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"Tıp Öykücülüğü" Üzerine

Author(s): Hasan Erbay / Language(s): Turkish / Issue: Special/2017

Medicine is a discipline with its own rules and manner of operation. Literature is one of the dozens of kinds of art. The common point of both fields is that they touch human stories from within life. Human stories in the field of health are about the processes in which a person lives, may live or is able to live. With the definition of medical story, it is narrative which are written by medical staffs, especially physicians. Medical narratives are fictitious narratives connected with medical realities, interpreting the health environment from the perspective of a physician or health care provider. Such is the primary concern of the works in the literary concerns. The medical narratiation is a field with a limited number of examples in both Turkish literature and world literature. Due to the diversity of medical education models in recent years, there is a growing interest in the relationship of medicine with literature and social sciences. Both in terms of medical education and in the context of literary and medical literacy, “Medical Narratiation” as a product of “quest of beauty” is a new and distinctive area in Turkish literature.

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"Verujem u Boga i u Sudnji dan" – Hayrun Yahya i savremena kontekstualizacija apokaliptičnih hadisa

Author(s): Marko Pišev / Language(s): Serbian / Issue: 1/2013

The motif of the apocalypse has fascinated mankind from the very beginnings of oral history and is present in various myths and religious traditions, finding its expression in the art of all time periods. Even today it hasn't lost its grip on human imagination. In modern Islamic contexts, the phenomenon of the apocalypse incorporates anti-western ideologies, which reflect, to a large extent the socio-cultural heritage of former anti-colonialist struggles, as well as the anti-imperialist attitudes which are present in a large number of contemporary Muslim societies. When paired with apocalyptic narratives, these notions can lead to negative essentializations of so-called "western morals and ethics", which are subsequently interpreted as a clear sign of the End times. Aside from the wider consideration of the symbolism of Islamic apocalyptic narratives, the paper will deal with a critical analysis of the visualizations of the Signs of the Last Day books by religious author Hayrun Yahya, who considers the topic of the apocalypse, as presented in the Koran and hadiths, in an affirmative light. We will attempt to puzzle out why the textual version of Signs utilizes certain quotes from the hadiths, while other, equally relevant quotes are avoided. We will rely on the so-called "interdiscursive" aspect of the enclosed quasi– documentary film, or rather, the heterogeneous elements which make up its audio-visual "text". This analysis should uncover the ideological notions behind this specific instrumentalization of scripture for the aim of religious, cultural and moral critique of contemporary (both Muslim and non-Muslim) societies; however, we will also attempt to point out the multifunctional idea – suggested to the viewing/reading audience of apocalyptic narratives – that Judgment day is near, and can come around at any moment.

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"Westernization and Alienation of the State/Social Order": A Pseudo-Scientific Fairy-tale of Turkish Islamists

Author(s): Deniz Yoldas / Language(s): English / Issue: 9/2019

Idris Küçükömer (born 1925 in Giresun, dead 1987 in Istanbul) is a well-known Turkish academic, who tried to figure out the controversial character of the Left-wing movement in Turkey. His main book “The Alienation of the State/Social Order” (in Turkish: Batılılaşma ve Düzenin Yabancılaşması, Küçükömer, 2002) is the dissertation of his principal thesis about contemporary Turkey. Küçükömer is one of the academics/intellectuals who tried to figure out the principal „anomalies” of Turkey with his own perspectives. The controversial character of Kemalism and Left-wing movement of Turkey is the subject of Küçükömer’s works. He tried not only to break out the Kemalist discourse’s falsification but also to create a pseudo-scientific theoretical base for Islamist “Green Kemalist” narration. Küçükömer’s work about the nature of bureaucracy and its transformations between different social systems could be interesting for Post-Soviet countries academic circles. The contribution of the present review is that it brings a present-day perspective on Küçükömer views.

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“DEDE KORKUT KİTABI”NIN KOMPOZİSYON ÖZELLİKLERİ VE ŞİİR SANATINA DAİR

Author(s): Rövşen Alızade / Language(s): Turkish / Issue: 28/2019

Clans of Dede Qorqut narrates events occurring around a certain hero and such a condition was a serious base to offer opinion about two levels (characteristics of composition and poetry) of Oghuzname which were related to the name of bard Qorqut. The clerk who was compiling the book of Dede Qorqut in a single book collected all twelve books each of which belongs to separate oghuz clan independently. Irregularity of composition seen in discontinuity of developments of the events in clans of the book of Dede Qorqut is also related to this matter. Although some clans of Dede Qorqut are related to the same hero and similar events, in chronological perspective, they should have been appearing in the book with different arrangements. For Instance, we can pay attention to the fact that information on Salu Kazan (second, fourth, eleventh clans) is firstly given in the second clan. In this clan, Kazan Han’s son Uruz is in independent condition, moreover, when the men go hunting, he is accredited to protect the homeland with three hundred brave men. In the fourth clan, the son of Kazan has just reached the age of competence and “did not shed blood by beheading”. Kazan Han takes Uruz with him for hunting in order to teach him hunting and fighting. Hence, in comparison to the second clan, this clan incorporates events of more historic ages. Composition features of Oghuzname tradition are seen in verse presentation of prose sections that is classical for the epics of Oghuz successors. As in many epics of the Turks, in the book of Dede Qorqut, dialogues of the heroes and their alterations are illustrated in poems. Therefore, exciting layer of Dede Qorqut language is directly revealed by poems with apologetic content.

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ADIYAMAN-GERGER AĞIZLARINDA ‘KADIN’ SÖYLEMİ ÜZERİNE BİR ANALİZ

Author(s): Mehmet Yeşilkaya / Language(s): Turkish / Issue: 30/2020

The cultures of societies are comprised of the human behaviors depending on the societies; of the perceptions of the people towards women and/or men; and, of the opinions and perspectives of the people living in them. Taking slight individual differences into consideration, a society’s reactions, statements, and actions are usually similar under certain circumstances. One of the occasions where this similarity applies is the perceptions towards women. One of the efficient sources which can shed light onto whether the perceptions towards women are positive or negative is the compilations of the dialects of the people. In this study, the examples of the statements towards women from fairy tales, stories and real life in the dialects of the district of Gerger of the city of Adiyaman were studied and the perceptions towards women were analyzed using discourse analysis. Many concepts used when speaking of women such as violence, delivery, administrator, chastity, bride price, polygamy, slander, oppression, parental discord/domestic violence, birth/stepmother, women’s will, etc. were identified in fairy tales and real-life stories. The compilations were studied over those concepts, the reflections of those concepts on women were explained, the difference between the tone of the male and female narrators were emphasized and several other details were statistically analyzed. As a result of the compilations put together in Gerger region, the traces of perceptions towards women were found in the fairy tales and real-life stories of 16 narrators out of 39. Among those perceptions are the qualities of polygamy, women not being able to keep secrets, women treated as goods and being bought, and not being able administer well stood out as significant

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ANADOLU’DA YAZILMIŞ İLK DÖNEM TIP YAZMALARINDA RENK ADLARI VE KULLANIM ALANLARI

Author(s): Özlem Akbulak / Language(s): Turkish / Issue: 29/2020

Colors, which are a part of nature and life, have an important place in the life of societies in terms of culture. Colors that have various uses in abstract and concrete terms have displayed a leading role in the expression of people's feelings, thoughts and needs throughout history. In this study, the colors are discussed with regard to their use in the field of medicine / health, one of the areas in which they actively take part. In this context, Ahmedî’s Tervîhü'lErvâh, Hekim Bereket’s Tuhfe-i Mübârizî and İshâk Bin Murâd's Edviye-i Müfrede, three of the first medical manuscripts in the Anatolian field, were examined and the color names were reviewed. Compared with contemporary medicine, which has become more advanced with the possibilities of modern science and technology, the observation and interpretation of different changes in the body of people undoubtedly provided fundamental clues in the diagnosis and treatment of various health problems in the 13th-14th century medicine. It was observed that the colors, primary element to reveal the features of these observed cases, were used in ancient medicine conclusively. In the aforementioned works, it has been noticed that the names of colors could be used not only in the diagnosis of the health problems, but also in the names of various medicines, mixtures, various plants, foods, beverages, and etc. recommended by physicians. Within the scope of the study, the color names in the related works were evaluated under different titles according to their usage areas and the use of color names in the Anatolian field medical manuscripts was analysed.

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AYLA KUTLU’NUN ROMANLARINDAKİ İNTİHAR İZLEĞİNE DURKHEİM’CI BİR YAKLAŞIM

Author(s): Gürhan ÇOPUR / Language(s): Turkish / Issue: 46/2020

Ayla Kutlu became an important author in Turkish literature after 1980 with her novels and stories. Kutlu, fictionalizes her works in a multi-layered structure by intertwining social and individual elements in her novels. Kutlu's novels focus on inner world of individuals taking part in the social events related to religion, beliefs, gender roles, economic life, customs and conventions of the community they live in. In her novels, the presented social events reflect the political and social atmosphere of Turkey, where protagonists are portrayed in their worldly pursuits. In that sense, the author, who is not indifferent to social issues and conditions of the period, makes her own interpretation of events in almost all her works, which makes them suitable for sociological and psychological analysis. In her novels, suicidal tendency of the characters, who are not able to adapt to the conditions they are depicted in, become excluded and marginalized. Emile Durkheim, who is mainly interested in the suicide phenomenon, regards society as a sociological laboratory mainly responsible for the psychological development of the individual. According to Durkheimian, suicide can be defined as an act in which social phenomena mark individual psychology. Emile Durkheim's theory of suicide is based on experienced cases, which he categorizes according to social causes as: “Egoistic suicide”, “Altruistic suicide”, and “Anomic suicide”. Among the suicide types that Durkheim has classified and distinguished according to their sociological dimensions, “Selfish suicide” cases observed in Ayla Kutlu's novels will be in the center of our study. In our analysis, the actions of the characters who commit/attempt suicide in Ayla Kutlu's “Cadı Ağacı”, “Ateş Üstünde Yürümek” “Kadın Destanı” and “Asi… Asi” novels will be examined within the framework of Emile Durkheim's suicide theory.

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Bâkî’nin Yayımlanmamış Bazı Şiirleri (Bir Gazel, İki Beyit)

Author(s): Kübra Kacar / Language(s): Turkish / Issue: 65/2020

One of the prominent of 16th century poets, Bâkî composed poetry during a period when the Ottoman Empire was at its peak, and when culture, art, and literature were in their golden age— to the point that he had earned the honourable title “sultanü’ş-şuarâ” (the poet of the sultan). While an author of four works of prose, including Me’âlimü’l-Yakîn Fî-Sîreti Seyyidi’l-Mürselîn (Siyer-i Nebi), Fezâ’ilü’l-Cihâd, Fezâ’il-i Mekke and Hadîs-i Erba’în (Kırk Hadis) Tercümesi, his true claim to fame in fact was his Dîvân. Published three times (Dvorak 1908, Ergun 1935, Küçük 1995), the book contains some 636 poems, including 27 kasides, 9 musammats, 548 gazels, 21 kıt’as, and 31 matla’s. This number only increases upon including his other poetry as they appear in various magazines alongside studies concentrating on his Dîvân. The present study will introduce a gazel as well as two beyits composed under his pseudonym identified in magazine number 89, housed at the Research Institute Library of Istanbul.

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BEDRİ RAHMİ EYÜBOĞLU’NUN YAZILARINDA HALK TÜRKÜLERİMİZ, MISRALARINDA TÜRKÜLER DOLUSU…

Author(s): Zehra Canan Bayer / Language(s): Turkish / Issue: 29/2020

This work covers the writings and poems of Bedri Rahmi Eyüboğlu on folk songs in periodicals since 1930s. The aim of the study is to determine artist’s ambition of emphasizing the cultural and folkloric values, to underline these values creating awareness by reiterating them. In order to make this determination, the writings and poems of the artist on our folk songs were compiled, analyzed and synthesized. In addition, quotations were made from other artists who made evaluations on the subject of the study. The quotations are given directly when necessary, considering the effect and richness of the content. Samples of the songs shared in the bibliography of the study via video links. The richness of artist's skillful literary language and style, increased the scope of what he said about the value of our folk songs. This effect reached and became widespread among the masses due to the fact that these articles and poems were included in the newspaper columns of the period. The result of artist's writings is being aware of the necessity of keeping our folk alive by getting rid of foreign influences, to share our life with them but not without causing to get ordinary and to become corrupt, to disseminate the folk poems by "saz" in the remote corners of Anatolia, to give our folk poets whom tells the "truth" like Âşık Veysel the value and place they deserve and lastly to know our country by full of folk songs and to assimilate.

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BETON - Kulturno propagandni komplet br. 201, god. XIII, Beograd, utorak, 20. novembar 2018.

Author(s): Saša Ćirić,Andrej Nikolaidis,Vladimir Milojković,Radovan Popović,Igor Đorđević / Language(s): Serbian / Publication Year: 2018

MIXER, Saša Ćirić: Nacija se stvara posle rata; ŠTRAFTA, Igor Đorđević: Od kolevke pa do groba najlepše je zlatno doba; VREME SMRTI I RAZONODE, Andrej Nikolaidis: Ono što je veliko, Vladimir Milojković: Citostatici, Reaktor današnjice, Ekstremno pakovanje; BLOK BR. V, Radovan Popović / Studiostrip: Bolje pat nego mat

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CAHİT ZARİFOĞLU’NUN YAŞAMAK ADLI ESERİNİ KOPUK YAPIT KAVRAMI IŞIĞINDA OKUMAK

Author(s): Nilüfer İlhan / Language(s): Turkish / Issue: 30/2020

Literary genre, which is formed according to the conditions of the age and continues to change over time, has the function of defining, classifying and interpreting texts. It shows the quality of institutionalization by acting according to a certain method, rule and technique. It assumes the duty of a contract between the writer and the reader. At this point, it provides convenience to both the author and the reader, but also brings with the limitation and restriction of the meaning. On the other hand, with the postmodernism recently, the form and meaning characteristics of the genres have undergone a great change and the texts are written in accordance with many types and show an example of disconnection, discontinuity and pluralism. “Disconnected work”, which is a concept related to postmodernism, is based on the existence of various types in a text and fragmentation of chronological flow as a result of the breaking of the sovereignty of the species, overcoming the borders and breaking the literary patterns. In this context, it is possible to define Cahit Zarifoğlu's (1940-1987) work named ‘Yaşamak’ (1980), which is described on a daily basis, but also includes memoirs, essays, stories, letters, travel writings, novels, and prose poems, with the concept of ‘disconnected work’. In the introduction part of the study, the opinions of the theorists who talk about the relationship between literary text and genre will be discussed and information will be given about the concept of "disconnected work". Then, the comments put forward by critics about the genre of the book called "Yaşamak" will be mentioned, and the types in the work will examined through determining the way how they are included the book. Finally, the elements that require the definition of ‘Yaşamak’ as ‘disconnected work’ will be evaluated.

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CEMÂL SÂFİ’NİN ŞİİRLERİNDE ALKIŞ VE KARGIŞLAR

Author(s): Kayhan Şahan / Language(s): Turkish / Issue: 29/2020

Mankind always needed something from absolute authority throughout history. He always demanded something for the sake of his family, country or the humanity itself. Those demands and their statue of being required are a statue that associated with having a direct power or vice versa. To want someone to be good but not being able to make it happen or wishing someone that something bad happens to someone and waiting for it are theoretically the same. Hence, when mankind is not powerful enough for both, he seeks help from absolute authority and presents its requests with some patterns and in some forms, whose patterns are broadened/altered. While blessing is a way of showing regards, cursing is a way of showing bad wishes. Since applauses – imprecations continue their existences in life and oral culture, returns of the age and changing needs might go through some changes under the circumstances. Aside from applauses – imprecations which keep their existences as it is, also updates and new creations take their places inside the language. The instinct of wanting help from the absolute power, which is totally humane, have of course jumped to language and from there to literary language. Poets, as a part of their community, from time to time presented their applauses and imprecations through poetic language. Cemâl Sâfi who made a name for himself with his works Vurgun, Sende Kalmış, Kıyamete Kırk Kala and with many poems inside these works, also has good and bad wishes from absolute authority. This work is made for the determination of means of blessings and cursings in Cemal Safî's poems and their place in his poetry will be examined on examples.

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Divân-ı Hikmet’in Ses Uyumu Üzerine (Kökşetav Nüshası)

Author(s): Ali Akar,Senbek Utebekov / Language(s): Turkish / Issue: 65/2020

Vocal disharmony is one of the most important issues regarding Chagatai Turkish and contemporary Karluk dialects. Studies on these dialects also focus on this issue. Especially, Kemal Eraslan found eleven suffixes which were contrary to palatal harmony in Chagatai Turkish texts. When we look at the vocal harmony of the Kökşetav (Kazakhstan) copy of Divân-ı Hikmet, it is seen that there is no vocal harmony between various words and suffixes. In this article, vowels were examined in terms of palatal harmony and labial harmony. Also, consonants were classified and examined in terms of voiced + voiced and unvoiced + unvoiced consonants. Vocal disharmony in root and stem of the word which results from some sound changes, were examined. Nearly fifty suffixes were found which caused to vocal disharmony. Frequency of occurrence of the suffixes which stayed out of this harmony, changes in the text. We can see some of these suffixes contrary to general use from the beginning of the texts. Many suffixes which changes in terms of vocals, stem from different reasons, caused to vocal disharmony. In this article, vocal harmony in Divân-ı Hikmet were examined.

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DOĞA KARŞISINDA GILGAMIŞ DESTANI VE KUYUCAKLI YUSUF: VAHŞİ ADAM/DOĞA ADAMI ARKETİPİ OLARAK ENKİDU VE YUSUF

Author(s): Gülseren Özdemir Riganelis / Language(s): Turkish / Issue: 29/2020

The world's first known long literary text, Epic of Gilgamesh, is a comprehensive, multidirectional, fertile, key root text that can be associated with majority of literary texts. The story of epic with a very rich symbolic system, which is embraced by the oldest civilizations of the world and enriched by adding new interpretations, contains the first archetypes revealing the mental and emotional mechanism of human genetics and summarizing the individual and social psychology of him. The archetype of the wild man, one of the most important of these archetypes, settles in epics, fairy tales, legends and theaters for centuries and it is repeated throughout the Middle Ages and transferred from here to stories, novels and comes into films with the emergence of cinema. Sabahattin Ali's novel of Kuyucaklı Yusuf, which is published in 1937 and mostly is associated with the genre of epic, has basic character Yusuf. Other than Yusuf's resemblance to the epic hero, the most emphasized feature of him is that he is considered a noble savage by Berna Moran and some other researchers. Yusuf, who must be analyze from different perspectives as the basis of the novel, who should not be imprisoned in the concept of noble savage created by the understanding of nature of romanticism, is the reflection of the archetype of wild man, whose first example appeared with the character of Enkidu in Epic of Gilgamesh, reaching the 20th century. This article, which is used archetypal criticism and comparative literature method; is aimed to reveal the effect of Gilgamesh Epic, which is a 7000- year story, that extends until the 20th century, to analyze Kuyucaklı Yusuf with a new approach. And in this study are analyzed attitude towards nature and the environment of the two characters with their similarities and differences; it is claimed that Enkidu is the prototype of Yusuf in terms of the archetype of the wild man, as well as the archetypes of the victim, orphan, innocent and children, and that Yusuf is an archetypical derivative of Enkidu

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ERLER KARISINA KOCA OLMAYA GİDEN KELOĞLAN MASALI ÜZERİNE ARKETİPSEL BİR ÇÖZÜMLEME

Author(s): Cansu Daşdemir / Language(s): Turkish / Issue: 28/2019

Archetypal symbols which are constituted to the main structures of the collective unconscious are systematized by C. G. Jung. Jung who focuses on archetypes such as soul, shadow, mother, father, persona, anima and animus, states that these archetypes play determinative roles in the persons' principle of individuation. Archetypes which are revealed indirectly with the help of symbols, appear often in narratives such as myth, fairy tale and legend. It is possible to encounter various cultural factors in the content of fairy tales which are the product of social unconscious as well as archetypes belonging to the spiritual world of the individual and narrator. Erler Karısı’na Koca Olmaya Giden Keloğlan is a fairy tale that includes socio-cultural and psychological factors and also guides the persons' principle of individuation. In the fairy tale, Keloğlan departs to realize his subjective transformation and he encountered every obstacle during this journey. Archetype images is a reflection of his unconscious. These archetype images are phenomena that reveal Keloğlan's psyche. The individual journey, which expresses the process of recognizing oneself and those around them, enables the perception of psychological images. In short, the individual journeys and archetypes that we encounter in the fairy tale are a summary of Keloğlan's psyche. It will be determined that these archetypal images and indivudual journeys are constituted to the mainframe of the fairy tale and those contribute incontrovertibly to the subjective transformation of Keloğlan. From this point of view, how social images are transferred to the fairy tale will be revealed too.

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FOLKLORİK BİR BAKIŞ AÇISIYLA YEŞİLÇAM’DA ARKETİPİK BİR ANNE: ALİYE RONA

Author(s): Ayşe Uğureli / Language(s): Turkish / Issue: 28/2019

The first example of archetypes as a philosophy term. Carl Gustav Jung, inspired by Plato's idea concept, examined cultural archetypes. According to Jung; every society has a collective unconscious. There are value judgments, world view and cultural patterns of the society. Archetypes are produced unconsciously and appear through complexes. Collective unconscious occurs in verbal products produced based on common experiences. Myths are one of them. However, in modern urban life, myth is not produced with its traditional form, but cinema is replaced as a contemporary myth producer and transmitter. According to many researchers, cinema films replace the myths in the traditional context with this function and reflect the collective unconsciousness of the society. From this point of view: Cinema films reflect the value judgments, culture and world view of the society in which they are produced. Therefore, reading the unconscious reflections of a film or a character is a good way to read the folklore of that society. In this article, the reflection of maternal archetype on Yeşilçam films is discussed in the folkloric context through the roles of mother played by Aliye Rona. Aliye Rona has acted in nearly two hundred films, her gestures, harsh expressions and mother roles given to her as the traditional mother of Turkish society, while also representing the first archetypal mother through symbols. In this article, Aliye Rona's unconscious archetypical appearance is examined from a folkloric point of view through the complexes and conflicts reflected to her children.

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GELENEKSEL TOPLUMDAN MODERN TOPLUMA GEÇİŞTE KİTLE İLETİŞİM ARAÇLARININ TOPLUMSAL ETKİSİNİN ÂŞIK TARZI ŞİİR GELENEĞİ ÜZERİNDEN OKUNMASI

Author(s): Hakan Çelikten / Language(s): Turkish / Issue: 30/2020

19 century in order to understand the change in the modern period and to ensure that this process is managed in the desired way, theorists have put forward various theories. While different studies are carried out in line with these theories, 20 century by the time of a, new developments have increased the diversification of theories for the modernization process. In this variety, theories about the purposeful or non-purposeful use of technology draw attention. In this regard, the use of mass media has been a particularly focused issue. The way we communicate with these tools is changing and innovation can be injected into society quickly. In this case, while there is change in society, there is a conflict between the traditional and the modern. The purpose of this article is to establish the dominance of mass media over society from good to good century the change that arises from the end of ' is to make her read through the tradition of minstrel-style poetry. Here, the minstrelsy of the new era are treated as representatives of tradition and the mass media as representatives of modern structure. For this reason, sample poems about the impact of mass media on society will be selected from the representatives of the minstrel style poetry tradition of the recent period and examined, so that the changes and transformations that these tools have created in society will be tried to be seen. Undoubtedly, modernism has caused a number of changes in the way it tries to establish its own system on society through the means it has created. The reactions shown by minstrelsy in this regard give the opportunity to see the social impact of change.

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HALK ANLATILARINDA İNTİHAR (ÖZKIYIM) OLGUSU VE PSİKOSOSYAL AÇIDAN DEĞERLENDİRİLMESİ

Author(s): Ferhat Özmen / Language(s): Turkish / Issue: 30/2020

The works based on narrative products in Turkish folk literature are a cultural memory space. Various facts/values are reflected with the secret power of symbols in folk narratives reflecting the socio-cultural texture of the society in which it emerges. Suicide, which is defined as the way one ends his/her own life with his/her own hands for various reasons, and which is defined as killing oneself, is a social phenomenon and occurs in public narratives as well as within the society in which we live. Suicides may be dealt with in two groups in public narratives as those that turn into action/result in death, and those that do not turn into action but remain in the thought, and these are caused by various reasons. Among the causes of suicide, there are love, forced marriage, honor, loyalty, guilty conscience, secret sharing, having an unrecoverable disease, high self-esteem, existential depression, etc. In this study, the causes of suicide were classified in public narratives, and the phenomenon of suicide was discussed in psycho-social terms. By doing so, some things that go wrong within the society and social criticism were noted. It was emphasized that suicide is not a solution and the life is sacred.

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HALK İNANIŞLARI KAPSAMINDA İNCELENEN BİR ASTROLOJİ METNİ: “DÎV-NÂME”

Author(s): Duygu Bingöl / Language(s): Turkish / Issue: 30/2020

Celestial bodies, stars, moon and the sun have always been the elements that human beings have always wondered, sometimes have divinised and never have given up since the beginning of existence. The works that describe everything about the horoscopes in Islamic understanding are under the title of ‘Dîv-nâme, Yıldız-nâme’. The work that we have researched which were taken Islamic Manuscripts section of the Leipzig University Library tells conversations between Hz. Süleyman and horoscopes which will be mentioned later, how will fairies harm to human and the methods of protection from these harms. The fairy belonging to each sign is explained one by one and descriptive information is given about it. The names of these fairies are given primarily in the text. Then, ,t was determined that these fairies, which are the subject of the text with their places and some physical features, caused some harm to people. The work that examines the some based on public beliefs concepts that still exist in our culture, tells individuals the ways of protection from supernatural beings, verses to be read to recover and the action to be taken. Writing amulets, sacrificing, burning candles, throwing healing papers into water and taking ablution with this water are among the methods oh protection mentioned. The diseases mentioned in the study and the methods of recovery of these diseases are examined in the context of folk beliefs and explained with the folkloric elements they contain. Our aim is to reveal a new work that is not known in the related literature and contribute to the studies in this field.

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İbrahim Hakkı Hazretleri’nin Şiirlerinin Biblioterapi Bağlamında Değerlendirilmesi

Author(s): Gülcan Abbasoğulları / Language(s): Turkish / Issue: 1/2019

Bibliotherapy means healing with reading. The right book is to get relief by bringing the right person at the right time. Bibliotherapy is defined as three stages: identification, catharsis and insight. Identification, the person is identified with the hero in the work. Catharsis, the reader to get rid of tension or spiritual renewal. Insight is to gain awareness and to find solutions. Individuals, through a literary work through these stages can realize their spiritual evolution. There are many works in Turkish literature that will help people to relax by reading and affect their personal development. The works of Ibrahim Hakkı Hazretleri, who is engaged in many sciences, are of this kind. In his works, Ibrahim Hakkı Hazretleri gave place to subjects such as surrender, consent, patience. In these works, it provides solutions for how people will deal with the troublesome situations and contribute to the self-development of inviduals in the cognitive and affective sense. At the same time, these works have a preventive effect without problems. In this study, the poems of Ibrahim Hakkı Hazretleri will be evaluated in the context of bibliotherapy.

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