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Eтнографски източници в Научния архив на БАН – култура на паметта

Eтнографски източници в Научния архив на БАН – култура на паметта

Author(s): Gabriela Vaptzarova,Darina Ilieva / Language(s): Bulgarian Issue: 4/2017

The Scientific Archives of the Bulgarian Academy of Sciences began its work with the foundation of the Bulgarian Literary Society in Braila in September 1869. Its task is to find, process and offer for use all the materials on the history of the scientific thought in Bulgaria and the history of the BAS. The Scientific Archive preserves the archival documents of the institutes of the BAS as well as the personal collections of academicians, corresponding members and professors; it does scientific and technical processing, estimates the value of the archival documents and restores them. The archive organizes the use of the archival documents for scientific research, reference and other purposes, prepares documentary publications and exhibitions of documents.The cultural heritage preserved in the BAS is a national treasure and we are responsible for its protection.This article examines only archival collections with ethnographic materials and researches. It is an invitation to researchers for future studies.

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Experiences from Bringing Together Digitally the Heterogeneous Heritage of Plovdiv
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Experiences from Bringing Together Digitally the Heterogeneous Heritage of Plovdiv

Author(s): Dimitar Minev,Ivan Kratchanov / Language(s): English Issue: 2/2019

National Library Ivan Vazov in Plovdiv is the second biggest library in Bulgaria. It functions as the second national depository of Bulgarian printed output and has contributed significantly to preserving the national cultural and historical heritage. This article offers an overview of the library’s history and current developments in the field of digitization.

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Обществени колекции с музеен профил в българските висши училища: създаване, управление, перспективи
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Обществени колекции с музеен профил в българските висши училища: създаване, управление, перспективи

Author(s): Vera Boneva / Language(s): Bulgarian Issue: 2/2020

University museums in Bulgarian higher education institutions are described and analyzed in the context of the current educational and cultural trends. The important features of this specific academic units are highlighted with specification of some distinguishing museum collections, which work fruitfully inside and outside of their own university space. Administrative improvement and more active promotion are recommended as key paths for a more positive prospect ahead of the whole 27 Bulgarian university museums. In the article are involved data, extracted from the cited sources and from the official internet sites of the mentioned higher education institutions.

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Песните на село Чавдар – част от живото културно наследство на България
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Песните на село Чавдар – част от живото културно наследство на България

Author(s): Radka Bratanova / Language(s): Bulgarian Issue: 2/2020

Intensified cultural exchange in the twenty-first century lead to a specific process of globalization of musical folklore. That is why the preservation of valuable archaic traditions demands active endeavours.In 2018, in the Bulgarian village of Chavdar, an interactive Folklore Centre was founded. It offers interesting ways of collecting, archiving, preserving and exhibiting local cultural traditions. In the Centre, old phenomena intertwine with new technologies and museum exhibits “come to life” by means of interactive activities designed mainly for children and young people. In 2019, the team of the Centre continued their work on widening and completing the exhibition and the interactive activities. A central place in the new developments is given to music, dancing and children’s games.

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Седефът – природа, източници и употреба. Седефени пафти от фонда на Регионален исторически музей – Кърджали
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Седефът – природа, източници и употреба. Седефени пафти от фонда на Регионален исторически музей – Кърджали

Author(s): Lidiya Kirilova,Sonya Kostadinova / Language(s): Bulgarian Issue: 2/2020

Known to man since time immemorial, nacre is one of the most popular and most highly valued material that are still in use nowadays in the creating of different pieces of jewelry and decorations. Subject of the study are some of the most attractive and beautiful belt buckles (pafti) which are property of the Regional Museum of History in the town of Kardzhali. Additionally, nacre is described as a raw material in regards with its composition and structure, its natural sources and the ways in which it is used. The article is an attempt to view the subject from an interdisciplinary perspective and give a complex picture, using the resources of different disciplines. Its goal is to interpret the messages encrypted in the images on the belt buckles, and also to answer a series of questions about the type, nature, biogeographic origins and the way of processing the raw nacre.

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Welcome to Cyberia! Notes from the Digital Field. Edited by: Angelina Ilieva, Lina Gergova, Lozanka Peycheva, Svetla Kazalarska. Sofia: Institute of Ethnology and Folklore Studies with Ethnographic Museum – BAS, 2014. 411 p.
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Welcome to Cyberia! Notes from the Digital Field. Edited by: Angelina Ilieva, Lina Gergova, Lozanka Peycheva, Svetla Kazalarska. Sofia: Institute of Ethnology and Folklore Studies with Ethnographic Museum – BAS, 2014. 411 p.

Author(s): Svetla Petkova / Language(s): English Issue: Special 2/2020

Book review

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The Musical-Folklore Dialects of Elena Stoin in Sound. Edited by: Goritza Naydenova. Sofia: Institute for Art Studies – BAS, 2015. 131 p., with a CD
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The Musical-Folklore Dialects of Elena Stoin in Sound. Edited by: Goritza Naydenova. Sofia: Institute for Art Studies – BAS, 2015. 131 p., with a CD

Author(s): Natalia Rashkova / Language(s): English Issue: Special 2/2020

Book review

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Establishing participative Smart Cities: theory and practice

Establishing participative Smart Cities: theory and practice

Author(s): Léo J. Portal,Brian Fabrègue / Language(s): English Issue: 02/2022

In recent years, there have been efforts carried out by international organisations, like the OECD or the EU, to push for smart cities to take inclusion as one of their core pillars. This raises the question of a newly discussed concept: participative (or participation) smart cities. More specifically, it raises the question of whether such a setting or program is feasible , and how passive participants can be transformed into active stakeholder. Hence, the objective of this article is to investigate whether participative smart cities exist in 2021 and what drives their success. In order to answer the research question, this article intends to assess the level of citizen participation in a sample of selected smart cities. Based on existing knowledge, a framework listing the most common citizen participative practices, and with the help of a case design of each selected cities, we establish how participative smart cities are feasible and whether there are institutional and political characteristics that make them differ from smart cities that lack participative processes. We find that institutional determinants are key for cities willing to establish participative platforms involving citizens in the city management processes. The article concludes that if smart cities want to follow international organisations recommendations to make cities more inclusive and participatory, institutional reforms must be conducted.

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Зооморфната маска в зимните маскарадни игри: примерът Турка
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Зооморфната маска в зимните маскарадни игри: примерът Турка

Author(s): Emilia Boyadzhieva-Peeva / Language(s): Bulgarian Issue: 3/2021

The article studies the winter masquerade custom of Turka, as the central object of investigation is its variant from the Romanian village of Cuciulata in Transylvania. In the course of more than a century, the outlook of this mask has remained almost unchanged. The author offers analyses on the altering functions of the mask as an artefact playing the roles of a ritual object and a museum exponent.

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Включване на общностите в процеса на опазване и социализация на наследство – правнонормативни документи на водещи международни организации
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Включване на общностите в процеса на опазване и социализация на наследство – правнонормативни документи на водещи международни организации

Author(s): Plamena Zayachka / Language(s): Bulgarian Issue: 3/2021

This article explores the changing approaches to the preservation and socialization of cultural heritage. The analysis of the normative documents of the leading international organizations in the field of cultural heritage – from the 50s of the twentieth century to the present day – shows a slow transition to the integration of people and communities in the processes of its preservation. This transition has three main phases: from separation of people and communities from the heritage, through awareness and access to it, and finally, to inclusion in the decision-making process concerning cultural heritage protection. The article also examines where Bulgaria is in this process and how these changes in cultural policies affect the mechanisms of protection of our cultural heritage.

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Взаимодействието културно наследство – творчество: как модните дизайнери преоткриват културното наследството като съвременен дизайн
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Взаимодействието културно наследство – творчество: как модните дизайнери преоткриват културното наследството като съвременен дизайн

Author(s): Kristina Savova / Language(s): Bulgarian Issue: 4/2021

The aim of the article is to outline and analyse the relationship between fashion and cultural heritage as a source of inspiration for fashion designers. Several examples of French fashion houses are considered, and fashion as art is discussed. In the highly competitive context of modern global fashion and luxury industry, creative practices and processes can be viewed in direct connection with cultural heritage. The interaction between cultural heritage and the creative process is strategic. It works at all levels and includes all components of the production chain, integrating the creation, design, production, and communication. Fashion designers, along with their aesthetic canons, rediscover archetypes, values and imagination, but rethink them in an appropriate, concrete and creative way. The designers offer new visions and meanings, as they experience original processes and approaches. Furthermore, they introduce social, political and cultural issues into the design philosophy, apply new craft skills in the design process or even utilize music and youth culture into the heritage of brands. In this way, cultural heritage is rediscovered as a modern and contemporary design.

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Echoes

Echoes

Author(s): Alice Isabella Sullivan,Vladimir Agrigoroaei,Ileana Sasu,Adinel C. Dincă / Language(s): English Issue: 6/2022

Review of: Faces, icons and books for the soul: Moldavians in Ukraine, Ukrainians in Moldavia. Testimonies of sacred art; 16th-19th centuries, exhibition organized by the Metropolitan Museum of Iași between April 14 and August 14, 2022, to support Ukrainian refugees. Vladimir Ivanovici and Alice Isabella Sullivan (eds), Natural Light in Medieval Churches, Series: East Central and Eastern Europe in the Middle Ages, 450-1450, Volume 88 Leiden and Boston, Brill, 2023 Daniela Marcu Istrate, Church Archaeology in Transylvania. (ca. 950 to ca. 1450), Leiden and Boston, Brill, 2022, 522 p. Daniela Marcu Istrate, Dan Ioan Mureșan and Gabriel Tiberiu Rustoiu (eds), Christianization in Early Medieval Transylvania. The Oldest Church in Transylvania and Its Interpretation, Leiden and Boston, Brill, 2022, 499 p. Mihail K. Qaramah, O istorie a Molitfelnicului Românesc. Evoluția formularelor Sfintelor Taine (sec. xvi-xvii) [A History of the Romanian Euchologion: The Evolution of the formularies of the Sacraments (16th -17th c.)], Alba Iulia, Editura Reîntregirea, 2022, 310 p.

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Женско двугласно пеене от село Варвара (Съвременни процеси в традиционната практика)
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Женско двугласно пеене от село Варвара (Съвременни процеси в традиционната практика)

Author(s): Petyo Krastev / Language(s): Bulgarian Issue: 3/2022

The article is the result of a field study in 2020 in the village of Varvara, Septemvri municipality, on the current state of women’s folk two-part singing. The ethnomusicological interpretation is made on the basis of a comparative analysis between theoretical studies on performance practices, an audio archive of the women’s vocal group at the National Culture Center “Peasant Awakening – 1927”, made in the early 1990s, and the most modern field materials from 2020. Passing through certain periods, the musical model becomes a village cultural value bequeathed from the past, which is preserved and safeguarded through certain forms of stage activity. Today, it is part of the intangible cultural heritage and ‘lives’ mainly through the community center and the practice of a certain generation.

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XII Национален събор на народното творчество в Копривщица (5–7 август 2022 г.)

XII Национален събор на народното творчество в Копривщица (5–7 август 2022 г.)

Author(s): Rosina Kokudeva / Language(s): Bulgarian Issue: 3/2022

Events

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Първи национален фолклорен събор, Драгиново 2022 г.

Първи национален фолклорен събор, Драгиново 2022 г.

Author(s): Petyo Krastev / Language(s): Bulgarian Issue: 3/2022

Events

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Reflecții despre activismul în muzee de artă

Reflecții despre activismul în muzee de artă

Author(s): Delia Bran,Laura Bonciu / Language(s): Romanian Issue: 1/2023

The article is a critical reflection on the situation that European museums of art were confronted with in 2022 on the acts of activism on art museums paintings. Following the act of the Just stop oil girls in London October 2022 the world started talking on the topic of „vandalism on art” and „activism in museums”. The article has 3 parts, first with describing facts, a short view of the situation, second with an art historian’s critical views and analyses of then and third with the activist views on the problem. All the reflections are adapted to the Romanian context, so the article both describes the context and gives some opinions on the present situation.

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„Fii bun și tare”

„Fii bun și tare”

Author(s): Alice-Georgiana Fănaru / Language(s): Romanian Issue: 1/2023

Documentation and specialized articles are among the main means of improving stylistic classifications of the works belonging to an art museum’s heritage. A museum’s heritage is also dynamic, although most museums have a well-developed collection of works dating from before the 1990s. As the heritage is enriched, it must also be documented, and volumes of monographs on lesser-known artists are very useful in this process. This is also the case of the volume entitled „The Bednarik Family in Romanian Art” which is the subject of this review. Following the personal and professional career of the members of this family of artists, the Bednarik family monograph is a valuable document for the history of art in our country and a useful tool for specialists in art museums.

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Защо народният празник Сурова е в Списъка на ЮНЕСКО? (Резултати от една анкета)
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Защо народният празник Сурова е в Списъка на ЮНЕСКО? (Резултати от една анкета)

Author(s): Tsvetana Manova / Language(s): English,Bulgarian Issue: 2/2023

The 2003 Convention and Its Implementation in Bulgaria

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Provocări în oferta culturală a muzeelor din România: tururile virtuale

Provocări în oferta culturală a muzeelor din România: tururile virtuale

Author(s): Ana-Maria Pop,Tania Someșfălean,Gheorghe Hognogi,Alexandra-Camelia Marian-Potra / Language(s): Romanian Issue: 1/2022

The mobility restrictions and the cessation of activities in physical locations, a general framework generated by the Covid-19 pandemic, determined for the majority of the population a reconfiguration of the way of spending their work and their leisure. At the same time, the digitalisation incentives promoted by all relevant stalekholders, whether by national authorities or by public or private institutions, have taken their place in the lives of citizens. The cultural sector, especially museums, has adapted and the cultural offer has been folded on the new challenges. The present material highlights, particularly for Romania, the digital museum offer in the form of virtual tours, accelerated by this current health crisis, corroborated with immersive initiatives in some museums, predominantly abroad, where the appetite for emerging technologies was felt as a need for public diversification even before the pandemic.

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Goodwill, Morality and Legislation in Restitution & Provenance Politics; a Reflection on Customary Laws and Property Ownership in Africa

Goodwill, Morality and Legislation in Restitution & Provenance Politics; a Reflection on Customary Laws and Property Ownership in Africa

Author(s): Winani Thebele / Language(s): English Issue: 1/2024

Calls for restitution and provenance research over colonial objects have embraced museums globally. The two theoretical undertakings complement one another. Governments, heritage institutions and individuals are reviewing the provenance of their colonial collections and returning them to descendant communities. Widely publicised return undertakings and ceremonies attest to this. Scholars and curators have revolutionised their thinking, approaches and writings with an intent to decolonize narratives associated with the colonial holdings. Conversations through seminars, conferences, workshops and political statements complement the efforts. However, the returns are usually presented as voluntary gestures, driven by morality, redress, equality, correction of colonial wrongs and calls for human rights. This article argues that there are also legal obligations as evidenced by developments in Europe and America today. The article methodologically interrogates three intertwined subjects: 1. the current state of affairs with Africa’s colonial heritage; 2. the customary laws on collective ownership of heritage by communities as a contributory catalyst to the migration of heritage; and 3. an ignored factor in the quest for repatriations and the development of national legal structures by states that hold colonial objects. The argument is that these should be balanced; the returns are not only based on morality and goodwill by hosting states, but are also enforced by legal obligations. The paper further argues that all stakeholders should be taken on board in provenance and restitutions, particularly the descendant communities, their wishes and customs. These present as part of ‘best museum practise’ and the decolonization narrative.

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