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On March 12, 2021, writers, representatives of the academic community and cultural diplomacy, artists, and all those passionate about literature, journalism, and cultural journalism were saddened. On that day, all those imbued with a sense of identity and integrity were saddened. We said goodbye to the distinguished writer Nicolae Dabija.
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The monograph Hermeneutics of the Ancient Myth in Poetry from the Republic of Moldova (1990-2010), by Associate Professor Dr. Victoria Fonari, is judiciously structured into five chapters (Hermeneutics of the Ancient Myth: Investigation Perspectives, The Mythical Method – an Instrument of Literary Criticism: M. Cimpoi, E. Simion, The Spirit of National Renaissance under the Sign of Orphism, Implications of the Ancient Myth in the Social Context, The Phenomenon of Transcendence in the Valorization of the Ancient Myth in Artistic Literature). Starting from Dilthey's predilection for the ancient myth (“In his interpretative approach, W. Dilthey traversed, in a dialogue, the entire history of philosophy, focusing on fundamental landmarks.
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In memoriam of prof. dr Silvano Bolčić (1942-2024).
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Svet se drastično menja pred našim očima, a ključno je pitanje da li ćemo biti spremni za buduće izazove. Jedini način da se istinski razumeju savremene globalne transformacije i njihovi uticaji jeste nekonvencionalno razmišljanje i kreativno pristupanje problemima. Časopis European Journal of Transformation Studies (izdavač Europe Our House iz Tbilisija u Gruziji, e-ISSN 2298-0997) je rezultat saradnje naučnika iz Centralne i Istočne Evrope i fokusira se na socijalna, kulturna, politička i ekonomska pitanja koja su važna za zajednicu i tiču se aktuelnih dešavanja. U poslednjem objavljenom broju, časopis sadrži tematski odeljak Nauka i obrazovanje zarad održivog razvoja (Science and education for sustainable development) koji obuhvata sedam članaka. Konstantna isprepletanost ekonomskih i socijalnih pitanja, uz očuvanje prirodnih resursa, negovanje zdravih navika i načina života, naglašava važnost kontinuirane edukacije za održivi razvoj. Ova tema postaje jedna od najaktuelnijih na globalnom i lokalnom nivou, kao i na nivou pojedinaca.
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The Motivational Phraseological Dictionary with Illustrations and Contexts is a beautiful result of scientific research, in which the motivational ergo of stable polylexical units is captured and explained; moreover, it is an interdisciplinary object of study.
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With just a few words, designers can invoke text-to-image AI tools to generate relevant images that jump-start the creative process. These images are computationally generated to approximate everyday-life physical or digital products, such as a coffee machine or a sports website, and thus can aid collaborative design. But how do generative AI tools influence the UserExperience (UX) design process, and do they improve product UX after all? This paper investigates the integration of generative AI in the UX design process in the context of mobile application design. We organized two distinct design workshops where eight designers in total (1) used no AI, or (2) the Midjourney AI tool, to design two high-fidelity mobile app prototypes. We evaluated both prototypes with 32 participants in a user study. Our results indicate that AI influences the UX design process in a differential way but it does not necessarily lead to superior UX quality.
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Sanja Latinović, the artist who has been present at the art scene since the beginning of 2000s is almost always engaged in performance art; however, the said medium is free-flowing, and it frequently grows into sculpture, video work, or photography. In her works – which we can also attribute to her sculptural vocation – the artist creates new (non)spaces, with the emphasis on the relationship between fullness and emptiness and the individual themselves, i.e., herself at the centre. Her work could indeed be described with several key words – fullness, matter, decomposition, void. These four elements are being realized in different combinations: fullness sometimes contains another fullness – object, installation or liquid contain a body (for example Aquarium, 2008) or a body contains organic substance like food (The Abandoned, 2019) and sometimes it stands on its own – as a body, or as a post-performance object/ installation (Do Not Cross, 2016); matter balances between the object and the body, sometimes standing independently as a body, and as an object it is being realized only as a post-performance object/installation, never as a self-standing object within the exhibition space; decomposition is being manifested through matter such as food, sand or glass (Movements: White, 2012); and finally void which with its emptiness embodies all three material elements listed above, because the performances of Latinović problematize the emptiness from different perspectives – be it a shaped void engraved into different kinds of materials (Do Not Cross, Obstacle or Threshold, 2022); be it formless void, just a movement enacted by a body which gets a momentary shape by usage of different tools, such as pencils or belts (Deflection, 2009, Until Death Do Us Apart, 2021); or be it void which was once a visible matter but then by decomposition or digesting, it magically disappeared from the physical world, extending its missing half further into boundless space, merging with it without any boundaries (Half of My Meal is an Artwork, 2023)
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My paper presents Oltiţa Cîntec'recent book entitled Kitul artistului începător. Cum să mă fac cunoscut?[The beginner artist's kit. How do I make myself known?],which saw the light of day in the middle of this year. This substantial volume highlights both the undoubted expertise and the didactic vocation of the author – renowned theater scholar, long-time drama columnist, screenwriter and director, university professor at UAGE, etc. Although anchored in various realities of the field of reference (the performing arts, with everything they imply, from the conceptualizing phase to the actual applicative one), Oltiţa Cîntec's discourse attracts attention through a series of stylistic attributes and operates with symbolic associations, factual analogies and correspondences of all kinds, which make it agreeable to a large category of readers, not only those who are professionals or those in the process of becoming professionals in different theatrical subfields.
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Arheologija je nauka koja se razvija u inherentno multidisciplinarnom intelektualnom kontekstu i nauka koja je kontinualno pozajmljivala tehnike i alatke iz različitih oblasti. Tehnike datiranja bazirane na hemijskim analizama, da navedemo jedan sasvim očit primer, imaju svoju nezamenljivu funkciju, ali se do nje došlo krivudavom stazom, od inicijalnog prihvatanja i nekritičkog entuzijazma do adekvatnog kontekstualizovanja. Tekstovi u zborniku pokazuju da je u toku proces nalik tome, u teorijskom domenu, asimilacija i promišljanje filozofskih ideja nakon početnog entuzijazma. Ishod su zanimljivi i vrlo raznovrsni rezultati u kontekstu lokalnih istraživanja.
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