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La riscoperta del mito nella letteratura italiana degli anni quaranta: Carlo Levi e Cesare Pavese

La riscoperta del mito nella letteratura italiana degli anni quaranta: Carlo Levi e Cesare Pavese

Author(s): Luciano Lagazzi / Language(s): Italian Issue: 1/2019

During the 1940s, Carlo Levi and Cesare Pavese reflected on the topic of myth, both in relation to the classical tradition and to the manipulation of mythological materials by European dictatorial regimes. This interest, nurtured in Levi by the relationship with the archaic life and culture of the Lucanian peasants and in Pavese by his focus on texts on the history of religions and anthropology, was transferred into books and cultural operations that are important for a profound rethinking, philosophical and literary, of the myth. On the basis of that “knowledge for citations” that was so dear to Benjamin and Jesi, an attempt is made to let the authors speak for themselves, relegating the critical contribution to the comments on the citations. The revaluation of the poetic and identity value of the myth that Levi and Pavese reaffirm has emerged in spite of its political exploitation. For Levi, it is precisely the mythical character of the subordinate culture that makes it more human and positive than the dominant rationalist one. For Pavese, despite the modern collective inability to access myth, it still represents an archetypal model of self-formation. It is not surprising, then, that the myth becomes a strongly characterizing element in the work of Levi and Pavese, even if its poetic potentialities are not immediately captured by the culture of the forties.

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«Un punto di vista come un altro». Su un quartiere di Milano nella poesia di Luciano Erba

«Un punto di vista come un altro». Su un quartiere di Milano nella poesia di Luciano Erba

Author(s): Samuele Fioravanti / Language(s): Italian Issue: 1/2021

Spatial Criticism has recently highlighted the relationships between city planning in Milan, contemporary poetry, and neighbourhood life. This paper focuses on the emblematic case of a project promoted in via Solari by the Società Umanitaria, as represented in Quartiere Solari by Luciano Erba (1983). The wealth of documentation on the Beruto plan and on the project by the architect Broglio makes it possible to analyse the original objectives and the failure of the city plan as rendered in Erba’s poem. A first survey focuses on critical essays Erba dedicated to the Milanese housing repertoire (villino, condominio, terrazzo) and other poems dedicated to the Lombard suburbs between 1983 and 2002. The paper then proceeds on a comparative basis, underlining the differences between Erba’s urban poems and those of other Milanese poets. The results obtained through the comparison enable us to point out Erba’s predilection for early Liberty architecture and the rhetorical strategies used to represent the experience of urban spaces on a local scale. Here it is proposed that Erba formed his sensibility for architecture in the 1980s and that critics have emphasized his interest in the following decade. The conclusions envisage the psychological effects of the Liberty suburbs on Erba, in terms of a sense of inconclusiveness, a premonition of detachment, and a necessary memorial recovery.

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La voce dei poeti in area romana. Uno studio fonetico sulle letture di cinque poeti contemporanei

La voce dei poeti in area romana. Uno studio fonetico sulle letture di cinque poeti contemporanei

Author(s): Valentina Colonna / Language(s): Italian Issue: 2/2022

The reading of poetry, studied from a phonetic perspective, represents a relevant aspect for the investigation of the musical system of poetry. In particular, the experimental studies conducted in America, Germany (MacArthur et al., 2018 and Meyer-Sickendiek et al., 2018) and Italy, with phonetic methodologies (VIP-Voices of Italian Poets project), pointed out a heterogeneous and rich contemporary panorama. In order to conduct a study of the poetry prosodic heterogeneity in the Italian capital, our work analyses and compares a selection of Roman poets, all of them included into the VIP archive. Namely, the voices of Maria Grazia Calandrone, Claudio Damiani, Biancamaria Frabotta, Daniele Mencarelli and Laura Pugno. The study uses experimental phonetics tools and the VIP-project methodology, considering a selection of acoustic and stylistic indexes. It highlights different prosodic styles in relation to the textual features, with common and divergent traits mainly on an organizational, melodic and rhythmic level. The results of this research follow the partition of contemporary poetry voices presented in Colonna (2021), confirming the variation and the change in the poetic prosody, also in a same area.

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Verga e Rebreanu, “voci” della memoria collettiva delle sommosse contadine

Verga e Rebreanu, “voci” della memoria collettiva delle sommosse contadine

Author(s): Gabriela E. Dima / Language(s): Italian Issue: 2/2022

istory books mention terrible moments that marked people’s existence. History, however, records precise facts and details; it does not spur emotions and cannot fix the events into the collective memory of feelings that only literature is able to do. Literature also has the function to universalize individual experiences, to award them the status of example and to make them significant for humanity as a whole. Starting from this assumption, our research will follow the image of the uprising as reflected in two exceptional narratives: the short-story “Libertà” (“Freedom”) by the Sicilian writer Giovanni Verga and the novel “Răscoala” (“The Uprising”) by the Romanian prose-writer Liviu Rebreanu. Both texts are inspired of events that really took place, namely the massacre of Bronte in 1860 and the peasant rebellion of 1907. However, both texts focus on purely fictional stories, though perfectly fitting into the reality of the events they are inspired by. We will therefore comment upon the resemblances and the differences that characterize the modalities in which the two authors understand the causes of the movements, the accumulation of tension within the mass of the peasants, the violent and insane manifestation of the wild crowd, and the terrible repression implemented by the state. We will insist upon the elements that give particular depth to the narration and underline its profound brutality, characteristic for naturalism / “verismo”. In conclusion, we will note that Verga’s and Rebreanu’s expressive ability not only makes plausible their plots, but fixes them indelibly in the memory of posterity, more alive and more real than history itself.

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Per ricordare Caravaggio: Il dono di saper vivere vs. Fluturele negru

Per ricordare Caravaggio: Il dono di saper vivere vs. Fluturele negru

Author(s): Delia-Ioana Morar / Language(s): Italian Issue: 2/2022

The present work aims to make a comparative analysis between two contemporary novels that propose the figure of the genius of Baroque painting that was Michelangelo Merisi called Caravaggio as we celebrate in 2021 450 years since his birth. The novels are: Il dono di saper vivere by Tommaso Pincio published in 2018 by Einaudi and the novel Fluturele negru by the Romanian prose writer, Radu Paraschivescu, published by Humanitas in 2010 and republished in 2019. These are two very different novels, but united by an extremely interesting narrative structure and by the fact that both stories, even if they don’t pretend to be novels about Caravaggio or biographical books, they both take the figure of the great painter and his complicated times and bring it back to the present in a new light. In different languages and different but somewhat similar styles, the two novels are witnesses of a past collective memory reconstructed from paintings, legends, myths, chronicles on the life of the seventeenth century that rewrite with a new language, a rhythm and a present liveliness that make us remember the charm of painting and of life of the Baroque century.

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Helga Tepperberg: il culto del dovere compiuto

Helga Tepperberg: il culto del dovere compiuto

Author(s): Elena Pîrvu / Language(s): Italian Issue: 2/2022

The present work aims at paying a tribute to Helga Tepperberg, a tenured teacher of Italian language and literature at the Faculty of Letters of the “Babeș-Bolyai” University of Cluj-Napoca, where she generously and devotedly trained many generations. Helga Maria Tepperberg (9 February 1944 – 4 March 2020, a graduate of the Faculty of Romance and Classical Languages of the University of Bucharest, with a major in Italian language and literature and Romanian language and literature, PhD in Philology (Italian literature) of the same university in 1979, with the dissertation Italo Svevo, omul și opera, was nationally and internationally acclaimed for the honesty, accuracy and consistency of her entire activity. She was definitely the most important exegete of Italo Svevo in Romania. Her research also focused on other authors, such as Luigi Pirandello, Giorgio Bassani, Giacomo Leopardi, Alessandro Manzoni, Carlo Goldoni.

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ANALIZA SINTAKSIČKIH ELEMENATA NEOSTANDARDNOG
ITALIJANSKOG JEZIKA U DVA SAVREMENA ITALIJANSKA
ROMANA: IO E TE, N. AMANITIJA I ESCO A FARE DUE PASSI, F.
VOLA

ANALIZA SINTAKSIČKIH ELEMENATA NEOSTANDARDNOG ITALIJANSKOG JEZIKA U DVA SAVREMENA ITALIJANSKA ROMANA: IO E TE, N. AMANITIJA I ESCO A FARE DUE PASSI, F. VOLA

Author(s): Marija N. Vujović / Language(s): Serbian Issue: 12/2022

If the Italian standard is a reference model for the correct use of language, since it is subject to normative codification, then the neostandard is a new and informal variety of the Italian language, present in the spoken language for decades, but censored in grammars. Despite that, it is noticeable how much this linguistic variety is an integral part of contemporary Italian literature. This paper analyzes two contemporary Italian novels (Io e teby Niccolò Ammaniti and Esco a fare due passiby Fabio Volo) in order to find the basic syntactic characteristics of neostandard. The selected authors represent a kind of antipodes, and hereof their texts provide an ideal framework for research. The analysis of the novels showed that the most common syntactic characteristics of the neostandard are: left-dislocation, right-dislocation, construction: presentativec’è, cleft sentence, displacement of the clinical pronoun, use of the conjunctions ma andeand parataxis. In the novels the examples of neostandard don’t predominate over the canonical syntax of standard. In addition, the examples of neostandard appear most often in the protagonist's dialogues, in the context in which the authors try to achieve communicative immediacy and make the dialogues closer to the readers, in order to give the text the character of everyday speech. However, the syntactic elements of the neostandard are so numerous and equally present in two completely different literary works, that this phenomenon can not longer be considered wrong, nor ignored as a linguistic variety that deviates from the codified grammatical norm.

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NUOVE TENDENZE NELLA LETTERATURA ITALIANA: DALL'ECOLOGIA LETTERARIA ALLA LETTERATURA DELLA MIGRAZIONE

NUOVE TENDENZE NELLA LETTERATURA ITALIANA: DALL'ECOLOGIA LETTERARIA ALLA LETTERATURA DELLA MIGRAZIONE

Author(s): Nikica Mihaljević / Language(s): Italian Issue: 26/2022

In the present article the aim is to demonstrate that one of the ways to teach literature today, in the new millennium, when literary studies do not encourage interest among the new generations, could be through its relation¬ship with other sciences, for example, with ecology. Since the 1970's, when ecocriticism was created, in a literary text the idea is to try to analyse the relationship between the individual and nature. Starting from the fact that in nature there are balanced relations, the ecocriticism is trying to overcome the hierarchical order imposed in the society by the secular centralism. The result of this order are the members that are marginalised and oppressed, the victims of the imposition of the concept of the vertical society which implies the dominance of some members over others. In the analysis the aim is to show that there are some contemporary literary texts that witness the attempt of exclusion of some characters, such as, for example, in the migrant literature in Italy, where the characters-immigrants are frequently discriminated. According to ecocriticism, in order to achieve a sustainable society, it is necessary to overcome these dicriminatory mech¬anism. Therefore, with this paper we try to find some literary examples in which, by the means of the autobiographical testimony, this attempt of dominance is rejected by the characters and they eventually find the way to integrate into the new society as well as to overcome exclusion and discrimination. In the analysis we examine some of these examples that we find in the literary work of the two contemporary authoresses in Italy: Igiaba Scego, and Laila Wadia.

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I SEGNALI NASCOSTI NEGLI INCIPIT DI “IL FU MATTIA PASCAL”, “LA COSCIENZA DI ZENO” E “IL LUPO DELLA STEPPA”

I SEGNALI NASCOSTI NEGLI INCIPIT DI “IL FU MATTIA PASCAL”, “LA COSCIENZA DI ZENO” E “IL LUPO DELLA STEPPA”

Author(s): Rosella Montibeler / Language(s): Italian Issue: 14/2022

In this paper we will analyze three novels from the first half of the twentieth century: The Late Mattia Pascal, Zeno's Conscience and Steppenwolf. We will dwell above all on the introductions, given that already in the first pages of their respective stories, Pirandello, Svevo and Hesse have enclosed guidelines for their readers. We will analyze the elements that these three novels have in common, give emphasis to those that differentiate them and try to understand what their particularities are. In short, by comparing the incipits, we will see what a reader risks missing by reading the books superficially.

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Тялото в италианската литература на ХX век: Случаят „Анна Мария Ортезе“

Тялото в италианската литература на ХX век: Случаят „Анна Мария Ортезе“

Author(s): Radeya Gesheva / Language(s): Bulgarian Issue: 40/2021

The question of body as a construct in the Italian literary context has not been analysed in a systematic way. The ideological background that gave rise to the literary and aesthetic movements from 1950s on has been continuously discussed. But we cannot say the same for the repetition of a previous culturally determined model, for observations of its change with a certain degree of ‘renovation’ influenced by the period. In addition, culture, which is directly shaped by the ideological and in close relation to the literary, according to the perception of the social psychologist Hofstede is understood as ‘collective program ming of the mind’ (Hofstede, 1984). The present study aims to make an interdisciplinary reading of the body in the novels of the Italian writer Anna Maria Ortese. The concept will be regarded as a literary, philo- sophical and social notion. The oppositions individualism - collectivism, high - low power distance, security - insecurity, masculinity - femininity, long-term - short-term time orientation, satisfaction - dissatisfaction will be analyzed with regard to the identity, strengthening it through repetition. The research question is whether human body in literature, and in particular that one of main characters in Italian novels during the second half of XX century, represented through Anna Maria Ortese’s work, is a repetition of the stereotyped model, what is the degree of renewal that distinguishes it, whether parallels can be made between the construct in the Italian literary plan and in others.

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Лазарони између историје и мита: анализа једне нарочите путописне појаве

Author(s): Mario Liguori / Language(s): Serbian Issue: 177/2022

In this paper, we will deal with the “Lazzaroni phenomenon”, which became an unavoidable topic in European travelogues about Naples since the second half of the 18th century. Although almost everything related to the so-called Lazzaroni is controversial – from names and origins to their way of life, habits, and their social role – domestic and foreign travel writers managed to create a myth about them. In their case, literary images prevail over the historical ones: whenever the story of the famous Lazzaroni is told, it turns out that it is difficult to separate real elements from the unreal, facts from fiction, history from myth. Starting from travelogues about the Lazzaroni, our goal is to establish the extent to which literary elements differ significantly from historical ones. We will pay special attention to the relationship of the Lazzaroni with the rulers that changed in Naples over the centuries, while this Mediterranean city experienced social, economic and cultural changes.

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The Literary Galata Bridge: A Heterotopian Space on the East-West Axis

The Literary Galata Bridge: A Heterotopian Space on the East-West Axis

Author(s): Elena Butoescu / Language(s): English Issue: 1/2022

Drawing on David Harvey’s urban chronotope that determines different conceptions of space and time in distinct societies as well as on Michel Foucault’s concept of heterotopia, which assembles various apparently incongruent spaces, juxtaposing them in a single real place that reflects the symbolic perfection of the world, this article considers the significance of bridges in cultural history. More specifically, the article focuses on the role Galata Bridge (Köprü) has had in the history of Istanbul as a space of transition between cultures, geographies and ethnicities. The study will investigate how three Western narratives spanning three different geographical and time zones invested Galata Bridge with the symbolism of an autonomous space within a city, while the narratives reconfigure the discursive practices of society and the social relations among individuals in ways that can be resistant or not, but which, nevertheless, change the structural relations that organise society as they do, attributing them with a new function.

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Identity from a Theatrical Perspective

Identity from a Theatrical Perspective

Author(s): Radu Teampau / Language(s): English Issue: 2/2022

The present paper aims to revisit the definitions given to identity from the perspective of social sciences and philosophy in order to eliminate the variables and extract the constants that might form the basis of a conceptual tool which can be used from a theatrical perspective. The analysis of the notion of identity is based on the idea that it is not synonymous with the notions of self, ego or soul. The fact that identity, from the perspective of psychology, may be a result of the oscillation between interiority or the inner ego and exteriority or the outer ego is also taken into consideration. Furthermore, the meaning of the notion of identity is put in relation to thymos, the ancient concept. And, at the same time, we try to apply elements of this conceptual tool to Luigi Pirandello’s play Six Characters in Search of an Author in an attempt to investigate the way identity is seen and treated by the playwright.

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La metempsicosi del viandante: percorsi lessicali e topica sepolcrale, dagli epigrammi greci alla lirica italiana
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La metempsicosi del viandante: percorsi lessicali e topica sepolcrale, dagli epigrammi greci alla lirica italiana

Author(s): Miriam Kay / Language(s): Italian Issue: 44/2023

In ancient times, the theme of the wanderer was prominent among the topoi of sepulchral poetry. The literary shift from ancient epigraphs to sepulchral epigrams contained in Alexandrian syllogies caused a progressive change in the use of such themes, which eventually morphed into sepulchral motifs which are recognizable in lyric poetry even centuries later. Through an anthological selection of Italian poems, the aim is to investigate the presence of the wanderer in Italian lyric poetry, as well as the transformations which progressively redefined this figure’s memorial function and its ambiguous location between the world of the living and of the dead.

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“La memoria è un prodotto dell’oblio”. Un viaggio inutile (1981) di Rossana Rossanda nella Spagna franchista
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“La memoria è un prodotto dell’oblio”. Un viaggio inutile (1981) di Rossana Rossanda nella Spagna franchista

Author(s): Angela Moro / Language(s): Italian Issue: 44/2023

In 1962 Rossana Rossanda undertook, on behalf of the Italian Communist Party, a tripto Spain, aiming to strengthen the anti-Franco forces dispersed after the civil war. Instead, her intinerary seemed to be useless, as the title ofthe book collecting the report of the expedition suggests (1st edition Bompiani, 1981). Un viaggio inutile springs from a double mnemonic filter: the clandestine operation imposed a ban on transcribing travel notes, which Rossanda drafted only on the way back; secondly, eighteen years passed between the experience in Spain and the rewriting of the notes, which took place in 1980. The present work, therefore, aims to explore both the mnemonic devices of Rossanda’s journeyand its reception by the Spanish public, also by resorting to the translation of the text (Un viaje inútil, Laia, 1984 and Tirant Humanidades, 2021).

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„BrexLit” po włosku dla dzieci i dorosłych: Rosie e gli scoiattoli di St. James oraz La mia Londra Simonetty Agnello Hornby

„BrexLit” po włosku dla dzieci i dorosłych: Rosie e gli scoiattoli di St. James oraz La mia Londra Simonetty Agnello Hornby

Author(s): Małgorzata Rygielska / Language(s): Polish Issue: 30/2021

The article is devoted to a comparison of two books by Simonetta Angello Hornby, placing it in the context of migration to which the author—born in 1945 in Italy and residing in Great Britain since 1972—has also touched upon in her other works. La mia Londra (My London) is an autobiographical guide to London, in which Hornby described, on the example of her own experiences, the process of adapting to life in a foreign culture. In retrospect, she spent almost half a century in this city, noting the changes in the social structure, relations with immigrants, and the lifestyle of Londoners. The main protagonist of the story Rosie e gli scoiattoli di St. James (Rosie and the Squirrels in St. James’s Park) is Rosalia Giuffrida-Watson, a nine-year-old daughter of London immigrants (Bruno from Italy and Brenda from Jamaica) who, on the day of the referendum concerning Great Britain’s future in the European Union, witness a session of animal parliament in the royal park and a clash between its residents: newcomers and autochthons. Their views, behaviour and decisions give Rosie an insight into the problems, but also the potential, connected to the processes of acculturation, cultural adaptation, and even assimilation. The cognitive context for the deliberations is provided by other “BrexLit” works.

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Brexit we włoskiej literaturze współczesnej: Città irreale(Nierealne miasto) Cristiny Marconi, Brexit Blues(Brexitowy blues) Marca Varvella i La mia Brexit(Mój brexit) Francesca De Carla

Brexit we włoskiej literaturze współczesnej: Città irreale(Nierealne miasto) Cristiny Marconi, Brexit Blues(Brexitowy blues) Marca Varvella i La mia Brexit(Mój brexit) Francesca De Carla

Author(s): Karol Karp / Language(s): Polish Issue: 30/2021

The subject of the article is the phenomenon of Brexit in contemporary Italian literature investigated on the basis of the texts published so far, in which it plays an important role. Three novels are analyzed: Città irreale by Cristina Marconi, Brexit Blues by Marco Varvello and La mia Brexit by Francesco De Carlo, from which emerges negative image of Brexit, set in the context of immigration, which is a special area of interest for the above-mentioned authors.

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Utopia (w) reportażu. „Sprawozdanie z marzenia” w kontekście teorii trójkąta reportażowego

Utopia (w) reportażu. „Sprawozdanie z marzenia” w kontekście teorii trójkąta reportażowego

Author(s): Izabella Adamczewska-Baranowska / Language(s): Polish Issue: 1/2023

This article is an attempt to apply Małgorzata Czermińska’s theory of the autobiographical triangle to the study of literary journalism, in which the worldview is the outcome of faithfulness to the fact, the author’s experience and literary representation. In this theory, there are three generic types of reportage depending on the dominant feature, i.e., witness, confession or challenge. Izabella Adamczewska-Baranowska defines her concept of the reportage triangle based on the example of selected contemporary utopian writing: Dylan Evans’s The Utopia Experiment, Urszula Jabłońska’s Światy wzniesiemy nowe [New Worlds We Shall Build], Katarzyna Boni’s Auroville. Miasto z marzeń [Auroville. A Dream City], and Matthew Hongoltz-Hetling’s A Libertarian Walks Into a Bear. These texts on intentional communities selected for analysis serve to highlight the importance of the adopted point of view and intersubjectivization. While the subject of the reportage is the surplus included in the reportage itself, the reportage also tries to attain the universality of the literary work.

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Językowo-stylistyczne rozważania o typologii współczesnego polskiego reportażu książkowego (na podstawie wybranych tekstów)

Językowo-stylistyczne rozważania o typologii współczesnego polskiego reportażu książkowego (na podstawie wybranych tekstów)

Author(s): Katarzyna Ostrowska / Language(s): Polish Issue: 1/2023

Katarzyna Ostrowska’s aim in this article is to present a typology of contemporary Polish book reportage based on linguistic and stylistic criteria on the example of three texts awarded with the Beata Pawlak Prize: Witold Szabłowski’s Zabójca z miasta moreli. Reportaże z Turcji [ A Killer from the City of Apricots. Reports from Turkey], Bartosz Jastrzębski and Jędrzej Morawiecki’s Krasnojarsk zero [ Krasnoyarsk Zero], and Dariusz Rosiak’s Ziarno i krew. Podróż śladami bliskowschodnich chrześcijan [ Grain and Blood. A Journey in the Footsteps of Middle Eastern Christians]. Ostrowska refers to the previous classifications of the reportage genre by Jacek Maziarski, Jadwiga Litwin, and Kazimierz Wolny-Zmorzyński and goes on to propose her own typology in reference to the reportages under scrutiny by taking into account the presence of specific features of functional styles: artistic, journalistic, and scientific.

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ИТАЛИАНСКАТА ЕЛИТАРНА ЛИТЕРАТУРА ПРЕЗ 60-ТЕ ГОДИНИ НА ХХ ВЕК: ЛЕОНАРДО ШАША

ИТАЛИАНСКАТА ЕЛИТАРНА ЛИТЕРАТУРА ПРЕЗ 60-ТЕ ГОДИНИ НА ХХ ВЕК: ЛЕОНАРДО ШАША

Author(s): Radeya Gesheva / Language(s): Bulgarian Issue: 01/2023

In Italian literature of the 1960s, the distinction between elitism and the mainstream culture isa dominant one. During this period of time, features leading to the massification and the americanization of Italian society can be observed. A notable proponent of the idea of preserving and emphasizing the specificity is writer Leonardo Sciascia. His body of literary works introduces current topics which the intellectual should present for public reflection, such as freedom, injustice, possible solutions to humankind’s problems. It is curious to follow his point of view, in his interviews and works, to draw conclusions about the elitism or the mass features of Italian literature and to answer the research question of whether it can be related to the high culture or low (popular) literary field. For this reason, the 1960s will be examined, the socio-cultural features of Italy at that time will be highlighted, the views and the position of the intellectual will be analyzed, with a focus on the body of work of a significant writer at that time – Leonardo Sciascia (1921–1989).

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