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Quelques arguments pour l’animal
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Quelques arguments pour l’animal

Author(s): Emmanuelle Bruyas / Language(s): French Issue: 32/2023

Driven by anthropocentrism, humans have allowed themselves to lower animals to the point of reifying and exploiting them without limit. To move away from a hierarchical vision, and to think of animal individuals in terms of their singularity and richness, this text emphasizes the bond between humans and animals, itself set under the sign of tenderness. Tenderness seems to us to be a precious doorway to otherness and a celebration of the encounter between human and non-human animals.

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Dante au-delà des dogmes
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Dante au-delà des dogmes

Author(s): Michel Orcel / Language(s): French Issue: 32/2023

Dante’s poetical and theological project is something never witnessed before. His audacity is evident first in the justiciary position adopted by him and second in his novel choices for electing or damning a great number of pagan and Christian characters. But, even more, Dante almost touches on heterodoxy by making Beatrice an intermediary for his deification.

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Pires que les bêtes
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Pires que les bêtes

Author(s): Éric Tourrette / Language(s): French Issue: 32/2023

According to classical French, man is an animal but not a bête: the two words are not at all synonymous. A study on a quatrain by the baroque poet Claude Guichard emphasizes a paradoxical argument which is recurrent in the seventeenth century about the particular nature of human beings: within the animals, man is the only species that shows some aggressiveness towards itself. The characteristic of man is not the aptitude for thinking, but an increase in ferociousness or nonsense.

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Dionysos, archétype métaphysique de la hiérarchie entre l’homme et l’animal
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Dionysos, archétype métaphysique de la hiérarchie entre l’homme et l’animal

Author(s): Alfio Nazareno Rizzo / Language(s): French Issue: 32/2023

By crossing Schopenhauer’s theses with Giorgio Colli’s interpretation, this article offers a reflection on the question of the difference between man and animal. Life is the common root, and thus the hierarchy is not qualitative, but rather measured in terms of intensity of life and ability to grasp the substance of life. This metaphysical perspective challenges the notion of reason.

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W pułapce intertekstualności. O potencjalnym przekładzie powieści Rot (Hunger) Senthurana Varatharajaha

W pułapce intertekstualności. O potencjalnym przekładzie powieści Rot (Hunger) Senthurana Varatharajaha

Author(s): Anna Majkiewicz / Language(s): Polish Issue: 41/2023

The researcher assumes that not all references to earlier texts should be defined as intertextual. Based on a functional criterion, she considers intertextual references that enrich or constitute the semantics of a text to be intertextual references that are relevant to translation theory and practice. The aims of this article are, firstly, to examine the sense-making role of intertextual references in the 2022 novel Rot (Hunger) by the Sri Lankan German-language writer Senthuran Varatharajah, and, secondly, to identify the difficulties facing a potential translator.

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The Return of The Labyrinth; notes on Edwin Muir’s poem and its paradoxical dynamics of symbolism

The Return of The Labyrinth; notes on Edwin Muir’s poem and its paradoxical dynamics of symbolism

Author(s): Maria Korusiewicz / Language(s): English Issue: 41/2023

The aim of the paper is to apply selected classical and contemporary conceptions of the labyrinth in a hermeneutic interpretation of the poem The Labyrinth by the Scottish poet Edwin Muir with reference to its conception of space and time, and the notion of subjectivity as the centre of the labyrinth/maze, as well as to point to the poem’s multilayer intertextuality, whose most significant tropes are elaborate transformations of the Minoan myth and modernist inspiration in the work of Kafka. The final part of the article presents the possibility of continuing research on the specificity of the tragic vision presented in the poem in reference to the approach proposed by Hans Urs von Balthasar.

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Is that intertext ‘singing’?! ‘Plultiplied’ multivoicedness in Joyce’s Ulysses and its amplification in Italian (re)translations: A case study

Is that intertext ‘singing’?! ‘Plultiplied’ multivoicedness in Joyce’s Ulysses and its amplification in Italian (re)translations: A case study

Author(s): Monica Paulis / Language(s): English Issue: 41/2023

Although Mikhail Bakhtin never used the term intertextuality in any of his writings, the dialogic concept that every utterance echoes other utterances and, analogously, every text also echoes other texts, provided the basis for Kristeva’s (1966) theory of intertextuality and has proved to be of fundamental importance for the study of literature ever since. The presence of intertextual elements in a literary text (such as citations of and allusions to other literary works) always represents a challenge to the translator. In this article we explore different types of intertextuality in James Joyce’s Ulysses. During our analysis, we describe how the source text, the first Italian translation, and no less than six subsequent retranslations interact with one another from a dialogic perspective, in the presence of such elements. Because of the abundance of intertextuality, stylistic and linguistic variety, and multivoicedness, Joyce’s masterpiece is a well-known example of apolyphonic novel. While analyzing dialogic interactions taking place within the “macrotext” constituted by the source text and its Italian (re)translations, we therefore also discuss the effects generated by the way in which intertextuality is rendered in (re)translation. The specific ways in which translations recreate the original’s multivoicedness orient the dialogic experience of the recipients of the (re)translations.

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How I Fell in Love with Justine from On the Banks of the Niemen. Miłosz Reads Orzeszkowa

How I Fell in Love with Justine from On the Banks of the Niemen. Miłosz Reads Orzeszkowa

Author(s): Angelika Matuszek / Language(s): English Issue: 41/2023

The article How I Fell in Love with Justine from On the Banks of the Niemen. Miłosz Reads Orzeszkowa is an attempt at an intertextual analysis of the poem Undressing Justine. The text, which comes from the 1994 volume Facing the River attracts attention for two reasons. First, the layout of the work itself is intriguing: apart from the poem itself it includes a prose Complement…, which performs the function of the author’s commentary or footnote. Second, the title itself provokes the reader, offering various associations, of which the primary are erotic. However, intertextual analysis reveals a more serious senseand demonstrates that undressing is merely a pretext for a “philological undressing,” which consists of baring conventions, styles, and traditions of the era.

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Dialog z klasyką. Sonieczka Ludmiły Ulickiej i Sonia Tatiany Tołstoj

Dialog z klasyką. Sonieczka Ludmiły Ulickiej i Sonia Tatiany Tołstoj

Author(s): Marcin Ziomek / Language(s): Polish Issue: 41/2023

The aim of the present article is to analyse the intertextual contexts invoked by the titles of two works: Tatyana Tolstaya’s Sonia and Lyudmila Ulitskaya’s Sonechka. The name of the protagonists on the one hand refers the reader to the ideal of Sophia – the Eternal Feminine, which appeared in Russian culture through the influence exerted by the philosophy of Vladimir Solovyov, and on the other hand invokes the model of femininity that appeared in Russian literature primarily thanks to Sonya Marmeladov, who embodies humility, kindness, forgiveness, and the ready embrace of suffering. Juxtaposing these two images in the works analysed creates an interesting dialogue within the philosophical-literary tradition.

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Approaches to Direct Transformation through the Examples of Selected Rock Cover Songs

Approaches to Direct Transformation through the Examples of Selected Rock Cover Songs

Author(s): Maciej Niemiec / Language(s): English Issue: 41/2023

Intertextuality, a term coined by Julia Kristeva, is a crucial aspect of all forms of creative expression, including literature, music, and art. The idea of intertextuality has been further expanded by Gérard Genette, who included intertextuality as one of the five aspects of the broader phenomenon of transtextuality. Among these several types is hypertextuality, which refers to the relationship between a text and its hypertextual extensions or variations. Within the scope of hypertextuality, Genette identified two methods of transforming a text A into a text B: direct and indirect transformation. This paper considers direct transformation. Although its primary association is with prose and poetry, it can also be extended to encompass song lyrics. In this article, several rock covers serve as examples of text B, and consideration is given to how they differ from their original counterparts (text A), albeit not in a musical form, but rather in terms of their lyrics. In the process, four different approaches were found for delivering a transformation of the original lyrics: fixed transformation, slight transformation, conversion of both the original meaning and lyrics, and considerable transformation.

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Cross-cultural communication explored through the lens of translingual writers

Cross-cultural communication explored through the lens of translingual writers

Author(s): Katarzyna Ożańska-Ponikwia / Language(s): English Issue: 41/2023

The aim of the paper is to explore cross-cultural communication through the lens of translingual writers. In order to do so, we will present a short overview of the key theories concerning cross-cultural communication. Next, we will add some testimonies of the translingual writers into the equation by describing their personal perspectives related to writing in a foreign language. Adopting the translingual writers’ point of view while reflecting on the concept of cross-cultural communication is of crucial importance as it might shed some light on the complex interplay of the different factors that pertain to successful communication in different cultural contexts.

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“A Relative, Really; Disturbingly Similar”: Nonhuman Animals in the Works of Olga Tokarczuk

“A Relative, Really; Disturbingly Similar”: Nonhuman Animals in the Works of Olga Tokarczuk

Author(s): Małgorzata Poks / Language(s): English Issue: 41/2023

In her literary work, Olga Tokarczuk consistently pays attention to the scandal of nonhuman animals’ involuntary suffering. Criticizing the ideology of human domination over nature and the unreflective replication of naturalized standards of behavior toward animals - manifesting, among others, in the tacit acceptance of the hunting “ritual” or the atrocities of industrial farming - she posits the elevation of empathy and insight to the rank of cognitive tools. In her essay “Maski zwierząt,” she encourages not only artists but everyone - starting with scientists who determine new research paradigms and ending with an average consumer of animal products - to use those tools in order to puncture our cultural prejudices and illusions and see beyond them the animal as an Other who is inconceivably close to us. This article attempts to respond to Tokarczuk’s challenge. It tries to decide the ontological status of nonhuman animals in her novels and short stories, reveal the horror of our perceptual inertia which enables systemic oppressions to flourish, and review some of the heterotopian alternatives imagined by Tokarczuk.

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Dwelling in a Junkyard: Longing for Home and Self in Janisse Ray’s Ecology of a Cracker Childhood

Dwelling in a Junkyard: Longing for Home and Self in Janisse Ray’s Ecology of a Cracker Childhood

Author(s): Isabel Maria Fernandes Alves / Language(s): English Issue: 41/2023

This article discusses Janisse Ray’s Ecology of a Cracker Childhood (1999) as an example of the nature writing tradition, suggesting that her knowledge of southern Georgia is based on an intimate relationship with that specific place. Drawing from Thomas Lyon, Lawrence Buell, Lorraine Anderson, Nathan Straight, and L. Hönnighausen my approach focuses on how Ray’s work reflects on the relationship between a childhood spent in rural isolation and poverty in a junkyardand the diminishing longleaf pine ecosystem that used to cover the South of the United States. This method will help establish a connection, on the one hand, between Ray’s growing awareness of a lost self and the loss of natural ecosystems, and, on the other hand, between Ray’ ssuccess in building a home, which means repairing her own self, and the restoration of the longleaf pine ecosystem. Moreover, I argue, Ray is looking to determine her place within that specific ecosystem but also in the larger world, thus embodying the paradox inherent in the way place is understood in the light of the new regionalism: it roots the body but liberates the imagination. Arguing that considerations about place are at the basis of nature writing, I show that Ray constructs a literary home in which she offers alternatives to repair the longleaf pine ecosystem; providing for a vocabulary that readers might use in formulating their own relationships with the places they live in, urging them, southerners and all others, to take responsibility in promoting healthier relationships between humans, nonhumans, and the environment. Ultimately, this article contributes to the debate in nature writing by addressing Ray’s Ecology of a Cracker Childhood as an example of how in the face of a widening global environmental crisis, we might engage more closely with local and regional perspectives as they often demand a heightened environmental sensibility and a language that contributes to repairing both ecological and personal damage.

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„To, co niewidoczne, chce się czasami pokazać”. O doświadczaniu przestrzeni w Jeśli przecięto cię na pół Łukasza Barysa

„To, co niewidoczne, chce się czasami pokazać”. O doświadczaniu przestrzeni w Jeśli przecięto cię na pół Łukasza Barysa

Author(s): Dominika Kotuła / Language(s): Polish Issue: XXVI/2024

This article is devoted to spatial experience in Łukasz Barys’ novel Jeśli przecięto cię na pół [If You Were Cut in Half]. Since complex interactions with space constitute a vital aspect of the identity formation of Marcel, the novel’s protagonist and narrator, the ways in which he perceives and describes his surroundings are carefully examined. Thus, particular emotive and sensual topographies are mapped and the liminal as well as heterotopic qualities of space are discussed. Furthermore, Jacques Derrida’s idea of hauntology is employed to interpret the process of addressing the forgotten or repressed elements of history. The analysed spaces are divided into three categories, namely the space of exclusion, the space of repression, and the space of transgression.

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Tematyka kopernikowska w polskiej poezji humorystycznej

Tematyka kopernikowska w polskiej poezji humorystycznej

Author(s): Zbigniew Chojnowski / Language(s): Polish Issue: XXVI/2024

Biographical details pertaining to Nicolaus Copernicus and ideas formulated by him have been rarely presented in a humorous way in Polish poetry. The earliest works are related to the non-recognition of the heliocentric theory. In the 19th and 20th centuries, authors of epigrams, satires and other humorous poems employed Copernican motifs as pretexts for presenting and ridiculing moral phenomena and human vices. These humorous works were critical of the dispute over Copernicus’s nationality and the instrumental treatment of the brilliant astronomer.

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Fixiert auf die Vergangenheit – die Literaten der Ersten Republik Österreich und Österreich-Ungarn

Fixiert auf die Vergangenheit – die Literaten der Ersten Republik Österreich und Österreich-Ungarn

Author(s): Sigurd Paul Scheichl / Language(s): German Issue: XXVI/2024

The Austrian republic of 1918 was not accepted emotionally by a majority of its citizens; A. Pelinka has analyzed this indifference of Austria’s intellectuals to the new state. Many writers looked backwards and continued to love Austria-Hungary in her old borders, without necessarily hoping for the return of the dynasty. Hofmannsthal, Schnitzler, Zweig, Csokor, Wildgans are major authors who more or less sentimentally remembered the Habsburg state and were not really interested in the new form of the Austria. Even Juarez und Maximilian by Franz Werfel idealized the Habsburg prince, although it had to be a republican play by the force of the historical facts it is based on. Only Karl Kraus was an enthusiast of the republic from 1918 to its end. In the late 20ies, Jura Soyfer was a decidedly republican writer.

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O książkach mądrych wizualnie. Analiza wybranych uwag krytycznych studentów sztuki

O książkach mądrych wizualnie. Analiza wybranych uwag krytycznych studentów sztuki

Author(s): Anna Steliga / Language(s): Polish Issue: 2/2023

Visually clever books are books in which both the content and the illustration form an interesting whole – they complement each other or complete what is not found in the picture / text. Especially if we are talking about books for children. Students of the Institute of Fine Arts at the University of Rzeszów have analysed more than a dozen books and compiled critical texts. The article presents selected remarks to illustrate what aspects of the books are important for young visual artists. The recipe for a visually clever book, according to the students, is a well-thought-out combination of each element of the publication, i.e. the cover, the content, but also, for example, the paper used.

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Dziecko jako recytator i interpretator tekstu. Na marginesie konkursu recytatorskiego Dziecięce Interpretacje w Tarnobrzeskim Domu Kultury – refleksje instruktorki i jurorki

Dziecko jako recytator i interpretator tekstu. Na marginesie konkursu recytatorskiego Dziecięce Interpretacje w Tarnobrzeskim Domu Kultury – refleksje instruktorki i jurorki

Author(s): Agnieszka Mroczka / Language(s): Polish Issue: 2/2023

The article explores the issue of artistic presentation of literary texts by children. The author bases her work on her own experience as a theatre instructor and a juror in recitation competitions, including the ever-present Children’s Interpretations – a competition organised with the youngest performers in mind – children of primary school age. Her experience as an organiser, her work with young performers and her observation of the effects of the work of teachers preparing children for stage presentation is the starting point for a description of the most important aspects of the recitation process: from statutory issues to the final performance. The author discusses the aims of recitation, repertoire selection and factors conditioning it, analysis and interpretation of a literary work, means of artistic expression in recitation, coping with stress and stage fright, individual predispositions of children, regularity of work, obstacles standing in the way of good preparation of a child for the stage performance of a text. She draws attention to the lack of preparation of Polish language teachers to work on the artistic expression of literary works, and questions the sense of the work of instructors as well as the organisation of performing arts competitions.

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Odmrażanie. Literatura w potrzebie

Odmrażanie. Literatura w potrzebie

Author(s): Marta Krasuska-Betiuk / Language(s): Polish Issue: 2/2023

Review of: Defrosting. Literature in Need by Inga Iwasiów.

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O roli czasopisma „Fantastyka” / „Nowa Fantastyka” w przyswajaniu pojęcia „fantasy” przez polską kulturę literacką

O roli czasopisma „Fantastyka” / „Nowa Fantastyka” w przyswajaniu pojęcia „fantasy” przez polską kulturę literacką

Author(s): Robert Pysz / Language(s): Polish Issue: 41/2023

The article is an attempt to reconstruct the influence of texts that appeared in the magazine “Fantastyka” (later “Nowa Fantastyka”) in the 1980s and 1990s on the introduction of the concept of “fantasy” to Polish literary culture. The analysis included not only theoretical and literary publications (sometimes translations from other languages), but also popular science and essay writings, editorials and readers’ letters. All of them seem to prove that the “birth” of “fantasy” in Poland was a spontaneous and multidimensional process—an example of authentic literary life, engaging not only critics and authors, but also the literary audience in the meta-literary discourse.

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