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Рози Брайдоти: различие и номаден субект
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Рози Брайдоти: различие и номаден субект

Author(s): Tatyana Batuleva / Language(s): English,Bulgarian Issue: 5/2019

Sharing François Laruelle's thesis on heterogeneity in the use of the concept of difference, which imparts a specific color to philosophy in the twentieth century, the author examines Rosie Braidotti’s specific interpretation of difference, which, being inspired by differentialism and the nomadic project, creates one of the most interesting contemporary philosophical conceptions. The various roles of difference are sought – first, in the context of Braidotti's understanding of the stages of the feminist project as a set of degrees of difference; second, by viewing difference as a defining element in her theory, the construction of the nomadic subject and his or her becomings in a posthuman and postanthropocentric context; third, in the political projections of the feminist brand of nomadism, based on the politics of location. The article argues the conclusion about the positive structure of the nomadic posthuman subject as opposed to the classical subject on the one hand and the deconstructed subject on the other.

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Акционна рецепция: един от пътищата към социална и комуникативна адекватност на преводите на антична трагедия

Акционна рецепция: един от пътищата към социална и комуникативна адекватност на преводите на антична трагедия

Author(s): Stefka Piskuliyska,Doroteya Tabakova / Language(s): Bulgarian Issue: 01/2020

: In this text the authors tackle the specifics of the translation reception of a dramatic text, the criteria for the applicability of theatrical translation and the characteristics of Attic tragedy reception in Bulgaria and thus, the factors that require new translation approaches adequate to the needs of the audience.The authors propose an experimental approach to conducting the approbation of a new translation, introducing the concept of actional reception: a workshop with the participation of spectators, obtaining feedback through interviews and discussions on an unpublished translation of Euripides’ Electra by D. Tabakova commissioned by the DPT Ivan Radoev – Pleven.

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Nadbudowa matrycy mitów i ich transformacje na przykładzie najnowszej twórczości chorwackich, czarnogórskich i kosowskich dramatopisarzy oraz realizatorów scenicznych

Nadbudowa matrycy mitów i ich transformacje na przykładzie najnowszej twórczości chorwackich, czarnogórskich i kosowskich dramatopisarzy oraz realizatorów scenicznych

Author(s): Gabriela Abrasowicz / Language(s): Polish Issue: 39/2019

Myths evolve continuously and they are influenced by transfer; in this way they cross the boundary between ages, geocultural areas, and art genres. This dynamic system of symbols, archetypes, images, and schemes has been integrated by culture and stimulates the artistic activity of the 21st century. This also happens when it comes to the playwrights and stage producers of the post-Yugoslav countries. One should point to the extraordinary transformations of myths by Ivana Sajko (Croatia), Ljubomir Ðurković (Montenegro), and Jeton Neziraj (Kosovo). As a result of such strategies as, for example, prefiguration, transposition, and reinterpretation, ancient and modern contents overlap and create new quality. The theatrical plays which are based on such texts are other examples of transfer and transformation depending on the performative circumstances of the exposition. Moreover, these productions are transcultural and transgressive.

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LAUGHING IN THE FACE OF ADVERSITY AND THE REFUSAL TO BE VICTIMIZED AS ANIMAL’S QUEST FOR IDENTITY

LAUGHING IN THE FACE OF ADVERSITY AND THE REFUSAL TO BE VICTIMIZED AS ANIMAL’S QUEST FOR IDENTITY

Author(s): Mirko Ž. Šešlak / Language(s): English Issue: 69/2019

In the modern globalized world of corporate neoliberal capitalism, one can notice two seem- ingly opposed phenomena. One is the ruthless exploitation of the ever growing poor workforce in the so-called Third World via the relocation of the rich western countries’ dirty industries to places that offer cheap workforce coupled with the possibility to disregard the expensive safety protocols set in place in an attempt to protect the environment. The other is the rise of humanitarian funds and organizations which attempt to alleviate the troubles of the said poor by providing humanitarian aid. This work, using Indra Sinha’s Animal’s People as an example and aided by the critical work of Roman Bartosch, Rob Nixon, Catherine Parry, Jennifer Rickel, Edward Said, Milica Živković and others, argues that these two seemingly opposed phenomena are actually not opposed at all, but are simply the opposite sides of the same coin, complement- ing each other, since humanitarianism does little to address the true causes of the suffering of the exploited poor and serves mostly to divert the public eye away from the real perpetrators of what could only be called a crime, dehumanising the victims it is supposed to provide aid for.

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UNIVERZUM HILJADU I JEDNE NOĆI PRIČA KAO VRHOVNI PRINCIP UNIVERZUMA

UNIVERZUM HILJADU I JEDNE NOĆI PRIČA KAO VRHOVNI PRINCIP UNIVERZUMA

Author(s): Esad Duraković / Language(s): Bosnian Issue: 42-43/1995

The monumental work Thousand and One Nights is a unique representative of the Arabic literature in the West, although it has always been dominated by poetry. This work is also unique in that it, like an ocean or the Universe, collected an abundance of folklore motifs and experiance of literature from the distant and ancient India to the medieval Egypt. Orientalists and Westem folklorists mainly agree that the origins of the general story of the Thousand and One Nights were in India’s literature from wich Ibn al Mukafa took the same general story for his work Kalila and Dimna Persian literature placed its stories entitled Hezar efsane in a suitable form and the Arabs translated that Collection as early as the 9th century.

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OCJENE I PRIKAZI

OCJENE I PRIKAZI

Author(s): Boris Nilević,Sabina Ahmić-Bakšić,Olga Zirojević,Fehim Nametak,Rusmir Mahmutćehajić,Esad Duraković,Amir Ljubović / Language(s): Bosnian,Serbian Issue: 44-45/1996

Review of: Jusuf Ramić - KURAN SA PRIJEVODOM NA BOSANSKI JEZIK, preveo Enes Karić, Bosanska knjiga, Sarajevo, 1995, 1343 str. Amir Ljubović - Dr İskender Pala, Ansiklopedik Divan Şiiri Sözliiğü, I-II, Kaynak eserleri, Akçağ, Ankara, (s. a), n ridanje, 554. ste. Amir Ljubović - POEZIJA ARAPSKOG ISTOKA XX VIJEKA. Izbor, prijevod s arapskog i bilješke o pjesnicima Esad Duraković, "Bosanska knjiga", Sarajavo, 1994, 319 str. Sulejman Grozdanić - Ali ibn Ebi Talib: STAZA RJEČITOSTI. Govori, pisma i izreke; sabrao es-Sejjid eš-Šeiif er-Radi. Prijevod Rusmir Mahmutćehajić i Mehmedalija Hadžić. Uvod Rusmir Mahmutćehajić. Voditelj projekta Rusmir Mahmutćehajić. Izdavač: Islamska zajednica, Zagreb, 1994. 300 str. Amir Ljubović - Martin Lings (Abu Bakr Siraj ad-Din), STA JE SUFIZAM ? (naslov izvornika: What is sufism?) Prijevod i uvod Rusmir Mahmutćehajić. Analecta islamica, knj. II, "Sebil", Zagreb, 1994, 117 str. Fehim Nametak; Esad Duraković - Amir Ljubović i Sulejman Grozdanić: PROZNA KNJIŽEVNOST BOSNE I HERCEGOVINE NA ORIJENTALNIM JEZICIMA, Orijentalni institut u Sarajevu, Posebna izdanja XVII, Sarajevo, 1995, 279. str. Fehim Nametak - Dr Erdoğan Erol, SUKKERÎ HAYATI, EDEBİ kisiliği ve divani. Atatürk Kültül- Dil ve Tarih Yiiksek Kuramu, Atatürk Kiilttir Merkezi Yayını -sayi 89 "Divanlar Dizisi: 2", Ankara, 1994. 300 pp. Olga Zirojević - ISTANBUL VU PAR MATRAKÇI ET LES MINIATURISTES DU XVI. SIECLE, Dominique Halbout du Tanney, Dost Yayınları, Istanbul 1993, str. 112 (s ilustracijama). Sabina Ahmić-Bakšić - Nimet Bayraktar ve Mihin Lugal, TURKIYE YAZMA ESER KÜTÜPHANELERDE BULUNAN YAZMALARLA ilgili YAYINlAR BİBLİYOGRAFYASI, Islam Tarih, Sanat ve Kültür Araştırma Merkezi (IRCICA), Istanbul, 1995. Boris Nilević - ZBORNIK RADOVA SEFARAD ’92. Institut za istoriju i Jevrejska zajednica u BiH, Sarajevo, 1995, 338 str.

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Čitanje Sotonskih stihova
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Čitanje Sotonskih stihova

Author(s): Gayatri Chakravorty Spivak / Language(s): Croatian Issue: 25/2020

U postkolonijalnosti, sve metropolitanske definicije su izmještene. Opći oblik za postkolonijalno je citiranje, novo upisivanje, preusmjeravanje povijesnog. Sotonski stihovi ne mogu se postaviti u europski avangardu, ali u tom su romanu vidljivi uspjesi i neuspjesi europske avangarde. Peter Burger istaknuoje prije određenog vremena Jurgenu Habermasu da svi promišljeni pokušaji integriranja estetičke sfere u Lebenswelt moraju uzeti u obzir njihovu dubinsku i trajnu razdvojenost. Ali, u postkolonijalnosti, svi metropolitanski opisi su iskošeni. Primjer Sotonskih stihova primjerje globalnog Lebenswelta - prakse i politike života - koji presreće estetički objekt te je puko čitanje tog romana pos talo nemoguće.

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MARXISME ET CHRISTIANISME SELON DAMAS, CÉSAIRE ET SENGHOR

MARXISME ET CHRISTIANISME SELON DAMAS, CÉSAIRE ET SENGHOR

Author(s): Frano Vrančić,Helga Ptiček / Language(s): French Issue: 1/2020

The aim of this paper is to analyze the relationships of Marxism and Christianity in the literary work of the three Baobabs of Negritude – the Guyanase Léon-Gontran Damas (1912-1978), the Martiniquais Aimé Césaire (1913-2008) and the Senegalese Léopold Sédar Senghor (1906-2001). Starting from the first cries of black revolt against “the civilizing mission” and the disproportionate exploitation of the human and natural wealth of the formerly colonized countries, we will try to describe how the Marxist vision of the colonial world of young angry writers influences the virulence of their attitudes against the assimilationist policies of the French Third Republic and the colonial clergy. Finally, we will explain how Senghoraian Negritude differs from that expressed in Césaireʼs and Damasʼ work and how his catholicism and the experience of peaceful cohabitation between Senegalese Christians and Muslims inspire him to preach the civilization of the Universal, that is to say to the mixing of men and women of different races and cultures.

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Diskurs islamofobije u književnosti: tri tematska pristupa

Diskurs islamofobije u književnosti: tri tematska pristupa

Author(s): Ahmed Isanović / Language(s): Bosnian Issue: 85/86/2019

Literature, as an ideologically very potent field, often serves as an instrument which validates the status quo, empowers existing relations of power, and shapes the sociopolitical awareness. On the other hand, literature is also a powerful platform for examining, understanding, and deconstructing the ideological mechanisms that offer a distorted picture of reality created by the centres of power. On such a premise, this paper attempts to denaturalize the ideologically constructed notion of Islam and Muslims which occurs in the form of a new grand narrative of the West. Analysing the following three novels: Saturday written by Ian McEwan, Submission by Michel Houellebecq, and The Reluctant Fundamentalist by Mohsin Hamid, the paper deals with the thematization of Islamophobia within the literary discourse, where three literary approaches to the topic (Islamophobia) are evident: manifest, latent and problem approach.

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PARADIGMA ITALIJANSKOG DRUŠTVA U ROMANU MESSINSKE ŽENE ELIA VITTORINIA

PARADIGMA ITALIJANSKOG DRUŠTVA U ROMANU MESSINSKE ŽENE ELIA VITTORINIA

Author(s): Mirza Mejdanija / Language(s): Bosnian Issue: 3/2019

The Women of Messina by the Italian author Elio Vittorini was published in 1964 and belongs to the prose of neorealism. In this novel, the author depicts the period after the Second World War, and later, the economic boom in Italy as well. The Italy emerging after the Second World War is in catastrophic spiritual and material circumstances. The war left the country in severe moral and political disintegration. Italy had been conquered and occupied by the military, depending on the support of the Allies and was, therefore, unable to completely govern its own destiny. The postwar period of Italian rebirth is ending at the end of 1950s and the beginning of 1960s. An era of a new industrial revolution begins and the country starts living a new reality, as the one seen in modern and developed countries. The Italian ‘economic miracleʼ, i.e. the so-called ‘economic boomʼ of the 1950s and 1960s, is the period of a great economic growth and industrial development with Italy as its protagonist. The economic and industrial advancement is thus changing the living conditions, but also the relations within the society, as well as the etiquette and the mindset. In The Women of Messina, Vittorini is trying to join his own lyricism with the historical events which he strives to portray in their very essence. In this novel, the author is experimenting with a choral narrative of an epic scope and the fresco of Italyʼs rebirth after the period of the Second World War. The novel tells a story of Uncle Agrippa who is looking for his own daughter by travelling throughout Italy on a train while she, Siracusa, not even knowing that her father is looking for her, spends time with Ventura, her lover. However, more dominant is the story about a utopian community established by a group of immigrants, Ventura and Siracusa among them, which symbolically represents a resurrection of humans after a tragedy of war. These three narrative flows function within the novel as individual stories that overlap at times. The novel embodies a new mode of transposition in time; the transfer from the post-war years into 1960s is sudden and abrupt and there are no fractures in the narrative between the two periods. The novel transfers from the myth of a peasant civilisation into a criticism of an industrial society.

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Eco-Intermediality and the Artful Recluse’s Hut: Mizuki Shigeru’s Manga Hōjōki

Eco-Intermediality and the Artful Recluse’s Hut: Mizuki Shigeru’s Manga Hōjōki

Author(s): Daniela Kato / Language(s): English Issue: 2/2020

This article proposes eco-intermediality as a cross fertilization between what has been the hitherto predominantly thematic orientation of ecocriticism and the more form-oriented concerns of intermediality studies. To explore the transformative potential of this eco-intermedial conceptual framework, I focus on the 2013 manga adaptation of Hōjōki by the Japanese visual artist Mizuki Shigeru. Hōjōki (1212)is a medieval essay written by the Japanese poet-monk Kamo no Chōmei and bearing witness to a string of environmental disasters that overtook Kyoto at around the end of the twelfth century. The combination of a poignant environmental theme with a long history of translations and adaptations makes this work particularly amenable to an eco-intermedial approach. My main argument is that the post-Fukushima adaptation by Mizuki is a game-changer in such history, inasmuch as the artist brings his unique environmental imaginary and the distinctive formal affordances of manga to bear on Chōmei’ s text, so as to convey the sense of a world where objects and phenomena are endowed with agency and thus outside full human control. The ultimate aim of the present article is to highlight the far-reaching ecological implications of the intermedial textures that Mizuki creates in his manga Hōjōki to express an environmental imaginary hinged on material agency and empathy.

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ПИРАНДЕЛОВА ПОТРАГА ЗА ПОЗОРНИЦОМ

ПИРАНДЕЛОВА ПОТРАГА ЗА ПОЗОРНИЦОМ

Author(s): Predrag Nešović / Language(s): Serbian Issue: 3-4/2020

У настојању да на позорници прикаже живот у сталном кретању, да потврди онај Декартов creatio continua, парадоксу да се управо мена проматра као константа, Пирандело је сачинио своју разбијачку театарску методологију, која је, незадовољна у његово доба постојећим приказивањем збиље на сцени, циљала на разоткривање позоришне илузије, подвргнула деструкцији драмску особу, која непрестано навлачи и скида маске представљајући се час као лик у драми, час као глумац, приватна особа која глуми задани лик.

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ДУХОВИТО ПОИГРАВАЊЕ СА КОНВЕНЦИЈАМА РЕАЛИСТИЧКОГ ПОЗОРИШТА

ДУХОВИТО ПОИГРАВАЊЕ СА КОНВЕНЦИЈАМА РЕАЛИСТИЧКОГ ПОЗОРИШТА

Author(s): Dragan Klaić / Language(s): Serbian Issue: 3-4/2020

У поређењу са антибуржоаском жестином Маjаковског и Витрака, Пирандело изгледа као аутор чврсто укорењен у грађански свет, штавише као припадник еstablishmentа. Није ли он примио Нобелову награду и дозволио да му властити списатељски углед буде уграђен у фасаду респектабилности талијанскот фашизма, те је и сахрањен у црној кошуљи, на одру окићеном Дучеовим венцем? Ни друштвени отпадник, ни маргиналац авангарде, Пирандело је најчешће схватан као помало бизаран драматичар који се духовито поиграва са конвенцијама реалистичког позоришта, почев од налета несрећне шесточлане породице, која у његовом номаду Шест лица траже писца (Sei persoggi in cerca d′autore, 1921) прекида позоришну пробу да би своју збиљску судбину, сукобе и бол понудила као драмски сиже. Уметност, показује се у овом комаду, који је брзо свом писцу донео светску славу, није у стању да тај потенцијално драматичан сиже савлада и обради.

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Miron Costin – cronista e poeta

Miron Costin – cronista e poeta

Author(s): Janina Janas / Language(s): Italian Issue: 1/2020

The volume is based on the analysis of the historiographic and literary work of Miron Costin, who held positions of primary importance in the military, administrative and political life of the Principality of Moldavia during the central decades of the seventeenth century. In particular, are examined the narrative structures of his chronicles, which often are inspired by the creations of contemporary and previous Polish historians. Furthermore, the contribution to the affirmation of the latinity of the Romanian people is clarified, when the question had not yet been put on the agenda. Moreover, the echoes of Greek and Latin classicism are identified in the verses of the poem La vita del mondo (The life of the world), steeped in motifs and modules of the overflowing spirit of the Baroque era.

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Włoska historia jednego gatunku

Włoska historia jednego gatunku

Author(s): Katarzyna Kowalik / Language(s): Polish Issue: 1/2020

The text is devoted to Giancarlo Alfano and Francesco de Cristofaro’s monograph Il romanzo in Italia published in 2018. The work is an attempt to systematize the information about Italian tradition of the genre which nowadays unquestionably dominates the publishing market. Moreover, it describes the structure of the publication, methodological assumptions adopted by the authors, their objectives, and the way of their realisation. The analysis of these elements shows whether the work discussed can be an important point of reference for future academic works dedicated to Italian novels.

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Przedziały śmierci. O książce Jana Grabowskiego

Przedziały śmierci. O książce Jana Grabowskiego

Author(s): Joanna Tokarska-Bakir / Language(s): Polish Issue: 16/2020

In the context of Abram de Swaan’s research on mass murder, summed up in his monograph The Killing Compartments. The Mentality of Mass Murder (2015), this article discusses the subject matter of the ‘blue’ police in light of Jan Grabowski’s book Na posterunku. Udział polskiej policji granatowej i kryminalnej w zagładzie Żydów [On duty. Participation of the Polish ‘Blue’ and Criminal Police in the Holocaust] (2020).

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Literacko‑serialowe lekcje feminizmu. Przypadek „Ani z Zielonego Wzgórza”

Literacko‑serialowe lekcje feminizmu. Przypadek „Ani z Zielonego Wzgórza”

Author(s): Maria Balik / Language(s): Polish Issue: 2/2020

The article attempts to interpret the character of Anne Shirley in terms of gender studies, mainly taking into account such an issue as the pro‑feminist element in the work of Lucy Maud Montgomery herself, which had an impact on the creation of a new type of heroine breaking the 19th‑century Victorian patterns of that time. Another reading from Anne of Green Gables resulted in a completely new text of culture, Anne with an E (Netflix, CBC), extracting forgotten or unread voices from the pages of novels. The author of the article compares specific situations from the book with TV series’ moments and their mutual impact on the transmitted content and to the constant emancipation of the main character.

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O SPECIFIČNOSTIMA SINTAKSE KNJIŽEVNOUMJETNIČKOG STILA: SLIKANJE SINTAKSOM U KRATKIM PRIČAMA JUSUFA IDRISA

O SPECIFIČNOSTIMA SINTAKSE KNJIŽEVNOUMJETNIČKOG STILA: SLIKANJE SINTAKSOM U KRATKIM PRIČAMA JUSUFA IDRISA

Author(s): Elma Dizdar / Language(s): Bosnian Issue: 69/2020

From the point of view of syntactic analysis, the main features of texts belonging to literary style are the unlimited freedom and absence of rules which in other functional styles dictate the characteristic use of syntactic patterns and structures, as well as means of text cohesion. That is why it is difficult to discuss the specific features of the syntax of literary style in general. Instead, it is possible to analyze the use of syntax as an element of style of individual authors, literary movements or genres. However, it is not the syntactic features that could be analyzed as building blocks of unique, homogenous style of Yusuf Idris that served as motivation for writing of this paper. Quite the contrary, the paper draws attention to markedly different syntactic devices used by this writer in different short stories. The central focus of the paper is the analysis of these syntactic devices in several short stories of Yusuf Idris, which aims to show that the use of syntax therein is not simply means or form used by the writer to convey the content of the story. Actually, this syntactic warp and woof of the story, packed with various syntactic figures, not only works together with the story content and tells one part of it but often speaks louder than words, forming unique narrative devices.

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Trzecia pieśń Sługi Pańskiego (Iz 50,4-11) – tekst kanoniczny i jego paralela w Targumie Jonatana
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Trzecia pieśń Sługi Pańskiego (Iz 50,4-11) – tekst kanoniczny i jego paralela w Targumie Jonatana

Author(s): Adrian Skutnik / Language(s): English,Polish Issue: 23/2019

Cierpiący Sługa Pański ukazany w czterech fragmentach Księgi Izajasza jest postacią zarówno fascynującą, jak i niezwykle tajemniczą. Niniejszy artykuł, zatytułowany Trzecia Pieśń Sługi Pańskiego (Iz 50,4-11) – tekst kanoniczny i jego paralela w Targumie Jonatana, miał na celu przybliżenie osoby Sługi poprzez szczegółową analizę fragmentu znajdującego się w 50. rozdziale tej prorockiej księgi Starego Testamentu. Punkt 1. prezentuje tło historyczne oraz teologiczny klimat, w jakim powstały poszczególne pieśni. Deutero-Izajasz, anonimowy prorok, który zebrał i zredagował myśli tzw. szkoły Izajasza, działał w czasach niewoli babilońskiej. Głosił pocieszenie narodu i łaskawą miłość jedynego Boga, który posłużył się osobą perskiego władcy, Cyrusa II Wielkiego, aby wybawić swój wybrany naród z niewoli. Mając w pamięci czasy niewoli, została spisana Trzecia pieśń Sługi Pańskiego, której szczegółowa analiza znalazła swoje odbicie w punkcie 2. Wyłania się z niej obraz wybranego przez Boga Sługi, którego intymna więź ze Stwórcą przeplata się z niesprawiedliwym cierpieniem. Jednak ufność w Bożą pomoc utwierdza Sługę w trwaniu przy powierzonej mu misji. W punkcie 3. biblijny tekst został wzbogacony żydowską tradycją aramejskich tłumaczeń, tzw. targumów. Przekłady te były niezbędną pomocą dla narodu, który po powrocie z niewoli posługiwał się jedynie językiem aramejskim. Oprócz funkcji translatorskiej targumy pełniły także zadanie interpretacji tekstu biblijnego, wprowadzały konieczne wyjaśnienia i doprecyzowania, a ich rewizja w szkołach rabinackich pomagała utrzymać ortodoksyjną teologię judaistyczną. W Targumie Jonatana Sługa Pański jest prorokiem, którego zadaniem jest wykładanie Tory tym, którzy odeszli od Bożych przykazań. Zatem łatwiejsze będzie nie tylko teologiczne zgłębienie jednego z tekstów Starego Testamentu, ale również bliższe poznanie tajemniczego Sługi, który w proroczym słowie stał się obrazem i pierwowzorem wcielonego Słowa – Jezusa Chrystusa.

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L’Insegnamento dell’Apostolo Paolo sui carismi in alcuni testi ecclesiologici
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L’Insegnamento dell’Apostolo Paolo sui carismi in alcuni testi ecclesiologici

Author(s): Paolo Cocco / Language(s): English,Polish,Italian Issue: 23/2019

Po przedstawieniu rzeczywistości dotyczącej charyzmatów w Starym Testamencie, w Ewangeliach, Dziejach Apostolskich zostało omówione pierwotne znaczenie i występowanie słów „charyzmat/charyzmaty” w Biblii. Na tym tle autor rysuje bezpośredni kontekst nauczania o charyzmatach omawiając wspólnotę Koryncką i Pierwszy List do Koryntian. W swoich analizach koncentruje się na sekcji dotyczącej rzeczywistości duchowej (1 Kor 12–14) ukazując różne funkcjonowanie charyzmatów wewnątrz Kościoła przedstawionego jako ciało Chrystusa. Ujmuje zależności pomiędzy charyzmatami a miłością oraz praktykowaniem glosolalii i proroctwa. Całość dopełnia omówienie analiz dotyczących nauczania św. Pawła o charyzmatach dokonanych w różnych artykułach przez Käsemann, R.Y.K. Fung, G.D. Fee, J.D.G. Dunn. G. Barbaglio.

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