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"Tıp Öykücülüğü" Üzerine

Author(s): Hasan Erbay / Language(s): Turkish / Issue: Special/2017

Medicine is a discipline with its own rules and manner of operation. Literature is one of the dozens of kinds of art. The common point of both fields is that they touch human stories from within life. Human stories in the field of health are about the processes in which a person lives, may live or is able to live. With the definition of medical story, it is narrative which are written by medical staffs, especially physicians. Medical narratives are fictitious narratives connected with medical realities, interpreting the health environment from the perspective of a physician or health care provider. Such is the primary concern of the works in the literary concerns. The medical narratiation is a field with a limited number of examples in both Turkish literature and world literature. Due to the diversity of medical education models in recent years, there is a growing interest in the relationship of medicine with literature and social sciences. Both in terms of medical education and in the context of literary and medical literacy, “Medical Narratiation” as a product of “quest of beauty” is a new and distinctive area in Turkish literature.

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"Verujem u Boga i u Sudnji dan" – Hayrun Yahya i savremena kontekstualizacija apokaliptičnih hadisa

Author(s): Marko Pišev / Language(s): Serbian / Issue: 1/2013

The motif of the apocalypse has fascinated mankind from the very beginnings of oral history and is present in various myths and religious traditions, finding its expression in the art of all time periods. Even today it hasn't lost its grip on human imagination. In modern Islamic contexts, the phenomenon of the apocalypse incorporates anti-western ideologies, which reflect, to a large extent the socio-cultural heritage of former anti-colonialist struggles, as well as the anti-imperialist attitudes which are present in a large number of contemporary Muslim societies. When paired with apocalyptic narratives, these notions can lead to negative essentializations of so-called "western morals and ethics", which are subsequently interpreted as a clear sign of the End times. Aside from the wider consideration of the symbolism of Islamic apocalyptic narratives, the paper will deal with a critical analysis of the visualizations of the Signs of the Last Day books by religious author Hayrun Yahya, who considers the topic of the apocalypse, as presented in the Koran and hadiths, in an affirmative light. We will attempt to puzzle out why the textual version of Signs utilizes certain quotes from the hadiths, while other, equally relevant quotes are avoided. We will rely on the so-called "interdiscursive" aspect of the enclosed quasi– documentary film, or rather, the heterogeneous elements which make up its audio-visual "text". This analysis should uncover the ideological notions behind this specific instrumentalization of scripture for the aim of religious, cultural and moral critique of contemporary (both Muslim and non-Muslim) societies; however, we will also attempt to point out the multifunctional idea – suggested to the viewing/reading audience of apocalyptic narratives – that Judgment day is near, and can come around at any moment.

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"Westernization and Alienation of the State/Social Order": A Pseudo-Scientific Fairy-tale of Turkish Islamists

Author(s): Deniz Yoldas / Language(s): English / Issue: 9/2019

Idris Küçükömer (born 1925 in Giresun, dead 1987 in Istanbul) is a well-known Turkish academic, who tried to figure out the controversial character of the Left-wing movement in Turkey. His main book “The Alienation of the State/Social Order” (in Turkish: Batılılaşma ve Düzenin Yabancılaşması, Küçükömer, 2002) is the dissertation of his principal thesis about contemporary Turkey. Küçükömer is one of the academics/intellectuals who tried to figure out the principal „anomalies” of Turkey with his own perspectives. The controversial character of Kemalism and Left-wing movement of Turkey is the subject of Küçükömer’s works. He tried not only to break out the Kemalist discourse’s falsification but also to create a pseudo-scientific theoretical base for Islamist “Green Kemalist” narration. Küçükömer’s work about the nature of bureaucracy and its transformations between different social systems could be interesting for Post-Soviet countries academic circles. The contribution of the present review is that it brings a present-day perspective on Küçükömer views.

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16. YÜZYIL DİVAN EDEBİYATI ŞAİRİ EYYÛBÎ’NİN MENÂKIB-I SULTAN SÜLEYMAN ADLI ESERİNDE GEÇEN DEYİMLER VE ATASÖZLERİ

Author(s): Zülfikar Gülbeden / Language(s): Turkish / Issue: 2/2019

Idioms and proverbs constitute an important place in Turkish literature and idioms and proverbs have been used in different periods of Turkish literature. In his works, poets included idioms and proverbs, which are the language materials used by the people. Poet Eyyubi, one of the 16th century literary figures of Divan literature, frequently mentioned idioms and proverbs in his work Menâkıb-ı Sultan Süleyman, which he wrote according to tradition. In this article, after a short introduction, the life of Ayybî is mentioned and the aim of this article is to determine the present writings and proverbs of Menâkıb-ı Sultan Süleyman and to introduce and explain the scientific world.

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ADIYAMAN-GERGER AĞIZLARINDA ‘KADIN’ SÖYLEMİ ÜZERİNE BİR ANALİZ

Author(s): Mehmet Yeşilkaya / Language(s): Turkish / Issue: 30/2020

The cultures of societies are comprised of the human behaviors depending on the societies; of the perceptions of the people towards women and/or men; and, of the opinions and perspectives of the people living in them. Taking slight individual differences into consideration, a society’s reactions, statements, and actions are usually similar under certain circumstances. One of the occasions where this similarity applies is the perceptions towards women. One of the efficient sources which can shed light onto whether the perceptions towards women are positive or negative is the compilations of the dialects of the people. In this study, the examples of the statements towards women from fairy tales, stories and real life in the dialects of the district of Gerger of the city of Adiyaman were studied and the perceptions towards women were analyzed using discourse analysis. Many concepts used when speaking of women such as violence, delivery, administrator, chastity, bride price, polygamy, slander, oppression, parental discord/domestic violence, birth/stepmother, women’s will, etc. were identified in fairy tales and real-life stories. The compilations were studied over those concepts, the reflections of those concepts on women were explained, the difference between the tone of the male and female narrators were emphasized and several other details were statistically analyzed. As a result of the compilations put together in Gerger region, the traces of perceptions towards women were found in the fairy tales and real-life stories of 16 narrators out of 39. Among those perceptions are the qualities of polygamy, women not being able to keep secrets, women treated as goods and being bought, and not being able administer well stood out as significant

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AHMED HİLMȊ VE GÜLZȂR-I TABȊʿAT ADLI DİVANÇESİ

Author(s): Pubeysa Porsuk / Language(s): Turkish / Issue: 1/2020

Classical Turkish literature, which lasted approximately six hundred years in the historical development of Turkish literature, has trained hundreds of poets. One of these poets is Ahmed Hilmi. He served as a military clerk and passed away in 1899. Ahmed Hilmi, who is not a part of the literary history and is known to have lived in the 19th century, has a divan. There are 59 poems written in different forms of verse such as ghazals, kaside, kıt’a, free-standing, tahmis, muhammes, museddes. In his poems, he benefited from verses and hadiths through quotation. Like many poets, Hilmi used the proverbs and idioms in his poems. Concepts related to the beauty elements of the lover are often seen in the work. It is seen that the poet who uses the pseudonym Hilmi usually includes issues of love and Sufism. In this article, firstly information about the life and literary personality of Ahmed Hilmi, who is known to live in 19th century, is given. The poet's divan, shape and content, language and style are examined in terms of features and poems in Divançe are transferred to today's letters.

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AHMET ARİF’İN “ANADOLU” ŞİİRİNİN MARKSİST ESTETİĞE GÖRE ÇÖZÜMLENMESİ

Author(s): Adem GÜRBÜZ / Language(s): Turkish / Issue: 19/2020

Ahmet Arif is one of the most important poets of Diyarbakır. He has given works in a socialist realistic line and has reflected his emotions into his works with an artistic sensation. He mostly concerns with infrastructural, oppressed and exploited peoples and the difficulties of living in the Eastern part of Turkey. He is one of the most important Marxist poets in Turkey. The most important aspect that distinguishes Ahmet Arif from the other Marxists is his focus on village life and mountain life instead of tending to city life. Ahmet Arif, son of a civil servant, describes the people and his sights in his poems, but reflects this reality in a unique and aesthetic way with unusual interlocks, local expressions and melodic lines of the East. This Marxist and aesthetic aspect makes the poet my subject matter.

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ALBANSKA ALJAMIADO KNJIŽEVNOST

Author(s): Hasan Kaleši / Language(s): Bosnian / Issue: 16-17/1970

Gleichzeitig mit dem Prozess der Islamlsierung der Albaner, welcher im XV Jahrhundert begann, begint auch fein starker Durchbruch der Albaner in die türkische militärische und administrative Hierarchie. Beginnend von Gedik Ahmed-Pascha, einem der berüm-testen Eroberer aus der Periöde des Mehmeds II Fatih. bis Avlonali Ferid Pascha, welcher der Gross-Wesier im Jahre 1905 war, begegnen wir einer grossen Zahl von Gross-Wesieren, Ihrer Stellvertreter, von Beglerbegs, Sandschakbegs, verschiedenen Kommandanten und anderen Würdenträgern albanischer Abstammung. Auch ein Durchbruch der Albaner in die türkische Literatur ist zu erwähnen. Anfangend von Süzi aus Prizren und Mesihi aus Prischtina, dann über dem 'Masischen Dichter Dukaginzade Yahya-bey, »den türirischen Montesqueiu« Kocibey, den ersten Rektor der Istanbul Universität Hodscha Tahsin, den grössten türkischen Lexikographen und Enzyklopädisten Semseddin Sämi Frasery, den grössten türkischen Dieter und Autor der türkischen nationalen Hymne Mehmed Akif, und den grössten türkischen Philosophen Riza Teufik, war eine grosse Zahl von Albanern welche ihren originellen Beitrag der türkischen Literatur gegeben hat.

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ANADOLU’DA YAZILMIŞ İLK DÖNEM TIP YAZMALARINDA RENK ADLARI VE KULLANIM ALANLARI

Author(s): Özlem Akbulak / Language(s): Turkish / Issue: 29/2020

Colors, which are a part of nature and life, have an important place in the life of societies in terms of culture. Colors that have various uses in abstract and concrete terms have displayed a leading role in the expression of people's feelings, thoughts and needs throughout history. In this study, the colors are discussed with regard to their use in the field of medicine / health, one of the areas in which they actively take part. In this context, Ahmedî’s Tervîhü'lErvâh, Hekim Bereket’s Tuhfe-i Mübârizî and İshâk Bin Murâd's Edviye-i Müfrede, three of the first medical manuscripts in the Anatolian field, were examined and the color names were reviewed. Compared with contemporary medicine, which has become more advanced with the possibilities of modern science and technology, the observation and interpretation of different changes in the body of people undoubtedly provided fundamental clues in the diagnosis and treatment of various health problems in the 13th-14th century medicine. It was observed that the colors, primary element to reveal the features of these observed cases, were used in ancient medicine conclusively. In the aforementioned works, it has been noticed that the names of colors could be used not only in the diagnosis of the health problems, but also in the names of various medicines, mixtures, various plants, foods, beverages, and etc. recommended by physicians. Within the scope of the study, the color names in the related works were evaluated under different titles according to their usage areas and the use of color names in the Anatolian field medical manuscripts was analysed.

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Annales Universitatis Apulensis. Series Philologica

Frequency: 1 issues / Country: Romania

The Philological Annals of "1 Decembrie 1918" University of Alba Iulia has a long and strong cultural tradition, bringing together representatives of Romanian and European culture (Literature, Linguistics, Foreign languages and literatures, History of Culture, Arts, Philosophy). The articles are the results of different individual or group research projects developed especially in the two research centre that function in our faculty: The Centre for Philological Research and Multicultural Dialogue and The Centre for Innovation in Linguistical Education. Some other articles were included in different international conferences or workshops. We try to foccus on the nowadays challenges in culture and education, so that our review is a support for long-life training and promotes the idea of dialogue between cultural identities.

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AYLA KUTLU’NUN ROMANLARINDAKİ İNTİHAR İZLEĞİNE DURKHEİM’CI BİR YAKLAŞIM

Author(s): Gürhan ÇOPUR / Language(s): Turkish / Issue: 46/2020

Ayla Kutlu became an important author in Turkish literature after 1980 with her novels and stories. Kutlu, fictionalizes her works in a multi-layered structure by intertwining social and individual elements in her novels. Kutlu's novels focus on inner world of individuals taking part in the social events related to religion, beliefs, gender roles, economic life, customs and conventions of the community they live in. In her novels, the presented social events reflect the political and social atmosphere of Turkey, where protagonists are portrayed in their worldly pursuits. In that sense, the author, who is not indifferent to social issues and conditions of the period, makes her own interpretation of events in almost all her works, which makes them suitable for sociological and psychological analysis. In her novels, suicidal tendency of the characters, who are not able to adapt to the conditions they are depicted in, become excluded and marginalized. Emile Durkheim, who is mainly interested in the suicide phenomenon, regards society as a sociological laboratory mainly responsible for the psychological development of the individual. According to Durkheimian, suicide can be defined as an act in which social phenomena mark individual psychology. Emile Durkheim's theory of suicide is based on experienced cases, which he categorizes according to social causes as: “Egoistic suicide”, “Altruistic suicide”, and “Anomic suicide”. Among the suicide types that Durkheim has classified and distinguished according to their sociological dimensions, “Selfish suicide” cases observed in Ayla Kutlu's novels will be in the center of our study. In our analysis, the actions of the characters who commit/attempt suicide in Ayla Kutlu's “Cadı Ağacı”, “Ateş Üstünde Yürümek” “Kadın Destanı” and “Asi… Asi” novels will be examined within the framework of Emile Durkheim's suicide theory.

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Bayramî-Melâmî Şeyhi Hüseyn-i Lâmekânî’nin Tevhide Dair Tenkit Edilen Bir Beytini Risalelerle Okuma Denemesi

Author(s): Oğuzhan Şahin / Language(s): Turkish / Issue: 2/2020

Ṣūfī people, as well as the ulema (ʿulemā), discussed the issue of how God (Ḥaḳḳ) surrounds the universe (ʿālem) and where the ʿarş (arsh / the ninth heaven) in which God ensconces himself exists. The Ṣūfī people supporting the unity of existence (Wahdat al-wujud) concept claim that God surrounds the universe by his own being and so that the ʿarş (arsh) is all the creation / created beings by God moreover they argued that people who rejected this idea could attribute weakness or impotence to the power of God. On the other hand, commentators and scholastic theologians acknowledge the idea that God surrounds the universe not by his own being as Ṣūfīs claimed but God surrounds the universe by his knowledge (ʿilm) and power (ḳudret). They claimed that there was no physical connection of God with the universe. There-fore, this article discusses a couplet (beyit) written by Ḥuseyn-i Lāmekānī from Bayramī-Melāmī group in light of four different tracts (risāle). One of the four tracts was written by the author of the couplet Ḥuseyn-i Lāmekānī himself. The title of his tract is Wahdat-nameh (Vaḥdet-nāme). The other tract was written by Munīrī-yi Belgradī and the title of it is Şarḥ-i Qaṣīda-i Suleymān. The other two tracts analyzed in this article were written by Ṣalāḥ al-dīn-i ʿUşşāḳī. These two tracts try to explain how God surrounds the universe from the unity of existence (Wahdat al-wujud) perspective. Therefore, they may help in understanding the mentioned couplet written by Lāmekānī. The outline of the article is as follows: the introduction has the text of the ghazal including the mentioned couplet and discusses how the characteristics of Bayramī-Melāmī people were reflected in their poems. This part also tries to determine who wrote the mentioned ghazal as there were two different pen manes / pseudonyms (mah-las) for the same ghazal in various resources. To determine the original writer of the ghazal is crucial for proper interpretation of the texts. The next part of the article discusses the accusation that Lāmekānī was an heretic in the Şarḥ-i Qaṣīda-i Suleymān tract by Munīrī-yi Belgradī. This part also tries to outline Munīrī-yi Belgradī’s mode of thought to discuss the background of his criticism about the couplets. According to his way of thinking, though Munīrī had some tolerance to Ṣūfī people believing fenā fillāh, he ironically harshly criticized the Ṣūfī group supporting Wahdat al-wujud entitled as Fuṣūṣī. In the second section, based on his work named Wahdat-nameh (Vaḥdet-nāme), it is aimed to create a general portrait of Ḥuseyn-i Lāmekānī. In this context, it discusses how Wahdat al-wujud and Hurufism, which are generally big issues for Bayramī-Melāmī, influenced Lāmekānī. Therefore, the comparison between Oglan Sheikh İsmāʿil-i Maʿşūḳī who was clearly influenced by Wahdat al-mavjud (vaḥdet-i mevcūd) and Hurufism, and Ḥuseyn-i Lāmekānī is realized in this part. It was figured out that adoration of Fuṣūṣ al-Ḥikem (Fuṣūṣīlik) was more influential in Bayramī-Melāmī Sheikh’s mode of thinking through the analysis of the effect of Fuṣūṣ al-Ḥikem in Wahdat-nameh (Vaḥdet-nāme). It was suggested that the reason behind the allocation of Munīrī-yi Belgradī for Ḥuseyn-i Lāmekānī was the effect of Fuṣūṣ al-Ḥikem which was salient for Melāmī Sheikh Lāmekānī. The final part of the article is about two tracts Miftāḥ al-vucūd and Zayl al-kitāb written by Ṣalāḥ al-dīn-i ʿUşşāḳī. The criticized couplet was read under the light of these tracts. These two tracts are significant as they explain how God surrounds the universe and where the ʿarş (arsh) is located by referring to the verses of Quran al-Fussilet 41/54, al-Nisā 4/126 and el-Tāhā 20/5 mentio-ned in the couplet by Ḥuseyn-i Lāmekānī. Ṣalāḥ al-dīn-i ʿUşşāḳī proposed a new argument about how God surrounds the universe in Zayl al-kitāb. According to this argument, in Miftāḥ al-vucūd Ṣalāḥ al-dīn-i ʿUşşāḳī tries to explain God’s surrounding potent through the or-ders/grades of the existence. In Zayl al-kitāb, he claims that there must be a center for God’s surroundings of the universe and this center must be Ḥaḳīḳat al-Muḥammediyye. Ṣalāḥ al-dīn-i ʿUşşāḳī stated that he did not acknowledge this information by himself but he acquired it from Ibn Arabī when he had a dream. Lastly, this part of the article discusses what Rahman settles in ʿarş (arsh) means in terms of circle (devir) theory. It was suggested that according to Ṣūfī people believing Wahdat (vaḥdetçi) God’s ʿarş (arsh) is the human being himself by drawing on the Kasf al-Gıtā (Keşfu’l-Gıtā) qasida written by Sunʿullāh-ı Gaybī who was a successor of Ḥuseyn-i Lāmekānī from the second generation.

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BETON - Kulturno propagandni komplet br. 201, god. XIII, Beograd, utorak, 20. novembar 2018.

Author(s): Saša Ćirić,Andrej Nikolaidis,Vladimir Milojković,Radovan Popović,Igor Đorđević / Language(s): Serbian / Publication Year: 2018

MIXER, Saša Ćirić: Nacija se stvara posle rata; ŠTRAFTA, Igor Đorđević: Od kolevke pa do groba najlepše je zlatno doba; VREME SMRTI I RAZONODE, Andrej Nikolaidis: Ono što je veliko, Vladimir Milojković: Citostatici, Reaktor današnjice, Ekstremno pakovanje; BLOK BR. V, Radovan Popović / Studiostrip: Bolje pat nego mat

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Culture, Literature and Migration

Author(s): Petru Golban,Derya Benli,Francesco Bellinzis,Maria Bäcke,Estella Ciobanu,Tatiana Golban,Cansu Özge Özmen,Bernard Dickson,Chinyere Egbuta / Language(s): English / Publication Year: 2019

Culture, Literature and Migration gives us a unique insight into the emotional and physical experiences of immigrants. By shedding light on the challenges of the plight, the chapters in this book raise awareness of the global scale of the crisis and reduces hostility towards the displaced as a result of a better understanding of that which is often left unspoken of and unheard of. The distinctiveness of voluntary and involuntary immigration is brought forward and contextualized in order to emphasise the trauma of forced departure and the often forgotten psychological complications of the host nation. With such matters arising, there is an ultimate return to notions of hegemony, colonialism, otherness, hybridity and citizenship. New understandings of identity, nationalism and multiculturalism are explored in context of transnationalism and multiculturalism. Culture, Literature and Migration critically analyzes the transformation of the immigrant and highlights the importance of hope and the power of inclusiveness in a fragmented global environment. Content Introduction – Ali Tilbe and Rania M Rafik Khalil Chapter 1 – The Bildungsroman and Building a Hybrid Identity in the Postcolonial Context: Migration as Formative Experience in Monica Ali’s Brick Lane Petru Golban and Derya Benli Chapter 2 – The Migrant Female Writer, Originally from Muslim Country in the Literary Field: A Sociological Approach Francesco Bellinzis Chapter 3 – Migration, Integration and Power. The Image of “the Dumb Swede” in Swede Hollow and the Image of Contemporary New Swedes in One Eye Red and She Is Not Me Maria Bäcke Chapter 4 – Coerced Migration, Migrating Rhetoric: The ‘Forked Tongue’ of Native American Removal Policy in the Nineteenth-Century United States Estella Ciobanu Chapter 5 – The Migrant Hero’s Boundaries of Masculine Honour Code in Elif Shafak’s Honour Tatiana Golban Chapter 6 – Literary Representations of Progressive Era Lithuanian Immigrants in the United States and the Question of Genre: Upton Sinclair’s The Jungle (1906) Cansu Özge Özmen Chapter 7 – Migration, Maturation and Identity Crisis in Abani’s Select Novels: A Postcolonial Reading Bernard Dickson and Chinyere Egbuta.

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From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool

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From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool

Author(s): Elif Baş / Language(s): English / Issue: 1/2020

After Mustafa Kemal Atatürk founded the new Turkish Republic in 1923, the country went through a swift and radical transformation. The ruling elite made use of all possible tools to impose the ideals of the new Republic. Their main objective was to break the bonds with the Islamic Ottoman past to establish a new secular national identity. The essence of the new Turkish nation was found in pre-Islamic Central Asia. This view was supported with the help of the Turkish History Thesis, which asserted that the Turks are a supreme race, and their origins are from Central Asia. The state tried to propagate this thesis by various means. The most effective tool that could reach the illiterate people during that period was the theatre. Accordingly, the aim of this article is to explore how the state disseminated the Turkish History Thesis and the values of the new Republic through theatre. The emergence of this new narrative coincided with the tenth anniversary of the Turkish Republic. The plays, written in 1933, especially for this occasion, will be analyzed to determine how they support the Turkish History Thesis and the values of the new nation. Two plays, Akın (The Raid) and its sequel Özyurt (Homeland), will be explored in detail to give an elaborate account of the ideology behind such plays written during that period.

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Göç Konferansı 2017 Seçilmiş Bildiriler

Author(s): Ali Tilbe,Kuramsal Çerçeve,Atıf Akgün,İsmail Alper Kumsar,Ayşe Cebeci,Bahar Yalın,Ceylan Türtük,Duygu Toksoy Çeber,Efnan Dervişoğlu,Erkan Perşembe,F. Serkan Öngel,Fatih Özdemir,Fırat Caner,Fuat Güllüpınar,Gülnihal Gülmez,Hanife Nâlân Genç,Ülkü Köksal,Hikmet Öksüz,Hülya Bayrak Akyildiz,İlyas Yazar,İrfan Atalay,Kamil Çoştu,Meltem Şimşek Öksüz,Mert Öksüz,Muhammed Tağ,Nuray Dönmez,Serli Seta Nişanyan,Sevim Akten,Sevim Atila Demir,Sıddık Korkmaz,Şengül Kocaman,Tamer Temel,Tanju İnal,Tuğrul İnal,Tuncay Bilecen,Özlem Agvan,Yıldız Aydın,Yaşar Şenler / Language(s): Turkish / Publication Year: 2017

With this book, you're going to have to go to the fifth We present a review of the papers presented at the Migration Conference to our readers. 35 articles addressing the issue of migration from various disciplines and perspectives share a wide range of reviews. This paper-book offers a selection of more than 100 sessions, panels and workshops in total, as well as the 400 papers presented at the fifth migration conference in Athens, which lasted four days. Many participants from more than 60 countries, from economics to anthropology, sociology to medicine, working in the field of migration from a wide range of disciplines, migration and security, gender, public administration, repatriation migration, law, political participation, diyaspora, media, as well as migration culture and summer presented a large number of papers on the subject.

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Göç Üzerine Yazın ve Kültür İncelemeleri

Author(s): Ali Tilbe,Ayse Kiran,Duygu Öztin Passerat,Ferhunde Küçükşen Öner,İrfan Atalay,Levent Yaylagül,Nilüfer Korkmaz Yaylagül,Kamil Civelek,Medine Sivri,Mehmet Özberk,Nesime Ceyhan Akça,Semran Cengiz,Sonel Bosnalı,Zehra Şafak,Şahbender Çoraklı / Language(s): Turkish / Publication Year: 2016

Ali Tilbe and Sonel Bosnian breathe new life into Turkish migration studies and generally related writing. 13 articles examining immigration, immigration, immigration and related themes in summer and cultural areas offer important and interesting contributions to the field. Migration can be considered voluntary migration in a way, as it is carried out by the individual or the community's own decision. In some cases, however, the necessity of leaving the individual or the community and living elsewhere can be imposed as a political sanction. The first of these cases, called mandatory migration, is the one described as "exile" and "sat outside a certain place or in a certain place as punishment". It is very important for us to better understand the phenomenon of migration, and to examine this important phenomenon, which is synonymous with such people and concerning all aspects of human life, culturally and especially in writing. In this review, we bring together a series of summer review studies with readers on the axis of migration phenomenon. Early versions of the studies in this review cover the papers presented at the Turkish Migration Conference at the University of Vienna. The Migration Conference in Vienna in 2016 was on the campus of Harokopio University in Athens in 2017.

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KNJIŽEVNOST EGZILA I EGZIL U KNJIŽEVNOSTI: BOŠNJACI U TURSKOJ

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KNJIŽEVNOST EGZILA I EGZIL U KNJIŽEVNOSTI: BOŠNJACI U TURSKOJ

Author(s): Amina Šiljak-Jesenković / Language(s): Bosnian / Issue: 69/2020

The number of descendants of Bosniak migrants in Anatolia has led us to examine the issue of existence of literature of exile in this community, as well as the theme of Bosniak migration to Turkey in literary texts. This paper presents biographies of authors of Bosniak origin and indicates elements of literature of exile in their work: Mehmet Ruhi Turan (1900-1981), Ahmet Cemil Miroğlu – Asri (1907-1971), Memduh Cumhur (1947-2018), Cemil Kavukçu (1955- ), Yavuz Bubik (1940-). The corpus also includes the novels Gözüm Yaşı Tuna Selidir Şimdi by Selm Fındıklı and Cüda by Halil İbrahima Izgi – authors whose biographies include no information about their Bosniak ancestry, but their novels focus on migration of Bosniaks to Anatolia and Ottoman-governed Palestine. Stories about the circumstances that led to migration, about the trauma of leaving home, about otherness, identity, hopes for return, nostalgia – more than a century later, after the loss of even the Bosnian linguistic identity, speak through literary text in the Turkish language.

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O repeticijama i njihovim prijevodnim ekvivalentima u romanima Yaprak Dökümü (Kad opada lišće) i Derviš i smrt (Derviş ve Ölüm)

Author(s): Samira Osmanbegović-Bakšić,Ida Peco / Language(s): Bosnian / Issue: 17/2019

This paper uses data from an extensive analysis of repetitions in the novels Yaprak Dökümü (When the Leaves Fall) translated from Turkish to Bosnian and in Derviš i smrt (Death and the Dervish) translated from Bosnia to Turkish. The aim of this paper is to determine the elements of valence in the translated repetitions. The corpus consists of seventy nine examples of repetitions in the translation of the novel Kad opada lišće, that is, fifteen examples that were translated as repetitions and sixty four examples that were translated in the form of repetitions, as well as thirty two examples of repetitions in the translation of the novel Derviš i smrt that is, four examples of repetitions that were translated as repetitions and twenty eight examples that are not repetitions in the Bosnian text, but were translated as repetitions. Therefore, the corpus consists of a total of one hundred and eleven examples of repetitions. Repetitions are one of the basic features of the Turkish language. This fact and the results of the contrastive analysis of Turkish repetitions with German ones, which determined that conjunctions are always used in German repetitions, were the starting point for this analysis. The analysis showed that in the structure of repetitions translated to Bosnian, conjunctions ("and", "or", "both ... and", "neither ... nor ...", "as...so") are most often used, followed by prepositions ("with", "for", "by", "from ... to", "under", "from ... to", "from ...to", "in", "next to"), a hyphen and, very rarely, a comma. Constructions with a comma and a conjunction are most often translated to Turkish via repetitions that have neither a comma nor a conjunction. Conjunctions were found to be the elements most commonly used in the translation of repetitions from Turkish to Bosnian, thus showing a similarity with the analysis of German and Turkish repetitions which demonstrated that conjunctions are dominant in German repetitions.

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'O Vakit' Güre'de

Author(s): Selda Erdurak Açıl / Language(s): Turkish / Issue: 100/2019

2001 yılında Hacettepe Üniversitesi Türk Dili ve Edebiyatı Bölümü Türk Halkbilimi Anabilim Dalı’ndan üç ya da dört yıl olmuş mezun olalı… Gördes Anadolu Lisesi’nde edebiyat öğretmeni olarak çalışıyorum o zaman. “Folklor mezunuyum aslında” dediğimde halk oyunları anlayan öğrencilerime ve başkalarına halkbiliminin ne olduğunu anlatmak dışında, bu alanla hiç ilgimin kalmadığını düşündüğüm bir zamandı. Bu düşüncelerim okulumuza Prof. Dr. İlhan Başgöz’den gelen yaz okulu duyurusuna hemen başvurmama neden oldu. Bugünden bakıldığında 2001 yılında köylere, tatil yerlerine atölye ve yaz okulu açmak alışık olduğumuz bir şey değildi. Üniversitede adını çok duyduğum İlhan Başgöz’ün önderliğinde hem tatil yapıp hem de halkbilim konuşmak çok cazip gelmişti. Haritadan hemen Güre köyünün yerine baktığımı hatırlıyorum.

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