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  • History of the Holocaust

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Result 341-360 of 2009
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Холокауст као екстремни облик страдања цивила окупиране Србије – нумеричко одређење и квантитативна анализа

Author(s): Dragan Cvetković / Language(s): Serbian Issue: 2/2018

The losses of Jews in the Holocaust were separated from the massive killing of civilians from the territory of occupied Serbia for many reasons. Destined in advance to destruction from the Nazis, Jews accounted to 11.20% of the losses, which was 33.94 times higher than their share in the population of the occupied territory (0.33%). Given the presence in the population, the real losses of the Jews were 36 times bigger then the number of killed Serbs who suffered the greatest number of civilian casualties (80.19%). The extermination of the Jewish community started in the ϐirst year of the war, and unlike all other nations, practically ended by its destruction in 1942, in which they represented two-ϐifths of the losses incurred by then (39.37%). In the Holocaust, destroyed Jews made up one third of the victims of the Belgrade region and two-ϐifths of the civilians losses in Banat. The share of women amongst the exterminated Jews (47.02%) was 3.61 and 1.97 times higher compared to the losses of Serbs and members of other and unknown nationalities, respectively. The Jews accounted for almost a third of all killed women (29.67%) in the occupied territory. Completely destroyed as a nation, Jews had a large share among the casualties under 15 and over 65 years of age (3.27 or 2.32 times more than Serbs), and they accounted for a quarter of all casualties aged up to 15 and a ϐifth of civilian casualties aged 65 and older. Their destruction left a major impact on economic and social development in post war peri od, since they represented one-ϐifth of the losses that businessmen, ofϐi cials and experts, secondary school and university students suffered. The loss of life that was associated with the previous stay in the concentration camp made Jews account for one third of the loss of civilians of the occu pied Serbia who were victims under these circumstances.

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Daša Drndić i David Albahari: jezik koji susreće užas

Author(s): Boris Postnikov / Language(s): Croatian Issue: 05+08/2018

Pisanje o holokaustu u postjugoslavenskom je književnom kontekstu ključna točka motivskog ulaska u tematizaciju Drugoga svjetskog rata: od »Rute Tannebaum« Miljenka Jergovića do »Elijahove stolice« Igora Štiksa, od »Geca i Majera« Davida Albaharija do »Kuće sećanja i zaborava« Filipa Davida, od »Biljara u Dobrayu« Dušana Šarotara do »Mog lepog života u paklu« Ivana Ivanjija, postjugoslavenska književnost holokausta okuplja neka od najznačajnijih autorskih imena koja na »ovim prostorima« stvaraju posljednjih desetljeća.

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Punktowo o Zagładzie
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Punktowo o Zagładzie

Author(s): Marta Tomczok / Language(s): Polish Issue: 5/2017

Review: B. Przymuszała, Smugi Zagłady: Emocjonalne i konwencjonalne aspekty tekstów ofiar i ich dzieci [Trails of the Holocaust: Emotional and Conventional Aspects in Written Expression by Victims and Their Children], Adam Mickiewicz University Press, Poznań 2016.

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„Przestrzeń zaraz pokażę”. Krajobrazy Zagłady, performanse pamięci
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„Przestrzeń zaraz pokażę”. Krajobrazy Zagłady, performanse pamięci

Author(s): Aleksandra Szczepan / Language(s): Polish Issue: 1/2018

Szczepan examines the performative practices of Holocaust bystanders in relation to sites of genocide that remain unmarked and unremembered. The study draws on theories of witnessing and of the relationship between trauma and space or landscape. Beginning with an analysis of the interdependence between the gesture, the landscape and testimony in bystanders’ accounts in Claude Lanzmann’s Shoah, Szczepan presents the emergence of the video testimony as a genre as well as possible ways of interpreting it. Finally, she examines performative practices of the bystanders to the decentralised Shoah, using as examples video testimonies from the archives of the United States Holocaust Memorial Museum and the Yahad - In Unum foundation. Szczepan argues that in the case of the testimonial practices of casual witnesses of the Holocaust, the spatial-performative dimension becomes especially significant. It urges us to re-examine the problem of indexicality of a testimony and conventions determining this genre.

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Bracia miesiące: świadectwo sprawców
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Bracia miesiące: świadectwo sprawców

Author(s): Joanna Tokarska-Bakir / Language(s): Polish Issue: 3/2018

Based on archival research at the Institute of National Remembrance (IPN), Tokarska-Bakir explores the murders of Jews committed by diversionary units of Peasant Battalions and the Home Army in the southern Kielce region during the third phase of the Holocaust.

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Obserwatorzy uczestniczący zamiast świadków i rama zamiast obrzeży. O nowe kategorie opisu polskiego kontekstu Zagłady
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Obserwatorzy uczestniczący zamiast świadków i rama zamiast obrzeży. O nowe kategorie opisu polskiego kontekstu Zagłady

Author(s): Elżbieta Janicka / Language(s): Polish Issue: 3/2018

Notions such as “the Holocaust framework” and “participant-observers” are polemical in the context of existing descriptions of the Polish Holocaust, which include terms such as the fringes of the Holocaust and bystanders, whether bystanders are understood as witnesses, onlookers, spectators or gawkers. The social and cultural validity of anti-Semitism has made it possible to portray the Polish context of the Holocaust as a panoptical reality and to describe the vast majority as a disciplinary society of participating observers. The concept of “the Holocaust framework” dates the influence of the majority group on the fate of Jews from the beginning of the occupation and in a continuum with pre-war attitudes, discourses and practices. Janicka explains how existing socio-cultural conditions were able to determine the effectiveness of the Holocaust in occupied Poland.

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O wystawianiu historii. Świadek Zagłady na scenie zbrodni
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O wystawianiu historii. Świadek Zagłady na scenie zbrodni

Author(s): Aleksandra Szczepan / Language(s): Polish Issue: 3/2018

Szczepan examines Holocaust bystanders’ accounts recorded on video in locations that remain unmarked and unremembered. She proposes to read those videos as visual documents that simultaneously represent and establish such locations as crime scenes. The crime scene – a term that is used in forensic and performative studies – allows us to perceive the unmarked and unremembered locations of the Holocaust as both a reservoir of traces of the past, material evidence, as well as a space for reconstruction of events in performative acts of witnessing. Szczepan uses quotations from over a dozen video testimonies and interprets these documents as acts of recreating and creating crime scenes with respect to six categories: the archive, the witness, the landscape, time structure, reconstruction and framing.

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Niewidoczni świadkowie Zagłady – biedni Polacy patrzą na Polaków
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Niewidoczni świadkowie Zagłady – biedni Polacy patrzą na Polaków

Author(s): Justyna Kowalska-Leder / Language(s): Polish Issue: 3/2018

Holocaust witnesses recognized the scale of Polish society’s hostility towards Jews. It was especially evident in the countryside, where violent acts were committed not behind ghetto walls but in the streets and at Jewish cemeteries. Kowalska-Leder examines testimonies by Stanisław Żemiński, Zygmunt Klukowski and Tadeusz Markiel, which thematize the Poles’ participation in the Holocaust – an image that continues to have traumatic potential. Anti-Semitic tendencies are deeply rooted in Polish culture. This is apparent not only in popular attitudes in the countryside but also in statements by outstanding intellectuals such as Maria Dąbrowska or Andrzej Bobkowski. Recently published passages from their diaries testify to their hostility towards Jews and their lack of empathy towards the victims of the Holocaust.

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Jak drzewa świadczą? W stronę nie-ludzkich figuracji świadka
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Jak drzewa świadczą? W stronę nie-ludzkich figuracji świadka

Author(s): Jacek Małczyński / Language(s): Polish Issue: 3/2018

Małczyński explores the question whether the concept of the witness, rooted in human ethics, can be extended to non-human beings (e.g. plants, animals, objects). While his main focus is on the tree as a figuration of the witness, the subject of interpretation is Łukasz Surowiec’s artistic project Berlin-Birkenau (2012). Referring to Eduardo Kohn’s book How Forests Think (2013) and the extended concept of semiosis, Małczyński argues that trees testify to the past in an index-like manner. He also draws attention to the project’s environmental consequences.

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Down the Ladder of Despair: The Holocaust Legacy of Itzhak Katzenelson

Down the Ladder of Despair: The Holocaust Legacy of Itzhak Katzenelson

Author(s): Moshe Shner / Language(s): English Issue: 15/2017

Holocaust historiography tries to offer a detailed and objective account of events, but it fails to grasp the inner world of its victims—those who perished and those who survived and carried its horrors in their souls. The hidden Holocaust is the dark abysses of the victims, their nightmares, and the despair they carry in their hearts to their last day, and in unclear ways pass it to the following generations.The archives of the Ghetto Fighters’ House Holocaust Museum at Kibbutz Lohamei HaGetaotin Israel holds the writings of the poet and educator Itzhak Katzenelson wrote during the Holocaust.His texts open a ‘door’ into the inner reality of the Holocaust, the shattered world of its victims. It is not scholarly historiographical writings, but rather a personal account of a sensitive person, a testimony, and interpretation of the real meaning of the Holocaust.Before World War II, Katzenelson was a gifted teacher, part of his family Hebrew education system in Łódź, a prolific writer, poet, and dramatist. Many of Katzenelson’s Hebrew poems became folk songs all over the Jewish Diaspora and in Palestine. His pre-war poetry was light, joyful,and childish in its character. His writings drew a bright picture of future Jewish life in the Land of Israel. His wartime writings were different, dominated by growing pain, rage, and finally despair.Before the war, Katzenelson mainly wrote in Hebrew, the revived language of the Jewish people.Then, as part of the Jewish population, struggling for life under the iron yoke of the German occupation, he wrote in Yiddish, identifying himself with the fate of his brethren. Katzenelson reached Warsaw in November 1939. In May 1940, he was ‘adopted’ by the ‘Dror’(freedom) movement, becoming part of its underground educational and cultural work, offering words of consolation and hope to the ghetto people. However, as he witnessed the growing horrors of the Holocaust, including the loss of his own family, he could no longer give meaning to the terrible events and his life ended in total despair.On April 1943, Katzenelson and his remaining son Zvi moved to the Arian side of Warsaw,imprisoned by the Gestapo and sent to the Vittel camp in France. Vittel was the last stage of his writings before his deportation in April 1944 to Drancy and then to Auschwitz to his death.As we Follow Katzenelson’s writings in Warsaw and Vittel, we descend a spiritual ladder from words of hope, through spiritual resistance to the bottom of the abysses of despair. Gradually,the joyful prophet of life became the prophet of darkness and a total loss of meaning. In his last writings, Katzenelson is bitter, poison to the soul, and yet with a sensitive pen and open heart,Katzenelson takes his readers down into the deepest chasms of history, showing them the reality of the Holocaust and its true meaning.

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Dwie modalności libricide

Dwie modalności libricide

Author(s): Katarzyna Liszka / Language(s): Polish Issue: 40/2017

The aim of the article is to describe the complexity of the meaning of the Nazi libricide during the Shoah. The author argues that libricide can be understood according to two modalities of destruction which left people without books on the one hand, and books without people on the other. It is not sufficient to conceptualize libricide from the perspective of the modality which concentrates on the destruction of Jewish books and libraries, without taking into account another modality of destruction, in which what remains are books deprived of three generations of readers, namely the murdered Jews. As to the first modality of libricide, the author follows Rebecca Knuth’s comparative study Libricide: The Regime-Sponsored Destruction of Books and Libraries in the Twentieth Century and, as to the other, George Steiner’s collection of essays Language and Silence.

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The Saving Narratives of Daša Drndić

The Saving Narratives of Daša Drndić

Author(s): Sabina Giergiel / Language(s): English Issue: 41/2018

The starting point for this paper is the assumption that by obsessive revisiting the events of World War II, the Croatian writer Daša Drndić attempts to influence indirectly the present. It parallels her narrators’ declarations who—with a great dose of probability—can be simultaneously read as her alter egos. Hence, the article investigates and describes the strategy whose main aim is to retain memory about the past. In Drndić’s texts this function is achieved through the acts of archiving, writing down, and grouping. These acts constitute non-standard ways to enhance the literary text with, for example, whole pages filled with the victims’ names (integrated within the text or acting as a peculiar supplement to the volume).

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Analiza polskiego i austriackiego przekazu medialnego wokół 72. rocznicy wyzwolenia byłego niemieckiego obozu koncentracyjnego KL Gusen

Analiza polskiego i austriackiego przekazu medialnego wokół 72. rocznicy wyzwolenia byłego niemieckiego obozu koncentracyjnego KL Gusen

Author(s): Anna Przybyll / Language(s): Polish Issue: 26/2018

This article concerns the media coverage of the 72nd anniversary of the liberation of the German Nazi concentration camp KL Gusen in 2017. It was attended by the representatives of the Polish and Austrian authorities, i.e. the Secretary of State in the Ministry of Foreign Affairs Jan Dziedziczak, the Undersecretary of State in the Ministry of Culture and National Heritage Magdalena Gawin and – for the fi rst time – by Austrian President Alexander Van der Bellen. The revival of remembrance about KL Gusen has become one of the priorities in the politics of memory pursued by the current Polish government. For Poles, the Gusen camp is of special signifi cance because it was built with the intent of destroying the Polish intelligentsia. The Austrian government sees Polish efforts to commemorate their victims in the context of nationalist and protectionist tendencies in Poland. A just fi ght for historical truth is overshadowed by the mutual lack of understanding in the countries, which both suffered under German occupation between 1939 and 1945.

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Kryptonimy i echa. Proza Lema jako tekst pamięci - O książce Agnieszki Gajewskiej Zagłada i gwiazdy. Przeszłość w prozie Stanisława Lema

Kryptonimy i echa. Proza Lema jako tekst pamięci - O książce Agnieszki Gajewskiej Zagłada i gwiazdy. Przeszłość w prozie Stanisława Lema

Author(s): Maria Kobielska / Language(s): Polish Issue: 34/2017

The article is a review of Agnieszka Gajewska’s book Zagłada i gwiazdy. Przeszłość w prozie Stanisława Lema [Holocaust and the stars. The past in the prose of Stanisław Lem]. The author discusses Lem’s autobiographical prose, realistic fiction and science fiction as a memory text in disguise, in terms of such categories as trauma and testimony.

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Could Genocide Have Been Averted? R. L. Braham : A magyar Holocaust (The Politics of Genocide. The Holocaust in Hungary)
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Could Genocide Have Been Averted? R. L. Braham : A magyar Holocaust (The Politics of Genocide. The Holocaust in Hungary)

Author(s): András Kovács / Language(s): English Issue: 01/1991

S even years after its American publication, Randolph L. Braham’s standard work was finally published in Hungary. What precisely were the reasons for the delay? What was it that made the Hungarian publishers—or rather, the authorities— so cautious? Could they have resented the fact—as Maria Ember intimated in her discerning review — that this inglorious period of Hungarian history should be viewed from a Jewish perspective? Or was it that Braham listed the names of those people— prominent and insignificant personalities alike—who had carried out the deportations? In either case, it is a highly disturbing thought that even as late as the 1980s such considerations could result in depriving the Hungarian public for so long of a unique book on Hungarian history.

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Zjawisko memów internetowych propagujących kłamstwo oświęcimskie, a art. 256 k. k.

Zjawisko memów internetowych propagujących kłamstwo oświęcimskie, a art. 256 k. k.

Author(s): Piotr Bernacki,Karolina Palka / Language(s): Polish Issue: 3/2018

The main point of this publication is to analyse if internet memes that presents crime of Holocaust in irreverent way, that may be perceived as propagation of totalitarian systems, and as consequence - their authors criminal responsibility on basis of polish penal law.

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Mentesítések Észak-Erdélyben 1941-ben

Mentesítések Észak-Erdélyben 1941-ben

Author(s): Attila Gidó / Language(s): Hungarian Issue: 1/2017

Waivers to the anti-Jewish laws (i.e., occasional application of procedures overwriting the racial categorization of the law) occured, just like in other parts of Hungary, in Northern Transylvania as well. The paper discusses the mechanism of exemptions: the legal and administrative framework of the waivers in 1941, and the people who were granted the waiver. Only those cases are discussed where the waiver was based on the merits gained between 1918 and 1940 as members of the minority community (e.g. participating in the minority Hungarian fights or imprisonment for remaining loyal to the Hungarian community). Waivers granted on the basis of ancestry or other criteria are not included in the scope of the research, nor are the lifesaving acts that occured during the 1944 deportations, as they happened under completely different legal, social, and domestic circumstances.

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Fasetowany język: bilingwalna poezja Ireny Klepfisz w poetyckim dyskursie o Zagładzie

Fasetowany język: bilingwalna poezja Ireny Klepfisz w poetyckim dyskursie o Zagładzie

Author(s): Olga Kubińska / Language(s): Polish Issue: 33/2018

The bilingual poetry of Irena Klepfisz, a Polish-born Jewish-American poet, seems to constitute a unique case of Holocaust poetry. The poet, an intellectual and activist engaged in lesbian, queer, feminist and gender movements, advocates the reading of Holocaust poetry within the ramifications of gender oriented cultural theories. Her bilingual poetry undermines the hypothesis of the postvernacularity of contemporary Yiddish. The paper substantiates the thesis that the choice of the target language in the translation of bilingual Holocaust poetry has clear axiological underpinnings.

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Logika uniku. O protokole audiencji Josepha Tenenbauma u prymasa Augusta Hlonda 3 czerwca 1946 r.

Logika uniku. O protokole audiencji Josepha Tenenbauma u prymasa Augusta Hlonda 3 czerwca 1946 r.

Author(s): Joanna Tokarska-Bakir / Language(s): Polish Issue: 14/2018

The document discussed in this article was discovered by Alina Skibińska in the Archive of the Ministry of Foreign Affairs. It is a memo written by Professor Olgierd Górka (1887–1955), a historian and the director of the Bureau for Jewish Affairs of the Ministry of Foreign Affairs, concerning an audience with Cardinal August Hlond (1881–1948) in Warsaw on 3 June 1946 attended by the chairman of the World Association of Polish Jews, Joseph Tenenbaum (1887–1961).

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Każdy z nas potrzebuje czasu, czyli rzecz nie tylko o Janie Tomaszu Grossie

Każdy z nas potrzebuje czasu, czyli rzecz nie tylko o Janie Tomaszu Grossie

Author(s): Stanisław Obirek / Language(s): Polish Issue: 14/2018

Jako motto poniższych rozważań potraktowałbym zdanie wypowiedziane przez Jana Tomasza Grossa pod koniec długiej rozmowy z Aleksandrą Pawlicką: „Skąd ta różnica postrzegania między nimi, zastanawiam się i nie umiem na to pytanie odpowiedzieć”, kiedy próbował dociec, dlaczego z najbliższymi mu ludźmi dzieli go tak wiele, a z innymi, których poznał przelotnie, tak wiele go łączy. Tymi pierwszymi są Adam Michnik i Aleksander Smolar, do tych drugich zalicza Józefa Czapskiego i… księdza Stanisława Musiała. Opuszczając Polskę w 1968 r., Gross napisał do Józefa Czapskiego list, w którym pytał jak żyć. Odpowiedzi doczekał się po latach.

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