Опит за историзиращ прочит на новела екземплум IX, Ден ІІ (Бернабò и Джиневра) от „Декамерон“ на Джовани Бокачо

Author(s): Angel Angelov / Language(s): Bulgarian Issue: 2/2022

I attempt to restore elements of the horizon of perception that readers and listeners of the Bernabò and Zinevra novella (IX, Day II) from Decameron may have had in Italian cities in the mid-14th century. I discuss topics such as sustainability in social roles, cruelty and justice, the image of wolves, topography, the relationship between fairy tale and authenticity, the importance of the exemplum. The novel exemplum conveys experience, indicates a norm and its violation. Speaking of truth, deception and punishment, the short story establishes a pattern of behaviour.

Жанрови парадигми в „Балада за Георг Хених“

Author(s): Alexandar Panov / Language(s): Bulgarian Issue: 2/2022

The article analyzes Victor Paskov's story "The Ballad of Georg Henich", following the four genre paradigms that build its unique composition. These paradigms are: ballad, story, memoir and passion. Each of them has its own way of processing the life material, its own composition and way of building the images of the main characters, its own way of posing the artistic problem, as well as a specific way of impact and social function. Despite the differences between the four genre paradigms clearly present in this book, its semantic world is emphatically unified. This unity is ensured by the fact that the idea of truth underlies all four genre models. In essence, this book observes four ways of presenting and evaluating the truth, which are so organically intertwined that they form a unique, harmonious and emotionally convincing whole.

Nadomak optimalne projekcije: Jugoslavija i opća teorija avangarde

Author(s): Lujo Parežanin / Language(s): Croatian Issue: 2/2020

As the fundamental text for the study of artistic and literary avantgardes, Bürger’s Theory of the Avant-garde has been the subject of a wide and diverse critical reception. An especially contentious claim of Bürger’s is the one about the failure of neo-avant-garde art – a claim that cannot be separated from of his category of historical avant-gardes and the claim about the defeat of the pre-war avant-garde movements. Missing the construction of Bürger’s argumentation, different critics have pointed to different post-war artists and artistic movements which, through their work, revitalized avant-garde poetics with more or less success. However, by staying in the same framework of the Euroamerican capitalist West and its artistic system, these counterexamples could not offer a systemic intervention into Bürger’s theory. Due to its specific historical, social, and therefore cultural and artistic trajectory, the experience of Yugoslavia represents one of the possible points of departure for such an intervention. By focusing on existing interpretations of the relation between the Yugoslav avant-garde, neo-avant-garde and post-avant-garde, this article aims to show how the unique relation of the post-war avant-garde towards its tradition can contribute to the critical supplementation of Bürger’s theory and a more nuanced understanding of the possible relations between the neo-avantgarde and the avant-garde. In that sense, this article will try to show how the Yugoslav example is indispensable to a relevant discussion of artistic avantgardes in general.

„СВЕДОЧЕЊЕ ГОЛООТОЧКЕ ЗАТВОРЕНИЦЕ СМИЉЕ ФИЛИПЧЕВ И УТИЦАЈ КОМУНИСТИЧКЕ ИДЕОЛОГИЈЕ НА ЖИВОТ И СТРАДАЊЕ ЈЕДНЕ ПОРОДИЦЕ”

Author(s): Gordana Zalad / Language(s): Serbian Issue: 77/2022

In this paper, we have analysed the authentic testimony of Goli otok prisoner Smilja Filipčev. We interviewed Smilja during multiple encounters from 2011 to 2013. Our second source for this paper was her short book Open Door to Life. Chronicle of a Family. We had chosen Smilja Filipčevʼs testimony because her suffering was a precedent since it had been extended through most of her life. At the time of the Resolution of Informbureau in 1948, all members of the Communist Party of Yugoslavia had to opt for or against the Resolution. On the party meeting, Smilja said that members of the Party should attend the meeting in Bucharest and defend the Partyʼs stance. Those words were her verdict which affected not only her life, but also the life of her entire family. The sufferings of Smilja Filipčev and her family had begun during the Second World War, had its peak during the Resolution of Informbureau 1948 – 1956 and its concentration camps and they even stretched into the period after her internment.Our main hypothesis was that the most loyal Communists who uncompromisingly believed in their idols of the equality and truth were being most heavily punished in the camps for re-education of convicts. We have shown and proved our hypoth- esis with the life experience of Smilja Filipčev and her family. We selected Smilja because her life had been full of sufferings and because she was willing to talk about it – other women victims we had met were not. We had not found the official evidence of torture and maltreatment done by investigators, managers or revised women prisoners in the prisons and camps, and that fact was the main reason for writing this paper. Everything Smilja said during our encounters and interviews and wrote in her book represents an authentic document worth of our attention.

ОБЛИЦИ ПОБУНЕ У САМОКОВЛИЈИНОЈ И АНДРИЋЕВОЈ ПРОЗИ

Author(s): Branka U. Todorovic / Language(s): Serbian Issue: 77/2022

In this paper, the presence of the motif of rebellion is analyzed on the basis of two prose works: Davoka’s story of Jahijel’s rebellion (1953) and The story of the farmer Siman (1969). We establish a connection between the two main charac- ters, Samokovlija’s Jahijel and Andrić’s Siman, to distinguish between two forms of resistance. Jahijel’s rebellion is an ordinary, human revolt, whereas Siman’s is a revolutionary one; Jahijel opposes Jewish customs and tradition, while Siman opposes authority and government. Although the reasons and results of their op- position are different, both are fighting against ingrained social principles that don’t allow a marginalized individual to progress and free himself

Смъртта като битие и време в стихотворенията „Смърт“ от Пейо Яворов и „Дяволско“ от Атанас Далчев

Author(s): Stefka Karaivanova / Language(s): Bulgarian Issue: 3/2022

The article aims to present the closeness in the poetic perception of the image of death in the poems “Death” and “Diabolical”. It is a “homeˮ for the two lyrical characters, a kind of end of life's knowledge, universality, originality and no alternative. The poetic implication of both texts is in the direction of masculinity and proud loneliness in the realization of death as an “existential phenomenon”.

За книгата: Книгите като събития в Европа и Османската империя (ХVІІ–ХІХ век)

Author(s): Boyka Ilieva / Language(s): Bulgarian Issue: 1/2022

Book review: Books as Events in Europe and the Ottoman Empire (17th c. -19th c.). Editors: Nadezhda Alexandrova, Raya Zaimova, Anna Aleksieva. Sofia, Bulgarian Society for Eighteenth Century Studies, 2020.] http://bulgc18.com/wp-content/uploads/2020/08/Dalgiat-osemnadeseti-vek-3.pdf

Съвременната българска литература за деца и формирането на умения за четене с разбиране в начална училищна възраст

Author(s): Neli Ivanova / Language(s): Bulgarian Issue: 4/2022

The article focuses on Methodology and Literature education of pedagogy students - the most expected future primary school teachers, as a prerequisite for the effective formation of the reading comprehension skills of primary school students. The necessity of deep knowledge of contemporary child literature as well as the classic works for children is underlined

Recenzii

Author(s): Livia Cotorcea,Dagmar Maria Anoca,Ecaterina Hlihor / Language(s): Romanian Issue: 1/2012

Reviews: Petru Caraman şi lucrarea vieţii lui. Conceptul frumuseţii umane reflectat în antroponimie la români şi în sud-estul Europei. Prolegomene la studiul numelui personal, ediţie îngrijită, indice şi bibliografie de Silvia Ciubotaru, introducere de Ion H. Ciubotaru, Ed. Universităţii „Al.I. Cuza”, Iaşi, 2011, 769 p. (Livia Cotorcea); Scurtă istorie a Slovaciei. Elena Mannová, coordonator. Traducere din limba slovacă şi indice de Eva Mârza, Radu Mârza. Editura Enciclopedică, 2011, ISBN, 978-973-45-0627-9, 476 p. (Dagmar Maria Anoca); Minorităţi în zonele de contact interetnic. Cehii şi slovacii în România şi Ungaria. Editori: Jakab Albert Zsolt-Peti Lehel. Editura Institutului pentru Studierea Problemelor Minorităţilor Naţionale. Kriterion. Cluj-Napoca, 2010. ISBN 978-606-92512-2-5; ISBN 978- 973-26-1011-4, 288 p. (Dagmar Maria Anoca); Translatologické reflexie. Umelecký preklad z/ do románskych jazykov [Reflecţii translatologice. Tălmăcire artistică din/ în limbi romanice]. Katedra romanistiky Filozoficekj fakulty UK v Bratislave. Zostavili PhDr. Jana Páleníková, CSc., doc. PhDr.Paulína Šišmišová, CSc., Vydavateľstvo AnaPress Bratislava, 2010.308 p. (Dagmar Maria Anoca); Antoaneta Olteanu, Rusia imperială. O istorie culturală a secolului al XlX-lea, Editura All, Bucureşti, 2011, 408 pag. (Ecaterina Hlihor).

FIKTIVE WELTEN – FIKTIONALE SCHRIFTEN. ZUR TRENNUNG DER SEMIOTISCHEN UND SEMANTISCHEN BETRACHTUNG VON LITERARISCHEN SCHRIFTEN

Author(s): Alexandru Popa / Language(s): German Issue: 1/2022

Different theoretical backgrounds for the study of literature leads to different objects of investigation. This article is concerned with the distinctions of two types of theoretical backgrounds (semiotic and semantic) and some consequences in the study of a particular field of investigation of literature: fictional texts and fictive worlds. It is commonly considered that fictional texts are non-referential. This consideration fits in the study of literature with a semiotic theoretical background. In a study of literature with a semantic background fits another presupposition: fictional texts are in a particular sense deemed referential. This article is concerned with the contrast of these positions and some implications for investigations of fictive worlds as part of the study of literature.

Lectură și interpretare a Bibliei în romanul „Muncile lui Persiles și ale Sigismundei” al lui Miguel de Cervantes

Author(s): Anca Crivat / Language(s): Romanian Issue: 1/2021

In this study, we propose the analysis of a series of biblical quotations in the last Cervantine novel in order to identify the role that these could play in highlighting the meanings of the book and in the narrative strategy of the author.

ЧУТО-ВИДЯНО

Author(s): Ivan Marazov / Language(s): Bulgarian Issue: 26/2022

The article aims to compare the creative principles of the epic and that of archaic art. The standard repeatable vocabulary of folklore and art is determined by the use of object and action formulas and themes, as well as rhythm and symmetry in the composition. In this way content is condensed and the whole myth can be read / remembered. For the initiates in the language of mythological thinking, figurative hints are sufficient to reproduce a mythological situation. As in myth and ritual, cosmogony is realized through naming, so in art the world is created through obtaining an image. The article draws analogies with Balkan folklore, as well as Greek, Vedic and Celtic mythology.

СЦЕНАТА ОРФЕЙ УКРОТЯВА ДИВИТЕ ЖИВОТНИ II: ОРФЕЙ И КЕНТАВЪРЪТ ХИРОН

Author(s): Vanya Lozanova-Stancheva / Language(s): Bulgarian Issue: 26/2022

A series of remarkable images on mosaics from sepulchral buildings or ritual halls, textile works of art within a Christian context, as well as pyxides, introduce strange and unusual mythological figures into the widespread theme of Orpheus taming wild animals. A special place in the pictorial composition is occupied by the figure of a centaur, who seems to have had complex functions indicating the space of the events. This paper aims to systematize the source base, to analyze “the narrative,” and to offer new details to the interpretation of the remarkable and enigmatic scene, which – in combination with the fragmented poetic evidence – allows the reconstruction of a possible mythological precedent for the journey of Orpheus to the World Beyond, where he attained the mystic theological knowledge and that allowed him to lay the foundations of the mysterial initiations. Those eschatological notions were projected in some early Christian or Christian gnostic communities in the period between the 2nd and the mid-6th century, as indicated by sacral and funerary monuments.

Дисертации

Author(s): Nikola Kazanski / Language(s): Bulgarian Issue: 44/2022

Defended PhD theses in Bulgaria in the field of linguistics, literature, history, folklore, ethnography and art studies.

Научни форуми 2022

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 44/2022

Data about scientific events in the field of the humanities in Bulgaria in 2022.

Славянският семинар на университета „Алберт-Лудвиг“ във Фрайбург и българистиката

Author(s): Mladen Vlashki / Language(s): Bulgarian Issue: 44/2022

Веселка Желязкова, Десислава Найденова. Кирил и Методий. Образи. Памет. Идентичност / Veselka Zhelyazkova, Desislava Naydenova. Cyril and Methodius Images, Memory, Identity

Author(s): Maya Ivanova / Language(s): Bulgarian Issue: 44/2022

„Le Sari vert”, un plaidoyer pour les femmes au-delà de l’océan Indien

Author(s): Bernadette Rey Mimoso-Ruiz / Language(s): French Issue: 21/2022

Although Le Sari vert is presented as a masculine monologue, it is none the less a plea in favour of women, an illustration of ill-treatment in the name of virility in a context which cannot be simply limited to society in Mauritius. In the course of this study, starting with the problematic centred on the monstrosity in its manifestations and its psychological limits, the article examines the elements specifically pertaining to the culture and the society of Mauritius, to its Indian heritage in the concept of women, to the influence of a hierarchical religion as well as the linguistic elements typical of Ananda Devi which give to the work a dimension opening onto the Western World in order to serve a cause which is sadly universal.

Книжовноезикови стилове на българския XVIII в.

Author(s): Valentin Geshev / Language(s): Bulgarian Issue: 1/2009

A new approach to the analysis of eighteenth century Bulgarian texts is proposed. They are classified into four types - a strongly classicized, an intermediate, a moderately classicized and a demotic one - which differ in the degree and the character of their classicization on the phonetic, morphological and syntactic level. With all the four written-language styles the vocabulary combines a good deal of the centuries-long tradition (abstract words, names for religious concepts, natural-science and philosophical terms) with innovative lexical items, as it is in present-day Bulgarian, and the spelling is traditional. The Greek moderate Katharevoussa (as a means of making a linguistically modern text look classical-like) is the typological model for the moderately classicized eighteenth century Bulgarian written style, as the Greek Dhimotiki is for the demotic one. Two varieties of the classical written language provide linguistic samples for the eighteenth century Bulgarian scribe: the South Slavic (Serbo-Bulgarian) bezjusov one (without letters for the Old Bulgarian nasal vowels) and the East Slavic Church Slavonic one. The language of Paisij Hilendarski is of the intermediate strongly-to-moderately classicized type with a mixed traditional Serbo-Bulgarian and East Slavic phonetics and orthography and does not contain dialectal-vernacular phonetic features as some specialists in the history of Written Bulgarian claim.

Помниш ли, помниш ли… от Димчо Дебелянов (Опит за стилистичен анализ)

Author(s): Albena Baeva / Language(s): Bulgarian Issue: 4/2022

In the article an attempt is made for a stylistic analysis of the poetic work of Dimcho Debelyanov “Do you remember, do you remember the quiet yard”. The analysis determines the stylistic contrasts, which are connected in mutual relations. The analysis is supplemented by a description of the verse structure of the elegy. An attempt has been made to connect the two levels in order to show more closely the semantic load of the poetry.