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Result 401-408 of 408
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Il comunista solo e la sua luce. Un’indagine sulla solitudine in "Il comunista", di Guido Morselli

Il comunista solo e la sua luce. Un’indagine sulla solitudine in "Il comunista", di Guido Morselli

Author(s): Stefano Cavallo / Language(s): Italian Publication Year: 0

The paper aims to describe and analyze the specific loneliness of Walter Ferranini, the protagonist of “Il comunista”, by Guido Morselli (1976). Even though constantly searching for success and praise – as probably it was for Guido Morselli, too – Ferranini lives his grey, unsuccessful, unhappy life in a particular way, which makes him a silent, unrecognized hero, and which gives a special “light” to the full novel.

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THE SILENCE OF GOD IN THE POETRY OF FATHER DAVID MARIA TUROLDO

THE SILENCE OF GOD IN THE POETRY OF FATHER DAVID MARIA TUROLDO

Author(s): Fabiano Gritti / Language(s): English Publication Year: 0

The article concerns the last phase of poetic production of father David Maria Turoldo, notably the last collection published when he was still alive – the Final Chants. In his very long work or religious poet, liturgist, and essayist, he treated a number of topics, incl. social themes and current affairs. In his last phase of his poetic, he doesn’t speak to the society, to the poor, and to marginalised people like in the past, but he addresses God directly – by forming an intense dialogue with the Absolute. In this poetical and mystical dialogue, he interrogates God about the most impenetrable mysteries for human understanding. These mysteries overwhelmed theologians and mystics of all times. Here, we shall focus notably on the topic of God being far from His creation – which is manifested through the divine silence. God seems not to hear the invocations of the faithful; it looks as though He doesn’t care about the problem of suffering (especially of the weakest persons) that remains apparently unrelieved by divine intervention. We shall present some meaningful short examples of such deep and complex issues, in order to introduce the reader to the knowledge of the peculiar Turoldian approach, by providing a possible interpretative key.

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THE FIGURATIVENESS OF THE MYSTICAL EXPERIENCE IN ANGELA OF FOLIGNO

THE FIGURATIVENESS OF THE MYSTICAL EXPERIENCE IN ANGELA OF FOLIGNO

Author(s): Monika Šavelová / Language(s): English Publication Year: 0

This paper explores the figurativeness of the language of the mystical experiences in the texts of Angela of Foligno. For this purpose, the prism of literary interpretation and analysis is utilised. The aim of this article is to define the main signs and specificities of Angela’s narration. The reflection on this theme also includes the research of possible similarities with other Christian mystical witnesses (Catherine of Siena, Teresa of Ávila, John of the Cross).

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“Ché non è impresa da pigliare a gabbo”: echi danteschi nella "Scienza in cucina" di Pellegrino Artusi

“Ché non è impresa da pigliare a gabbo”: echi danteschi nella "Scienza in cucina" di Pellegrino Artusi

Author(s): Valentina Iosco / Language(s): Italian Publication Year: 0

In the wake of Unification of Italy, in Florence, Pellegrino Artusi publishes Science in the Kitchen and The Art of Eating Well, a book meant to get into the homes of all Italians and which contributed to the formation of an Italian of written and spoken use in the post-unification linguistic reality. This is not a simple cookbook: it welcomes, between one preparation and another, explicit references to Dante and the Comedy. Artusi demonstrates with good taste and common sense how Dante and the gastronomy are two strongly identifying elements for Italy. To highlight how deep this connection is, the text of the Science has been examined in search of implicit or explicit Dantean echoes. The intent of the research goes in two directions: on one hand, to hypothesize, through Artusi’s literary quotes, the type of public to which it is addressed, on the other, to highlight the educational purpose of the work, which cannot be considered only and simply a collection of recipes.

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Dante attraverso gli occhi dei suoi contemporanei: una collezione di testi poetici trecenteschi minori politici e civili toscani su Dante

Dante attraverso gli occhi dei suoi contemporanei: una collezione di testi poetici trecenteschi minori politici e civili toscani su Dante

Author(s): Marialaura Pancini / Language(s): Italian Publication Year: 0

This paper analyses a selection of political and civil 14th-century minor Tuscan lyrical texts, where authors use Dante’s biography and literature to compose political and civil verses. Through biographical and informatics research I selected a corpus of texts regarding the selected topic and genre. The purpose was to find similarities and differences between different texts, authors, and contexts. What emerges is a heterogeneous landscape that demonstrates some recurring themes in different texts.

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Поучителните „примери“ от „Шестте дни“ на Себастиано Ерицо

Поучителните „примери“ от „Шестте дни“ на Себастиано Ерицо

Author(s): Petia Petkova-Staleva / Language(s): Bulgarian Publication Year: 0

Sebastiano Erizzo's Six Days follows Decameron's model of fitting stories into a narrative framework that gives rise to storytelling, but differs from it by an all-male company of storytellers. The author calls his stories “examples”, emphasizing the lessons that the reader can learn from them for himself, and the fun and enjoyment of storytelling set aside. There is no laughter, no joy, and the characters and storytellers are similar in their reasoning aimed at encouraging virtue and integrity.

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MARIANNE DE LEYVA KAO MANZONIJEVA GERTRUDE

MARIANNE DE LEYVA KAO MANZONIJEVA GERTRUDE

Author(s): Mirza Mejdanija / Language(s): Bosnian Publication Year: 0

In his novel Betrothed, Alessandro Manzoni introduces the historical character Marianna de Leyva, whom he renames Gertrude. She is an abbess in the monastery in Monza where Agnese and Lucia find refuge after fleeing their village. Marianne de Leyva was Countess of Monza during the reign of Filippo III di España and governed the territory of the monastery. She was the daughter of Martin de Leyva, an influential Lombard prince. Her mother, Virginia Maria Marino, died of the plague in Milan when the girl was very young, leaving her property in divided equally among her children. Then a series of legal frauds and controversies arose, which aimed to deprive little Marianna of her inheritance. As a result, she was sent to the monastery of Santa Margherita in Monza, where she lived in a small secluded apartment and collected taxes and was informed about the problems of the inhabitants of Monza. She was arrogant and haughty. She often bullied other abbesses. The criminal Gian Paolo Osio, whose house was right next to the monastery, seduces her, and they begin a long-term love affair. A scandal arises when a nun threatens to reveal them. Osio kills her, and also tries to kill two of Gertrude’s colleagues. He was sentenced to death, and Gertrude to be walled up alive in a cell. By order of Cardinal Federico Borromeo, she was transferred to the house of the Convertite di Santa Valeria in Milan, where she spent fourteen years walled up in a small room, where she repented. Manzoni takes this story from Ripamonti from Historia patria, and presents it verbatim in Fermo e Lucia. In Betrothed, however, he partially changes the historical plot and adapts it to his own narrative needs. This shows the author’s poetics, according to which he does not want to present evil in a direct way, because he does not want to make it attractive to the reader. The events related to Marianna are an example of the evil in which the Italian ruling class of the 17th century became entangled, when forced monasticism was a completely normal phenomenon, which contradicted the principles of the authentic Catholic faith.

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Konkurs „Recensiamo ItaliAMO” – o współzawodnictwie zachęcającym do nauki języka i poszukiwań literaturoznawczych

Konkurs „Recensiamo ItaliAMO” – o współzawodnictwie zachęcającym do nauki języka i poszukiwań literaturoznawczych

Author(s): Justyna Groblińska,Katarzyna Kowalik / Language(s): Polish Publication Year: 0

The observations of creative forms of teaching foreign languages and literature included in this article are based on experiences gained thanks to organization of two editions of competition “Recensiamo ItaliAMO” at University of Łódź in 2018 and 2019. The competition invites students to create reviews of Italian literary works published after 2000. The first part presents didactic motivations that led us to propose such a form of optional activities to students and a description of the competition rules. The following analysis of the collected material allows to find out about students’ literary choices and to estimate their positive role in the didactic process and broadening of cultural skills. It provides also a possibility to observe such a negative phenomenon as neophilological students’ difficulties with composing a linguistically correct text or lack of capacity to use the book review’s genre rules. All these aspects provide precious knowledge that can be employed later in didactic work to plan lessons of practical language and literature.

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