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Пътят на ромската литература в Източна Европа

Пътят на ромската литература в Източна Европа

Author(s): Sofia Zahova / Language(s): Bulgarian Issue: 1/2017

The article makes a brief historical review of the development of Roma publicationsin the countries in Eastern Europe by emphasizing the processes in each country andthe interrelations between their policies regarding the Roma culture and the Roma literary production. The aim of the article is to show that the development of Roma literature is related to the political, social and cultural context in the country or region of its creation. The comparative historical approach is the most appropriate for the purpose since the tendencies in the development of the Roma literature are related to the policies of identity (in general or directed to the Roma population) in different historical periods and regions.

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Мила Маева. Българските емигранти в Англия – минало и съвременност. София, 2017

Мила Маева. Българските емигранти в Англия – минало и съвременност. София, 2017

Author(s): Anelia Kassabova / Language(s): Bulgarian Issue: 3/2017

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Chopin na barykadach, czyli o socrealistycznych narracjach w 1949 roku

Chopin na barykadach, czyli o socrealistycznych narracjach w 1949 roku

Author(s): Michał Bruliński / Language(s): Polish Issue: 01 (36)/2018

The main aim of this paper is to examine the discourse on Frédéric Chopin that took place in Poland in 1949, when the 100th anniversary of his birth coincided with the culmination of the socialist realist propaganda in the field of Polish culture. The discourse, initiated and moderated under effective surveillance of the Polish People’s Republic’s government, was filled with communist ideology. The authorities aimed at creating a sense of com-munion in the Polish nation, therefore they undertook numerous actions in the area of cultivating memory of Chopin and reception of his works. The composer was used as a banner under which culture of socialist realism was to be consolidated. Chopin was presented by the narrators in the socialist realist context in various dimen-sions. “Deep humanism”, “truth”, “optimism”, “sincerity” and “democratic features” of Chopin’s music were the crucial notions used by them. Chopin was depicted, among others, as a revolutionist and a prophet of tri-umph of communism. The oeuvre of Chopin was said to bring together “fraternal countries and nations”, Polish People’s Republic and Soviet Union, while being simultaneously a crucial element of class conflict. The authori-ties had a tendency to overemphasize folk roots of his compositions, thus among musical genres composed by Chopin the importance of Mazurka was exaggerated. Other genres without such strong folk connotations, as sonatas, ballades and scherzos, were marginalized in the discourse.

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Encounters between Disability Studies and Critical Trauma Studies: Introduction

Encounters between Disability Studies and Critical Trauma Studies: Introduction

Author(s): Anne-Marie Callus,Arleen Ionescu / Language(s): English Issue: 01/2018

When setting up the premises for a dialogue between disability studies and critical trauma studies and embarking on editing this pilot issue on ‘encounters’ between the two disciplines, we necessarily welcomed interdisciplinary approaches, ranging across disability studies, trauma studies, literary and cultural studies, media studies, as well as many other disciplines in the humanities. The first step in introducing this issue to our readers will be to present the histories of both disability studies and trauma studies in order to see how they evolved and see why our proposal that they should meet half way or at least more often can be considered a valid one.

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On Public Representation of Trauma:
A Review of Jane Goodall and Christopher Lee’s
Trauma and Public Memory (Houndmills, Basingstoke and New York: Palgrave Macmillan, 2015)

On Public Representation of Trauma: A Review of Jane Goodall and Christopher Lee’s Trauma and Public Memory (Houndmills, Basingstoke and New York: Palgrave Macmillan, 2015)

Author(s): Arleen Ionescu,Rongrong Qian / Language(s): English Issue: 01/2018

This is a review article of a collection of essays entitled Trauma and Public Memory, edited by Jane Goodall and Christopher Lee.

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Периодика 2018

Периодика 2018

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 37/2018

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Научни форуми 2018

Научни форуми 2018

Author(s): Nikola Kazanski / Language(s): Bulgarian Issue: 37/2018

Data about scientific events in the field of the humanities in Bulgaria in 2018.

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Книги 2019–2020

Книги 2019–2020

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 40/2020

Selected bibliography in the field of Bulgarian Studies published in the current year

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Права на издателите на публикации в пресата при използване в цифрова среда

Права на издателите на публикации в пресата при използване в цифрова среда

Author(s): Diliana Kirkovska / Language(s): Bulgarian Issue: 7/2020

The system of protection of copyrights and related rights within the European Union is rapidly developing with putting forward of new assessment rules to protected content in digital environment. Changes occurred at the Directive (EU) 2019/790 of the EP and of the Council of 17 April 2019 refer to establishing of a brand-new retated right of the press publications publishers concerning digital issues, and also to harmonized legal protection for the press publications when used online by information society services providers. There appears necessity of licensing of the online use of publications of new providers, such as news aggregators and media clipping services.

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Книги 2020

Книги 2020

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 41/2020

Selected bibliography in the field of Bulgarian Studies published in the current year

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ПРОСТОР И ВРЕМЕ У ДЕМОНОЛОШКО-МИТОЛОШКИМ ПРЕДАЊИМА ‒ САВРЕМЕНА ТЕРЕНСКА ИСТРАЖИВАЊА

ПРОСТОР И ВРЕМЕ У ДЕМОНОЛОШКО-МИТОЛОШКИМ ПРЕДАЊИМА ‒ САВРЕМЕНА ТЕРЕНСКА ИСТРАЖИВАЊА

Author(s): Ana Savić / Language(s): Serbian Issue: 79/2022

The paper sheds light on the way in which the categories of time and space in demonological-mythological legends constitute a specific chronotope, reflecting the disturbing atmosphere of encounter with the paranormal. The author seeks to expose the poetics of the demonological-mythological legends, with special empha- sis on their temporal and spatial determinants. In the demonological-mythological legends space and time are deeply related. The paper considers the genre determina- tion of the chronotope in demonological-mythological legends and points out that the construction of the narrative world through temporal and spatial categories must proceed in accordance with certain genre laws, so the audience can recognize the story as demonological-mythological legend. This work is based on the folklore material which was gathered from 2018 to 2019 in the Rasina District. Interviews were conducted with two interlocutors from the village of Ribare.

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Между два свята: подкастингът като сливане на технологията с човешкото

Между два свята: подкастингът като сливане на технологията с човешкото

Author(s): Victor Chulev / Language(s): Bulgarian Issue: 14/2023

The present text, which is an edited excerpt from a master's thesis titled „The Video Archives Podcast as a Communicative Space“, seeks to roughly delineate the boundaries of the podcast space as a place where the technological and the human converge. By analyzing and comparing theories of podcast practices and communication theories before the advent of podcasting, the text attempts to overcome the opposition of novelty and tradition and concludes that the coexistence of man and media resembles not a war but rather a game of worlds.

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Научна периодика 2023

Научна периодика 2023

Author(s): Emiliya Voleva,S. Yu. Strashniuk / Language(s): Bulgarian Issue: 47/2023

Content of the main Bulgarian scientific journals for the current year in linguistics, literature, history, folklore, ethnography, archaeology and art studies.

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Научни форуми

Научни форуми

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 47/2023

Data about scientific events in the field of the humanities in Bulgaria in the second half of 2023.

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Книги 2023–2024

Книги 2023–2024

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 48/2024

Selected bibliography in the field of Bulgarian Studies published in the current year.

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Периодика 2024–2024

Периодика 2024–2024

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 48/2024

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За книгата: Балканските култури: диалог, трансфер, метаморфози. Под ред. Орлин Събев, Лора Тасева, Антоанета Балчева.

За книгата: Балканските култури: диалог, трансфер, метаморфози. Под ред. Орлин Събев, Лора Тасева, Антоанета Балчева.

Author(s): Fotiny Christakoudy-Konstantinidou,Kristina Stoyanova / Language(s): Bulgarian Issue: 1/2024

Book review: Балканските култури: диалог, трансфер, метаморфози. Под ред. Орлин Събев, Лора Тасева, Антоанета Балчева. София, ИБЦТ – БАН, 2023, 234 с., ISBN 978-619-7179-38-5 [The Balkan Cultures: Dialogue, Transfer, Metamorphoses. Ed. Orlin Sabev, Lora Taseva, Antoaneta Belcheva. Sofia, IBSCT – BAS, 2023].

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Трансформация на образа на чинка във вярванията на съвременните грузинци (Според устни разкази и архивни текстове)
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Трансформация на образа на чинка във вярванията на съвременните грузинци (Според устни разкази и архивни текстове)

Author(s): Marine Turashvili / Language(s): Bulgarian Issue: 4/2023

In the present article we examine mythological legends on imps, belonging to a specific genre of Georgian folk prose. They are new and have occupied their autonomous place in Georgian folklore since the 80s of the XIX century. During investigation we used the methods of secondary analysis and comparison. We used the texts of oral histories comparing them with published texts and with those kept in the Folklore Archive of Shota Rustaveli Institute of Georgian Literature. Oral histories are also recorded during our field-work in 2009 and kept as video materials in the mentioned archive. Unpublished archival materials contain the beliefs of the “low mythology” that have universal character. Mythological narratives on imps are based on real stories that are later transformed into unknowable events by folk imagination. In order to gain an understanding of this folk character, it is necessary to consider a number of key questions. These include: where do they try to meet people, how do they look – in terms of their appearance – when they are activated, how do they relocate, what is their function, what kind of relations do they have with human beings, and how can people get rid of them. In addition, it is important to consider the modern people’s attitude towards this character. Their habitation is proximate to that of humans, in narrow gorges, dark, abandoned and jinxed locales. They meet people in uninhabited places, attempting to intimidate them, but as the area becomes settled, they leave. In popular imagination, the imp is a diminutive malevolent spirit, resembling a man’s offspring. It may also take the form of a wild animal. They emerge from the second half of October to the middle of November, posing a significant threat to people, even causing madness. If a man knows how to get rid of a chinka, the chinka cannot cause harm; if not, a man will become ill for a long time or up to the end of his life. Imps are afraid of fire. If anybody threatens him with a firebrand, the imp immediately runs away. In modern language, the name of this mythological figure is used for the description of a quick, astute, nimble person. The investigation revealed that the imp of the third generation, an evil spirit, left a lasting impression on the population and continues to be a topic of interest to this day. The research demonstrated that texts on imps are accompanied by a narrator’s synoptic marking.

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Грузинските народни поговорки и афоризмите на Шота Руставели
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Грузинските народни поговорки и афоризмите на Шота Руставели

Author(s): Lia Karichashvili / Language(s): Bulgarian Issue: 4/2023

Folklore is regarded as one of the sources of Shota Rustaveli’s worldview. The folk wisdom was reflected in the Knight in the Panther’s Skin as emanation of the national consciousness and being and, at the same time, general cultural paradigms that occur in the literature of various nations. In Rustaveli’s narrative the folk wisdom is frequently accompanied formula “it is said” that emphasizes old age of the idea, its oral widespread nature and anonymity. Many Rustaveli’s aphorisms are very close to the folk proverbs with their ideas though they are formulated with Rustaveli’s eloquence. The semantic and stylistic closeness of Rustavelian aphorisms and folk proverbs evidences that along with the brilliant education of his time, Rustaveli had deep folk wisdom. It is due to this reason that the source of some aphorisms is folk sayings. At the same time, a number of Rustaveli‘s aphorisms became the basis of folk saying.

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On Fragments: A Piece of Art and the “I” – or Not

On Fragments: A Piece of Art and the “I” – or Not

Author(s): Stanley E. Gontarski / Language(s): English Issue: 2/2024

This essay explores the philosophical implications inherent in Samuel Beckett’s most enigmatic and metonymic late theater work, Not I, even as he frequently abjured any interest in philosophy, which he claimed neither to read nor to understand. The play is profoundly ontological, however, and its metonymic stage image engages the classical philosophical conundrum of the relationship of the part, a piece or fragment, say, to the whole, an issue with which Beckett has at least been intrigued for most of his creative life.

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