A parasztok maguk csinálják történelmüket, de nem szabadon

Author(s): Philip McMichael / Language(s): Hungarian Issue: 25/2019

This essay employs contemporary peasant mobilizing discourses and practices to evaluate the terms in which we understand agrarian movements today, through an exercise of historical specification. First, it considers why the terms of the original agrarian question no longer apply to agrarian change today. The shift in the terms corresponds to the movement from the late‐nineteenth century and twentieth century, when states were the organizing principle of political‐economy, to the twenty‐first century, when capital has become the organizing principle. Second, and related, agrarian mobilizations are viewed here as barometers of contemporary political‐economic relations. In politicizing the socio‐ecological crisis of neoliberalism, they problematize extant categories of political and sociological analysis, re‐centring agriculture and food as key to democratic and sustainable relations of social production.

A kultúra közjó

Author(s): Virág Buka,Kristóf Nagy / Language(s): Hungarian Issue: 27/2020

This article focuses on the emergence of the paradigm of solidarity economy and of the commons in the field of professional cultural production. We unfold the possible mutual cooperation of cultural producers and commoning social movements by examining the case studies of the Resonate music streaming co-op and of the Dutch Stad in de Maak housing-initiative. The case of the Resonate exemplifies how cultural producers can reorganize their industry in a cooperative way to hinder capitalist value extraction. Another type of encounter takes place between culture and commons when cultural producers utilize their knowledge and skills in various solidarity economy projects. We demonstrate this possibility through the case of the Rotterdam-based Stad in the Maak, where the artist-architect founders launched a long-term community housing initiative.

„Ha frankó, akkor úgy megy, mint a zsebóra” Szövetkezetiség, csettegők és technológiai önrendelkezés

Author(s): Márton Szarvas,Soma Ábrahám Kiss / Language(s): Hungarian Issue: 27/2020

The article shows the importance of technological autonomy for the reproduction of social solidarity economy networks through international and Hungarian examples. It argues that technological innovation is necessary for such projects. Through an example of a handmade agricultural vehicle the article demonstrates the way people tend to organize the necessary technological tools for their social reproduction. The case study is situated in a region called the “Golden Triangle”. Here specialized cooperatives were established where the local lands could be cultivated only through technologically or labor-intensive ways, while the goods produced, like grape, sour-cherry or elderberry, were profitable enough on a small scale. Parallel to the development of specialist cooperatives, locksmiths started to put together vehicles, which were capable of maneuvering in tight rows and deep sand. These were adapted from engines and chassis of Soviet military vehicles. According to our argument the liberalization of the production of agricultural vehicles in the region stimulated employment through the creation of entrepreneurs, while at the same time it enabled the necessary technological innovation required to maintain productivity.

Lingwista wobec języka uczuć

Author(s): Elżbieta Laskowska / Language(s): Polish Issue: 1&2/2016

Celem referatu jest zebranie dotychczasowych sposobów rozumienia zagadnienia języka uczućprzez lingwistów oraz zaproponowanie sposobu opisu języka uczuć. Zagadnienie to byłoprzedmiotem zainteresowania takich badaczy jak Wierzbicka, Grabias, Nowakowska-Kempna,Awdiejew, Habrajska, Pajdzińska, Data. Biorąc pod uwagę poziomy języka, uwzględniane wgramatyce komunikacyjnej, autorka rozważa zjawiska nazywanie uczuć oraz ich wyrażania.Nazywanie mieści się na poziomie ideacyjnym, Wyrażanie – na poziomie interakcyjnym.Badając wypowiedzi pod względem języka uczuć, zauważyć można, że nie zawsze łatwo jestwskazać granicę między wymienionymi poziomami. Trudności te związane są przede wszystkimz dwiema kwestiami. Pierwsza z nich polega na wykorzystaniu nazw uczuć do ich wyrażania,mamy wtedy do czynienia z wyrażaniem uczuć za pomocą ich nazywania. Druga kwestia toemotywne nacechowania nazw uczuć albo też emotywne nazywanie reakcji mogącychświadczyć o uczuciu. Analiza wypowiedzi, zawierających nazywanie i wyrażanie uczućdowodzi, że w różnych odmianach języka omawiane zjawisko występuje w bardzo różnychzakresach i przejawia się bardzo zróżnicowanymi środkami językowymi). // The goal of the paper is collecting hitherto existing ways of understanding the concept of the language of feelings by linguists and suggesting a way of describing the language of feelings.This question was the subject interest of such researchers as Wierzbicka, Grabias,Nowakowska-Kempna, Awdiejew, Habrajska, Pajdzińska, and Data. Taking into account the levels of a language, included in communication grammar, the author considers naming of feelings and expressing them. The naming is contained in the ideation level, the expressing –in the interaction level. Examining utterances with reference to the language of feelings one can notice that it is not easy to show a borderline between the mentioned levels. The difficulties are mainly connected with two questions. The first one consists in using the names of feelings for expressing them, in which the feelings are expressed by naming them. The second question is the emotive marking of the names of feelings or emotive naming of reactions which can manifest the feeling. The analysis the utterances including naming and expressing feelings proves that the phenomenon in question occurs in various scopes and manifest in diverse means of language.

Współczesny polski dyskurs publiczny w perspektywie międzynarodowej.

Author(s): Władysław Chłopicki,Stanisław Gajda / Language(s): Polish Issue: 1&2/2016

How Jokes Change and May Be Changed:

Author(s): Christie Davies / Language(s): English Issue: 1&2/2016

Many excellent jokes can pose potential difficulties for tellers and listeners since they require considerable knowledge of the subject of the joke and have a long and elaborate narrative structure such that only a very skilled joke-teller can do justice to them. In a democratic, fastmoving, plural, urban world such features can create problems since they mean that on a particular occasion when jokes are being told some of the listeners may miss the point of the joke and others will feel inhibited from telling a joke. Jokes with seemingly pointless endings may likewise disappoint the broad masse, who like clear, well structured jokes with a strong resolution and who may be bored by one that disappears into nonsense. Each of these points will be considered in turn, partly from an analytical point of view and partly in relation to empirical observations of how jokes in the English language have evolved in the course of the twentieth century.

“Spinning the thread/(t)s” around images of time

Author(s): Camelia Cmeciu / Language(s): English Issue: 1&2/2016

Salvador Dali’s words are actually the embodiment of surrealism1, founded in 1924, in Paris, by André Breton with his Manifeste du surréalisme. This literary and art movement was based on surprising and unexpected juxtaposition of elements of reality. These startling transformations of the real world bring forth new objects that are the creative expressions of imagination, “free of the conscious control of reason and free of convention” 2. The plunge into the subconscious or spontaneous thought could be actually linked to the physical state of headache, mentioned by Dali when starting to paint watches. The combination between the hard metal texture of watches and the softness of the molded watches relies on the “principle of paranoiac metamorphosis” in tangible form (Descharnes, Néret, 2001: 171). My paper is actually a “digging into” the process of creating (of spinning) the nonverbal and verbal images of some indices (threads) of time, watches becoming such a semiotic object. The theoretical background used in the understanding of the reasoning beyond the subjective depicting of some real objects is epistemological in nature, dealing with traditional and social semiotics. The empirical data4 will be provided by Salvador Dali’s The Persistence of Memory (Soft Watches) and Carl Sandburg’s Solo for Saturday Night Guitar. These two verbal and visual images are closely connected, the former being the picture accompanying the discursive representation of time by Sandburg.

Comedy and humour:

Author(s): Mehrdad Bidgoli / Language(s): English Issue: 1/2020

In this essay, I aim to study comedy and humour from an ethical perspective. My main proposal is that comedy and humour can be understood alternatively in the light of ethics, and in one sense, they actually begin, more effectively, with an ethical sensibility. Effective comedy and humour initiate through an ethical sensibility called “hospitality”; ideally, they are preceded by this ethical openness. I will argue that it is this pre-original ethical hospitality and openness that can give rise to more effective moments of comedy, humour, carnival, festivity and also laughter, opening the Self to the Other in order to be able to enter into a disinterested humorous (dialogic) experience. Hospitality is of prime importance here because it turns out to be part and parcel of comedy as it also underlies the ethics of alterity. I therefore suggest that the thoughts of both Emmanuel Levinas and Mikhail Bakhtin can give rise to a fruitful study of ethics, comedy and humour. I will “reduce” socio-political complexities of our daily life-world to comic moments through Bakhtin, and then expose the reader to a Levinasian simplicity and ethical openness that actually takes place before effective comedy and humour can begin. In this essay, I mainly have literary/critical aims, and to fulfil that aim, I will briefly discuss two Shakespearean works and contextualize my thesis. The matter of studying comedy, humour and ethics in a broader cultural, social and/or philosophical context is open for other thinkers.

Humour and ex-Yugoslav nations:

Author(s): Željko Pavić,Nataša Krivokapić / Language(s): English Issue: 1/2020

This study explores the issue of humour stereotyping between ex-Yugoslav nations, its veridicality and possible explanations. Three research questions were put forward related to humour stereotyping and the differences in humour production, use and appreciation between the countries, with Hofstede’s model of culture as a possible explanatory framework. The survey data were collected on a sample of university students from four ex-Yugoslav countries (N = 611). The results revealed strong negative humour stereotyping toward Croats and Slovenians and positive stereotyping toward Bosnians. However, only about 0–4 per cent of the variance in humour production, use and appreciation, depending on the sub-scales of the Multidimensional Sense of Humour Scale, could be attributed to group (country) membership, thus indicating low correspondence between the stereotypes and reality. The study results concerning the stereotypes were interpreted by evoking the discourse of Balkanism, as well as humour-style differences in popular culture between the countries.

Book review

Author(s): Vaso Psilaki,Matoula Papadimitriou / Language(s): English Issue: 1/2020

Book review

Author(s): Şenay Yavuz Görkem / Language(s): English Issue: 3/2019

Satire, humour, and parody in 21st century Nigerian women’s poetry

Author(s): Bartholomew Chizoba Akpah / Language(s): English Issue: 4/2018

21st century Nigerian women poets have continued to utilise the aesthetics of literary devices as linguistic and literary strategies to project feminist privations and values in their creative oeuvres. There has been marginal interest towards 21st century Nigerian women’s poetry and their deployment of artistic devices such as satire, humour, and parody. Unequivocally, such linguistic and literary devices in imaginative works are deployed as centripetal force to criticise, amidst laughter, the ills of female devaluation in the society. The major thrust of the study, therefore, is to examine how satire, humour and parody are deployed in selected Nigerian women’s poetry to reproach and etch the collective ethos of women’s experience in contemporary Nigerian society. The study utilises qualitative analytical approach in the close reading and textual analysis of the selected texts focusing mainly on the aesthetics of humour, satire, and parody in challenging male chauvinism in contemporary Nigerian women’s poetry. Three long poems: “Nuptial Counsel”, “Sadiku’s Song”, and “The Sweet, Sweet Mistress’ Tale” by Mabel Evweirhoma and Maria Ajima respectively were purposively selected. The choice of the selected poems hinges on the artistic vigour, especially the evoking of laughter, mockery and condemnation of hegemonic structures through the use of satire, humour, and parody. The paper employs Molara Ogundipe’s Stiwanism, an aspect of Feminist theory in the analysis of the selected poems. The poets have shown the interventions of humour, satire, and parody as linguistic devices in condemning and highlighting peculiarities of women peonage in Nigeria.

Book review

Author(s): Alyona Ivanova / Language(s): English Issue: 4/2018

Typowy Janusz and Bad Luck Brian:

Author(s): Joanna Szerszunowicz / Language(s): English Issue: 2/2018

The Poles’ observations regarding the reality of the last decades motivated the creation of certain meme characters deeply set in the Polish culture and reflecting the new social phenomena which have come into existence recently. The examples of such persons include the characters named Janusz, Grażyna, Seba and Karyna. Previously, the names had no connotative potential and they were not used as components of idiomatic expressions. In the modern Polish, the names function as labels evoking many features (personality, given intellectual potential, appearance, stereotypical behaviour etc.). For instance, Janusz is a man in his fifties, with a beer belly and reddish face, unattractive, with very limited knowledge in a field in which he himself considers to be an expert, complaining and stressing that life was much better in communist times, wearing unfashionable clothes, putting on sandals and white socks. It is worth adding that because of the connotations, the name is used in the expression typowy Janusz/janusz and in the construction Janusze/janusze + a discipline/area of activity, e.g. janusze biznesu. Both in informal communication and in the journalese discourse, their belonging to labels is of importance – the names evoke complex pictures. As culture-bound items, such units are interesting from a cross-linguistic and cross-cultural perspective. They will be analyzed and compared with the character of the English-language Bad Luck Brian memes.

За слона в хладилника, за друдлите, за емоджитата и още нещо

Author(s): Elena Savova–Tsolova / Language(s): Bulgarian Issue: 3/2020

This paper offers a discussion on the specifics of various contemporary forms of riddles on examples including both linguistic and visual representations. The author traces the ways in which these riddles have spread and evolved from the 1980s until the present day. Attention is also given to the varying levels of formal similarity between modern riddles and traditional riddles and to the tendency of the new forms to get close to the genre of the modern joke.

Пространствена структура и хронологическо развитие на праисторическия солодобивен комплекс Провадия-Солницата

Author(s): Vassil Nikolov / Language(s): Bulgarian Issue: 3/2021

The prehistoric complex of Provadia-Solnitsata is located close to the modern-day town of Provadia in Northeastern Bulgaria. The remains represent the oldest salt-production site in Europe (5600 – 4350 BC) from which emerged the earliest prehistoric urban settlement on the continent (4700 – 4350 BC). The complex occupies an area of approximately 30 hectares. The emergence and development of the site were closely related to the largest and in fact the only rock salt deposit in the Eastern Balkans, the so-called Mirovo salt deposit on which the settlement sits. Salt production on the site was based on the brine (thick saline water) that flowed out of this salt deposit. Brine boiling in ceramic pots at Provadia-Solnitsata is the earliest example on record in Europe for the use of this technology in salt production. It was practiced on this site for longer than one millennium. The heat needed for the process was generated in advance in a special installation or alternatively, was directly provided мby an open fire, in both cases by burning firewood. At the end of the Chalcolithic, a change of technology had to be introduced – the water from the brine was then evaporated in a large ‘basin’ by using heat from solar radiation. The development of the five parts of the complex is presented: the tell with deposits from the Late Neolithic and the Chalcolithic, a cemetery from the Early Bronze Age, a Thracian ‘ruler’s residence’ from the 2nd – 1st centuries BC and a very large tumulus on top; a salt-production center from the Late Neolithic and the Chalcolithic together with ritual facilities from that time; a Late Neolithic pit sanctuary and a cemetery from the Middle Chalcolithic over it; a pit sanctuary from the Late Chalcolithic; a cemetery from the Late Chalcolithic.

Vojvodovo – ein vergessenes Kapitel der tschechischen Gegenwart in Bulgarien

Author(s): Lenka J. Budilová,Marek Jakoubek / Language(s): German Issue: 1-2/2021

The contribution is devoted to the history of Vojvodovo, a Czech village in North-western Bulgaria, sixteen kilometres from the Danube port town of Oryahovo. It was founded in 1900 mostly by migrants from another Czech village, Svata Helena, located in today’s Romanian part of the Banat region. The history of Czech Vojvodovo was a short one: it lasted only for fifty years until 1950. At the end of the period, following post-war inter-state agreements on ‘returns of co-nationals to their fatherland’, Czech Vojvodovans left the village and settled in the region of south Moravia in Czechoslovakia. A local legend says that it was Tsar Ferdinand I of Bulgaria who invited Czechs to come to Bulgaria to show local villagers how to work their land. True or not, the fact is Vojvodovans were living as if they sought to fulfil Ferdinand’s wish – during the Czech period, Vojvodovo became an exemplary village (not only) in the regional context. It had become well-known for tidiness and orderliness of the communal space as well as of the inhabitants. Vojvodovans were renowned for their diligence and ascetic ethic of Protestantism, for being outstanding farmers, horse breeders and stallholders.

Маршрути на книжовното общуване между източните и южните славяни (ХI – XX век)

Author(s): Elena Tomova / Language(s): Bulgarian Issue: 42/2021

Фолклорът в контекста на литературното обучение (според действащата учебна програма по литература за V клас)

Author(s): Ventsislav Bozhinov / Language(s): Bulgarian Issue: 4/2021

The article aims to present basic theoretical problems connected with studying folklore in the secondary stage of Bulgarian schools. The first part offers a brief diachronic review of the theoretical paradigm of Bulgarian folklore research, presenting the transition from the narrow philological understanding of folklore as “national poetic creativity” towards its wide sociological interpretation as “a type of creative culture”. In the second part of the article two curricula for the fifth grade, in which folklore is a key component, are analysed and compared – the one from 2007/2010 academic years and the current one, implemented since 2016/2017. The main goal of this part is to demonstrate how and how much the Literature curricula offer an opportunity for studying folklore in alignment with current theoretical stipulations in Bulgarian folklore research.

Augmented Reality and Education Sciences

Author(s): Cristian Pamparău / Language(s): English Issue: 14/2020

The present paper reviews the field of Augmented Reality, starting from the current research and publications of this specialization, starting from the premise that augmenting reality implies an extension of virtual reality. Thus, types of implementations of augmented reality will be presented, emphasizing the HMD type, referring to an application of this kind, made by the author. Based on the application, the observations from a public presentation of it and, taking into account the way in which RA flirts with education, the educational perspectives of and how they can be implemented in the educational system will be presented. Also, in this paper will be presented the limitations of this technology, given that not every educational subject can be presented and taught in an immersive environment.For the implementation of the application under discussion, the technology was used Microsoft HoloLens 1 that combines an untethered device with apps and solutions that help people across your business learn, communicate, and collaborate more effectively.