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Трагизъм или пророчество в смъртта на руските поети
4.50 €

Трагизъм или пророчество в смъртта на руските поети

Author(s): Nadezhda Aleksandrova / Language(s): Bulgarian Publication Year: 0

In this discourse we are going to trace back some of the misterious and suspicious death of some of the russian poets lived and composing in the 19th and 20th centuries. The purpose of this study is to show under what circumstances did the authors died, and how they died. Is someone else involved in their death. To what extent or if they predicted their own death with some part of their poetry.

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Култът към великата четворка от списание „Мисъл“ през първата годишнина на „Златорог“
4.50 €

Култът към великата четворка от списание „Мисъл“ през първата годишнина на „Златорог“

Author(s): Mariyana Karpacheva / Language(s): Bulgarian Publication Year: 0

The text analyzes the ten books of the first year of the journal Zlatorog (1920), the continuity between the journals Zlatorog and Misal (Thought) and the transfer of the cult for the fabulous Foursome onto the pages of Zlatorog. The presence of Pencho Slaveikov and Yavorov in the journal does not have only a jubilee character, they are valuable reference points in many critical texts that are not dedicated to them.

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Responsivity And Responsibility In Elizabeth Barrett Browning’s Poetry

Responsivity And Responsibility In Elizabeth Barrett Browning’s Poetry

Author(s): Yana Rowland / Language(s): English Publication Year: 0

This paper seeks to find the connecting tissue in a range of poems Elizabeth Barrett Browning wrote mostly between 1840 and 1860. I focus on some prominent examples of the poet’s sensitive, responsive and dutiful way of reflecting on life as a phenomenal domain in need of narration as dialogue between human beings. From the earliest works (e.g. “A Woman’s Shortcomings”, “The Poet and the Bird”) to the last (e.g. “A Child’s Grave at Florence” and “Question and Answer”) in the said time, Barrett Browning exposes writing as an indispensable tool for maintaining an ontology not untypical of women yet overwhelmingly self-conscious in its profound denial of subjectivity for the sake of comprehending time as the infinity of an Other (after Bakhtin) at the heart of one’s own perception. Ultimately, my aim is to illustrate that responsivity and responsibility overlap in a hermeneutically insightful way as two pivotal concepts that underpin Elizabeth Barrett Browning’s thought.

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Хумор и журналистика от 60-те години на XIX век

Хумор и журналистика от 60-те години на XIX век

Author(s): Elena Getova / Language(s): Bulgarian Publication Year: 0

This paper discusses the expressions of sociocultural centrality in the first humour publications in the Bulgarian Revival Period. It looks into the intentional choice and the graphic design of the newspaper title, the existence and meaning of a subtitle, the target audience of the publication, the visual layout of the front page, the presence of illustrations or cartoons, and of course the explicitly declared personal priorities and political biases of the editor/publisher or the owner of the newspaper. Exploring these paratextual spaces also includes the program articles, in which the personal priorities and publishing intentions of the editor are directly stated.

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За родопските зевзеци и още нещо

За родопските зевзеци и още нещо

Author(s): Maria Petkova / Language(s): Bulgarian Publication Year: 0

A brief review of published materials containing humor in the Rhodope dialect was conducted, including humor from the Rhodope Mountain towns, villages, and neighborhoods of Smolyan, Raykovo, Dunevo, Momchilovtsi, Slaveino, Chokmanovo, Chepelare, Stikal, Devin and Zlatograd. Some common characteristic features of Rhodope jokers are discussed, as well as the themes and peculiarities of various popular jokes from the Rhodope Мountains in the South of Bulgaria. The personality of the witty Rhodope jokester emerges, multifaceted and charming, embodying the spirit of the times and the surroundings, preserving and honoring the memory and the anecdotes of humorists from the past. A glimpse toward the future discovers it is fashionable to use the Rhodope dialect in social media nowadays, even by young people.

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За психичната сянка на Христо Ботев. Mater Natura Versus Filius Natura

За психичната сянка на Христо Ботев. Mater Natura Versus Filius Natura

Author(s): Mila Krasteva / Language(s): Bulgarian Publication Year: 0

The article analyzes the relationship between Ivanka Boteva and her first-born son Hristo Botev. Some letters of Ivanka Boteva, Hristo Botev's brothers and relatives of their family are analyzed with the apparatus of psychoanalysis. It is shown that Botev was a ‘lost son’ for his family, but he was a devoted son to his Motherland ‘Mother Bulgaria’.

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Автотекстуалното повторение при Мопасан

Автотекстуалното повторение при Мопасан

Author(s): Sonya Aleksandrova-Koleva / Language(s): Bulgarian Publication Year: 0

This text presents the specifics of the auto textual repetition in two fiction stories by Maupassant – Le Horla and Lettre d'un fou. In both works it follows the different language transformations between two similar passages. The text makes linguistic systematization of the changes found and explains their meaningful projections in the entire stories. Our hypothesis, which explains these modifications, suggests a doubt in the mimetic representation and the repetition and similarity’s ability to give realism to the narration.

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Детският фолклор в българската детско-юношеска литература

Детският фолклор в българската детско-юношеска литература

Author(s): Hristo Kamenov / Language(s): Bulgarian Publication Year: 0

Bulgarian children's folklore abounds in its diversity with children's songs, lullabies, sayings and proverbs, which have a special function in the educational and moral narrative. Thanks to the Bulgarian children's and youth literature, folklore is discussed as an expression of the children's world in its purity and authenticity. Folklore has a serious role in the construction of literary works, as it has the function of including and bringing together. Based on folk beliefs and superstitions, it is spiritually close to collective ideas and for this reason it is able to satisfy the psychological needs of the children's emotional world. Folklore is the wealth of a nation and thanks to it, the essence of creativity in everyday life and the soul of a nation is revealed.

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Рецепция на художествената проза на Константин Канев

Рецепция на художествената проза на Константин Канев

Author(s): Bonka Baliyska / Language(s): Bulgarian Publication Year: 0

The purpose of this article is to present the prose of Konstatntin Kanev in the context of modern Bulgarian literature, the historical and social circumstances and influences and the specific aspects of reception of Kanev`s texts not only among his contemporaries but in cultural life now. The study sets out potential directions for debate in the present.

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Проблематизация на поетическия език в Шекспировата драма

Проблематизация на поетическия език в Шекспировата драма

Author(s): Alexander Shurbanov / Language(s): Bulgarian Publication Year: 0

Problematization of poetic language in Shakespearean drama

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Иманентното тълкуване (Werkimmanente Interpretation) в немското
литературознание

Иманентното тълкуване (Werkimmanente Interpretation) в немското литературознание

Author(s): Angel Angelov / Language(s): Bulgarian Publication Year: 0

Immanent Interpretation (Werkimmanente Interpretation) in German Literary Studies.

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Jurij Lotmans erzähltheoretische Raumsemantik am Beispiel von Raphaela Edelbauers Roman Das flüssige Land

Jurij Lotmans erzähltheoretische Raumsemantik am Beispiel von Raphaela Edelbauers Roman Das flüssige Land

Author(s): Goran Lovrić / Language(s): German Publication Year: 0

The theoretical basis of this article is Jurij Lotman’s narrative theory of spatial semantics, in which literary space is defined as a constitutive part of the narrated world. The narrated world consists of complementary subspaces that are separated by a boundary, which the protagonist crosses, thereby bringing dynamism to an otherwise static system. The novel becomes a ‘subject-like’ text with a revolutionary subject when the existing spatial order is changed, or a ‘restitution scheme’ emerges when the existing spatial order is confirmed. Raphaela Edelbauer’s novel Das flüssige Land (2019), whose partly surreal plot takes place in the Austrian provinces, is analyzed as an example. The alternating area appears like a boundary between different spatial and temporal dimensions, with the complementary subspaces taking on a metaphorical meaning.

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Hanefî Literatürünün Oluşumu

Hanefî Literatürünün Oluşumu

Author(s): Ahmet Özel,Vecdi Akyüz,Fahrettin Atar / Language(s): Turkish Publication Year: 0

Hanefî mezhebinin kurucusu Ebû Hanîfe, muhitinde karşılaşılan meseleler ve bizzat kendisine yöneltilen sorularla ilgili olarak hayatı boyunca birçok içtihatta bulunmakla birlikte bunları yazmadığı gibi içtihat metodunu açıkladığı herhangi bir kitap da kaleme almamıştır. Ona nisbet edilen eserler genellikle akaidle ilgili olup doğrudan fıkhî konulara hasredilmemiştir. Ebû Hanîfe’nin sorulan soruları cevaplandırdığı ve halka açık olan ders halkası dışında, fıkhî meseleleri yalnız içtihat ehli talebelerinden oluşan özel bir ders halkasında onlarla birlikte ele alıp tartıştığı, bu mecliste varılan çözümlerin yazdırıldığı, daha küçük bir grubu da fıkıh bablarının tertip ve tanzimiyle görevlendirdiği, ayrıca dört kişiden oluşan bir heyetin de ortaya çıkan içtihadları ezberledikleri bilinmektedir. İlk defa Ebû Hanîfe tarafından uygulandığı söylenen bu tedvin ve tasnif usûlü yalnız Hanefî literatürünün şekillenmesinde değil diğer mezheplerin literatürünün tedvin ve gelişmesinde de etkili olmuştur. Bu şekilde bir taraftan Hanefî mezhebinin çeşitli konularla ilgili görüşleri toplanırken bir taraftan da ortaya çıkan içtihatların belli kitap ve bâb başlıkları altında bir araya getirilerek tasnif ve tedvini sağlanıyor, bu ise daha sonra kaleme alınacak sistematik fıkıh kitapları için bir temel oluşturuyordu.

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Hanefî Literatüründe Ebû Hanife’nin Mürciîliği Problemi

Hanefî Literatüründe Ebû Hanife’nin Mürciîliği Problemi

Author(s): İbrahim Hakkı İnal,Ahmet Sâim Kilavuz,İlyas Üzüm / Language(s): Turkish Publication Year: 0

Bu tebliğde Ebû Hanîfe’nin Mürciîliği iddiasının Hanefî eserlerde nasıl ele alındığı tartışılacak, tebliğde sırasıyla Hanefî-Mâtüridî kelâm, mezhepler tarihi ve menâkıbtabakât eserlerinde bu konuya nasıl yaklaşıldığı ele alınacaktır. Hanefî müelliflerin Ebû Hanîfe’nin Mürciîliği iddiasına karşı nasıl bir tavır takındığı konusunu ele almdan önce, Hanefî olmayan müelliflerin eserlerinde Ebû Hanîfe-Mürcie ilişkisinin nasıl ele alındığı hususunun üzerinde kısaca durulmasında fayda mülahaza ediyoruz. Ebû Hanîfe özellikle Eş’arî ve Hanbelî eserlerde Mürciî olarak tavsif edilmektedir. Hanbelî eserlerin genelinde Ebû Hanîfe’nin Mürciî olduğu söylenirken, Eş’arî eserlerde bu konuya farklı yaklaşımların olduğunu görüyoruz. Zira el-Eş’arî’nin bizatihi kendisi Ebû Hanîfe’yi Mürciî fırkalardan birinin kurucusu olarak sunarken,1 önde gelen Eş’arî müelliflerden Bağdadî ve Şehristânî bu konuda farklı düşünmektedir. Bağdâdî’ye göre Mürciî alt gruplardan biri olan Ğassaniyye’nin kurucusu el-Ğassan el-Kûfî, Ebû Hanîfe’yle kendi görüşü arasında paralellik kurmaktadır ki, Bağdâdî’ye gore, bu iddia, doğru değildir. Bağdâdî’ye göre, meselâ imanın artıp eksilmesi konusunda bu iki görüş arasında benzerlik bulunmamaktadır. Yine Bağdadi’ye göre, Ebû Hanîfe’ye Mürciî denilmesi Mutezile ve Hâricîlerin kendilerinden olmayan herkesi Mürciî olarak yaftalamasından kaynaklanmaktadır.

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Sergej Lebeděv a promýšlení ruských devadesátek

Sergej Lebeděv a promýšlení ruských devadesátek

Author(s): Jakub Kapičiak / Language(s): Czech Publication Year: 0

Sergej Lebedev (1981) is one of the most translated and highly appreciated contemporary Russian authors of fiction. In his books, Lebedev repeatedly attempts to grasp the meaning of the Soviet past for today’s Russia. His novel The People of August (Ljudi avgusta, 2016) addresses the issue of the 1990s. It is set in the geographical space of the post-socialist countries. The protagonist travels across Russia, Ukraine, Poland, and Kazakhstan in search of victims of the Stalinist terror. The present article discusses Lebedev’s approach to the 1990s in comparison with novels that reflect the same period as their immediate present. In different national and cultural contexts, among the novels that have constructed literary models of the post-socialist world, the ones that stand out include Peter Pišťanek’s Rivers of Babylon (1991), Jáchym Topol’s City Sister Silver (Sestra, 1994) and Viktor Pelevin’s Generation “P” (1999). These are novels generally labelled as postmodernist. They portray the 1990s societies as a battlefield of different tribes fighting with each other for resources and power. While Lebedev’s novel presents the same type of general picture of the 1990s, its protagonist is driven by a higher purpose. He is trying to uncover the truth about the traumatic past and to understand how the past affects the present and the future. In my paper I therefore propose to label Lebedev’s writing as metamodernist, as it revitalizes historicity, affect and depth.

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Umění drásat. současné „ženské psaní“ v rusku

Umění drásat. současné „ženské psaní“ v rusku

Author(s): Miroslav Olšovský / Language(s): Czech Publication Year: 0

Vasyakina’s novel Rana (2021) is characterized by a minimalist style. In this novel, through the voice of her alter ego – the poet Oksana – she processes the traumatic experience of the death of her own mother, who fell ill with cancer. The narrative method is characterized by a ritualistic repetition that oscillates between autobiography and essay. Oksana tells the existential story of her dying mother in contrast to her lesbian experiences. The problem of gender creates a counterpoint to the trauma of the death of a loved one. The present study interprets Vasyakina’s novel in relation to the philosophical thinking of the French feminist Hélène Cixous.

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Zapomenutí vyhnanci? (Ne)návraty bulharské exilové literatury po roce 1989

Zapomenutí vyhnanci? (Ne)návraty bulharské exilové literatury po roce 1989

Author(s): Jakub Mikulecký / Language(s): Czech Publication Year: 0

The article focuses on the situation of Bulgarian exile literature from the Cold War period after the fall of the communist regime in 1989; i.e. on how Bulgarian exile literature was incorporated into the new conditions of a multi-party democratic society and a free market. Subject to the analysis are exile poetry, prose, memoirs, essays, feuilletons, as well as satire and humorous literature, with the aim of uncovering to what degree particular types and genres were successful in post-socialistic culture in Bulgaria. The article seeks to locate the new publications of older exile books in the context of the new market economy of post-socialistic Bulgaria, and to define a set of those literary texts that, on the contrary, fell into oblivion. After more than three decades since the fall of the socialistic regime in Bulgaria, there is a need to try to determine some general tendencies related to the phenomenon of Bulgarian exile literature’s emancipation within the new post-socialistic culture.

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Báječná léta na kdyssissippi. Reflexe normalizace v současné české literatuře

Báječná léta na kdyssissippi. Reflexe normalizace v současné české literatuře

Author(s): Alena Fialová-Šporková / Language(s): Czech Publication Year: 0

This article aims to describe the changing reflections on the period of normalization over the past thirty years and to highlight certain tendencies in recent prose. The years after 1989 saw the publication of prose works which dealt with the period of normalization using a variety of literary modes and perspectives: the greatest success was enjoyed by humorous works (prose works by Michal Viewegh, Petr Šabach and Irena Dousková). As the transformation period became more and more subject to a critical reevaluation, works of a pessimistic, melancholic or critical tone gradually began to predominate (works by Pavel Kolmačka, Věra Nosková, Irena Dousková, Jan Balabán and others). At the same time, the period of normalization became incorporated into the narratives of larger novels which portrayed life in socialist Czechoslovakia as opposed to the present (works by Petr Brycz, Sylvia Richterová, Michal Přibáň, etc.), as well as mainstream works, successful novels with large-scale historical narratives based on the stories of individual families (works by Kateřina Tučková or Alena Mornštajnová). The last decade has also seen the publication of a number of smaller prose works combining fiction with their authors’ autobiographical experiences and describing the world of normalization as cheerless, inhospitable and even cruel (works by Pavel Růžek, Milena Slavická, Simona Bohatá, etc.). The attitudes towards the period of normalization, which continues to feature in Czech literature, reveal a lot about how Czech society treats the legacy of the recent past, what moments resonate in it, which of those are fading away and what it is that still remains in the common historical memory.

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Retrospektívne pohľady slovenskej literatúry na normalizačné obdobie

Retrospektívne pohľady slovenskej literatúry na normalizačné obdobie

Author(s): Radoslav Passia / Language(s): Slovak Publication Year: 0

The present study is the first to address the retrospective views of Slovak literature on the so called “normalization period” in Czechoslovakia. The invasion of Czechoslovakia by the Warsaw Pact troops in August 1968 and the subsequent occupation marked the start of the period of the so-called normalization; in a broader sense, normalization lasted from the spring of 1969 until the Velvet Revolution in November 1989. The goal of normalization was to reassert the power of the Communist Party of Czechoslovakia and regain control over a society influenced by Alexander Dubček’s reformist ideas of “a socialism with a human face.” The article identifies the common elements in the ways contemporary Slovak literature depicts Czechoslovak normalization. In today’s post-socialist period, this topic attracts mainly authors pertaining to the older and middle generations. In their various ways, their texts deal with personal life experience, often in the form of memoirs or autobiographic writing. They clearly distinguish between the private space, which is internally free, and the public space, which is controlled by the state power. Prevailing in contemporary literary reflection is a critical perception of the socialist state regime. The authors highlight moral failures, but also the ambivalence of values at the time. The protagonists are not heroes or active opponents of the communist regime – their disapproval is either latent, or they completely ignore the situation. The preferred perspective in these works is on the grey zone – a vaguely defined social and cultural space located between the official ideology and the alternative opinions held by the dissident and anti-communist opposition.

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Obrazy socialistické éry v současné slovinské literatuře

Obrazy socialistické éry v současné slovinské literatuře

Author(s): Aleš Kozár / Language(s): Czech Publication Year: 0

Contemporary Slovenian social narrative without any doubt carries traces of a nostalgia for Tito’s era of 1960s and 1970s that can be observed in literature as well (e. g. Bronja Žakelj). However, works that unmasked the totalitarianism of that period had started appearing much earlier, e.g. those of Lojze Kovačič or Vitomil Zupan. These were later followed by historical novels which searched for the roots and causes of the transformation of the idealism of the antifascist resistance into a totalitarian machinery (the works of Drago Jančar or Maruša Krese). Another strand of literature describes the merging of nationalities, migration, prejudices and stereotypes, but also a xenophobia observable in Slovenian society to this day (Goran Vojnović). The present article is an attempt to outline the abovementioned perspectives in the ways modern Slovenian society and culture are dealing with the period of socialism.

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