it could not be recorded in its time. Apart from visual representation, we must therefore rely on theoretical works whose authors, at least to some extent, addressed the performative form of preaching. These include both classical works, which served as the primary sources of inspiration in the early modern period, and contemporary studies. This paper aims to provide an overview, based on selected works, of the types of gestures preachers may have used during this period and the principles and rules that guided them. The starting point is Institutio oratoria by Marcus Fabius Quintilian, who, alongside Cicero, is regarded as the foremost authority in rhetoric, as well as two works by Jesuit authors: Joseph de Jouvancy’s De ratione discendi et docendi and Franz Lang’s poetics Dissertatio de actione scenica.

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Колко тежи изкуството? Игра и сериозност от Кант до Ватимо

Колко тежи изкуството? Игра и сериозност от Кант до Ватимо

Author(s): Lyuboslava Hristova-Petrova / Language(s): Bulgarian Issue: 3/2024

Although initially the concept of art as play incorporates the idea of art’s autonomy and irreducibility to the control of rational concepts, as outlined by Kant, its later interpretations are marked by the shadow of inevitable comparisons with its irrevocable antipode – seriousness. Deeply embedded in the concept is the risk of reducing art to the lightness of enjoyment and entertainment, far from the serious dimensions of life, or to purely subjective expression at the expense of truth and knowledge. Authors such as Schiller and Gadamer attempt to rehabilitate art’s weight, redefining precisely the concept of “play” into a key feature of human nature or humanitarian knowledge respectively. Lyotard advocates the special status of art-as-play, capable of rewriting the rules of the other spheres of life. While according to critics of the concept, such as Vattimo, the term itself is at the heart of depriving art of ontological and existential weight.

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