"A ccanciu ri Maria" e "l’Antologia" di Nino De Vita. Il caso di una scrittura “latitante” allo scoperto

Author(s): Paulina Malicka / Language(s): Italian / Issue: 3/2017

The scope of the article is to highlight the importance of the latest poetry production of the Sicilian poet Nino De Vita, considered to be one of the most original among the narrative and lyric voices of dialectal poetry and of Italian literature. The present contribution focuses upon De Vita’s poem A ccanciu ri Maria published in 2015 which coincides with the publication of the poet’s bilingual Antologia, which has been considered a truly significant literary event. The publication covers more than thirty years of lyric and narrative production, marked by a continuous interweaving of life experience and clandestine writing.

"A ja zapisywałem siebie” – o Dzienniku Mieczysława Jastruna

Author(s): Joanna Kosturek / Language(s): Polish / Issue: 4/2014

The author of the sketch reads the Diary as a work behind the origin of which there is a sense of disappearance of life in the passing time, typical for Mieczysław Jastrun. In the context, the diary – filled, among others, with a register of small, everyday activities – seems to be a record through which Jastrun attempts to defy the nothingness and preserve his individual existence. The recording of everyday life is, however, not enough to fulfill this task on its own. Formulating remarks on Jastrun’s attempts to record his own existence and consciousness, the author references a text by Georges Gusdorf, in which the French philosopher discusses the goals and assumptions of autobiography, such as: creation of a coherent outline of one’s fortunes, interpretation and understanding of events and experiences of life, discovery of the truth of one’s own personality. Smuga światła [Streak of Light] is surely such a record. The uniqueness of individual consciousness is, however, expressed most fully in Jastrun’s metaphorical images, found not only in his poetry but also in the Diary and the Streak of Light. The author of the sketch, referencing and juxtaposing specific fragments of Jastrun’s poems, autobiography and diary, reads the meanings and connotations of one of these images – a beautiful woman entering a house – simultaneously showing the coherence of the subject’s imagination and sensitivity. Tracking of these distinctive images in the poet’s works and decyphering of their meanings resembles exploration of a “self” having a specific identity included in the texts. These images encompass an interpretation of the subject’s existence, express its distinctive metaphysical convictions, whereas their repeatability and permanency constitute the subject’s identity, preserving its existence in the volatile time.

"A z pamięci rodzi się sumienie…". Prometeusz Alberta Camusa i Zbigniewa Herberta

Author(s): Joanna Ros / Language(s): Polish / Issue: 1/2015

The ancient Greek tradition talking about the relationship between man and the world so often, has been becoming for ages the basis for the efforts of explanation of man’s place in the universe. Such an effort is visible in the literary works of Zbigniew Herbert and Albert Camus. The purpose of that sketch is to demonstrate the Promethean myth reception in the works of both writers in a way that provokes thoughts about literary parallels that unites those two writers. In Prometheus, asking about the human conscience, memory and solidarity, as in Camus, as well as in Herbert, the author,Joanna Roś, sees some kind of a symbol that would connects „parallel lifes” of Zbigniew Herbertand Albert Camus.

"Bez tytułu i daty". O „szkicowniku myśli” Piotra Szewca

Author(s): Grazyna Maroszczuk / Language(s): Polish / Publication Year: 0

The subject of the article is notes by Piotr Szewc entitled "Bez tytułu i daty", published in “Kwartalnik Artystyczny” in the column of varia entitled "Z powodu i bez powodu". The sketchbook privacy is marked by writer’s mental state, the sense of an obvious bond with the events of a special personal meaning, discretely including notes into the area of emotion reactions. The author , being aware of the gaps of a memoirist form makes an attempt to order himself and drafts thoughts in his non-fulfillment, as well as fills in intuitions of the events reconstructed after years that are intensively close to him. A reflection on the past, that, according to the author is worth remembering, because otherwise, it would get lost without taking care of a tiny detail memory sticks to. Notes by Piotr Szewc point to a thematic dominance of the last achievements of the author of "Zagłada". The novel works are avoided here in favour of poetic and para-textual searches.

"Blues o Wielkim Ptaku" Kazimierza Świegockiego w perspektywie lektur hermeneutycznych

Author(s): Damian Skawinski / Language(s): Polish / Issue: 1/2017

In this article I presented a general assumption of hermeneutics as a theory of literature and a research attitude. I used its various elements in my interpretation of the poem Blues o Wielkim Ptaku of the modern Polish poet, Kazimierz Świegocki. I put the general hypothesis of interpretation and then I verified it by examining the specific elements of the text. I discussed the role of the title and date of creation, the way of speaker’s creation and the lyrical hero, the importance of symbolism and shape of the world presented. I described this poem as referring to issues of cosmogony, ontology, metaphysics and hermeneutics as explaining the order of the universe.

"Celownik nieszczęścia"

Reprezentacje doświadczenia utraty w kulturze współczesnej

Author(s): Malgorzata Okupnik / Language(s): Polish / Issue: 1/2017

Death and mourning in the modern world are taboo subjects. However, in recent years a lot of works inspired by experience of loss have been released. In this essay two works are analyzed: the book "He died on me" ("Umarł mi") by Inga Iwasiów and the film "33 Scenes from Life" ("33 sceny z życia"). In both a secular version of experience of death and loss of a close person is presented. Mourning experienced in the urban atheistic area is detached from spirituality and sacrum. Therefore we can speak about a specific paradigm of loss of spirituality in the face of death of close people.

"Chvála básnického umenia" (Laudes artis poeticae, 1461) z pera Levočana Christophora Petschmessingsloera

Author(s): Mária Novacká / Language(s): Slovak / Issue: 2/2008

The article deals with the activities of an important fraternity of pastors from Spiš (Szepes, Zips) region founded in 1204 who resided in Levoča (Lőcse, Leutschau), especially with the work of one of its members, Christoph Petschmessingsloer. In addition to providing information on the life of the author of The Praise for the Art of Poetry (Laudes artis poeticae) from 1461, the study describes the circumstances of the origin of this work. The greatest attention is paid to an analysis of the text of this lecture on the art of poetry and an assessment of its rhetorical characteristics that represented an introduction to Satires by the Roman satirist Decimus Junius Juvenalis. For its first part, the poetic praise of art and poetry is characteristic; the second part speaks of rhetorical and poetic technique, verse forms together with terms of poetic expression. The work is concluded with a mythological story inspired by Ovid's Metamorphoses about nine muses that represent nine human activities and methods of the acquisition of knowledge.

"Czytadło" Tadeusza Konwickiego – interpretacja po latach

Author(s): Anna Szóstak / Language(s): Polish / Publication Year: 0

The article is an attempt to reconsider and reread the novel by Tadeusz Konwicki from today’s point of view and by means of research tools that has not been applied so far to this type of text. A confrontation of its character with a changed reality of the surrounding world becomes an occasion to reflect on coming to terms with tradition and ideas as well as myths of the Romantic provenience or, in a word, the whole symbolic heritage of the past while for the writer himself, also with existing hierarchies and literary conventions. In such a perspective the novel by Konwicki turns out to be an addition and supplement of "Mała apokalipsa" whereas its convention an ironic and prophetic harbinger of a direction the Polish literature goes in totally different conditions and circumstances than before.

"Dos lid fun ojsgehargetn jidiszn folk" Jicchoka Kacenelsona jako forma autobiografii poety i narodu

Author(s): Andrzej Pawelec,Magdalena Sitarz / Language(s): Polish / Issue: 1/2017

Katsenelson’s Elegy – one of the most famous literary documents of the Shoah – was created in the Vittel internment camp, where the poet had been transported as part of ‘the Hotel Polski affair’. In this “last song of the last Jew” Katsenelson links his personal fate with the fate of the whole community, paying tribute to “the murdered Jewish people”. The authors focus on the mythopoetic aspect of the poem: on its goal – as a personal and national biography – to save the remnants of sense in an absolutely tragic and hopeless situation.

"Heart o f Darkness” and "Apocalypse Now” - some thoughts about adaptation

Author(s): Ewa Kujawska-Lis / Language(s): English / Issue: III/2001

"I Bóg o nas zapomniał..." – literacki dokument o polskich zesłańcach na Sybir

Author(s): Joanna Sularz / Language(s): Polish / Issue: 1/2015

In the Andrzej Kalinin's  article  I portray the effect of Soviet’s  invasion on human life in Poland.  I try to show the truth of people’s  loneliness  who were forced on Soviet  labour camps. The purpose of the article is to show the hero towards the  space, towards others and in the relationship with God and also to show that fate of hero is a generalization fate of Polish deportees.

"Ikaromenippos" – starożytny dialog o locie na Księżyc i do niebiańskiej siedziby bogów

Author(s): Dominika Budzanowska-Weglenda / Language(s): Polish / Publication Year: 0

Dominika Budzanowska-Weglenda’s chapter proposes an analysis of the Ikaromenippos or Voyage in Space, which is one of dialogues of Lucian of Samosata and probably the first literary description of the human trip to the Moon. The main character takes on this journey because of his aversion to philosophy. Lucian’s Ikaromenippos is a fantastic dialogue: a philosopher, probably the cynic, and satirist Menippus of Gadara, flies here “through the stars”. He takes two wings of large birds: the wing of the vulture and the wing of the eagle, and performs an incredible feat, worthy of Icarus: he reaches the Moon (from where he looks at the people and their actions on Earth), and then flies to Heaven—to the gods, “in upper Zeus’ rooms”. The story of Menippus’journey is like a swift current of the river, full of jocular tone, with a fantastic plot. But it clearly carries a deeper message: it expresses criticism of human attitudes and actions (adulteries, murders, conspiracies, perjury, betrayals among the closest to ones, war, courtship, piracy), meanness, false and mercenary piety, especially when stigmatizing bad behavior of philosophers, without sparing the representatives of any philosophical school. According to Lucian’s narrative, philosophers are lazy, quarrelsome, bloated, angry, grotesque, tumultuous, surly, unworthy people. The author reinforces the accusations of philosophers with the deity’s words, as the goddess of the Moon, Selene, having been encountered by the traveler, complains about them as well. She believes that philosophers are impostors, leading a shameful nightlife behind the scenes: they commit adultery, steal, and commit any other evil deeds. Ikaromenippos belongs to Lucian’s satirical works featuring reflective comedy. Correspondingly, Lucian postulates the liberation from the practical cognitive pressure of the logical rules and from the philosophical logic of cognition of the universe.

"Incipit tragoedia, Incipit parodia”. Tragische Heiterkeit und ernste Parodie in Nietzsches. "Also sprach Zarathustra”.

Author(s): Clauss Zittel / Language(s): German / Issue: V/2003

"Juliusz i Ethel" – historia małżeństwa Rosenbergów w dramacie Leona Kruczkowskiego z 1954 roku. Elementy dyskursu antywojennego w literaturze polskiej we wczesnych latach 50.

Author(s): Marcin Wieczorek / Language(s): Polish / Issue: 01/2017

The text discusses the play about the last hours of life of the Rosenbergs titled Juliusand Ethel, the history of the trial, passing the sentence and the execution of Julius and EthelRosenbergs carried out on June 19, 1953. Besides Senator Joseph Raymond McCarthy’s“witch-hunt”, this is the second most famous example of the American anti-communistatmosphere of the early 1950s, which led to the crisis of the democratic order and itsinstitutions in the United States. The case took place at the beginning of the Cold Wardivision of the world and the nuclear arms race, which put the world on the brink of selfdestruction.For the US radicals and the left-wing intellectuals, the Rosenbergs belonging to the US Communist Party are victims of the right-wing witch-hunt, creating anti-communistatmosphere, however they are also perceived as patrons of antiwar movements, precursors ofthe nuclear weapons opponents movement (the espionage, which they had never confessedto was to concern passing secrets about the US nuclear weapons programs to the Russians).For conservative America this will be a story about the efficiency of the legal, politicaland moral system facing a real threat in the fight against communism – dangerous for theentire civilized democratic world.How does the socialist realism work by Leon Kruczkowski appear against this background?

"La Morale de Madame Dulska" - o francuskojęzycznej edycji dramatu Gabrieli Zapolskiej

Author(s): Marzena Karwowska / Language(s): Polish / Issue: 3/2014

The article presents the bilingual French-Polish publication, entitled »La Morale de Madame Dulska. Moralność Pani Dulskiej« (2011). Editors of the volume (Danuta Knysz-Tomaszewska, Grzegorz Bąbiak and Cecile Bocianowski) invited representatives of various universities to join the project, among them: Paris III Sorbonne (Elżbieta Koślacz-Virol), Paris IV Sorbonne (Daniele Chauvin) and University of Warsaw (Tomasz Wójcik). The play was translated by: Krzysztof Jeżewski – translator of Polish poetry into the French, also Elżbieta Koślacz-Virol, author of the book on Gabriela Zapolska published in France. La Morale de Madame Dulska was based on the translation by Paul Cazin (1881-1963). The French-Polish publishing initiative has been based on a copy of Paul Cazin's manuscript donated by his widow, Juliette Monfet, in the late 1970s.

"Lu scïò" di Guido Milanesi tra letteratura e lingua

Author(s): Luca Palmarini / Language(s): Italian / Issue: 7/2016

The article intends to analyse the short story Lu scïò by Roman writer Guido Milanesi, published after the First World War in the collection of stories Mar Sanguigno. Milanesi’s works belong to the genre of the colonial novel, but Milanesi can be mostly defined as a writer of sea tales. The article introduces the historical period in which Milanesi’s works were published and then presents the A driatic legend of the waterspout and compares it with other local writings. A brief linguistic analysis follows, which examines the mixture of Italian dialect and maritime terms present in the story.

"Metamorfozy albo złoty osioł" Apulejusza jako punkt wyjścia dla spektaklu "Metamorfozy" OPT „Gardzienice”

Author(s): Elzbieta Koldrzak / Language(s): Polish / Issue: 1/2015

"Metamorphoses or The Golden Ass" by Apuleius as a text involved with the theme of initiation and acquainting with mystery, in itself is a complex and multi-plotted research material. Similarly, the spectacle realised by the Theatrical Practices Centre Gardzienice, led by Włodzimierz Staniewski.The main issue discussed in this article is the concept of translating the narration of Apuleius’ novel into a theatrical text and defining it based on the cultural and existential meaning composing the meaning of Gardzinice’s spectacle for the dynamics and the directions of modern cultural discourse that from twenty years ago, as well as today’s. Metamorphosis as a study of pragmatic metaphysics, the confrontation of pride of modern reason with the European culture’s “archive,” in its expression not sentimental but full of irony towards the progressing deconstruction of the spiritual--symbolic sphere in contemporary narrations, are a still valid spectacle, becoming even more actual.

"Mój łódzki okres - to była moja młodość!". Z Profesor Heleną Karwacką rozmawiają Krystyna Pietrych i Jacek Brzozowski

Author(s): Helena Karwacka ,Krystyna Pietrych,Jacek Brzozowski / Language(s): Polish / Issue: 3/2014

Professors Krystyna Pietrych and Jacek Brzozowski talk to Professor Helena Karwacka about the Polish and library studies in Krakow, her cooperation with prominent figures of Polish history of literature, and the cultural life in the post-war Łódź.

"Nocą, kiedy oglądam obraz" – w kręgu fascynacji Wizerunkiem Jasnogórskim

Wiersz Janusza St. Pasierba

Author(s): Robert K. Zawadzki / Language(s): Polish / Issue: 1/2015

The article is devoted to the analysis of the poem "At night, while I am watching the Icon" of Stanisław Pasierb. He comprehends the Mother of God from the Jasna Góra image as the person tangibly present in the human earthly life, sharing fate of the Polish nation, carrying the entire traditional weight of historical occurrences which the history of Poland experienced. At the same time the poet refers the concept of the Madonna to the theological categories. For him Mary isn't stopping being a Mother of God. The poem values a deep religious dimension, it is also characterized by outstanding artistic advantages.

"NOMEN EST OMEN" ILI UNUTARNJA DIMENZIJA EPSKOG JUNAKA

Author(s): Sead Šemsovic / Language(s): Bosnian / Issue: 1/2016

This article examines the relationship between remembering the names of epic heroes without their appearance and the characteristics of their internal dimensions, of which we learn from those poems in which the heroes appear as participants of events. Since the introduction of the epic hero by the epic poet is based on the poet’s own experience or knowledge of the hero’s features and characteristics the presented knowledge and narrated experiences not only constitute one epic biography, but also reflect the internal dimension of the hero. Moving from particular examples towards the very source of this reflection, one can identify certain aspects of differentiation of the epic hero in relation to other heroes as well as to his own self as experienced and perceived by different poets. In that way,this approach to the epic world promotes a top-down view of the hero,which has been completely denied in some traditional approaches. The very name is mentioned in several possible varieties and determined by whom, how, where and when it is mentioned. Furthermore, the variety depends on whether the name is mentioned in poems from the hero’s cultural sphere or a different one. Finally, the reasons for the appearance of the names without their bearers are indicative of the ways in which individual stratifications within complexly constructed epic worlds maybe decoded.