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"Tıp Öykücülüğü" Üzerine

Author(s): Hasan Erbay / Language(s): Turkish / Issue: Special/2017

Medicine is a discipline with its own rules and manner of operation. Literature is one of the dozens of kinds of art. The common point of both fields is that they touch human stories from within life. Human stories in the field of health are about the processes in which a person lives, may live or is able to live. With the definition of medical story, it is narrative which are written by medical staffs, especially physicians. Medical narratives are fictitious narratives connected with medical realities, interpreting the health environment from the perspective of a physician or health care provider. Such is the primary concern of the works in the literary concerns. The medical narratiation is a field with a limited number of examples in both Turkish literature and world literature. Due to the diversity of medical education models in recent years, there is a growing interest in the relationship of medicine with literature and social sciences. Both in terms of medical education and in the context of literary and medical literacy, “Medical Narratiation” as a product of “quest of beauty” is a new and distinctive area in Turkish literature.

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"Üç Kanatlı Masal Kuşu: Oğuz Tansel” Kitabının Genişletilmiş Üçüncü Basımı Üzerine Prof. Dr. Aysıt Tansel’le Söyleşi

Author(s): Vedat Yazıcı,Aysit Tansel / Language(s): Turkish / Issue: 103/2020

Interview with Aysıt Tansel, by Vedat Yazıcı.

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"Verujem u Boga i u Sudnji dan" – Hayrun Yahya i savremena kontekstualizacija apokaliptičnih hadisa

Author(s): Marko Pišev / Language(s): Serbian / Issue: 1/2013

The motif of the apocalypse has fascinated mankind from the very beginnings of oral history and is present in various myths and religious traditions, finding its expression in the art of all time periods. Even today it hasn't lost its grip on human imagination. In modern Islamic contexts, the phenomenon of the apocalypse incorporates anti-western ideologies, which reflect, to a large extent the socio-cultural heritage of former anti-colonialist struggles, as well as the anti-imperialist attitudes which are present in a large number of contemporary Muslim societies. When paired with apocalyptic narratives, these notions can lead to negative essentializations of so-called "western morals and ethics", which are subsequently interpreted as a clear sign of the End times. Aside from the wider consideration of the symbolism of Islamic apocalyptic narratives, the paper will deal with a critical analysis of the visualizations of the Signs of the Last Day books by religious author Hayrun Yahya, who considers the topic of the apocalypse, as presented in the Koran and hadiths, in an affirmative light. We will attempt to puzzle out why the textual version of Signs utilizes certain quotes from the hadiths, while other, equally relevant quotes are avoided. We will rely on the so-called "interdiscursive" aspect of the enclosed quasi– documentary film, or rather, the heterogeneous elements which make up its audio-visual "text". This analysis should uncover the ideological notions behind this specific instrumentalization of scripture for the aim of religious, cultural and moral critique of contemporary (both Muslim and non-Muslim) societies; however, we will also attempt to point out the multifunctional idea – suggested to the viewing/reading audience of apocalyptic narratives – that Judgment day is near, and can come around at any moment.

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"Westernization and Alienation of the State/Social Order": A Pseudo-Scientific Fairy-tale of Turkish Islamists

Author(s): Deniz Yoldas / Language(s): English / Issue: 9/2019

Idris Küçükömer (born 1925 in Giresun, dead 1987 in Istanbul) is a well-known Turkish academic, who tried to figure out the controversial character of the Left-wing movement in Turkey. His main book “The Alienation of the State/Social Order” (in Turkish: Batılılaşma ve Düzenin Yabancılaşması, Küçükömer, 2002) is the dissertation of his principal thesis about contemporary Turkey. Küçükömer is one of the academics/intellectuals who tried to figure out the principal „anomalies” of Turkey with his own perspectives. The controversial character of Kemalism and Left-wing movement of Turkey is the subject of Küçükömer’s works. He tried not only to break out the Kemalist discourse’s falsification but also to create a pseudo-scientific theoretical base for Islamist “Green Kemalist” narration. Küçükömer’s work about the nature of bureaucracy and its transformations between different social systems could be interesting for Post-Soviet countries academic circles. The contribution of the present review is that it brings a present-day perspective on Küçükömer views.

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16. YÜZYIL DİVAN EDEBİYATI ŞAİRİ EYYÛBÎ’NİN MENÂKIB-I SULTAN SÜLEYMAN ADLI ESERİNDE GEÇEN DEYİMLER VE ATASÖZLERİ

16. YÜZYIL DİVAN EDEBİYATI ŞAİRİ EYYÛBÎ’NİN MENÂKIB-I SULTAN SÜLEYMAN ADLI ESERİNDE GEÇEN DEYİMLER VE ATASÖZLERİ

Author(s): Zülfikar Gülbeden / Language(s): Turkish / Issue: 2/2019

Idioms and proverbs constitute an important place in Turkish literature and idioms and proverbs have been used in different periods of Turkish literature. In his works, poets included idioms and proverbs, which are the language materials used by the people. Poet Eyyubi, one of the 16th century literary figures of Divan literature, frequently mentioned idioms and proverbs in his work Menâkıb-ı Sultan Süleyman, which he wrote according to tradition. In this article, after a short introduction, the life of Ayybî is mentioned and the aim of this article is to determine the present writings and proverbs of Menâkıb-ı Sultan Süleyman and to introduce and explain the scientific world.

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1940’larda Bir Moda Düşkünlüğünün Türk Edebiyatına Yansımaları: Bobstil Moda ve Bobstil Edebiyat

1940’larda Bir Moda Düşkünlüğünün Türk Edebiyatına Yansımaları: Bobstil Moda ve Bobstil Edebiyat

Author(s): İbrahim Özen / Language(s): Turkish / Issue: 104/2020

Bobstyle is the term that represents the dandyish dressing style in the 1940s and those who adopt this dressing style. As a fashion cycle of the pervasion of cinema in Turkey, it emerged when young people in metropolitan cities imitated Hollywood actors in terms of clothing, attitude and behavior. The aim of this study is to define the distinctive features of the bobstyle fashion, to examine bobstyles with their roles in social life and their reflections on literature. The main sources of the study are literary texts and the editorial narration in the periodical publications of the period and the opinion columns about bobstyle fashion. As a result of the classification and analyses, firstly, the source of the bobstyle fashion, the accusations made over the snob type from the Tanzimat, the exterior appearance of the bobstyles and the emotional worlds were explained. Then, it is highlighted how bobstyle is manifested to literature in terms of both concept and type. The findings from the study revealed the effects of bobstyle from social life to literature. In the literature discussions in the 1940s, the poets who rejected the tradition and emerged with new works were called “bobstyle poet”, the strange welcoming poems were called “bobstyle poetry.” In fictional texts, two types of bobstyles were encountered. First is the bobstyle poets who are interested in art and who write poems that are devoid of meaning. Second is the young snob who has a degenerated nature with his physical appearance and inner word. The study will contribute to the history of literature in terms of highlighting the relationship between fashion and literature and determining the new look of the European snob type.

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A CULTURAL APPROACH TO EARTHQUAKE COPING STRATEGIES: EXAMPLES OF TURKISH FOLK POEMS AND MEMORATES

A CULTURAL APPROACH TO EARTHQUAKE COPING STRATEGIES: EXAMPLES OF TURKISH FOLK POEMS AND MEMORATES

Author(s): Hülya Çevirme / Language(s): English / Issue: 31/2020

The aim of this study is to ensure that the cultural dimension discussed among the strategies to cope with the earthquake and to propose the use of this cultural dimension in earthquake education. The documents of the study consist of Turkish folk poems and memorates. In the study, document analysis method, one of the qualitative data collection methods, was used; the data were interpreted with information obtained from descriptive analysis. As a result of the research, it has been observed that Turkish folk poems and memorates have supernatural, mystical, traditional beliefs and thoughts about earthquake. The positive cultural dimension related to the earthquake that is folk poems and in memorates is that unity and solidarity and glorify of the solidarity tradition. On the other hand, the negative cultural dimension is the belief that the earthquake is a punishment due to people violated the religion, tradition and custom. In addition, the social and political disintegrations that occurred during the earthquake were also interpreted as a negative cultural dimension. From this point of view, it is suggested that the cultural dimension of the earthquake is considered as an additional strategy in addition to the known coping strategies and is defined “cultural memory strategy”.

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A New Historicist Approach to Orhan Pamuk's White Castle

A New Historicist Approach to Orhan Pamuk's White Castle

Author(s): Gökçen Kara / Language(s): English / Issue: 1/2021

New Historicism is a modern critical approach focused on the interpretation of literary and non-literary texts which belong to same historical period. Unlike previous historical criticism which limits itself to basically showing how a literary work reflects its time, New Historicism takes into consideration how the work is affected by the time it was produced. Set in İstanbul in the seventeenth century The White Castle is a historical novel which tells the story of an Ottoman scientist and a Venetian slave. At first glance, the novel seems to describe the relationship between these two people, but a careful examination shows that the novel offers an alternative history. This alternative history is quite different from the usual history, for example, the Sultan is not a powerful person, but rather a person with weaknesses. For example, pashas and Sultan depend on the pseudoscience and illogical dream analysis. In addition, the protagonist in the novel is not a Sultan or a person from the palace. In this context, it seems that the characters of the novel are very different from the characters we are used to reading in traditional historical novels. The novel is quite different from the traditional historical novels in terms of both narrative techniques and the characters.

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Abdurrahman Abdî Paşa'nın Pendname Şerhi İle İsmail Hakkı Bursevi'nin Pendname Şerhi'nin Karşılaştırılması

Abdurrahman Abdî Paşa'nın Pendname Şerhi İle İsmail Hakkı Bursevi'nin Pendname Şerhi'nin Karşılaştırılması

Author(s): Fatih Yerdemir / Language(s): Turkish / Issue: 1/2021

The work of Ferididdün Attar, who has an important place in the cultural life of Turks and the development of mystical wisdom, has been read with appreciation in the world literature as well as in Turkish literature and has been translated into many languages including Turkish. Today, the abundance of studies on this work, as well as translations from Persian original to Turkish, are still being made; It reveals that the information and moral understanding in this famous work is immortal even today. We loved and adopted this work so much that we have created a literary genre named after this work in our literature and wrote works that emulate it. The Pendname, a verse work written to advise people to be a better person, aimed to make both the masses of the people and those who govern the state morally mature and virtuous. For centuries pendname by our wise men; It has been translated, by adding some advice from them, that is, by expanding it, it has been transformed into a form that shows copyright-translation feature or has been annotated for better understanding. This work has brought very important works to our translation, copyright-translation and commentary literature. In the commentaries written for a better understanding of the Pendname, the differences of the udeban's own temperaments, understandings, beliefs and point of view on life are reflected in his works. In time, these annotations started to be known as a copyrighted work independent from the original book. In this study, the pendname annotation of Abdurahman Abdî Pasha and İsmail Hakkı Bursevî's pendname commentary will be compared. It will be tried to reveal the similar aspects and differences of the two commentaries.

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ADINI YAŞANMIŞ BİR VAKADAN ALAN “KISMETSİZ AHMET HİKÂYESİ” ÜZERİNE BİR TAHLİL DENEMESİ

ADINI YAŞANMIŞ BİR VAKADAN ALAN “KISMETSİZ AHMET HİKÂYESİ” ÜZERİNE BİR TAHLİL DENEMESİ

Author(s): Bedri Özçelik / Language(s): Turkish / Issue: 36/2021

One of the elements that make up the culture of the Turkish nation is folktales, which is one of the text types based on the principle of narration folktale literature. In the Anatolian field, such texts which have been told and listened with interest for centuries, are among the intangible cultural heritages that nationalize human communities. The Anatolian people living in a limited space, met the loves that cost humanity in folktales, encountered happiness and painful occurrences, and enriched their dreams with these feelings. In this study, an analysis attempt was made on the story of Kısmetsiz Ahmet, whose subject is from “a heartbreaking real case in a certain place, that is, from folktales that occurred as a result of the classification of a lived case as a story”. The study consists of five sections as “introduction, the definition-classification of folktale, the opinions on the analysis methods of literary texts based on the principle of narration, the analysis of the story of Kısmetsiz Ahmet and conclusion”. After the references, the full text of the story in question was given. In the study, the methods of literature review and examining texts based on narration was used. The views of many of the scientists working in the fields of Turkish folk literature and folklore about the definition and classification of the folktale are given and the place of the discussed story in these classifications has been determined. The information was given about the studies on the analysis methods of the texts that based on narrative principle. The subject of the story of Kısmetsiz Ahmet was consist of a real case that took place in Kelkit district of Gümüşhane province, the hometown of Âşık Kul Nuri. The story was edited by Âşık Kul Nuri. While analyzing the aforementioned story, text elements such as “1. Mentality / 2. Structure (A. Case and Case Structure / B. Characters / C. Time / D. Space) / 3. Theme / 4. Language and Expression” were taken as basis. It has been seen that these elements are also important in folktales taken from lived life.

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ADIYAMAN-GERGER AĞIZLARINDA ‘KADIN’ SÖYLEMİ ÜZERİNE BİR ANALİZ

ADIYAMAN-GERGER AĞIZLARINDA ‘KADIN’ SÖYLEMİ ÜZERİNE BİR ANALİZ

Author(s): Mehmet Yeşilkaya / Language(s): Turkish / Issue: 30/2020

The cultures of societies are comprised of the human behaviors depending on the societies; of the perceptions of the people towards women and/or men; and, of the opinions and perspectives of the people living in them. Taking slight individual differences into consideration, a society’s reactions, statements, and actions are usually similar under certain circumstances. One of the occasions where this similarity applies is the perceptions towards women. One of the efficient sources which can shed light onto whether the perceptions towards women are positive or negative is the compilations of the dialects of the people. In this study, the examples of the statements towards women from fairy tales, stories and real life in the dialects of the district of Gerger of the city of Adiyaman were studied and the perceptions towards women were analyzed using discourse analysis. Many concepts used when speaking of women such as violence, delivery, administrator, chastity, bride price, polygamy, slander, oppression, parental discord/domestic violence, birth/stepmother, women’s will, etc. were identified in fairy tales and real-life stories. The compilations were studied over those concepts, the reflections of those concepts on women were explained, the difference between the tone of the male and female narrators were emphasized and several other details were statistically analyzed. As a result of the compilations put together in Gerger region, the traces of perceptions towards women were found in the fairy tales and real-life stories of 16 narrators out of 39. Among those perceptions are the qualities of polygamy, women not being able to keep secrets, women treated as goods and being bought, and not being able administer well stood out as significant

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AFYONKARAHİSAR YÖRESİ KÖY SEYİRLİK OYUNLARINDAN “DEVECİ” OYUNU

AFYONKARAHİSAR YÖRESİ KÖY SEYİRLİK OYUNLARINDAN “DEVECİ” OYUNU

Author(s): Neslihan Huri Yigit / Language(s): Turkish / Issue: 6/2018

The theatrical village play which is formed through the examination of the tradition, culture, and ways of living of the Anatolian people, still exists in several villages. When these plays are sociologically analysed, the past and lives of Anatolian village would be demonstrated. In this study we will shortly define the theatrical village play and the "Cameleer Play" which is played and presented in Afyonkarahisar.

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AFYONKARAHİSAR/EMİRDAĞ TÜRKÜLERİNDE COĞRAFYA VE MEKÂN UNSURLARI

AFYONKARAHİSAR/EMİRDAĞ TÜRKÜLERİNDE COĞRAFYA VE MEKÂN UNSURLARI

Author(s): Satı Kumartaşlioğlu / Language(s): Turkish / Issue: 5/2018

The first thing that comes to mind when you say Emirdag is undoubtedly "Emirdag folk songs". Folk songs are, in general, important values that convey the common cultural values of a society to future generations for all that every area has its own folk songs. Emirdag folk songs are a folklore element that carries values of Turkish culture with both the words and the melody to future generations. For this reason, the cultural values of the Emirdag folk songs should be examined from different angles and must reveal the cultural values that were carried by Emirdag folk songs. The most notable geography and location elements in Emirdag folk songs are "Emirdag" with the village names and "tableland" in Emirdag. When the songs of Emirdag are examined, the following result comes out: Some elements of place in the folk songs are not related to the content of the folk song. But these are usually included in the some mold words as to the tradition of singing. Some place elements are also directly related to the content of the folk song. In this article, the most repeated geography and place elements in Emirdag folk songs are discussed both the concept of "folk song" in general and the situation in the songs of Emirdag of these elements. Additionally, the elements of geography and place in the folk songs of Emirdag have been evaluated both in terms of the structure and content of the folk song.

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Ahi Evran ve Ahilik Teşkilatının Emine Işınsu’nun Tasavvufî Romanlarındaki Yeri

Ahi Evran ve Ahilik Teşkilatının Emine Işınsu’nun Tasavvufî Romanlarındaki Yeri

Author(s): Ece Serrican Kabalcı / Language(s): Turkish / Issue: 14/2021

The founder of the Akhism is Sheikh Nasîrüddin Mahmûd, known as Ahi Evran, who was born in Hoy, Iran. Akhism is one of the formations that were effective in making Anatolia the homeland and the establishment of the Ottoman Empire. The Ahi organization, where Islamic-mystical thinking and living is valid, was called the union of tradesmen and craftsmen after the 18th century. The Ahi organization, based on honesty, trust, generosity and bravery; has become widespread in Anatolia because it creates order in the society, directs the economic life, and develops unity and solidarity. Emine Işınsu, who is one of the women writers of the Republican period and who mainly works in the genre of novel, has also written works called mystical novels-legendary novels. In her works called Hacı Bayram and Hacı Bektaş, which are among the Sufistic novels, she included Ahi Evran and the Ahi organization. Emine Işınsu conveyed information about the good virtues, their military success, their role in economic life and the functioning of the Ahi organization in Hacı Bayram novel. In her novel, Hacı Bektaş, she included Ahi Evran as a character of the novel. She also mentioned Bâcıyân-ı Rum, known as Anatolian Women, in both novels. In this study, it has been researched that which ways Emine Işınsu brought the Ahi organization together with the reader and how she fictionalized Ahi Evran as a novelist in her novels, Hacı Bayram and Hacı Bektaş. The data obtained were transferred in the form of quotations in the text, and complementary information was given about Ahi Evran and Akhism in the novels.

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AHMED HİLMȊ VE GÜLZȂR-I TABȊʿAT ADLI DİVANÇESİ

AHMED HİLMȊ VE GÜLZȂR-I TABȊʿAT ADLI DİVANÇESİ

Author(s): Pubeysa Porsuk / Language(s): Turkish / Issue: 1/2020

Classical Turkish literature, which lasted approximately six hundred years in the historical development of Turkish literature, has trained hundreds of poets. One of these poets is Ahmed Hilmi. He served as a military clerk and passed away in 1899. Ahmed Hilmi, who is not a part of the literary history and is known to have lived in the 19th century, has a divan. There are 59 poems written in different forms of verse such as ghazals, kaside, kıt’a, free-standing, tahmis, muhammes, museddes. In his poems, he benefited from verses and hadiths through quotation. Like many poets, Hilmi used the proverbs and idioms in his poems. Concepts related to the beauty elements of the lover are often seen in the work. It is seen that the poet who uses the pseudonym Hilmi usually includes issues of love and Sufism. In this article, firstly information about the life and literary personality of Ahmed Hilmi, who is known to live in 19th century, is given. The poet's divan, shape and content, language and style are examined in terms of features and poems in Divançe are transferred to today's letters.

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AHMET ARİF’İN “ANADOLU” ŞİİRİNİN MARKSİST ESTETİĞE GÖRE ÇÖZÜMLENMESİ

AHMET ARİF’İN “ANADOLU” ŞİİRİNİN MARKSİST ESTETİĞE GÖRE ÇÖZÜMLENMESİ

Author(s): Adem GÜRBÜZ / Language(s): Turkish / Issue: 19/2020

Ahmet Arif is one of the most important poets of Diyarbakır. He has given works in a socialist realistic line and has reflected his emotions into his works with an artistic sensation. He mostly concerns with infrastructural, oppressed and exploited peoples and the difficulties of living in the Eastern part of Turkey. He is one of the most important Marxist poets in Turkey. The most important aspect that distinguishes Ahmet Arif from the other Marxists is his focus on village life and mountain life instead of tending to city life. Ahmet Arif, son of a civil servant, describes the people and his sights in his poems, but reflects this reality in a unique and aesthetic way with unusual interlocks, local expressions and melodic lines of the East. This Marxist and aesthetic aspect makes the poet my subject matter.

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AHMET HAŞİM’İN ŞİİRLERİNDE MEKÂN

AHMET HAŞİM’İN ŞİİRLERİNDE MEKÂN

Author(s): Taylan Abiç,Vecihe SOLMAZ / Language(s): Turkish / Issue: 51/2021

Ahmet Haşim is one of the important names of Turkish literature. The poet, who was influenced by the poems of Abdülhak Hamit and Muallim Naci, who were the artists of the Tanzimat, later wrote poems in accordance with the artistic understanding of Servet-i Fünun. French poetry, on the other hand, deeply affects his understanding of art. The poet, who preserved his sense of individual art with his poetry in his own time, published his first poetry book, Lake Hours, in 1921. Later, he wrote Piyale in 1926. Ahmet Haşim, one of the founders of modern Turkish poetry, influenced many artists after him, such as Cahit Sıtkı Tarancı, Ahmet Hamdi Tanpınar, Ahmet Muhip Dıranas and Necip Fazıl Kısakürek. Many studies have been done on the artist's poems and books have been published. At the same time, his individual-oriented understanding of art caused him to be criticized by the artists of the period and the artists who came after him. Especially Haşim's spatial connotations such as "dream pool" are the target of such criticism. Generally, setting is seen as one of the elements of the novel and story. However, the concept of setting has gained a new meaning with various connotations in recent years, but also finds its place in poetry. Setting and people have a mutual interaction. Therefore, the setting and the poet are also in interaction. In Ahmet Haşim's poems, the concept of time is emphasized. On the other hand, there is a question of setting, intertwined with reality and imagination, embodied in poetry outside of time and with time, in Ahmet Haşim's poems. The aim of study is to determine the elements of setting based on Ahmet Haşim's poems and to examine how the elements of space are used in his art. The main purpose of the study is to reveal what the setting means for the poet -with reference to his biography.

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AHMET YAKUPOĞLU’NUN ŞİİRLERİ BETİMLEYEN İLLÜSTRASYONLARININ İNCELENMESİ

AHMET YAKUPOĞLU’NUN ŞİİRLERİ BETİMLEYEN İLLÜSTRASYONLARININ İNCELENMESİ

Author(s): Eren Evin Kiliçkaya,Levent Mercin / Language(s): Turkish / Issue: 55/2020

The painter Ahmet Yakupoğlu (1920-2016), as one of the famous painters of Kütahya, did not only paint, but also continued his artist personality as an illuminator and a ney player, by giving works in miniature art. It is possible to see the traces of this versatile personality in the works he has made since his youth. One of the proofs that he is a versatile artist is the illustrations he made for selected poems of Turkish Literature. However, it has not been determined that these illustrations have been the subject of any research until today. From this point of view, to examine and analyze Ahmet Yakupoğlu’s book called “Poems”, in which the selected poems of Turkish literature are described with the illustration technique, constitute the purpose of this research. Document analysis, one of the qualitative methods, was used in the research. In this context, Yakupoğlu’s notebook called “Poems” was scanned with a hand scanner, both the expressions in the verses of the poems and the illustrations were analyzed by comparing, and the technique and style used in the illustration were analyzed according to the method of criticism. In the conceptual framework of the research, what the illustration is and the types of illustration were mentioned, and in the findings and interpretation section, the analysis of 29 illustrations for the visualization of poems was included. According to the findings of the study, Ahmet Yakupoğlu, who used the surname “Çalışel” until 1964, donated his paintings, his library, his house, which was transformed into a living museum, to Kütahya Dumlupınar University, and it was seen that the notebook was among these donated works. In the examination, it was understood that Yakupoğlu used the surname Çalışel as his signature under the illustrations in his book called “Poems”. Another finding is that this notebook has never been exhibited or seen anywhere until today. In addition, the inner world of an artist reflected the content of the poems he chose and the descriptions he made for these poems. It is understood that the notebook, which can also be examined as a graphic design product, is unique and meaningful in terms of typographic layout and page design. Yakupoğlu, known as a nature, city streets and landscape painter, maintains this feature with his illusions in his book “Poems”, although it is seen that he also includes figures and describes the text content with a romantic approach, considering both the color and the concept of space. It has been understood that the traces of the artist personality of Ahmet Yakupoğlu, who is one of the known and constantly remembered painters of the age and today, that is, his colorful and enthusiastic state in his paintings, left its place to emotionalism in the illustrations in his book “Poems”.

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ALBANSKA ALJAMIADO KNJIŽEVNOST

ALBANSKA ALJAMIADO KNJIŽEVNOST

Author(s): Hasan Kaleši / Language(s): Bosnian / Issue: 16-17/1970

Gleichzeitig mit dem Prozess der Islamlsierung der Albaner, welcher im XV Jahrhundert begann, begint auch fein starker Durchbruch der Albaner in die türkische militärische und administrative Hierarchie. Beginnend von Gedik Ahmed-Pascha, einem der berüm-testen Eroberer aus der Periöde des Mehmeds II Fatih. bis Avlonali Ferid Pascha, welcher der Gross-Wesier im Jahre 1905 war, begegnen wir einer grossen Zahl von Gross-Wesieren, Ihrer Stellvertreter, von Beglerbegs, Sandschakbegs, verschiedenen Kommandanten und anderen Würdenträgern albanischer Abstammung. Auch ein Durchbruch der Albaner in die türkische Literatur ist zu erwähnen. Anfangend von Süzi aus Prizren und Mesihi aus Prischtina, dann über dem 'Masischen Dichter Dukaginzade Yahya-bey, »den türirischen Montesqueiu« Kocibey, den ersten Rektor der Istanbul Universität Hodscha Tahsin, den grössten türkischen Lexikographen und Enzyklopädisten Semseddin Sämi Frasery, den grössten türkischen Dieter und Autor der türkischen nationalen Hymne Mehmed Akif, und den grössten türkischen Philosophen Riza Teufik, war eine grosse Zahl von Albanern welche ihren originellen Beitrag der türkischen Literatur gegeben hat.

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'O Vakit' Güre'de

'O Vakit' Güre'de

Author(s): Selda Erdurak Açıl / Language(s): Turkish / Issue: 100/2019

2001 yılında Hacettepe Üniversitesi Türk Dili ve Edebiyatı Bölümü Türk Halkbilimi Anabilim Dalı’ndan üç ya da dört yıl olmuş mezun olalı… Gördes Anadolu Lisesi’nde edebiyat öğretmeni olarak çalışıyorum o zaman. “Folklor mezunuyum aslında” dediğimde halk oyunları anlayan öğrencilerime ve başkalarına halkbiliminin ne olduğunu anlatmak dışında, bu alanla hiç ilgimin kalmadığını düşündüğüm bir zamandı. Bu düşüncelerim okulumuza Prof. Dr. İlhan Başgöz’den gelen yaz okulu duyurusuna hemen başvurmama neden oldu. Bugünden bakıldığında 2001 yılında köylere, tatil yerlerine atölye ve yaz okulu açmak alışık olduğumuz bir şey değildi. Üniversitede adını çok duyduğum İlhan Başgöz’ün önderliğinde hem tatil yapıp hem de halkbilim konuşmak çok cazip gelmişti. Haritadan hemen Güre köyünün yerine baktığımı hatırlıyorum.

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