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Ut pictura poesis – adalék a posztmediális állapot előtörténetéhez

Author(s): Adrienne Gálosi / Language(s): Hungarian Issue: 4/2019

By examining the art history of the middle of the 20th century, the study attempts to show how the medium as an ontological concept of art was challenged and then dismissed, and how the question of the nature of art became fully conceptual. Starting from Clement Greenberg’s theory of medium specificity, it explores how abstract expressionism, then minimalist sculpture, and finally conceptualism could relate to time and space, how they could form their own time and space perceptions, and sensations, and how this determined the question of what constitutes a work of art.

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Функционално зониране при превозните средства за отдих

Author(s): Sofroni Varbev / Language(s): Bulgarian Issue: 5/2018

In the course of time people have constantly been developing and improving their achievements by adding new functional potential in other spheres of their application. Thus, new products which suit new needs appear. People have always strived to have close connection with their natural environment. Many choose to relax in the countryside – it is the best place for them to escape from the pressure and to charge emotionally for the life they have in their urbanized surroundings. They spend their holidays either in camping sites or alone in the open, thus replacing the conventionalities of the hotel stay. The most wide-spread practice when they make their choice is to use tents, which they transport in their cars or public transport. Since the beginning of the XX century automobile industry has offered an alternative – means of transport which provides the possibility for people to travel at any time they choose, as well as more comfort and protection than tents provide.These means of transport are divided in two main groups in terms of the way they function – vehicles with an engine, and vehicles which are attached to another vehicle. In Bulgaria these two types are known under their terms – the vehicles with engine are defined as tourist vans and campers; while the attached ones – as caravans. This article puts the focus on campers and tourist vans and their potential to provide different uses – from transportation to dwelling. In the English speaking countries campers are familiar under the term “motorhome”, which can approximately be translated in Bulgarian as “autohouse”, “autohome” or “motorhome”. It is an accepted practice to use the abbreviation RV /recreational vehicle/

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Keman Eğitiminde Geleneksel Türk Müziği

Author(s): P. Ceren Tekin,Ahmet Feyzi / Language(s): Turkish Issue: 63/2019

The use of traditional music as an educational material is one of the important applications of today's educational understanding. On the other hand, professional music education institutions are the institutional structures in which these applications can be made most easily. Controlling the level of this practice is important to ensure the permanence and contribution of the traditional music of the country. In this research, it is tried to determine the usage level of Traditional Turkish Music in individual musical instrument violin education in vocational music education institutions. In the light of the data obtained through the data collection form, it has been tried to determine the extent to which GTM subjects are reflected in violin education in the school. In this context, the differences between the schools were discussed and the issues causing the level differences between them were tried to be determined. As a result of the study, it was found that there is a significant difference in terms of the use of GTM in violin education on the basis of professional music education institutions. As a result of the comparison made in the school type, it was concluded that the ranking according to the frequency of use was in the form of faculties of fine arts, conservatories, Anatolian high schools of fine arts and faculties of education.

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Diego Velázquez Eserlerinde Barok Dönemi Modasının Yansımaları

Author(s): Hüseyin Elmas,Meltem Özsan / Language(s): Turkish Issue: 64/2019

Contrary to the Renaissance period, in which the ideal, balanced and harmonious was accepted in the development of art that have gone back to a long time ago, Baroque concept of art, in which the expressive, stagnant or moving expressions gained importance with it's large contrasts of form, have been felt mostly from the end of 16th century until the early 18th century. Today still continues to influence the areas such as fashion, architecture, sculpture and painting. Baroque art developed in Italy under the leadership of Caravaggio and spread throughout Europe. Diego Velázquez, who created a new sense of art based on Caravaggio's style; was one of the pioneers of Spanish Baroque art. Based on Velázquez’s works of portrait and daily style, it was possible to obtain detailed information about Spanish women, men and children fashion, clothing habits, style and design features, fabrics and accessories during the baroque period. In this respect, it can be said that the works of the painter are important data in the illumination of baroque fashion. The aim of the study is to examine the clothes and accessories of the figures in the works of Diego Velázquez in terms of features such as model, fabric, color, pattern and reveal the traces of baroque fashion in art.

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Lale Devri'nde (1718-1730) Jean Baptiste Van Mour'un Tablolarındaki Erkek Giyimlerinin İncelenmesi

Author(s): Melike Ciloşoğlu,Hüseyin Elmas / Language(s): Turkish Issue: 64/2019

The Tulip Era is a period in which the Ottoman Empire began to adopt the innovations and developments in the West; as stated in many sources. Sultan III. Ahmet and his grand vizier, Nevşehirli Damat İbrahim Paşa, were also influential in this respect, with their management policies and personal characteristics. The perspective in the years, when the grandeur and vanity prevailed in the palace, was reflected in the field of clothing and decoration along with many subjects. On the other hand, Ottoman life arouses great curiosityin the West. Jean Baptiste Van Mour, who came to Istanbul with the ambassador of France and whose duty was to transfer the Ottoman life to the canvas, made some invaluable piece of works reach the present day, by portraying people living in Istanbul in all aspects and the events that he witnessed in the society. In the current study, men’s clothing in Jean Baptiste Van Mour 's paintings was examined. The subject matter was interpreted with the support of the relevant literary sources.

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Zeugma Kültürel Miras Ögeleri ile Geleneksel Kutnu Kumaşının Giysi Tasarımında Kullanılması

Author(s): Nazan Avcıoğlu Kalebek,Sena Sayar / Language(s): Turkish Issue: 67/2020

Anatolian is the home of many cultural heritages. Gaziantep has been the protector of many handicrafts and cultural heritage since ancient times. Within the scope of this study, designs were made using 100% natural silk weft yarn, 100% natural cotton warp yarn. Kutnu woven fabric has warp density 58 warp/cm and weft density 11 weft/cm. Four different kutnu woven fabrics, which have yellow, green, purple, black and blue colors were preferred. The design was enriched by computer-aided design program by using the borders in Zeugma mosaics. With this study carried out, it was ensured that the cultural elements that were forgotten were transferred to the next generation. Also, traditional fabrics are reinterpreted with modern lines.

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Sanatsal Reenkarnasyon

Author(s): Teoman Çığşar / Language(s): Turkish Issue: 69/2020

One of the most valuable and productive resources of culture is art. However, art provides its own movement using cultural accumulation. Within the cultural substructure, there are beliefs, tradition, behaviour patterns & etc. The perceptions and expressions that art incarnates and reincarnates itself, exhibit together with its point of origin and reasons and by this means expecting a different perspective is the primary objective of it. Accordingly by literature review and document review the action inspections have been accelerated. It has been observed at the research that, the reincarnation efforts, especially under the religious based philosophical belief influence, is a functional attitude, to protect the sustainability of the tradition, master-apprentice relationship and work.

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Küresel- Küyerel Bir Çalgı: Elektro Bağlama

Author(s): Ahmet Gündüz,Songül Karahasanoğlu / Language(s): Turkish Issue: 69/2020

Electro baglama which entered to our music life with the influence of the globalization process in the late 1960s, it has been a global product that crosses the borders of the country until today. Electro-baglama has penetrated almost all areas of music in more than seventy years and has turned into a highly influential soloist instrument. Electro bağlama, the electric guitar who came to Turkey with globalization, loud sounds are used to provide the magnetic intensity is manufactured by mounting a local binding instrument. This change made by Erkin Koray, one of the pioneers of Anadolu Pop; has led to the emergence of a new urban version of the bağlama. In parallel with the development of music technologies in the future, it has undergone rapid and effective changes by adding some sound and effect devices to electro bağlama, and these features have turned electro binding into a preferable instrument. Electro bağlama, thanks to its technological advantage and offer technical sense, Turkey has become an indispensable provider of entertainment sound types are arranged in urban and rural areas. The mobility has accelerated in the last century with the globalization process. The displacement of items such as product, information, finance, people, and cultural elements, especially within the accelerated flow with technology, has had a noticeable effect on society and individuals. Thanks to the said flows, different cultures and cultural products started to exist in new ways by being affected by each other. Accordingly, the changes caused by electro-bonding, especially in local areas and partly globally, constitute the research subject of this study. The study was conducted by obtaining data by using observation and participatory observation techniques in a method based on ethnographic research. The data obtained are combined and interpreted in the direction of similarity-difference relationships with the secondary data obtained in the literature review.

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Õed kunstis, õed teaduses

Author(s): Rahel Aerin Eslas / Language(s): Estonian Issue: 01+02/2020

Kumu kunstimuuseumi aastakonverents „Women Artists in Baltic and Nordic Museums” 5. ja 6. märtsil 2020.

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YENİ TÜRK SİNEMASINDA MODERN MELODRAM GELENEKSEL SÖYLEM

Author(s): Mustafa Cebrail Sadakoğlu / Language(s): Turkish Issue: 28/2019

As one of the points exists in Western modernization is melodrama emerged, as a kind of genre, in theater and literature first, and then in cinema. While this study focuses on the indicators of modernization, it also focuses on what material and spiritual it needs to prioritize the melodrama. Under the light of this study, the assessment will concentrate on two significant questions respectively: What sort of needs in a world melodramas support, the surrounding modern working life and ethics, revolutions, immigrations and crowded cities. In a more accurate way, what sort of pain the melodramas relieve and make the chaotic world more bearable? A total of three Çağan Irmak representations in the period of New Turkish Cinema, “Babam Ve Oğlum-2005”, “Issız Adam-2008” and “Unutursam Fısılda-2014” are also the focus points of this study. These movies were examined in terms of their functions to shape the daily life, which based on the years they were screened. This function was sought in relation to the relationship between the selected melodramas and social reality on the representation level. For this reason, in the years when the movies were shown on cinemas, references were made to consider the political, economic and cultural atmosphere attracting the audience.

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SANAT TARİHİNDEKİ ESERLER İLE PİKTOGRAMLAR ARASINDAKİ ETKİLEŞİM VE BENZERLİKLER

Author(s): Reyhan Uludağ Eraslan / Language(s): Turkish Issue: 7/2020

Pictograms which were existing as a cave painting during pre-historic times was seen as a function of written and oral language for humans. Individuals have tried to express their feelings and ideas with the help of basic and simple paintings on the caves „ walls. The pictrogram that was an important role in the pre-historic period has an indispensable position today. Most of the concepts can be explained with the pictogram due to the rise of overpopulation,living together with multinational societies and highly importance of fast communication in our world. The pictogram which expresses abundance of emotions and ideas by symblolizing has been studied to remove the discrimination in religion,language and racism. The pictogram that is the pattern of symbols and the paintings in the art history is interacted.In this regard,an subject from art history and a sample of artist have been scanned. The samples of artists researched: Edvard Munch, Jean Arp, Piet Mondrian, Poul Klee, Join Miro, Pablo Picasso, Pierre Alechinsky, Bruce Nauman, Kara Walker and they work on to clarify Keith Hany’s masterpieces and sampling the pictogram‟s visuals in terms of interaction and similarities.

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КУКЛА, ФУКЛА, ГАДЖЕ ТРЕПАЧКА – CZYLI O JĘZYKOWYM OBRAZIE KOBIETY W TEKSTACH BUŁGARSKICH PIOSENEK POPFOLK

Author(s): Natalia Długosz / Language(s): Polish Issue: 1/2019

The purpose of this article is to present the language picture of the woman on the basis of the lyrics of songs classified as a genre known as chalga. The image reconstructed in this manner seems to be particularly interesting from the perspective of the figurative meaning of the lexeme chalga in the Bulgarian language. It then appears as a type of exemplar of anticulture, in which the representation of women’s beauty and the model of male-female relations are displayed in an extremely evocative and archetypal way.

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Kościół, sztuka i muzyka...: doświadczenie poszukiwań i odnajdywania zawsze nowych horyzontów

Author(s): Vincenzo de Gregorio / Language(s): Polish Issue: 16/2018

On the basis of his own experiences of music, starting with the early childhood, throughout the university studies, until holding various managerial positions at music institutions, the author reaches the final conclusion that the very idea of musical school was born in the Church. The Church has always taught music and singing. Liturgical music has invariably been viewed as “primordial” (“di prim’ordine”), requiring professional skills from its performers. It has not only been a form of artistic expression or the aim in itself, but an instrument of communicating the Gospel and the words directed by the Church to God since the dawn of her history. The “professionalism” of the music within the Church, however, calls for the places of formation and education, so as to endure in time and to lay the foundation for setting guidelines to follow. The above postulate of teaching music in the Church originates from the very mission of the latter which, through her evangelization, “sings out” her faith. The author proposes his own, based on the experiences of many musicians as well, “definition” of the Church music: “Performing music in Church is the experience of faith, enlightened with aesthetic joy which moves the deepest recesses of the soul”. The Church music, understood in this way, evokes in us responsibility for preserving and passing down to next generations the idea of balance between the conception of art as the celestial gift of God (virtus cujusdam caelestis influxus) and the fruit of human intelligence (vehementia assidue exercitationis). Art and music – according to the author – are the fruits (ingenium et opus) of intelligence, efforts and commitment, and they compound with one another into a complete and final work of art (opus cansummatum et effectum).

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Studenci Międzyuczelnianego Instytutu Muzyki Kościelnej w Krakowie przeżyli w Rzymie niezapomniane chwile

Author(s): Grzegorz Lenart / Language(s): Polish Issue: 16/2018

Wszystko zaczęło się niespełna pół roku temu. Na początku maja Instytut obiegła informacja o jesiennym wyjeździe do Rzymu. Na reakcję studentów nie trzeba było długo czekać. Zainteresowanie podróżą było bardzo duże, mimo że wtedy jeszcze nikt nie znał jej szczegółów. Z każdym dniem wiedzieliśmy coraz więcej i każda nowa informacja wzbudzała w nas apetyt na przeżycie niezapomnianych chwil.

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Black utopian and dystopian technological simulation: Tupac Shakur’s holographic persona at the Coachella Valley Music and Arts Festival

Author(s): Roy Whitaker / Language(s): English Issue: 34/2020

Tupac Shakur’s holographic persona at the Coachella Valley Music and Arts Festival in Indio, California is a point of departure for discussing the Black utopian and dystopian imagery in a future world through technological innovation. In conversation with hip hop studies and critical race theory, Afrofuturism is used as an aesthetic and humanistic methodology to interpret the manner in which Tupac’s posthumous representation complicates ethical, cultural, and theological debates about idealistic and undesirable depictions of Black virtual reality. Understanding Tupac’s routine through an Afrofuture perspective presents a model for assessing perceptions of virtual Black life in the context of a range of social issues, including the perspectives of alternative Black religious futures, resistance of Black artists to White appropriation and altering of Black dead people for the purposes of profit-making. Tupac’s performance underscores the need for broader dialogue, not only on the racial implications of post-human mediations in public space, but also the ideological challenges that Black scholars of future studies face due to larger cultural concerns, especially those of the White hegemony in a hyper-commodified digital age.

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THE ETHNOGRAPHICAL ESSAY: CINE CLUB IN THE REFUGEE CAMP – THE STORY OF A DOUBLE EMPOWERMENT

Author(s): Izabela Wagner / Language(s): English Issue: 10/2019

The article is an ethnographic essay, which is based on a long-lasting fieldwork conducted in an Italian refugee center. The first part contains basic information on the research project, as well as the presentation of the phenomenon – empowerment – which is the axis of this text. The second part has an innovative form: on the canvas of films watched with refugees, I am conducting the analysis of problems raised by participants.

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Tańcząc w ciemnościach. Rosyjska kultura nieoficjalna w warunkach totalitaryzmu na przykładzie studia „Heptachor”

Author(s): Anastasia Nabokina / Language(s): Polish Issue: 1/2019

The article presents an analysis of the possible existence of unofficial culture in totalitarian regimes. The problem is presented on the example of the Heptachor Studio and the tradition of Russian free dance, rooted in the culture of the Silver Age. The method of “musical movement”, developed by S. Rudniewa, survived in the regime of isolation in the communist system. It was possible thanks to Rudniwa’s persistence in the communication and social emptiness outside the borders of official culture.

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Aktualne problemy i zagrożenia związane z obrotem dobrami kultury na rynku sztuki w Polsce z perspektywy prawnej ochrony zabytków

Author(s): Wojciech Szafrański / Language(s): Polish Issue: 1/2019

This article presents the art market in Poland with a focus on existing problems and potential threats to its transparency. The Polish art market is young and therefore vulnerable when it comes to globally occurring trends and shifts. However, there are some trends that are typical for the Polish realm, such as the existence of non-professionals who are connected to the cultural sector because of their profession (art historians, monuments conservators, museum collaborators, journalists) and act successfully as middlemen. Diminishing risks and mitigating threats is possible with an introduction of new legal regulations and future art market self-regulation. In this regard, applicable international and European legal instruments must be taken into account.

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Building a City Brand on the Basis of Activity of City Theatres

Author(s): Wawrzyniec Rudolf,Ewa Glińska / Language(s): English Issue: 2/2019

Background. The challenge of building a strong territorial brand is an area of growing interest among practitioners and academics alike. Culture, which is an important element of local identity, is increasingly used as a basis for building a territorial brand. Its important creators are local cultural institutions, such as theatres, museums, or galleries. In Poland, public cultural institutions have a high degree of autonomy towards local authorities / local administration and their effective inclusion in the processes of building a territorial brand requires adopting an adequate approach. Research aims. The aim of the paper is the identification of ways in which cultural institutions can cooperate with local administration to build a brand of a city. On account of the varying roles of individual types of cultural institutions in the process of communicating the city brand, our deliberations have been limited to theatres. Methodology. To implement this goal the authors used the case study method. The analysis considered two cities: Bialystok and Lodz. The selection of these cities was connected with the clearly accented role of culture in the development strategies of these two urban centres. The case study made use of individual in-depth interviews with theatre managers as well as with heads of municipal office departments responsible for promotion within the two cities covered by the analysis. Key findings. In the paper, the authors: determine the types of shared projects implemented by theatres and local administration contributing to the development of a city brand, diagnose the benefits resulting from this type of cooperation for both parties, as well as formulate conditions for the success of this type of cooperation.

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From Icon to Punk Portrait: The Iconicity of the Ruler Image in the Context of the Transformation of the Idea of the Serbian State

Author(s): Magdalena Bogusławska / Language(s): English Issue: 19/2019

The article describes transformation in the iconographic forms of power representations in Serbian culture as determinants of the evolution of the idea of the State and Serbian political culture. In visual terms, the key stages of their development correspond to the genealogical dynastic image of the religious character (loza) in the middle ages, and the “disenchanted” historical and representative portrait of a ruler that was subordinated to the national idea on the threshold of modernity. These forms not only participate in the establishment of political leadership and the creation of the field of power, but they also stimulate their change. The author examines these issues from the perspective of visual studies, which problematize the phenomenon of the performativity of the image. A particular variation of the performativity of the image is iconicity, understood as drafting and making present reality using esthetic and visual values. The aim of the analysis is to show how the local, namely Serbian, pattern of culture of power models the universal mechanisms of forming and legitimizing the authority of the State.

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