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Principiul autenticității în Carte de conservare-restaurare și ghiduri operaționale
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Principiul autenticității în Carte de conservare-restaurare și ghiduri operaționale

Author(s): Anca Mihaela Gavril / Language(s): Romanian Issue: 11/2022

Complex, dynamic, and controversial, the principle of authenticity in the practice of conservation-restoration is part of many international theoretical texts. The present essay presents and analyzes critically how authenticity is reflected by: the Venice Charter (1964), the UNESCO Operational Guidelines for the Implementation of the World Heritage Convention, the Nara Document on Authenticity (1994), the Declaration of San Antonio (1996), and the Riga Charter on Authenticity and Historical Reconstruction in Relationship to Cultural Heritage (2000). Having either a worldwide or regional impact in the field of conservation-restoration, these theoretical texts are the object of many professional debates and studies on authenticity, regarded from both theoretical and practical perspectives. As they are the product of a different space and time, they also highlight the importance conferred until now upon authenticity in the field of conservation-restoration of cultural heritage.

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File din cronica unei restaurări eşuate: I. Reconstrucţia bisericii medievale din Suseni-Colţ, jud. Hunedoara
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File din cronica unei restaurări eşuate: I. Reconstrucţia bisericii medievale din Suseni-Colţ, jud. Hunedoara

Author(s): Dragoș Năstăsoiu / Language(s): Romanian Issue: 11/2022

The medieval church in Suseni-Colţ (Hunedoara County) is a religious foundation of the Romanian noble family of Cândea of Râu de Mori. It was built after the middle of the 14th century and was decorated with Byzantine frescoes either in the late-14th or early-15th century. Functioning from the beginning as a monastic church, the religious edifice was abandoned by the late-16th century, after its patrons had embraced Calvinism and were assimilated to the Hungarian elites. Not having been in use all this time, the church was already a ruin in the mid-19th century and continued to decay throughout the 20th century, despite its unusual architecture and its remarkable mural decoration. Paradoxically, the monastery’s reestablishing in 1995 represented a serious blow for the historical monument which, at the initiative of the Arad Bishopric, was reconstructed between 1995 and 1996 by the new monks and with the help of architect Şerban Gubovici and ingineer Liviu Hanţiu. Later on, in 2001, the church’s mural decoration was unprofessionally restored by painter Viorel Ţigu. By examining the documents kept in the archives of the National Institute of Cultural Heritage in Bucharest and the Arad Archbishopric in Arad, the present paper discusses the medieval church’s unaccomplished restoration projects of 1982 and 1990, and then examines its illegal reconstruction in 1995–1996, which was made by the newly-established monks, at the initiative of the local church authorities, and without the approval of the state institutions of cultural heritage protection.

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Necesitatea elaborării de Indicatoare de Norme de deviz pentru componente artistice și a actualizării legislației
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Necesitatea elaborării de Indicatoare de Norme de deviz pentru componente artistice și a actualizării legislației

Author(s): Liliana Rusu / Language(s): Romanian Issue: 11/2022

In accordance with Romanian legislation regulating the conservation-restoration activity, the restorers elaborate sets of normative regulations depending on their specialization (i.e., restoration of mural painting and painting on wood, of polychrome stucco, of wooden decoration, of stone and plaster decoration, of metal, of stained glass, etc.). The present essay presents the rules and principles to be followed when elaborating the general normative regulations, which should be then adapted to the specificity of the conservation-restoration works of different artistic components belonging to historical monuments. Likewise, it is argued throughout the essay that the legislation concerning the drawing-up of technical-economic documentation should be harmonized with the specificity of works on artistic components of historical monuments.

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Un (nou) semnal de alarmă privind protejarea grădinilor istorice
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Un (nou) semnal de alarmă privind protejarea grădinilor istorice

Author(s): Alexandru Mexi / Language(s): Romanian Issue: 11/2022

Romania has an extensive and valuable landscape heritage consisting of cultural and/or natural landscapes, as well as historic parks and gardens which may or may not be included in the List of Historic Monuments. Referring, for the moment, exclusively to the gardens of the old noble estates and to municipal public parks, despite the special cultural value that define them, their state of preservation is precarious, and the causes that have contributed to this are diverse: the nationalisation in the mid-20th century, the fragmentation of historic properties and their sale/restitution in smaller lots after the 1989 Revolution, few and low quality specialised publications, insufficient and poor research lacking both tools and methods, resources and time, the small number of professionals involved in the management and protection of gardens and parks, insufficient and poorly trained personnel taking care of parks and gardens, the legal framework that is not sufficiently adapted to the needs of this category of cultural heritage, as well as many other similar issues. The paper thus presents a series of aspects related to the delicate situation in which the landscape heritage in Romania currently finds itself, as well as a number of causes that have contributed to the deterioration of the state of conservation of historic parks and gardens, and warn people on the importance of protecting these immovable cultural assets.

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Vila lui Augustus din Somma Vesuviana: Dionysos și Peplophoros
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Vila lui Augustus din Somma Vesuviana: Dionysos și Peplophoros

Author(s): Sorin Pîrvulescu,Giancarlo Napoli,Criscuolo Luigi / Language(s): Romanian Issue: 11/2022

Located North of Mount Vesuvius, Somma Vesuviana occupies a particular place from the perspective of archaeological remains. Among these, one can note also the Villa of Augustus in Starza della Regina. It was called this way, because it was assumed that Emperor Augustus died there. Built during the first Imperial Age, the villa was in great extent buried by the volcano’s eruption in 472 B.C. The first ruins were discovered during some agricultural works in 1890, and were destroyed for the purpose of land cultivation. Still during some other agricultural works in 1929, the owner of the land rediscovered the wall structures of the Roman edifice and, during the following year, archaeologist Matteo della Corte researched only a small surface. In 2002, an extensive campaign of archaeological excavations was initiated under the supervision of prof. Masanori Aoyagi (Tokyo University) and prof. Antonio de Simone (Federico II University in Naples). During the 2003 and 2004 excavations, fragments of two marble statues of Dionysius and of a peplum-clad woman were discovered. The two statues’ restoration was made by the company Eu&Ro Restauri SRL (technical director Giancarlo Napoli).

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Brinje: postojbina knezova Krčkih - Frankapana i brinjska glagoljska baština

Brinje: postojbina knezova Krčkih - Frankapana i brinjska glagoljska baština

Author(s): Juraj Lokmer / Language(s): Croatian Issue: 1/2022

In this paper, the origin and history of the counts of Krk – the Frankopans are given in detail, as well as a more detailed history of the Brinje Frankopan lineage, which ended the history of this famous Croatian noble family. This paper highlights one part of the lesser-known Frankopan, especially Glagolitic, heritage of the town of Brinje and its region, which was the residential centre of the most powerful counts of Krk, later Frankopan: Count Anž (Ivan) V. and Count Mikula (Nikola) IV. and which was later managed by the Brinje, i.e. Tržac, branch of the Frankopans. The figure of Countess Jelža (Elizabeta), the widow of Count Bartol IX, the founder of the Brinje lineage and the mother of Count Anž (Ivan) VIII, is especially outlined, as well as the work of Count Anž (Ivan) VIII. of Brinje, otherwise a controversial historical figure. He often did not choose the means and method in the struggle for his property and survival, however, he did leave a significant mark in the Glagolitic documents of the 15th century. Unfortunately, Count Anž (Ivan) VIII is overlooked in the lexicographical literature, which is certainly a great pity. Also shown is the Glagolitic inscription from the grave of Count Matijaš Čubranić, who was in the service of Count Anž (Ivan) VIII, as well as the Glagolitic documents of the Augustinian monastery of St Mary in Brinje and the Pauline monastery of St Nicholas at Gvozd near Modruš. This provides a new perspective of Count Anž (Ivan) VIII, as well as of Brinje, today somewhat forgotten by the public as an important centre of the old Frankopan state and one of the centres of Croatian Glagolitic literacy.

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Incunabulele bibliotecii Batthyaneum din Alba Iulia-date referitoare la cercetarea colecţiei

Incunabulele bibliotecii Batthyaneum din Alba Iulia-date referitoare la cercetarea colecţiei

Author(s): Andreea Mârza / Language(s): Romanian Issue: 61/2022

This research has as a starting point some information discovered in the library catalogues where reference is made to the existence of duplicate incunabula in the book holdings. They are catalogues drawn up after the death of the library’s founder, bishop Ignác Batthyány (+ 1798) by the second librarian, András Cseresnyés. Following the bishop’s death, the Government of Transylvania also requested the inventory of the book holdings and writing catalogues to know the exact holdings considering the lawsuit filed by the family of the deceased bishop.On this occasion, librarian A. Cseresnyés drew up several catalogues to which he also added that of the duplicates existent at that time. Among the duplicates are mentioned a series of incunabula which over time were given in exchange (in 1826) or sold (between 1930 and 1931) due to financial difficulties. Of those discovered to date, only the bishop-founder had incunabula in his collection. Of these, several tens with lacks, damp stains, fragmented etc were removed from the initial holdings. The library needs a new incunabulum catalogue to contain maybe also a short description of the circulation of each copy till Transylvania; similarly, it also needs to find out, if possible, about the potential local collectors, especially local private individuals, for example from the Saxon Transylvanian area. The incunabulum collection held by the bishop founder of the institute from Alba Iulia was amassed in different ways; all of them left traces on the works such as ownership marks.The study also tackles the works or articles written in Romania concerning the incunabulum collection of the Batthyaneum Library to offer, we hope, a starting point for researching the holdings and, perhaps, for writing a new catalogue.

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MARTORI DE PICTURĂ MURALĂ DE LA CETATEA DE SCAUN A SUCEVEI

MARTORI DE PICTURĂ MURALĂ DE LA CETATEA DE SCAUN A SUCEVEI

Author(s): Paula Vartolomei,Loredana Axinte / Language(s): Romanian Issue: 4/2022

The work proposes the presentation of the casuistry of some fragments of fresco coming from the chapel of the fortress of Suceava. First mentioned in 1388, during the reign of Peter I Mușat, the fortress suffered numerous restorations, both during the reign of Stephen the Great and of the rulers who followed it. Over time, the fortress undergone numerous damages as a result of sieges and natural disasters. Archaeological excavations have revealed various vestiges, including fragments of the original decoration of the fortress chapel. Currently, the fresco fragments are in the custody of the Zonal Restoration Laboratory within the National Museum of Bucovina, where they benefit from specific conservation processes.

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ДОКУМЕНТАЦІЙНЕ ЗАБЕЗПЕЧЕННЯ ПРАВОВОЇ СФЕРИ: СУТНІСТЬ ТА ОСОБЛИВОСТІ

Author(s): Alla Hrebeniuk,Alla Hrebeniuk,Alla Hrebeniuk / Language(s): Ukrainian Issue: 4/2022

The purpose of the work. The article is devoted to the definition of the features and essence of documentation support of the legal sphere. Methodology consists in the application of methods of analysis, synthesis, comparative method, with the help of which scientific works related to the subject of scientific research are studied. Scientific novelty. Lexicographic sources, scientific works, and normative-legal acts in which questions within the limits of the chosen subject of research were considered are analysed. The absence of the results of a comprehensive study on the issue of documentation support of the legal sphere has been established. It is stated that this does not allow the allocation of communicative areas for its improvement and their implementation. For the first time, the characteristic features are determined and the concept of the communication system of the legal sphere is formulated. Conclusions. The following features of documentation support of the legal sphere are defined: its implementation by creating conditions for legal activity in accordance with specific needs and requirements; their localisation in the context of documenting legal information and organisation of work with legal documents; connection of documentation support of the legal sphere with document science, which has a clear communicative aspect and has an impact on the formation of legal relations; nomination of a legal document as a carrier and source of information of a legal nature and a phenomenon of the information and communication sphere, which has a general communicative and special legal functions. The definition of documentation support of the legal sphere is formulated. It is the process of creating appropriate conditions for documenting information of a legal nature and organisation of office work, necessary for the interaction between participants in the communication system of legal entities, as well as the emergence, change or termination of legal relations.

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Reguły kwalifikacji archiwalnej akt spraw karnych w rozporządzeniu o przechowywaniu i niszczeniu akt sądowych z 1937 r. O genezie i skutkach międzywojennych reguł oceny wartości archiwalnej akt sądów powszechnych

Reguły kwalifikacji archiwalnej akt spraw karnych w rozporządzeniu o przechowywaniu i niszczeniu akt sądowych z 1937 r. O genezie i skutkach międzywojennych reguł oceny wartości archiwalnej akt sądów powszechnych

Author(s): Tomasz Kucharski / Language(s): Polish Issue: 1/2023

An article is devoted to what is a crucial problem for every historian of the 19th and 20th centuries – historical rules of archival appraisal, that is, the determination as to which records that were created for practical reasons and current activities of state institutions in the past, should be protected permanently because of their historical value. The author focuses on criminal court records in light of the Polish interwar rules enacted by the Justice Minister in 1937. The mentioned regulation was the first on an analyzed matter in Polish legal tradition. It set the essential criteria and mechanisms for court records archival appraisal, also adopted in later rules on this topic from 1975, 1989, and 2004 (the latest remains in force to the present). Beyond this the author tries to explain why, in 1937, the Polish Ministry established rules that intended to permanently protect only a few groups of criminal court records as being historically valuable. He mainly analyzes the primary regulation draft from January of 1937, which intended to cover more groups of criminal court records for permanent archival protection. The paper tries to establish the reasons as to why those propositions were rejected. In the end, the author purposes to set in motion a discussion of the consequences that resulted from rules adopted in 1937 for current legal-historical or historical-criminological research.

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Among the Working Papers of a Paleographer: the Discovery of a Territory and its Culture

Among the Working Papers of a Paleographer: the Discovery of a Territory and its Culture

Author(s): Flavio Carbone,Francesca Nemore / Language(s): English Issue: 36/2018

Not long ago, the authors of this paper came across a box containing a portion of the archive of Vincenzo Federici. This discovery gave rise to a research project that involved the location, analysis, and archival arrangement of the remaining part of the archive, and the study of sources found in other archives to reconstruct the many aspects of the activity of a multifaceted academic character. The Federici Papers are also interesting because on one hand they provide a unique vision of his connection with both prominent local figures and simple folk who could help the researcher in his quest. On the other hand, they offer a very interesting representation of a large part of the Italian central and southern regions, from the years before the Second World War to the later processes of rural migration and urban concreting in the sixties. What is really interesting is the opportunity to look, through Federici, at the cultural life of rural areas in the center and south of Italy before and after the Second World War.

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POLITIKA E JASHTME E QEVERISË SË PËRKOHSHME TË VLORËS SIPAS DOKUMENTEVE ARKIVORE

POLITIKA E JASHTME E QEVERISË SË PËRKOHSHME TË VLORËS SIPAS DOKUMENTEVE ARKIVORE

Author(s): Gea Sulo / Language(s): Albanian Issue: 1-2/2022

The moment of declaration of Albanian’s Independence on November 28,1912, by the National Assembly of Vlora, constitutes the turning point between yesterday and the future of the Albanian Nation. The act of declaring independence laid the foundations of independent state life, but this act will be followed continuously by a series of major tasks, which belonged to the internal and external policy of the new state. It was this assembly which, with the creation of the Provisional Government of Vlora, at the head of which Ismail Qemali himself was placed as prime minister, approved the fact that the prime minister would also hold the post of Minister of Foreign Affairs. With this, we have the beginning of the work for the organization of the diplomatic activity of the new Albanian state. The first step begins with the notification of the Great Powers and the governments of the neighbouring countries on this extraordinary event of the Albanian national life. And this is done through a letter signed by Ismail Qemali himself, where, among other things, it is written that: “…Albanians are happy that they were able to join the family of free peoples of the Orient, and have no other goal than to live in peace with our neighbouring countries”. An orientation which is also related to the foreign policy of the new state. In the following days and years, the foreign policy of the new state is accompanied by feverish activity on the part of the representatives, to the Great Powers of the time, to the neighbouring countries, and even to the High Gate, demanding international recognition of the act of great independence, which was accompanied by the complete separation from the Ottoman Empire. So the recognition of the new independent Albanian state, and the first national government. Work immediately began on the preparation of a representative group for London, where the work of the Ambassadors' Conference had begun. Their diplomatic mission would be the recognition by the participants of the Conference of the Independent Albanian state. The first decision related to this aspect belongs to date, December 5, 1912, where the Minister of Foreign Affairs is in charge of preparing the diplomatic mission. On December 8, the political theses that would serve this mission were approved, and on December 9, the representative members for the Ambassadors' Conference were approved. All preparations were made so that the Provisional Government of Vlora, as representatives of all Albanians, would appear with dignity in its first confrontation in the international arena. In the multitude of documentary sources that our archive has in the fund of the Provisional Government of Vlora, in this reference we will highlight only those related to the diplomatic activity of this government. The aim is to chronologically reflect the documentary sources related only to the foreign policy of the new Albanian state.

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NJOHJA E ATË GJERGJ FISHTËS NË ARKIVIN E INSTITUTIT TË GJUHËSISË DHE LETËRSISË PRANË AKADEMISË SË STUDIMEVE ALBANOLOGJIKE, TIRANË

NJOHJA E ATË GJERGJ FISHTËS NË ARKIVIN E INSTITUTIT TË GJUHËSISË DHE LETËRSISË PRANË AKADEMISË SË STUDIMEVE ALBANOLOGJIKE, TIRANË

Author(s): Rovena Mikeli (Vata) / Language(s): Albanian Issue: 1-2/2022

Gjergj Fishta was a Franciscan friar, teacher, writer, translator, playwright, poet, chairman of the Commission for drafting the Albanian alphabet in the Congress of Manastir, member of Albanian delegation to the Paris Peace Conference on 1919, diplomat and envoy in the Balkan Conferences during the years ‘1930, etc. Given the great poetic, cultural and political baggage of Fishta, whose works had been banned by communist dictatorship during 1945-1990 in Albania, this article aims to elaborate the role of archival data as evidence of cultural and historical heritage in relation to the content and management of Gjergj Fishta’s archival fond. By other words, the primary sources (manuscripts) deriving from his diplomatic activities, insights into world literature and literary translation, features of oral and aesthetic literature and aspects of musicology - are just some of many elements of the fond - and these elements will be elaborated from the perspective of their role in Albanian opinion and their impact on Albanian culture and history. A special treatment will be given to the comparison of archive fond management during the communist period and the period after it, as well as the perspective of preserving and making available these materials to the Albanian public.

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O dezbatere actuală - muzeele și bunăstarea

O dezbatere actuală - muzeele și bunăstarea

Author(s): Gabriela Vilău / Language(s): Romanian Issue: 1/2023

Well-being is not just a buzzword, it is a complex concept that has become widely used in the museum sector. In this article we are trying to identify how museums can contribute to the wellbeing of individuals, especially for those with a range of health condition (mental health service users, people with dementia or older people). As a reliable community asset, museums can be embedded into social prescribing schemes as a specific way to provide benefits for those people who I have already indicated. There is increasing evidence linking museum object handling sessions to individual wellbeing. Hence, museums bring unique value to public health interventions, more specifically, tactile engagement with museum artefacts has therapeutic effects on participants.

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Aspecte ale culturii organizaționale muzeale în cadrul sustenabilității

Aspecte ale culturii organizaționale muzeale în cadrul sustenabilității

Author(s): Sorin Constantinescu / Language(s): Romanian Issue: 1/2023

With the shift in the museum paradigm from exhibits to visitors and the conquest of museum territory by the IT revolution, the museum has been given the opportunity to reinvent itself. By adding environmental responsibility to heritage responsibility, the museum becomes sustainable and resilient, thus acquiring a new identity. As a cultural consumption driver and a guarantee of its quality under given conditions, resilience allows museum correlations that stimulate innovation. A sustainable, resilient and innovative museum capitalizes on its archetypal structure by establishing durable bridges between the protected heritage and the most diverse categories of public, while becoming the core of new cultural strategies. The museum’s involvement in the community life, according to the current institutional standards, is an interrelated process supported by viable elements that are almost all to be found in the museum’s organizational culture. Based on these premises, this article attempts to highlight the mechanism by which the museum organizational culture, taking on the data of sustainability, contributes to achieving resilience. However, in order to integrate organically and sustainably into the cultural fabric of society, museum institutions need to promote an open, strong and positive organizational culture, adapted to the significant role that the museum has within the community.

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Declinul laboratoarelor de investigații fizico-chimice și condiția ultimilor investigatori

Declinul laboratoarelor de investigații fizico-chimice și condiția ultimilor investigatori

Author(s): Irina Petroviciu / Language(s): Romanian Issue: 1/2023

Heritage science and conservation science represent interdisciplinary fields that weave together exact sciences (chemistry, physics, biology, geology) and humanistic sciences, thus providing essential information for researching, recording, classifying, preserving, restoring and enhancing cultural heritage for exhibition purposes. Unfortunately, only 13 scientific investigators (physical-chemical investigations) certified as experts currently work in the Romanian museum network and, according to the author’s knowledge, about 5 others are in training, extremely few relative to the mobile heritage they are responsible for studying. The situation is all the more worrying as the number of certified investigators is decreasing every year through retirements and transfers. The training of investigators requires many years of practice. The concern is also accentuated by the lack of posts, of specialist courses and of the equipment needed for investigations. Moreover, the museum investigator / researcher is omitted from the COR (Classification of Occupations in Romania), and the idea of investigation seems to be disappearing from the collective mind. Museum labels, exhibition catalogues, conservation-restoration events, museum databases do not include and are not based on research data, even when research results exist. These problems concern the entire museum network and the passivity of decisionmakers and specialists inevitably contributes to the deterioration of cultural heritage. Therefore, the purpose of this article is to draw attention on this situation, and to justify the importance of physicochemical investigations for the knowledge, conservation and enhancement of cultural heritage.

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NEGATYWY KOLODIONOWE W ZBIORACH BIBLIOTEKI KÓRNICKIEJ – CHARAKTERYSTYKA, ZNISZCZENIA ORAZ DZIAŁANIA NA RZECZ OCHRONY

NEGATYWY KOLODIONOWE W ZBIORACH BIBLIOTEKI KÓRNICKIEJ – CHARAKTERYSTYKA, ZNISZCZENIA ORAZ DZIAŁANIA NA RZECZ OCHRONY

Author(s): Tomasz Kozielec,Marta Nalaskowska / Language(s): Polish Issue: 39/2022

The article presents issues related to the collection of over 200 collodion negatives made on a glass support in the so-called wet collodion process, housed in the Kórnik Library of the Polish Academy of Sciences in Kórnik. It describes the collodion process, which was invented in 1851, the characteristics of collodion negatives, and the themes presented on objects from the Kórnik collection. It subsequently discusses the characteristic damages of collodion negatives, with the most dangerous deposition of alkaline compounds on the surface of the glasses, which causes the destruction and loss of the image layer. It further presents the preservation activities carried out on the objects from the Kórnik collection including conservation treatments, photographic documentation, and photographic prints from the originals (1:1) on highly sensitive bromosilver-gelatin paper toned with selenium and Digigraphie prints. In conclusion, attention is drawn to the necessity of the continuation of research, conservation and restoration works on the collection of negatives.

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ILUSTRACJE MARGINESOWE A PRAKTYKA CZYTELNICZA W KÓRNICKICH DIGESTACH JUSTYNIANA

ILUSTRACJE MARGINESOWE A PRAKTYKA CZYTELNICZA W KÓRNICKICH DIGESTACH JUSTYNIANA

Author(s): Joanna FROŃSKA / Language(s): Polish Issue: 34/2017

The present essay is a recapitulation and revision of the author’s research conducted on the Digestum vetus kept by the Kórnik Library of the Polish Academy of Sciences (Ms. 824) over the last fifteen years. It focuses mainly on the 230 illustrations in the manuscript’s margins and explores the ways they interpret the text and facilitate its understanding. The Kórnik Digest was copied in Northern Italy in the late twelfth century or around 1200, but it was illustrated possibly in Paris, in the 2nd quarter of the thirteenth century, with historiated initials and marginal images. At the same time, an early version of Accursius’s Glossa ordinaria was also copied. Sometime in the 1470s, the book was brought to Poland by Dziersław of Karnice, a papal collector and a canon of Płock and Cracow. The marginal images in BK 824 were made by professional illuminators, but they are consistent with the concept and function of the earlier relatively widespread practice of the marking of Roman law manuscripts with text-related drawings. The locations of the images, often shared with other manuscripts of the Digest, and their iconography, give us some insight into the common interests of medieval jurists. On the other hand, the marginal illustrations, which play the role of visual annotations, introduce a subject-based indexation of the text and sometimes also cross-references, allowing us to better understand medieval reading techniques.

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The Topographies of the Picture Collection at the State Jewish Museum. — II. The Old Jewish Cemetery in Prague in the Pictures of Romantic Artists of the 19th Century (Conclusion)
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The Topographies of the Picture Collection at the State Jewish Museum. — II. The Old Jewish Cemetery in Prague in the Pictures of Romantic Artists of the 19th Century (Conclusion)

Author(s): Arno Pařík / Language(s): English Issue: 2/1984

This is the end of the paper whose first part appeared in Judaica Bohemiae, vol. XIX/1983, pp. 99—111. The author is interested in those Romantic painters who depicted the Old Jewish Cemetery in Prague. Discussed in detail are Jaroslav Cermák (1830—1878), Bedřich Havránek (1821—1899) and Matyáš Wehli (1824—1889). Also mentioned are Jan Minařík, Václav Hlavsa, Jindřich Tomec, Jindřich Bubeníček, and others. The end of the paper pays attention to some graphic artists who also depicted the Old Jewish Cemetery, such as Emil Orlik, Zdenka Braunerová, Hugo Steiner, and Jaromir Stretti-Zamponi.

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Art in the Concentration Camp of Terezin
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Art in the Concentration Camp of Terezin

Author(s): Markéta Petrášová / Language(s): English Issue: 1/1985

The article mentions some works of art made in the Terezin concentration camp-ghetto and surveys various spheres of the prisoners’ artistic activities. Terezin drawings by about forty authors, either kept in the State Jewish Museum or the Terezin Memorial, are studied from the point of view of the techniques used, motifs chosen and depicted, etc.

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