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KEY SUCCESS FACTORS IN THE BUSINESS MODEL OF B&B INDUSTRY IN TAIWAN

Author(s): Wan-Ju Chiang,Maw-Liann Shyu / Language(s): English Issue: 53/2016

With the upsurge of B&B in past years, such characteristic B&B, different from early hotels, provide accommodation services and various services according to the resources and characteristics. The combination of accommodation, food & drink, and tourism has B&B become a different recreation industry. Finding out the resources and combining the special capabilities for further reinforcement and application to become the competitive advantage become the primary issues for B&B operators. Aiming at B&B industry in Taiwan, B&B customers in Kenting areas are sampled for the questionnaire survey. Total 300 copies of questionnaire are distributed, and 226 valid copies are retrieved, with the retrieval rate 75%. The experimental analyses conclude that Service, with the weight 0.324 and the total weight 32.4%, is mostly emphasized among evaluation dimensions in Hierarchy 2, followed by Environment & Landscape (weight 0.283), Facilities (weight 0.215), and Management (weight 0.178). Accordingly, services are the most emphasis in the business model of B&B industry in Taiwan. By organizing the total weight of 16 evaluation indicators of key success factors in the business model of B&B industry in Taiwan, the top 5 emphasized indicators contain recreation resources, environment & landscape, cultural interpretation, decoration & landscaping, and medical treatment.

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MOKYKLOS VADOVŲ KVALIFIKACUOS KOKYBĖS TOBULINIMAS

Author(s): Artūras Arbatauskas / Language(s): Lithuanian Issue: 4/1997

One of the problems of management training is the „transfer problem" Positive transfer means the degree to which trainees effectively apply the knowledge, skills, and attitudes gained in a training context to the job. Headteachers and educational administrators become more and more sceptical about the usefulness of management training if it doesn't guarantee positive changes in schools, afterwards. The purpose of this paper is to try to find what kind of management training and how can improve transfer in a particular case.

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Vyresniųjų moksleivių darbinio apsisprendimo sunkumai ir trūkumai

Author(s): Dileta Jatautaitė / Language(s): Lithuanian Issue: 2/1993

Profesinio apsisprendimo stabilumui, dinamikai ir sėkmei, asmenybės profesiniam tapsmui įtakos turi daugelis veiksnių: socialiniai, ekonominiai, psichologiniai, sveikatos, ugdymo ir t.t. Remiantis šiais profesinio apsisprendimo veiksniais, profesinio orientavimo sistema turi rengti jaunimą optimaliam ir sąmoningam rinkimuisi, kad individo poreikiai, polinkiai, interesai, vertybės, gyvenimo planai atitiktų pasirinktos profesijos reikalavimus. Tačiau atlikus IX ir XII klasių moksleivių tyrimus išryškėjo kad šių klasių moksleiviai dar tik formuoja savo gyvenimiškus planus, kurie dažnai yra prieštaringi. Labai ryški profesinių ketinimų nepastovumo problema.

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Idea mody zrównoważonej w policealnych i wyższych szkołach kształcących projektantów mody w Polsce

Author(s): Dominika Hołuj,Monika Murzyn-Kupisz / Language(s): Polish Issue: 3/2021

The article presents the results of research on the promotion of the sustainable fashion concept by Polish post-secondary and higher education institutions that offer fashion majors. The analysis included information on all institutions active in fashion design education in the 2019/2020 academic year and aimed to assess their involvement in education on sustainable fashion by examining the content of their official internet and social media sites. Universities and schools undertake diverse activities which may significantly contribute to the development of ecological awareness of future fashion designers and the general public. Factors that determine the practical possibilities of such schools to exert impact on attitudes to sustainable fashion include both their human resources and the presence of relevant supporting partners in the schools’ surroundings.

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Zrównoważona produkcja filmowa w Polsce. Geneza i perspektywy

Author(s): Anna Wróblewska / Language(s): Polish Issue: 3/2021

The 21st century has seen a growing awareness of the serious impact of film and television production on the natural environment. The film industry pollutes our environment in many ways, including carbon dioxide emissions, waste production, and energy and water consumption. The initiatives for sustainable development undertaken in many sectors of the economy have also reached the film industry. In Europe and the United States, various organisations and institutions have developed a number of recommendations in the field of sustainable film production. This paper, set in the film studies trend known as production culture, presents the global context as well as the nascent Polish practices of green filming. These initiatives, based on European examples, have so far been mainly bottom-up and dispersed or in the form of non-binding recommendations. The handful of producers and authors who have undertaken them are not in any way encouraged to be eco-friendly. Driven by their concern for the environment, however, they show the forward-looking way of thinking that should be followed by the entire industry.

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The Philosophy of Design in the Innovation Space of the Postmodern World: Consciousness of Cultural Practices

Author(s): Olha Kostiuk,Olha Vaskevych,Nataliia Zlenko,Olena Savitska,Rada Mykhailova,Taras Gorbatiuk / Language(s): English Issue: 1/2022

The design ideas of the postmodern era reflect the general trends of socio-cultural reality, namely the loss of traditional moral guidelines, disharmony and destructiveness combined with absurdity, a sense of crisis, abyss and uncertainty conveyed in signs and in spatial coordinates. Design products become installations in which the viewer is a direct participant, sometimes even the creator. Postmodern design denies finitude, noting the plurality, uncertainty and fluidity of the world. The paradox of postmodern design culture is expressed in a combination of diametrically opposite things, sometimes even mutually exclusive. The era of postmodern design culture has recorded the fusion of "high" and "low" art, the emergence of new trends - neo-conceptual art, art installation, lowbrow art, performance art, digital art, telematic art - has affected. It should be noted the immersion in virtual reality in particular, as a result of the perception of the concept of postmodernism. After all, the purpose of designer items and their perception has already been changed in accordance with the needs of a person in the postmodern world. A striking example is the coronavirus epidemic, which has become the central theme of successful design projects. After all, a protective mask as a medical device becomes the object of design solutions that transform it into a means of self-expression (fabric masks, masks with pictures), or the manifestation of social characteristics (inscriptions about social distancing, calls for certain actions), or the result of digital achievements. (the ability to measure temperature and monitor body indicators).

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Phoebe Cummings: Çamur, Geçicilik, Performans

Author(s): Ayşe Canbolat / Language(s): Turkish Issue: 67/2021

The works shaped by British ceramic artist Phoebe Cummings ceramic clay are temporary and recyclable. The works that will realize the firing, which is a fundamental stage of ceramics, and this current presentation adopted in creating design are worth considering within the scope of their influence and participation in the art of ceramics. In order to better understand the artist within the scope of this study; usage of clay, production methods, ephemerality and the recyclable part of the works are discussed in terms of their connection with performance and the main factors in adopting this understanding as a ceramic artist. In this direction, the study was carried out by contacting the artist after preliminary research was carried out on printed sources, internet resources, the artist's website and interviews. The artist makes her works in museums and galleries, where she participates as an invited artist (art-in-residence). Her works which made in public spaces, the audience has the opportunity to watch the artist's production process. With this side, Cummings; she is an example of an artist profile producing in a museum or gallery from an artist profile producing in her workshop. It is the production process of planning, which turns into a kind of performance, and at the same time, aiming to be able to recycle the work is the target. The production approach adopted by Cummings can be evaluated as the reflection of the dynamic aspect of contemporary art to ceramic art and artists.

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Üretken Sanat Eserlerinde Otonom Sistemlerin Kullanımı

Author(s): Fatoş Çakıcıoğlu İlhan / Language(s): Turkish Issue: 64/2021

Generative art is the process that is revealed through an autonomous system that works based on a set of rules created by the artist's algorithmic thinking technique. The criteria that define generative art are that the process has an algorithm and then an autonomous system in which the artist voluntarily delegates the authority partially or completely. Autonomous systems are systems that can make their own decisions, and their use in the generative art essentially stems from the artist's desire to objectify the process. Although generative art is used synonymously with algorithmic art or computer art in the literature, its history goes back much before the invention of computers. Undoubtedly, with the invention of the computer and the increase in its use in the artistic context, the reflection of technology in the field of generative art has become inevitable. So much so that today generative art has become unthinkable independently of coding and artificial intelligence. However, it is quite wrong to think of autonomous systems only as environments dependent on digital technologies. There are many autonomous systems based on the cooperation of individuals which take their power from nature, use more primitive machines or simply work by sticking to the written rule set. The aim of this research is to define and introduce the autonomous systems that make up the generative art more clearly with both their digital and non-digital aspects.

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Stil Danışmanlığı Eğitimiyle İlgili Uzman Görüşlerinin İncelenmesi

Author(s): Ayşe Ceyhan,H. Fatma Şener / Language(s): Turkish Issue: 61/2021

This research was conducted to examine the current status of style counseling education and expert opinions on the development of style counseling education. Descriptive research method was used in the research. With the descriptive research method, it was aimed to evaluate the data obtained from the questionnaire applied to the experts who provide style counseling training, and to determine the current status of style counseling education, and to create solution suggestions for improving style counseling education. For this purpose, research data were collected through a questionnaire created by the researcher. The sample of the research; style consultancy and related fields, which can be reached from style consultants working in the sector in Istanbul (12 participants) and who have received education abroad/in related fields, and academicians (4 participants) who provide style consultancy training at universities with fashion design departments in Ankara. Within the framework of the general purpose of the research, the data obtained from the questionnaire, which included the opinions of the style consultants and academicians, were transferred to the computer environment and the necessary statistical analyzes were made using the SPSS package program. In order to determine the opinions of the sample group, descriptive statistics were applied to each item, presented in tables and interpreted. In the research, the suggestions developed by examining the expert opinions about style counseling education; raising awareness about style counseling education, increasing the number of institutions providing style counseling education, making style counseling course compulsory in fashion design faculties and increasing the number of documents related to the field.

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Біографія в акспекті культурної комунікації митця і публіки

Author(s): Lesya Mykhaylivna Mykulanynets / Language(s): Ukrainian Issue: 4/2021

The purpose of the article is to reveal the communicative potential of the master's biography, to prove its influence on the cultural dialogue between humanity and the achievements of the artist. The research methodology is to apply a number of approaches: analytical – to comprehend the literature on the topic of the article; interdisciplinary - for a comprehensive study of factual material and in obtaining new knowledge; systemic using a whole range of methods (biographical, semiotic, culturological, hermeneutic, historical, theoretical generalization) – comprehending the stated quest, etc. Scientific novelty – for the first time in the national humanities, biography is explained as the way of civilizational contact between the creator and the public, the translator of the most important meanings of the era. Conclusions. The publication states that the artist's biography is an important component of the communicative space of nowadays. It embodies the anthropological dimensions of history, the worldview of the day through the coverage of the hero's life, his significant achievements. The author of the chronicles builds the life strategy of the master in such a way that he becomes clear to the recipients of any period. An analysis of the chronicle reveals the richness of symbolic forms of cultural contact associated with works of art, epoch-making features and social circumstances, and so on. In unity, they affect the perception of the artist's image. This process is carried out by the public as a result of decoding spiritual information in accordance with existing norms, traditions of a particular time, awareness of the existential and creative experience of the character. Biography as a means of communication demonstrates freedom from ideological, social limitations, as it allows communication of individuals of different eras, removes territorial, speech, social, and others barriers. Due to their ability to embody the universal concepts of civilization, the chronicles express not only the story of the artist, but also allow the modern recipient to express himself. Thus the listener (viewer) through the biography is in contact with the master, his time, humanity.

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Проєктна діяльність як метод управління культурною сферою: творчий та комунікативний потенціал

Author(s): Nonna Valeriyivna Kondrashova / Language(s): Ukrainian Issue: 3/2021

The purpose of the article is to analyze the creative and communicative potential of project activities as a method of managing the cultural sphere. Methodology. A systemic and structural-functional method was used, as well as an interdisciplinary approach. Scientific Novelty. Understanding the potential of project activities will help create a civilized market of cultural goods and services for the population in Ukraine. The theoretical basis for this approach will provide information for further research and stimulate scientific discourse on this issue. Conclusions. The management of cultural projects is one of the innovative management mechanisms and complements the existing forms of management of the cultural sphere. The application of this method allows for the development of decentralized cultural actions, for maintaining partnerships between the commercial and public sectors, and for attracting additional funds. It is noted that for cultural projects the project participants are the main resource, therefore, for their successful implementation, special attention should be paid to communication strategies. The issues of professional communication of participants in cultural projects are considered. Formulated rules and recommendations for improving the culture of communication in an office environment.

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How to Smooth International University Students’ Adaptation in Ukraine

Author(s): Svitlana Rostyslavivna Babushko,Myroslav Solovei,Liudmyla Serhiivna Solovei / Language(s): English Issue: 1/2022

The article is devoted to an important problem of international students’ adaptation in host countries. They face a lot of cross-cultural adaptation problems, especially in their first year of study. The problem concerns Ukraine, as well, for an increasing number of international students come to get higher education. Hence, the purpose of the research is to reveal major difficulties of international students in Ukraine and to design a programme of activities aimed at assisting them in their cross-cultural adaptation in this country. The research procedure involved 5 stages. In the first stage theoretical background for the research was prepared: international and national scientific literature review on the problem. The second stage included the identification of target groups, pedagogical observation and working out a self-designed questionnaire. The respondent group consisted of 60 international students of the first year of study in Ukraine, namely on the Bachelor’s and Master’s levels from 3 Kyiv universities. Next, after receiving the students’ consent to participate in the research, they were handed the designed questionnaire. The fourth stage was aimed at collecting the quantitative data and their analyzing. It resulted in identification of challenges, problems and difficulties of the international students’ cross-cultural adaptation in Ukraine. In the final stage a special programme of activities was worked out to make cross-cultural adaptation of international university students in Ukraine smoother and less stressful. This methodology allowed to identify, evaluate and systemize the most typical challenges, problems and difficulties. Thanks to the analysis, 3 categories of them were distinguished: linguistic, academic and socio-cultural. On their basis a special cross-cultural programme of activities and recommendations in different environments (linguistic, academic, socio-cultural) which correlate with the identified problems was designed for university staff (teachers and administration), campus staff, students’ councils and host country students. It is planned to introduce the research results and the designed programme in the educational process of the universities. Their implementation is believed to facilitate cross-cultural adaptation process of international students and to make it less painful.

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Atatürk Dönemi Kültür/Sanat Alaninin Yapisal Görünümü

Author(s): Ensar Yılmaz / Language(s): Turkish Issue: 53/2022

Year 1923, which is the date of the proclamation of the republic, signifies not only the change of political history, but also the transition to a new era in the study of art and culture. The main purpose of the Republic of Turkey is to establish a brand new nation state with the concept of a new citizen. In doing so, the state has attached a very special importance to its cultural policies. Together with the fast cultural change experienced in the new Republic of Turkey established after the proclamation of the republic; Ataturk, who attached a big importance to the culture and art for the realization of modernization in the fields of economic, social, politics and culture, encouraged artists from every field and provided them with facilities where they can work comfortably. All artistic activities such as sending students to Europe, establishing Community Centers, opening a State Gallery of Painting and Sculpture were supported. Ataturk, not wanting the Turkish nation to fall behind the level of contemporary civilizations in the area of fine arts, was a pioneer in the developments related to sculpture, music, stage arts, architecture, painting, etc., and regulated the studies governmentally in this regard by establishing the State Conservatory. The fact that Westernization efforts directly determined the developments in the fine arts caused the fields of theater, music, etc. in a Western sense to come to the forefront, and resulted in the fact that traditional Turkish arts remained more in the background both in music and in other traditional art branches. However, although Western forms are preferred as a structural feature in the field of culture/art, Turkish cultural values have been tried to be preferred as the content.

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Efendiyev'in "Atayev Ailesi" Oyununun Dilinde Aile Tarzi

Author(s): Samire Merdanova / Language(s): Turkish Issue: 53/2022

People's writer Ilyas Efendiyev's dramatic work, which began in the middle of the twentieth century, consistently realizes the potential of the influence of the family style of the Azerbaijani literary language on the artistic style in the new historical conditions. As for the play "Atayev family", in this work, the familyhousehold style, demonstrating all its ideological and aesthetic power, becomes a means for a more vivid, more perfect depiction of the images of people belonging to different social strata. The article examines the features that define the linguistic and stylistic picture of the play in the context of both dialogue and monologues, and analyzes the specific details of the technology of family language in the speech of individual characters. No matter how much the writer tries to "literaryize" the family style (this was the demand of the time), his artistic intuition in many cases challenged the manifestation of this style with all its naturalness, in which, for example, Dilshad's speech is more prominent. In general, Ilyas Efendiyev, as a great master of the national language, has always played a historical role in strengthening the position of the family style in speech, as he has always supported the enrichment of literary and artistic language with the vernacular.

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REFLECŢII CU PRIVIRE LA FINALITATEA ŞI CONVERGENŢA SISTEMELOR DE GUVERNANŢĂ CORPORATIVĂ

Author(s): Céline Du Boys,Bruno Tiberghien / Language(s): Romanian,French Issue: 3/2009

Cet article porte sur la notion de gouvernance d’entreprise à travers ses contenus et son évolution. Depuis une vision disciplinaire jusque dans sa dimension cognitive nous nous interrogeons sur l’existence (ou non) d’un modèle unique vers lequel les systèmes de gouvernance tendent ou devraient tendre.

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Basics of Historical Knowledge as a Key Concept of Education: Case of Kazakhstan

Author(s): Gulzhakhan Tazhitova,Maksat Kudageldin,Nurilya Kassymbekova,Kamariyash Kalkeyeva,Dina Kurmanayeva / Language(s): English Issue: 76/2022

Despite a fairly large number of historical and pedagogical studies devoted to the history of pedagogy and education in Kazakhstan, historical and pedagogical knowledge was not formalized as educational knowledge and was not used in the educational process for the teacher training. The authors define what have been the basics of structuring historical pedagogical knowledge in Kazakhstan and show that students’ awareness of the history of education of Kazakhstan makes them look at the future differently. Moreover, they emphasize that rethinking and reassessment of historical and pedagogical knowledge will improve its content with value-targeted materials. For research implementation, philosophical, historical, and pedagogical literature was analyzed. For the empirical part of the research questionnaire with 20 teachers and pedagogical experiment with 180 students were conducted. The object of the pedagogical experiment was a specially organized process of assimilation of historical and pedagogical knowledge by students of pedagogical specialties, with new substantive content in the field of “History of Education of Kazakhstan” as an independent educational discipline. Results of the experimental work indicated that students studying the history of education as an independent discipline had an important condition for the formation of the general and pedagogical culture of the future specialist, since it gives knowledge about the development of the theory and practice of education and contributes to the formation of a worldview and pedagogical professionalism.

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Akuzmatyczność filmowych efektów dźwiękowych. Medialna mistyfikacja foley w kontekście sound designu

Author(s): Szymon Nożyński / Language(s): Polish Issue: 4/2021

The text is about the foley profession, an important specialty performed as part of film sound design, at the post-production stage. What’s important here is both, the foley artist’s body, which becomes an instrument, and the ontology of created sounds, which are inserted into the finished film and synchronized with the picture. The author wonders if there is still a place for foley artists in the digital reality and common computerization of work. But the most important issue concerns the nature of sounds themselves, in the context of their production, acousmatics and the ubiquitous sound design.What is the sound implemented into the picture, does the picture give credence to the sound, even though the sound is “substituted” because it is produced in the studio? The situation is debatable, in the context of acousmatic listening (i.e. without the context of the source), because the picture provides a substitute context for the sound, and the viewer (listener) accepts this audio-visual relationship without reservation (as long as the sound is prepared well). Especially since by going to the cinema, the viewer agrees to a form of manipulation in the name of entertainment. Usually he or she is not aware of the mystification in the field of sound, which - within the oculocentric perception ‒ for him or her is only a complement to the picture, although, in fact, it plays a fundamental role in understanding what is happening on the screen. Other topics discussed in the text concern the communicativeness of sound and the historical background of the foley profession. Also important are the interrelations between foley and sound design and other areas of sound activity, as part of the preparation of all the audio layers of a film.

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Korpomuzeum jako typ idealny

Author(s): Justyna Żak-Szwarc / Language(s): Polish Issue: 4/2021

The beginning of the 21st century was a time of great museum revolution. Many museums have been created that focus their activities not so much on collecting artefacts as on presenting impressive exhibitions, largely made of media relays. New museums are increasingly moving away from the concern for durable goods that characterizes traditional museums and transfer knowledge to their recipients through modern products and attractive technologies. In connection with the implementation of new and costly solutions regarding architecture, equipment, organizational structure and functioning, they actually need a lot of capital in the form of public finances and “human resources” from the very beginning of their activity. It seems that at present the need to raise this type of capital in a case of creating new institutions is far ahead of the need to collect works of culture that have constituted the essence and sense of museums created in previous centuries. The quality of planned projects also ceases to be related to the significance and reputation of the material culture heritage, and begins to be measured by the scale of the new museum buildings and the number of visitors. Products instead of cultural goods, or even products understood as cultural goods; visitors as engaged customers; capital understood by finance and “human resources”; large size ‒ which covers many issues ‒ ranging from structure, and architecture; modern technologies; political influence; brand strength and promotion ‒ all these aspects resemble the corporate model of organization. They provoke reflection on the functioning of the museum as a corporation, which is the purpose of the ideally typical structure of the “corpomuseum”.

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Stefana Morawskiego krytyka postmodernizmu

Author(s): Mariusz Oziębłowski / Language(s): Polish Issue: 4/2021

The matter under consideration is Stefan Morawski’s criticism of postmodernism. The author presents Morawski’s main arguments against postmodernism and analyzes their accuracy for the Richard Rorty’s and Francois Lyotard’s theories. In addition to this the author considers the impact of the art on the possibility of integration consumer society.

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Stefana Morawskiego wizja sztuki masowej i estetyzacji świata – uwagi krytyczne

Author(s): Robert Rogoziecki / Language(s): Polish Issue: 4/2021

The text considers the concept of aestheticization and the influence of mass culture on it in the light of Stefan Morawski’s views. Morawski adopted a value-laden attitude towards mass art. That is why in his reflections on aestheticization processes its role remains unnoticed by him, contrary to his original declarations. This is why I have to ask Morawski questions that he leaves unanswered. Does in fact the spectacularity of contemporary life result in its “art-like” constitution? The author of the essay gives a positive answer here, stressing that mass art becomes the model for shaping life, and tries to answer what this pattern is based on. Thus Morawski’s views appear here as a negative point of reference. The positive part of the considerations, on the other hand, focuses on Walter Benjamin and Jean Baudrillard.

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