"Tıp Öykücülüğü" Üzerine

Author(s): Hasan Erbay / Language(s): Turkish / Issue: Special/2017

Medicine is a discipline with its own rules and manner of operation. Literature is one of the dozens of kinds of art. The common point of both fields is that they touch human stories from within life. Human stories in the field of health are about the processes in which a person lives, may live or is able to live. With the definition of medical story, it is narrative which are written by medical staffs, especially physicians. Medical narratives are fictitious narratives connected with medical realities, interpreting the health environment from the perspective of a physician or health care provider. Such is the primary concern of the works in the literary concerns. The medical narratiation is a field with a limited number of examples in both Turkish literature and world literature. Due to the diversity of medical education models in recent years, there is a growing interest in the relationship of medicine with literature and social sciences. Both in terms of medical education and in the context of literary and medical literacy, “Medical Narratiation” as a product of “quest of beauty” is a new and distinctive area in Turkish literature.

"Verujem u Boga i u Sudnji dan" – Hayrun Yahya i savremena kontekstualizacija apokaliptičnih hadisa

Author(s): Marko Pišev / Language(s): Serbian / Issue: 1/2013

The motif of the apocalypse has fascinated mankind from the very beginnings of oral history and is present in various myths and religious traditions, finding its expression in the art of all time periods. Even today it hasn't lost its grip on human imagination. In modern Islamic contexts, the phenomenon of the apocalypse incorporates anti-western ideologies, which reflect, to a large extent the socio-cultural heritage of former anti-colonialist struggles, as well as the anti-imperialist attitudes which are present in a large number of contemporary Muslim societies. When paired with apocalyptic narratives, these notions can lead to negative essentializations of so-called "western morals and ethics", which are subsequently interpreted as a clear sign of the End times. Aside from the wider consideration of the symbolism of Islamic apocalyptic narratives, the paper will deal with a critical analysis of the visualizations of the Signs of the Last Day books by religious author Hayrun Yahya, who considers the topic of the apocalypse, as presented in the Koran and hadiths, in an affirmative light. We will attempt to puzzle out why the textual version of Signs utilizes certain quotes from the hadiths, while other, equally relevant quotes are avoided. We will rely on the so-called "interdiscursive" aspect of the enclosed quasi– documentary film, or rather, the heterogeneous elements which make up its audio-visual "text". This analysis should uncover the ideological notions behind this specific instrumentalization of scripture for the aim of religious, cultural and moral critique of contemporary (both Muslim and non-Muslim) societies; however, we will also attempt to point out the multifunctional idea – suggested to the viewing/reading audience of apocalyptic narratives – that Judgment day is near, and can come around at any moment.

"Westernization and Alienation of the State/Social Order": A Pseudo-Scientific Fairy-tale of Turkish Islamists

Author(s): Deniz Yoldas / Language(s): English / Issue: 9/2019

Idris Küçükömer (born 1925 in Giresun, dead 1987 in Istanbul) is a well-known Turkish academic, who tried to figure out the controversial character of the Left-wing movement in Turkey. His main book “The Alienation of the State/Social Order” (in Turkish: Batılılaşma ve Düzenin Yabancılaşması, Küçükömer, 2002) is the dissertation of his principal thesis about contemporary Turkey. Küçükömer is one of the academics/intellectuals who tried to figure out the principal „anomalies” of Turkey with his own perspectives. The controversial character of Kemalism and Left-wing movement of Turkey is the subject of Küçükömer’s works. He tried not only to break out the Kemalist discourse’s falsification but also to create a pseudo-scientific theoretical base for Islamist “Green Kemalist” narration. Küçükömer’s work about the nature of bureaucracy and its transformations between different social systems could be interesting for Post-Soviet countries academic circles. The contribution of the present review is that it brings a present-day perspective on Küçükömer views.

(KUMUK DESTANLARININ TEMELİNDE) TÜRK DESTANLARININ GELENEĞİ

Author(s): Tomay Ramazan Hasanoglu / Language(s): English / Issue: 29/2016

Kumuk epics has a rich base not only from the side of quantity, but also quality. Works on Kumuk epic creativity is distinguished by possibility of a wide range of clarification of functional character, typological character, and as a whole specificity of epics. Formulas, epic schemes, development of its tendency of the structure of epics are of crucial importance in order to follow development of Turkish epic creativity. Therefore, research on Turkish epic creativity in different ways seems as one of the significant problems of folk of Turkish people.

13. Yüzyıl Türk Halk Şİİrİnde Ahlâkİ Anlayış

Author(s): Mehmet Yardimci,Ahmet Zeki Güven / Language(s): Turkish / Issue: 64/2010

With Malazgirt Victory in 1071 Turks migration began to Anatolia and Islam had found a new expansion field in the hands of Turks and spreading of Islam in Anatolia had accelerated in the period of Principalities and especially Seljuks, Anatolian Seljuks. But in the 13.centuries Mongolian influence which occurred in Central Asia and then affected to Anatolia, led to people different searches. Mongolians had vandalized where they gone through, therefore; a completely crisis period had began to in Anatolia. Especially in this period most of dervishes who got of Yesevi doctrines had immigrated to Anatolia and began to tell Islam with different ways to the people. This saints who came from Central Asia, dwelled upon to doctrines and emphasized that Islam is not a fear religion it is a love religion,and to fall for love to God rather than fear of God. In this way; this Yesevi dervishes who came from Central Asia, helped to people who fallen into crisis process and easily overcome from this process, also they exposed excellent and experienced human type with the help of advice which they gave to people in their works. In this study, in the century of 13 Religious-Sufism Folk Poetry ethical components were exposed and three great poets were examined who lived in the century of 13, such as Hacı Bektaş-ı Veli, Yunus Emre, Said Emre and also, common components which related with the ethical understandings were classified and commented on finding discoveries.

1657 TARİHLİ DUBROVNİKLİ MİHO MARTELİNİ’NİN MECMUASINDAKİ TÜRKÇE AŞK ŞİİRLERİ

Author(s): Derviš M. Korkut / Language(s): Turkish / Issue: 2/2016

Bu makale Derviš Korkut tarafından“Turske ljubavne pjesme u Zborniku Miha Martelinija Dubrovčanina iz 1657 g.” orijinal başlığıyla Saraybosna Şarkiyat Enstitüsü’ nün Prilozi za Orijentalnu Filologiju (Şarkiyat Filolojisine Katkılar) Dergisinde Sayı: VIII-IX, Yıl: 1958, ss. 37-62 yayınlanmıştır.

17.Yüzyil Halk Şairi Karacaoğlan’in Bir Şiiri İle 18.Yüzyil Divan Şairi Nedim’in Bir Gazeline Göster Gebilimsel Açidan Karşilaştirmali Bir Yaklaşim

Author(s): Medine Sivri,Berkant Örkün / Language(s): Turkish / Issue: 71/2012

Poem is the most layered among all other literary genre and is a closed intact with deep language patterns. In opposition to the linearity of prose unique structure of poetry enables a creative reading. In this study a poem of folk poet Karacaoglan and a gazel (ode) of Divan poet Nedim is compared thorough poetry analyzing means of semiotics. These poems brings the two poets lived in different centuries and were in different literary traditions together. Their poetry is based on love which is the main source of nutrition for mankind throughout the journey of life. As all genres of literature - poetry, novel, story or theater plays- represent a multilayered system, semiological approach enables the researchers to comprehend and evaluate the works more clearly.

19. Yüzyıl Divan Şairi İbrahim Fehmî ve Divanı

Author(s): Ahmet Içli / Language(s): Turkish / Issue: 28/2015

Turks have created / composed rich literary texts at various periods throughout history. One of such periods is the brilliant / productive are of Divan Literature. That area, which was shaped in accordance with the Ottoman culture and perception of the world, and which was shaped by a strong interactive bonds with various cultures, survived until the 19th century. The literature labeled as Divan Literature was based upon Western Turkish / Ottoman Turkish. A great many poets, who spoke Ottoman Turkish, created innumerable collections and literary texts. Following the communication and interaction with the Western culture after the Reform (Tanzimat) period, Western literary forms and topics began to appear in an increasing frequency in Turkish Literature. However, even in this century, many artists / literary figures continued to compose traditional Divan forms and themes. During the same period, the increasing use of the printing pres made it possible to publish and spread the collections. Many poets aimed to get their works published through the printing press and spread them to larger audiences. Many poets, however, either died at a very early age, or was unable to make themselves known by the public. Yet, some others, were unable to get their works published, still, their poems / collections were published by either their relatives or some laymen at a later time. One of the 19th century poets, İbrahim Fehmi, composed enough poems to make a collection in the style of Divan literature. After his collection was designed by his son, Süleyman Salim, it was published in 1870 or 1871. In this study, some data / information will be presented about İbrahim Fehmi’s life, brief literary perception and poetry collection.

19. Yüzyil Türkistan Şair Ve Tarihçilerinden Mûnis Harezmî (1778-1829) Ve Eseri: Firdevsü’l-İkbâl

Author(s): Hayrullah Kahya / Language(s): Turkish / Issue: 77/2014

Knowledge about the 19th century Central Asia Turkish language is quite insufficient. Moreover, an entire list of the artists of this period are not available as related information and documents for this period existed for many years under the domination of the Soviet Russia, a case which made it impossible to reach these documents for many years. However, knowledge about this period has increased thanks to new researches and publications. Certainly Munis Khwarazmi is one of the most important Turkestan artists in 19th century. In this paper, Mûnis Khwarazmi who earned reputation for not only being historian but also poet has been researched together with his important work Firdaws al-iqbal in which he wrote the official history of Khanate of Khiva. Initially, a short information is given about the khanates period of Turkestan (Khiva, Bukhara, Kokand Khanates) and then the life of Mûnis and his works are discussed. Following this, the most important work of Mûnis, Firdaws al-iqbal, has been examined. Phonetic and morphological properties of the work, written by Munis himself, have been examined in respect to its differing properties from Classical Chagatai Turkish until the fifth part of the work. Language style of Mûnis has been studied to be determined with the sample texts taken from the Firdaws al-iqbal.

Abdullah Tukay'a Adnan Bir Mektup

Author(s): Çulpan Zaripova Çetin / Language(s): Turkish / Issue: 60/2009

Orphaned at the early age, to Abdullah Tukay spent his childhood with one family after another. In his writing, regardless of the subject matter, Tukay always aimed to serve the Tartar nation and their improvement. The letter, written by Sagit Ramiev in 1918, five years after Tukay's death, tells about the horrible changes that happened in Russia and the Soviet rule. Ramirev's words become a friend's cry of disappointment after having high hopes for the future. Sagit Ramiev displays poet's divine intuition in foreseeing the end of the events happening in the city even though they have begun not more then a year ago.

ABDURRAHİM KARAKOÇUN ŞİİRLERİNDE TEFEKKÜR-İ MEVT

Author(s): Orhan Ertürkmen / Language(s): Turkish / Issue: 10/2018

One can find lots of various definitions of death in different sources, which indicates that death has different meanings for each person, culture, civilization, and religion. Hundreds of writers and poets mentioned death in their works, and thousands of researchers have worked on death. It will be mentioned and worked on till the end of the world. Death is meeting God in Islamic Mysticism. One must be prepared before meeting God. One of the preparations is meditating death, which is [considered to be] death before death. In other words, it is contemplating on death and living within this path. Death and meditation of death are also themes often recurring in [Turkish] folk poetry. Folk poets have depicted death as a transition from the temporary to the permanent life. In this context, themes of death and meditation of death have an important part in Abdurrahim Karakoç poetry, ho rote poems in the manner of a modern folk poet and ho is known as “the man ho divorced the orld hile in the orld”. In this ork, the existence of the themes of death and the meditation of death have been determined in the said poet’s poetry. In this research, one of the qualitative research methods, document analysis, has been used.

Abdurrahman Hıbrî ve Hadâyıku’l-Cinân’ı

Author(s): Osman Ünlü / Language(s): Turkish / Issue: 11/2018

Short story is of the most important type of the types that are based on narration in classical Turkish literature. In classical literature which work of story in the form of a mecmua or books that have been arranged for a certain purpose. One of the works in which the stories are arranged in a certain order is Hada‘ik al-jinan. Hada‘ik al-jinan was written by Abd al-rahman Hıbrî, in the first half of the XVIIth century. The works of eight episodes, such as "Gardens of Heaven", draw attention to the copyrighted stories. Hada‘ik al-jinan, which is also important for the reflection of the daily life of the period, was introduced for the first time in this article in general terms. Copies of the work, to whom it was presented, and are given infotmation about the date of writing. In addition to this, it is aimed to have general knowledge about the contents of Hadâyiku'l-cinan, which is read in eight sections constituting the works and which are summarized.

Abilkasim Cutakeyev (1888-1933)

Author(s): Muhammed Ali Ismail Fakirullahoglu / Language(s): Turkish / Issue: 34/2017

Adalet Ağaoğlu’nun Bir Göç Romanı: Fikrimin İnce Gülü

Author(s): Merve Esra Polat / Language(s): Turkish / Issue: 2/2016

Migration, a powerful force in societies, is among the topics of literature which is also a part of human life. One of the literary works mentioning migration is Fikrimin İnce Gülü, Adalet Ağaoğlu‟s second book. It is possible that the migration can be examined based person as "who go abroad", "turning back" and "survivor" in the text. In the light of text-based inspection method, historical and sociological approaches peopleoriented disclosed social, political, psychological and economic conflict is based on only the work, generalization is not done. The transforming family structure, continuity issue of relations with the dormitory, the hardships of the working conditions, discrepancies originated from culture, language, religion, alienation which leads to isolation and the problems in return are discourse in the process that based on people's expectations and disappointments. The characters that trapped between two different cultures, refuge on consumer goods, exhibit behaviours that lead to cultural degeneration to adapt to economic and social order of meta culture. The conflict and migration culture model will prevail in order to examine migration movements in Fikrimin İnce Gülü. In the context of this model, the conflicts of characters in the process of migration to Germany will reveal taking into consideration the difficulties and disagreements to be effective.

ADLÎ DÎVÂNI VE AHMET PAŞA DÎVÂNI’NIN ANLAM DÜNYASI BAKIMINDAN KARŞILAŞTIRILMASI

Author(s): Yakup Yesilyaprak / Language(s): Turkish / Issue: 36/2017

Almost everybody who is interested in literature and poetry has an idea in terms of rating a poet as a good poet or a bad poet in his mind. However, the same is not the case according to what criteria this rating is performed. If there are no criteria and concrete references in the mind of the person in terms of a rating or evaluation, the rating or evaluation in question will be unhealthy. This also indicates that the person does not have the necessary consciousness and accumulation of knowledge when evaluating a literary work. Because, if the person regards a literary text as superior to another literary text based on some criteria, his criteria or provision, which is the result of these criteria, even if they are wrong, can provide important data concerning the nature of the text. In this study, the criteria and concrete references that distinguish a literary text from another literary text, or a poet from another poet were put forward specific to the case of the divans of Adli (Adlî) and Ahmet Pasha. The aim, however, was both to demonstrate the role of the method of comparison in achieving the true character of a literary work, and to encourage people to turn to concrete references when two poets or literary works are compared or evaluated. The reason behind the selection of Ahmet Pasha and Adli as poets was to believe that it was necessary to compare Ahmet Pasha – being considered by many researchers to be the best poet of his time and the founder of the classical Turkish poetry, but not much concrete data have been presented to support this – and Adlî – relatively having remained in the shadows – based on concrete data. Accordingly, it was one of the most important goals of this study to suggest criteria to consider when a poem is said to be good or bad. In this direction, the materials that the poets possessed and the way they used these materials constituted the basic action points of this study.

Ahlâk-ı Alâî’de Aile Ahlâkı

Author(s): Ibrahim Turan / Language(s): Turkish / Issue: 2/2015

Family is one of the most important institutions through the history which is not only the basis of biological continuation of human beings but also source of psychological, social and economic supports for the individuals of the family unit. However, while family plays a great role acquiring positive values for the individual and society, in some periods, family institution is neglected and is not given importance to its educational aspects. Especially, since the second half of twentieth century, family life, has affected negatively in terms of educational role of family. At the end, all of these reasons have decreased families’ responsibilities of educating their children’s moral education. For this reason, we have to think the functions of family played great roles in the moral education of young generations from past to the present. This article has two aims: Its first aim is to examine the book of Kınalızade which was written in the sixteenth century in terms of family ethics and moral values taught in the family. Its second aim is to make some suggestions for solving current problems in the family life in light of principles of the Book of Kınalızade.

AHMET ALTAN’IN DENEMELERİNDE KENDİNİ ALDATMA TEMİ

Author(s): Mustafa Yigitoglu / Language(s): Turkish / Issue: 22/2016

Ahmet Altan, one of the prominent authors in Turkish literature after 1980, addresses many social and individual issues in his works that have been published. The issues such as history, politics, love, religion, sexuality are examined in detail by the author. Altan’s essays as in other works are rich in terms of their content. Some of these are related to human feelings. The author writes many essays on the issues such as hope, fear, lust, jealousy and courage. However, Altan in some essays focuses on the theme of self-deception which is a psychological case. The author trying to understand and explain the spirit world of a person, examines the after and before of this condition. The grounds in which the feeling of self-deception took place is a condition that attracts the author's attention.

Ahmet Hamdi Tanpinar’in Şiirlerinde Devamlilik Düşüncesi Thought Of Continuity In The Poems Of Ahmet Hamdi Tanpinar

Author(s): Türkan Yasilyurt / Language(s): Turkish / Issue: 80/2014

While Ahmet Hamdi Tanpınar sees the men of letters’ taking the Western Literature as an example inevitable in the process of choosing a new lifestyle in the path to the Westernization with the Tanzimat, he opposes to the poets’ falling to the position of being follower and imitator of French Poetry with losing their ties with their own poetical roots. Tanpınar suggests that the Turkish poetry should head back to its roots that comprise divan and folk poetry. Tanpınar states that Turkish people and their language lived in the divan poetry until the works of Yahya Kemal despite its all deficiency. And also it was given importance not only because of it supplied an habitat to Turks and their languages but also literary works that can be labelled as Turkish classics are produced in this genre. He credits many poets, being in the lead Fuzuli, Baki, Galip, Nef’i and Neşati, or divan poems as the Turkish classics. Though Tanpınar sees folk poetry as one of the sources, he also underlines the restrictive and delimitative sides of it. He defends that Turkish poetry should change in accordance with the continuity. Actually Tanpınar’s idea of “continuity in poetry and culture” is a continuation of Yahya Kemal’s idea of “imtidâd.” Tanpınar’s idea of continuation with change and change with continuation proceeds in Hilmi Yavuz’s writing as finding the changeless among the changing, the essence among the signs and conveying it to today. Though Ahmet Hamdi Tanpınar does not object the idea of being open to the Western poetry, thinks the Turkish poetry that does not maintain ties with its own poetic tradition cannot keep its, in Henry Bergson’s words, “élan vital or creative evolution.” Ahmet Hamdi Tanpınar thinks that the poets should maintain their tie with their own poetic tradition without leaving themselves by escaping the imitation of the West through selection and sorting out.

Ahmet Ümit’in “İstanbul Hatirasi” Adli Yapitinda Medeniyet Kavraminin Somut Göstergeleri

Author(s): Neslihan Yücelsen,Melda Karagöz / Language(s): Turkish / Issue: 81/2015

Although a lot of research has been done on the concept, the “civilization”, “urban” in lexicon, can not have an absolute conclusion that has been reached regarding its use. While some researchers view that the concepts of civilization and culture its equivalent some of others differentiate these concepts from each other. Definitely, there is a close relationship between civilization and culture. The pretiminary condition to cite a likely formation of a civilization is to have an extent of cultural accumulation. The literature is a form of art in which the cultural values of civilizations are described through language. It is likely to find the reflection of the cultural element, at the master of arts such as sculpture, music, architecture, furniture, food, weapons and so on. All these cultural elements of the work reflected by the work display the reality and the richness of life as well as civilization to the reader. Civilizations consist of material and spiritual elements which are interconnected to each other, and these elements show progress throughout the history. The works of literature are a reflector of the circumstances in which their own civilization was formed and also the witness of the time. It could be possible to see some trace, in each author’s time. However, this does not mean that his ideas belong only to his era. The authoruses the past, with all its glorious accumulation, and the future with its unknown world, as a tool. Literature, is a way go art to enrich all of these elements of culture and civilization. There are times when civilizations have disappeared. In such a case with the material and spiritual indicators, it is possible to find out specific features of lost civilizations. In this work Istanbul, as an important material indicator of civilization, has been selected for the place. Istanbul, due to its favorable geographic location and its private community, has been home to many civilizations as the capital town, even played a role in the formation of the historic ages. In a paralel way to these, it has a very high material culture. In these tudy, first, the meanings attributed to the concept of civilization, will be discussed. With the conclusions, the indicators of forming civilization will be determined. Then, some further information as for which indicators are to be provided among those in the work, looked through subsequently, will be presented. And, the functions of the indicators in the editing of the work will be touched upon.

ALAADDİN SABİT BOSNALI“KÜLLİYATI”NIN YAZMA NUSHALARININ KARŞILAŞTIRILMALI İNCELENMESİ

Author(s): Sehla Halilli / Language(s): Turkish / Issue: 41/2019

The information about the life and creative activity of Alaeddin Sabit Bosnavi, well-known representative of Turkish literature is found in translations, encyclopedias, textbooks and scientific literature. He was born in Hijrah 1060 (Chr. 1650) in Uzice settlement of Bosnia. The poet received his primary education from one of outstanding scholars of Bosnia, Khalil Afandi. Afterwards, he came to Istanbul to continue his education. Later Sabit had worked in provinces of Edirne, Crimea, Tekirdağ, Sarajevo, Konya, Diyarbakır as a confessor, mevlevi and mudarris in different years. Sabit died on Shaban 3, 1124 (September, 1712). Sabit has “Divan”, “Derename”, “Barbarname”, “Adham and Huma” masnavis, “Zafarnama” written for Crimean khan, Salim Garay, large poem “Amrulleys”, play like “Hadisi- arbain translation and interpretation” half prose and verse. Sabit wanted to create “Khamsa” with his plays, but failed as he passed away. Despite the wide spread of the manuscripts of Sabit’s “Kulliyyat”, they have not been comparatively studied in the Azerbaijani literature. AlaeddinSabitBosnavi’s "Kulliyat" was compared with other manuscript copies obtained and analyzed either historically and textual, or philologically by us. While copying the copies, upon trying to discover the differences, mistakes and distortions between the texts, we have found each text’s containing of a number of errors. There are cases of accidental or deliberate diminution of words, as well as missing or addition of words. Some copies have corrections of these errors in the edges of the pages, while, some do not. We believe that, the corrected mistakes or distortions caused by the secretary's negligence or low level of knowledge. The secretary copied to his own wish, but needed to show the words or phrases that he believed to be wrong inside the copy he transcribed on the edge of the page. There are sufficient purposeful or aimless errors and omissions in the copies of Sabit’s “Kulliyyat”. Taking into account the requirements of the text studies, these copies have been comparatively analyzed.