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U Kraljevoj Sutjesci, stolnom mjestu bosanskih kraljeva i višestoljetnom staništu franjevaca, priređen je 17. i 18. listopada 2008. godine znanstveni skup “Stoljeća Kraljeve Sutjeske”. Vanjski povod bila je stota obljetnica izgradnje samostanske i župne crkve po projektu arhitekta Josipa Vancaša (1908). Ta se okolnost pokazala pogodnom prilikom za inventuru višestoljetne povijesti katolika i franjevaca sutješkoga kraja, počevši od vremena bosanske samostalnosti, preko višestoljetne vladavine Osmanlija, austro-ugarskog razdoblja – sve do najnovijeg vremena. Franjevci su u Kraljevoj Sutjesci trajno prisutni već sedam stoljeća. Djelovali su kao duhovnici, pisci, propovjednici, kroničari / svjedoci svoga doba, prosvjetitelji, liječnici, politički zastupnici katolika… Mijenjali su se gospodari, nailazili i prolazili osvajači, rušitelji i pljačkaši – samostan je živio svoje uspone i padove, procvate duhovnog i kulturnog rada i sušna vremena pukog preživljavanja, ali je, svemu usprkos, opstao! Osnovan je u prvoj polovici 14. stoljeća, razoren 1524, izgorio 1658, iznova izgrađen 1664, neko vrijeme prisilno napušten koncem 17. stoljeća, obnovljen 1821, dograđen 1833, i konačno sagrađen sadašnji 1892. godine. O njegovoj sedamstoljetnoj povijesti svjedoče kronike i drugi zapisi, knjižnica i arhiv, predmeti i djela primijenjene i likovne umjetnosti i sl. Blok tema o srednjovjekovlju posvećen je vladarskim ispravama izdanim u Sutjesci i na Bobovcu, njihovim jezičnim osobitostima, proglašenju Bosne kraljevstvom, stećcima sačuvanim u sutješkom kraju, slici uskrslog Krista i kralja Stjepana Tomaša, te vezama Bosne i Dubrovnika. U stoljećima osmanske vladavine, Kraljeva Sutjeska više nije imala ono političko značenje kao u vrijeme bosanske državne samostalnosti. Prestala je biti kraljevsko rezidencijalno sjedište, ali je ostala duhovno središte katolika i jedna od najvažnijih pastoralnih i kulturnih destinacija bosanskih franjevaca, a danas mjesto gdje su se ponajbolje sačuvali tragovi njihove višestoljetne prisutnosti. Stoga je niz referata posvećen kulturnom djelovanju bosanskih franjevaca, prije svega pisanoj riječi: ljetopisu sutješkoga samostana, latinskom pjesništvu, spisateljskim djelima nastalim u Sutjesci, ali također i prosvjetnom i školskom radu franjevaca u puku, uvjetima življenja pod osmanskom vlašću, kao i demografskoj slici katolika Sutjeske i okolice. Uz spomenuto, tematizirana su pitanja Bosne kao političke kategorije, karaktera i dometa crkvenog graditeljstva, tradicijskog nakita Hrvata sutješkoga kraja, jezična praksa franjevaca, ratna vremena…
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Acest capitol cuprinde articole care vin să valorifice colecţia de carte a Bibliotecii Ştiinţifice USARB.
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The excavation of the church cemetery in the north-eastern suburb at Pohansko near Břeclav took place between 2008 and 2012 as part of long-term systematic research into the site which is considered to be on a par with the most important centres of Great Moravia. The field work followed after the unexpected and surprising discovery of an early medieval rotunda which is the second religious structure to be uncovered at Pohansko (Macháček – Balcárková – Čáp et al. 2014). The new research activities in the north-eastern suburb can be divided into three main excavation areas – the Great Moravian rotunda, the church cemetery and the adjoining residential and/or production precinct of the whole settlement area. So far, the greatest attention has been paid to the church which, after the quarter of a century that has passed since the last similar find, augmented the unique and historically valuable group ofthe earliest religious and stone-wall architecture within the territory of the Czech Republic. The discovery has been comprehensively covered by a number of dedicated studies (Čáp – Dresler – Macháček et al. 2010; Macháček 2011; Macháček – Balcárková – Čáp et al. 2014). The excavation of the settlement related to the church has not yet been completed and as such is only marginally mentioned in this monograph. The main focus is aimed at the cemetery where excavation work finished in 2012. The necropolis falls within the category of church cemeteries as defined by Bořivoj Dostál (Dostál 1966, 15–17), and thus belongs to the group of the most valuable funeral heritage monuments from the period of Great Moravia. Its publication signifies the end of the second stage of the most recent archaeological research in the north-eastern suburb at Pohansko.
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Over the years there have been presentations of many research-works on the so-called “migration and development nexus” with several schools of thought contributing significantly towards the concept as far as the theoretical framework is concerned. In particular, the New Economic Labour of Migration (NELM) stresses on the impact of financial remittances (an aspect of migration) and how it serves as an insurance for most family members. Significantly, there have been several statistical data from the World Bank which highlight on the role of remittance and how it could be a poverty alleviation tool. Whilst these assumptions and theoretical underpinnings seem to argue in favour of how migration could be a contributor to development and poverty reduction, evidence from the grounds seem to suggest quite a worrying situation. Indeed, we cannot discuss development robustly without shedding light on inequality. Thus, the inequality gap between the rich and poor as well as the monumental regional development gap keep widening as the beneficiary of remittances are normally those within the middle and upper class and the places where these live. With reference to Ghana as a case study, the prime focus of this paper discusses how migrants’ remittance is contributing towards inequality in Ghana. To address this issue, this paper is structured into two main parts. The first part discusses statistical data on remittances to Ghana with a review on the theoretical framework on the consequences of migration. The second part delve into the issue of inequality and the role of remittances, discussing options for a better future, with higher levels of social justice.
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İnsanı, diğer varlıkların üzerinde istisnai bir özne olarak gören Hümanist bakışa tepki olarak doğan posthümanist düşünce, insanın varoluşsal kimliğini sorgular. Edebiyat, sosyoloji, felsefe, siyaset bilimi ve medya çalışmaları gibi birçok disiplinle ilintili olan Posthümanizm, insana dair yeni bir anlayış getirir: insan artık Hümanizm’in parolası olan ‘bütün şeylerin ölçüsü’1 ve efendisi değil, evrenin sıradan ve mütevazı bir üyesidir. Hümanizmanın sorgulanması Friedrich Nietzsche ve Max Stirner gibi felsefecilerle 19. yüzyıla kadar götürülebilir; ancak toplumsal karşılığını bulması, İkinci Dünya Savaşı’ndan sonra özellikle de altmışlı yıllarda, feminizm ve ırkçılık karşıtlığı gibi hareketlerle birlikte postmodernitenin kendini göstermesiyle gerçekleşir. “Bu hareketler Batı demokrasisi, liberal bireycilik ve herkes için sağlandığı iddia edilen özgürlüğe dayalı Soğuk Savaş belagatinin yavanlığına meydan okumuştu” (Braidotti 27). Bunundevamında seksenli yıllardan itibaren ortaya çıkan Hümanizma karşıtı fikirler bileşkesi olan Posthümanizm, insanların Rönesans’tan beri etik anlayışların tek yapıcısı, temsilcisi ve uygulayıcısı olduğu kavramına karşı çıkar. “Aslında Posthümanistler, teknoloji yönelimli geleceğimizde dünyayı ahlaki bir hiyerarşi olarak anlamanın ve insanı da bunun tepesine yerleştirmenin artık bir anlamı olmadığını iddia ederler” (ethics).
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Rönesans ve sonrasında Batı düşüncesinde etkin bir felsefi söylem olarak kendine yer edinen Hümanizm, Orta Çağ Hristiyanlığının “Tanrı merkezli bir varlık ve toplum tasavvuru” (Evkuran 39) olan teosentrik dünya görüşünün reddedildiği ve odağını Tanrı’dan insana kaydıran “homosentrik paradigmayı”1(Best ve Keller 180) ifade etmektedir. Nicola Abbagnon’un tanımlamasıyla “hümanizm insanın değerini kabul eden; onu her şeyin ölçütü olarak tanımlayan, insanın doğasını, yetilerinin ölçüsünü (sınırlarını) ya da ilgilerini konu edinen bir felsefedir” (763). Aydınlanma ve Modernite ile birlikte düşünsel zirvesine ulaşan hümanizm, insanları Tanrı’nın vesayetinden kurtararak, seküler değerlerin benimsenmesini, teknolojik egemenliği ve bilimsel akılcılığı teşvik eder. “Batı medeniyetinin seküler ve rasyonel doğrularını bariz bir şekilde yansıtan” (Davies 9) hümanizm, insan-dışı yaşam biçimlerinde olmadığını iddia ettiği temel bir insan özünde ısrar eder. Dolayısıyla, hümanizm ve ona eşlik eden kapitalist düzen Ben / Öteki, Erkek / Kadın, Doğal / Yapay, İnsan / İnsan Olmayan vb. ikili karşıtlar yaratır. Egemen aklın öznesine dayanan bu karşıtlıklar posthümanist söylemde eleştirilmektedir. Çeşitli anlam kalıplarına açık, “birden fazla ve birbiri içine geçmiş” (Ağın 1) anlamlara sahip bir kavram olan posthümanizm, hümanist söylemin iddialarını kabullenmeyi reddederek, hümanizmin hegemonyasına meydan okumayı ve onu dönüştürmeyi amaçlayan bir dizi eleştirel söylemler bütünüdür. Gülnur Güvenç’e göre “posthümanizm, hümanizmin neden olduğu bunalımları açıklayan, düzenleyen veya bunlarla başa çıkmaya yönelik fikirler içeren bir şemsiye terim olarak kabul edilir” (49). İkili karşıtlıkları aşma yönünde, insanı fiziksel ve ontolojik olarak değişime uğratan gelişmiş teknoloji kültürüne posthümanizm de özel bir önem atfetmektedir. Posthümanizmin doğayı ve ekolojiyi de kapsayan tekno-bilimsel felsefesi, artık saf olmayan ve teknolojiyle dönüştürülmüş özneler üzerinde durmaktadır. Andy Miah’ın da belirttiği gibi, “teknolojik değişim posthümanizmin çağdaş temsillerinin bir merkezi haline gelmiştir” (271). Bu atfedilen tekno-kültürde organik ve doğal olmayan “insan/makine, hayvan/organizma/insan, fiziksel/fiziksel-olmayan melez” dönüşümler gibi “posthuman’daki ‘post’ ön eki insanın sınırlarını aşan hem ‘sonra’ hem de ‘öte’ anlamını işaret eder” (Buran 126). Bu bağlamda posthümanizm insanın tarihsel bir eleştirisinden yola çıkarak hümanizm sonrası döneme önceliğini verir ve teknolojinin dönüştürücü etkisini de göz önünde bulundurur (Yeşilyurt 9). Anti-hümanist, feminist ve postmodern düşünürlerin fikirleri ekseninde gelişen posthümanizmin özünde yatan niyet, hümanizmin insanlığa dayattığı totaliter büyük anlatıları parçalayarak, onları çeşitlilik ve akışkanlık fikirleriyle değiştirmektir. Bu özellikleriyle posthümanizm klasik hümanist kavramların eleştirisini yapan, yüksek teknoloji kültürünün dönüştürücügücüne vurgu yapan postmodern bir düşünce olarak da kabul edilebilir.
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Mexico-United States migration research rarely use the concept migrancy and migration analysis has often used migrancy “out of context”. By reviewing the usages of migrancy, I argue that migrancy is better understood as the embodiment of the experience of migration. I reason that the experience of migration is best captured through intersectional analysis. By addressing gender, ethnicity and class, migrancy can recapture migrant agency and bridge the gap between micro and macro analysis. Within the Mexico-United States migratory field, I argue that migrancy is a powerful concept that addresses the structuring forces that shape migrant experiences without sacrificing migrant agency.
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Ayoub and Malika Amrani are husband and wife, former farm workerswho, for many years, came to France on OMI contracts to do seasonal work for a farmer in the Bouches-du-Rhône area. In the early 1970s, the young woman’s father and uncle, fellahs2from the Moroccan Prerif who had emigrated to the city, found a contract in the city of Grans, on the Crau plain, and gradually “sponsored” the next generation of migrants. In 1990, when Malika was recruited to join them, there were about ten family members already working on the farm. Though she was formally employed as a farm worker, she actually worked as a “servant” for the farmer and his family. Against the advice of her employer, who wanted nothing to distract her from her work, she got married and held a big wedding in Fez, to which her employer was invited. Ayoub, her husband, was recruited to work in the orchards. As a newlywed, Malika had more and more trouble accepting the abuse and bullying her parents had endured until then. She became increasingly opposed to her employer. 2000 marked a breaking point, when Ayoub fell from an apple tree and was seriously injured. His pelvis was fractured. Their employer was reluctant to report it as a work-related accident. The couple stood up to him, and the following year, none of the family’s contracts were renewed. It was a form of retaliation. It was a collective punishment, as if to remind the migrants that they were bound to their employer by the same duty of loyalty. This incident would have lasting consequences on Malika’s relationship with her family, who accused her of being selfish. In the meantime, Malika became a prominent figure in the movement to defend seasonal migrants’ rights, almost in spite of herself. Her story was the subject of several articles in the media and was taken up by the Collectif de défense des travailleurs agricoles saisonniers (Collective for the Defense of Seasonal Agricultural Workers) (CODETRAS).
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This paper presents the conclusions of the study on the impact of ORA USARB Institutional Repository and the Digital Library at Alecu Russo Balti State University. The study was conducted on the basis of the Questionnaire which contained eleven questions as a method of collecting research data and analyzed through Google Docs. The respondents represented 4 faculties:Faculty of Philology, Faculty of Exact, Economic and Environmental Sciences, Faculty of Educational Sciences, Psychology and Arts, Faculty of Law and Social Sciences.The study revealed the satisfactory use of USARB's own open resource resources: Open Recearsh Archive (ORA USARB) and the Digital Library by the university community and beyond, the integration and recognition of the Institutional Repository in the global information structure. Also note worthy are the efforts of the USARB Scientific Library Virtualization Services Group and the Center for Cultural Events to promote information seminars, Information Literacy courses, educational events to demonstrate the advantage and increase open access.
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The article highlights the rare book collection of SL USARB „Useful Knowledge", published in the interwar period by the most prestigious and oldest publishing house in Romania - Cartea Românească. Some moments from the biography of the collection are reviewed: the history, the structure, as well as the variety of the contents. The value of the collection consists in familiarizing the reader with information from various fields of human knowledge, the editors being firmly convinced that the healthy training of the youth will contribute to the progress of the country and the nation.
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W polskim piśmiennictwie naukowym systematyczne przeglądy literatury są wciąż nową, nieznaną formą eksploracji wątków tematycznych. W światowej nauce odchodzi się od narracyjnych przeglądów literatury na rzecz analiz usystematyzowanych, replikowalnych i w rezultacie jasno ukazujących to, co warto badać, gdyż zawiera potencjalnie dużą wartość naukową. Książka jest jedną z nielicznych (a pierwszą, która przedstawia liczne przykłady zastosowania omawianej tematyki w naukach ekonomicznych, i to w tak szerokim ujęciu) na polskim rynku pracą obrazującą, na czym polega systematyczny przegląd literatury, w tym analiza bibliometryczna. Pokazuje, do czego takie przeglądy prowadzą: jak przekonująco (bo transparentnie, przy podaniu powtarzalnej metody) pozwalają wyłonić z naukowego gąszczu piśmienniczego te wątki, które warto badać przy wykorzystaniu określonych teorii i metod oraz jakie pytania lub hipotezy badawcze są warte dalszego dociekania. Książka jest adresowana do młodszych naukowców (doktorantów, doktorów) i osób aspirujących do zostania akademikami. Może być też pomocna w pisaniu prac magisterskich w częściach poświęconych przeglądowi literatury naukowej.
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Posters are of great importance in the cinema industry all over the world. The posters on which the film markets itself and allows it to spread widely are also a for profit investment for the producers. In addition to being for profit, posters, which assume art and design value, also contain written and visual elements in their content and provide information transfer to the audience with the method of editing from an aesthetic point of view.It is possible to make out how this transmission contains messages and what meanings it contains with the method of indicative scientific solution.It is feasible to define semiotics as an interdisciplinary science based on the interpretation and interpretation of symbols, shapes and symbols. In this context, the aim of the research is to analyze the messages intended to be given on the posters by using semiotic analysis of movie posters.The universe of the research consists of movie posters. 5 movie posters with period costumes were included in the sampling by the method of judicial sampling from the universe and their analysis was carried out. In this context, the aim of the research is to analyze the messages intended to be given on the posters by using semiotic analysis of movie posters.It is also important to understand what is shown beyond what is seen in semiotics and to interpret those meanings. For this reason, in the study, the images shown in the poster are explained and the meanings attached to them are revealed. In the analysis of the posters, the method of straight meaning and side meaning, which is the method applied by Barthes in semiotics, was used.The research is qualitative research and has a scanning model.
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Questioning traditional patriarchal reality and concept of gender in her versatile novels ranging from science fiction to ecology, fairy tales to postmodernism, Jeanette Winterson (1959-), one of the most prominent British writers of today, criticizes capitalism, totalitarian governments, colonialism, and consumer culture alongside patriarchal society which she regards as the main cause of these ideological systems. The concept of reality shaped by men, which is at the target of Winterson, famous for her feminist perspective, is kneaded with humor and examined in the context of historical reality, gender, sexuality, and identity. Winterson wrote The Stone Gods, the subject of this paper, in 2007, and produced a peerless work by amalgamating her stance against patriarchal discourse with a postmodern and ecocritical approach. Particularly in the second part of the novel, which takes place on Easter Island, Winterson depicts how the environment is destroyed through the power struggle among patriarchal tribes. Nature has become unable to give life to human beings due to the patriarchal administration. When two feuding tribal chiefs cut down the last tree on the island, ecological death on the island, that is the death of human beings in a symbolic sense, comes true. Women who want to prevent this destruction are met with violence by men. In other words, Winterson highlights a gender-driven and nature-destroying hierarchy of power. This hierarchy is directly related to ecofeminism and the social position of women. In this context, this paper aims to examine the nature, woman/man, and power relations in Winterson’s novel The Stone Gods with an ecofeminist lens.
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Meddah is a masculine tradition. This theatre tradition has emerged in the Ottoman period, from the 17th century onwards. It is a genre in which the meddah synthesises the skills of imitation and narration of a story. How can meddah, a masculine tradition, be modernised today? Or can meddah be shared with the audience by an actress? In societies where women are side by side with men in social life, the tradition of meddah, a masculine genre, can and should be undertaken by actresses. Based on this aim, after analysing meddah as a traditional genre, two plays were studied and shared with the audience as an application method. One of these plays is a one-person documentary play that Prof. Dr. Nurhan Tekerek edited-directed-performed from Zeynep Oral’s book “Kadın Olmak”: “Kadın Olmak- Being a Woman, the other is the text “Zilli Şıh- Shake with Bells” written by Haşmet Zeybek and directed and acted by Prof. Dr. Nurhan Tekerek. “Kadın Olmak” was created by blending the stories and poems of oppressed women from different cultures who participated in the “World Women’s Meeting” held in Nairobi in 1985. In the staging, the tradition of Meddah has been modernized. To highlight the documentary feature of the play, the play was coloured with images of war, productive women from inside and outside the book, and music. “Zilli Şıh,” a meddah story written by Haşmet Zeybek and directed and acted by Prof. Dr. Nurhan Tekerek, conceived in the eighties, has been presented to the audience since 2005. The narratives presented by male meddahs in the Ottoman period to an audience consisting solely of men were, this time, performed by an actress and shared with a heterogeneous audience. After both plays, it was concluded that the tradition of meddah, a masculine tradition, should not be approached from a sexist perspective today and that an actress can now exist in the world of theatre as a meddah. Therefore, meddah is an important source that we can benefit from today by modernising it without sexist discrimination.
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The Ottoman Empire, which started in the military field and came under the influence of the West in all cultural circles, lived its deepest area of influence in the economic field. While the Western states were turning to the Ottomans, the Ottomans, being aware of their backwardness, turned to the West. In this encounter, the Ottoman Empire entered into an economic order that changed over time, and the production-consumption relations were transformed as well as the changes in the fields of education, health, entertainment, science and art. The reasons such as the Ottoman entry into wars one after another, the decrease in the number of men, and the instability in the economy accelerated women’s entry into business life at the beginning of the twentieth century, when they began to show themselves. The modern Turkish woman, who successfully proved herself in the “men’s world” since 1908, continued to show her presence after 1923.The social truths of the period are also reflected in the novels. After 1923, the demand for female employees in banks and various companies led to the birth of “typewriter girls”. This type has found a great place in Atatürk Era novels. In this study, the reflections of the typewriter girls in the novels were compared with the realities of the period, and thus, the place of the women of the Atatürk Age in both literature and working life was seen, and where the Republican woman came from in her working life was determined.
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Numerous empirical studies on television, the most widely used mass media today, have shown that television viewing has a significant impact on viewers’ conceptualizations of social reality, gender role attitudes and gender-based behaviors. Therefore, the definition of women provided by television content has a social significance. However, in recent years, the increasing popularity of video-on-demand (VOD) platforms has threatened the long-standing dominance of television, and thus viewing habits are rapidly shifting towards these platforms. However, there are no studies in Turkey that address gender representations in the context of these platforms. In this context, the subject of this study is the gender representations in the “original” series of Netflix, which has the highest number of users among these platforms. Accordingly, the gender representations presented in 107 episodes, which constitute the entire first seasons of 14 original Turkish-made series released on Netflix from 2018 to 2023, were subjected to content analysis. The results obtained were compared with previous basic studies on this subject in the context of television series. The findings revealed that, just like in television series, women are significantly underrepresented compared to men, they are usually characterized in supporting roles, these characters, who are mostly positioned as housewives, are isolated from working life, and that the predominance of female actors such as producers/directors/screenwriters involved in the series production process does not have any effect on gender representations and positive stereotyping. In other words, although Netflix seems to be a carrier of democratic representation with its innovative and libertarian discourses, it continues to tell stories specific to television. The results obtained are discussed in the context of communication scientist George Gerbner’s upbringing theory and feminist theories.
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One of the most important steps toward devaluing domestic labor is to make it invisible. Women are seen as responsible for housework and care work due to the naturalization of gender roles, which is another reason why labor is devalued. Even when women do these jobs for money, they are still worthless. The discourse of love is the main reason why this relationship can continue despite the invisibility and devaluation of women’s labor. Because these jobs are done in the name of love in the family, it is difficult for women to refuse work and present it as a political issue. The appearance of domestic labor, which is divided unequally between men and women due to gender inequality, will be discussed in this study using examples from recent cinema from Turkey. In addition to domestic labor discussions on the unequal division of labor, materialist feminists’ analyses of patriarchal capitalism, and in this context, discussions on unpaid domestic labor, will be included. The form and possibilities of invisible labor becoming visible in cinema will be the primary focus of the research.
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While concerns about climate change have focused negative attention on the coal industry in recent years, as descendants of the Industrial Revolution we have all benefited from the mining of the black seam. Coal has influenced significantly the course of human history and our social and natural environments. This book explores coal’s industrial history and the extraordinary artistic responses to coal – in the works of numerous writers, including Zola, Lawrence and Orwell, to the way it inspired painters such as Turner, Monet and Van Gogh, and its place in film, song and folklore – as well as the surprising allure of coal tourism. This strikingly illustrated book provides an engaging and informative insight into the myriad ways coal has affected our lives.
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The volume includes the materials of the scientific conference "Tradition and innovation in scientific research", the 11th Edition, which took place on October 7, 2022, in the premises of the Scientific Library of the State University "Alecu Russo" from Bălţi with the participation of BŞ librarians of USARB and guests from other libraries in the country.
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