Rola Instytutu Mikołowskiego w upowszechnianiu przekładów literatury słoweńskiej w Polsce w ostatnich latach

Author(s): Monika Gawlak / Language(s): Polish / Issue: 2/2016

This article focuses on the dissemination of Slovenian literature in Polish by the Rafał Wojaczek’s Institute in Mikołów between 2012 and 2015. The author approaches the role of publishers in promoting literatures that are viewed from the Polish perspective as marginal using Pierre Bourdieu’s theory of social fields. She points to the mechanisms and motivations of both the publisher and the translators, addresses issues related to graphic design, and examines the impact of paratextuality.

Savremena slovenska književnost (uredio: Pavel Ocepek). Poezija (priredila Irena Novak Popov)

Author(s): Irena Novak Popov / Language(s): Bosnian / Issue: 1-2/2019

Ako bi neko želio predstaviti savremeni presjek kroz slovensku poeziju, moguće je da bi odustao već na prvom koraku: među članovima Društva slovenskih pisaca (DSP) oficijelno je registrovano 119 pjesnikinja i pjesnika (spisak navedenih imena, također, sadrži nekoliko već pokojnih), a osim toga stvara najmanje još toliko autora, koji svoje pjesničke knjige izdaju u vlastitoj nakladi ili uz podršku lokalnih zajednica.

Simpozij "Prežihov Vorane - Lovro Kuhar: pisatelj / politik / patriot"

Author(s): Vida Deželak Barič / Language(s): Slovenian / Issue: 1/2007

Simpozij "Prežihov Vorane - Lovro Kuhar: pisatelj / politik / patriot", Dunaj 19. - 20. april 2007

Slovenačka lirika 1950- 1980.

Author(s): Janko Kos / Language(s): Serbian / Issue: 292-293/1983

Kad je Anton Vodnik pripremao antologiju pod naslovom Slovenačka savremena lirika, koja je objavljena 1933. godine, uvrstio je u nju većinom pesme nastale između 1900. i 1930. godine. Pola veka kasnije, nama se pojam savremene slovenačke lirike, kakav u to vreme postoji, čini manje ili više identičan sa lirskom poezijom u poslednjih 30 godina, tj. od 1950. do 1980. Tako vremenski označena, »savremenost« je svakako tačnije određena, godine je istorijski omeđuju, raščlanjuju iznutra i spolja, možda je čak i zasnivaju. Tako se savremena slovenačka lirika hoćeš-nećeš ispoljava kao vremenski ograničeni period i zauzima posebno mesto u razvoju dosadašnje slovenačke poezije; razlikuje se i od onog što je bilo pre nje, ali i od onog što će doći posle nje.

Slovene-Friulian-Italian Literary Connections at the Beginning of the 20th Century: The Case of Alojz Gradnik and Select Friulian and Italian authors

Author(s): Ana Toroš / Language(s): English / Issue: 2/2017

Based on the case of Alojz Gradnik (1882–1967), this article deals with previously unresearched Slovene-Friulian-Italian literary connections that occurred during the last years of the Austro-Hungarian Empire and the first years after WWI along the border of today’s Slovenia (Goriška Brda) and Italy (the region of Friuli-Venezia Giulia: the Provinces of Gorizia, Udine and Trieste). The article highlights the parallels in motifs, themes, ideas and form, as well as the connections between Alojz Gradnik and select Friulian and Italian authors from this region. These links are the consequence of living in a joint cultural space and Gradnik’s Friulian family ties, especially with his cousin Maria Samer. The research uncovers certain differences in motifs, themes and ideas stemming from different national identities. Gradnik’s poetry is closest to Friulian lyrical poetry in their descriptions and experiences of a rural setting, predominantly the deep bond felt between the farming people and native land coupled with their terrible social strife. Gradnik and his contemporary Friulian authors also coincide in works with a nationalist theme – on the threshold of WWI both Slovene and Friulian authors infused their work with their personal vision for the future of their own community. They shared a negative literary depiction of the Austro-Hungarian Empire, and the wish to secure a better economic future, to protect and solidify their cultural heritage. Gradnik’s poetry and that of the contemporary Italian (irredentist) authors share a similar literary technique that depicted the national identities of today’s border between Italy and Slovenia; they were ideologically opposed however: while the Italians depicted the Italian view of the region, Gradnik highlights the presence of a Slavic element within the region.

Slovenija 2018.

Author(s): Petra Vidali / Language(s): Bosnian / Issue: 1-2/2019

Slovenska književnost u 2018. godini. Nisam birala ni po književnoj vrsti, ni po spolu, ni po generacijskoj pripadnosti, ni po nagradama. Sretna sam da je lista knjiga koje su obilježile moju čitalačku i kritičarsku godinu pokazala sljedeće: (1) Žanrovsku heterogenost – poeziju, kratku prozu i tri romana, koji su potpuno različiti. (2) Prodor autorica – što primjećujem već nekoliko godina. (3) Preovladavanje srednje i mlađe generacije – Eva Markun je generacija 90-ih, Nataša Kramberger 80-ih, Jure Jakob 70-ih, a Bronja Žakelj i Mojca Širok kasnih 60-ih.

SLOVENSKA LJUDSKA PRAVLJICA DEKLICA IN PISKRČEK (MOJCA POKRAJCULJA, ATU 283C*) IN NJENE LITERARNE PRIREDBE

Author(s): Milena Mileva Blažić / Language(s): Slovenian / Issue: 1/2017

Vinko  Moderndorfer  (1894-1958)  firstly  published  the  Carinthian  folk  tale  Mojca Pokrajculja in 1924 in the collection National Tales from Mežica Valley. In the next (extended) editions of the Carinthian Folk Tales (1937, 1946, 1957 and 1972) he published similar tales Deklica veka [The Girl is Crying]  and Mojca Pokrajculja. Although both well-known, the place in the Slovenian Primary School Curriculum  for 1  grade (2011)  has text  Mojca Pokrajculja , which is also better known. On the basis of the international classification (Uther  2004, 2011) Monika Kropej  (2012, 2015)  suggested for this tale classification under the number ATU 283C*. The basic type  can include the motifs of folktale types  ATU 15 (The Theft of Food by Playing Godfather ), ATU 283B* (The House of the Fly) and  ATU 480A (Girl and Devil in a Strange House),  and even the type ATU 123 (The Wolf and the Kids) or ATU 333 (Little Red Riding Hood). In literarure can be find intertextual reminiscences (Juvan 2000) with the  Grimm folktale Wedding of Mrs Fox (KHM 38, ATU 65 The She-Fax's Suitors). Due to intertextuality Mojca Pokrajculja can be classified also as Formula Tale or  Chain Tale, based on the sequence of animals (chains  based of numbers, objects, animals, names, death, eating and other events).

Studia Universitatis Babes-Bolyai - Philologia

Frequency: 4 issues / Country: Romania

ISSN (print): 1220-0484

ISSN (online): 2065-9652

ISSN-L: 1220-0484

Subject : Lingvistics Journal

Text in : English, French, German, Romanian, multiple languages;

Abstract and Keywords in English

Year of the first edition : 1956

History: [1956-1957: Buletinul Universitatilor "V. Babes" si "Bolyai" Cluj. Seria Ştiinte Sociale ISSN 1220-0395; 1958-1961: Studia Universitatis Babes-Bolyai. Series IV (Historia, Philologia), ISSN 1220-0417; 1962-1973: Studia Universitatis Babes-Bolyai. Series Philologia, ISSN 0039-3444; 1974: Studia Universitatis Babes-Bolyai. Series Historia. Philologia. Oeconomica, ISSN: 1220-0476; 1975-today: Studia Universitatis Babes-Bolyai Philologia, ISSN 1220-0484]

Periodicity : quarterly

(March, June, September, December)

Type of the publication: scientific/academic

Editor : Prof. Dr. Corin Braga, Babeş-Bolyai University, Cluj-Napoca, Romania

For more than a half-century (its first issue was published in 1956), Studia Universitatis Babeş-Bolyai Philologia has run continuously, acquiring national and international prestige. Its fields of interest – literary and linguistic research, together with ethnology, poetics, etc. – have attracted many contributors, the great majority of them from Romania and Europe.

The publication’s thematic diversity attracted appreciation from many academic environments: European (especially Germany, France, Italy, Spain, Norway, Sweden, Hungary, Czech Republic, Poland, and Russia), American and, recently, Japanese and Korean, which has lead to an increase in the number of external partners in charge of coordinating thematic issues.

Studia Universitatis is presently enjoying higher visibility in the academic circles thanks to the quality of the published material and the activity of the review committee (both domestic and foreign) who evaluate the contributions from authors and coordinators of thematic issues.

After the CNCSIS evaluation in 2005 all issues were published entirely in foreign languages, mainly in English, French and German, but also in Spanish, Italian, Norwegian and Japanese.

The editorial board have included personalities representative for the new fields of research towards which the publication is expanding. The editorial team, as well as the ISI reviewers, believe that linguistic diversity acts as a guarantee for global visibility for Studia Universitatis Babeş-Bolyai Philologia.

Susret stare priče i nove kulture: hrvatski prijevodi Martina Krpana

Author(s): Darja Mazi-Leskovar / Language(s): English / Issue: 02/2017

This article explores four Croatian translations of the Slovenian historical tale Martin Krpan z Vrha (1858) by Fran Levstik. It focuses on personal and geographical names, and analyses selected aspects of paratextuality in order to determine some of the specific features of the target texts and to uncover the possible reason for the relatively high number of retranslations published between 1949 and 1986. In the first section, literary translation is presented in the light of cultural textualisation, intertextuality and translation strategies. In the second section, a comparative-contrastive analysis is applied to the obtained data and the explored aspects of the target texts. The study also shows that the translations reveal the complexity of this picturebook that can address a double readership and the fluctuating gap between the source and target cultures.

Świat słowiańskich bóstw i ich wpływ na dziecięcego czytelnika (na przykładzie wybranych utworow ze zbioru „Priče iz davnine” Ivany Brlić Mažuranić)

Author(s): Monika Sagało / Language(s): Polish / Publication Year: 0

Ivana Brlić Mažuranić published her collection of stories for children titled „Priče iz davnine” in 1916. In this piece of work the main characters are deities known from Slavic mythology. Domaći, Stribor, Zora-djevojka or Svarožić are some of the characters that accompany people in their daily life. Some of them help people, while others subject them to trials, but first of all, they allow people to discover the truth about themselves and become happy. Reading such stories young readers can find out what rules they should follow their lives. Furthermore, pieces of work like the one presented herein can help to develop people’s interest in ancient beliefs and their national culture.

The archaic strata of the linguistic image of the world (on the basis of Slovenian and Slovak magic formulae)

Author(s): Mária Zsilák / Language(s): English / Issue: 2/2013

It is the theoretical background of the linguistic image of the world that serves as a base to the author to present Slovenian and Slovak magic formulae as the archaic strata of the language. She has chosen texts of the same type from the scope of Slovenian and Slovak peasants’ way of healing. The Slovak texts were collected by the author at the end of the 20th century, while the Slovenian texts which were set down earlier are quoted from Vinko Möderndorfer’s work. Apart from the common Central European attitude, the author also points out the unique, national, and linguistic features, all reflected by the linguistic image of the world.

The New Women from the Margins

Author(s): Katja Mihurko Poniž,Viola Parente-Čapková / Language(s): English / Issue: 2/2015

The New Woman makes an appearance in the texts of both male and female fin de siècle writers, although unsurprisingly she was more often an important focus for women writers. And although women writers from the margins of Europe faced many challenges that were similar to those of their contemporaries in English speaking countries, they were also simultaneously confronted with local and contextually specific issues. In this article, we tackle the specificities of the literary New Women in Slovenian and Finnish literature, and in particular, the texts of Zofka Kveder (1878–1926) and L. Onerva (1882–1972). Both women writers sought ways of engaging with questions of female identity in societies obsessed with cultural nationalism, and which saw woman primarily in terms of her role as wife and mother. Both L. Onerva and Kveder foregrounded the New Woman, depicting her as wanting to live her life on her own terms, even if this coincided with a painful awareness of the difficulty of such an enterprise. Both writers suggested that the New Woman’s personal ambivalences and inhibitions were often felt more acutely than any external force. L. Onerva and Kveder enriched Finnish and Slovenian literature with bold new themes and depictions, adding their own provocative ideas about love, sexuality, and emancipation to those being expressed by other better known New Woman writers, including Ellen Key.

Trieste, périphérie slave Une question de minorité à travers la slovénitude de Boris Pahor

Author(s): Igor Fiatti / Language(s): French / Issue: 1/2017

Torn by ideological and identity stresses (existential ruptures in posse et in esse), Trieste has lived the European tensions looking for an impossible balance between the Austro-Hungarian cosmopolitanism and the affirmation of national cultures. With an application of the centre/margin paradigm, we intend to consider the role of the peripheral literature of this city – namely, the role of the literature of its ethnic minorities, especially the literary production of the Slovene minority. The work of Boris Pahor will help us to particularize the subject of this essay, which aims to grasp the "differential fact" expressing the singularity of the comparative approach.

Truth and lie in literature: Slovene writers sued for slander

Author(s): Aleksander Bjelčevič / Language(s): English / Issue: 29/2017

In 1999 novelist Breda Smolnikar was sued for defamation in her novel Ko setam gori olistajo breze (When the Birches Up There Are Greening) by certain family Nakrst. Smolnikar received broad public support. In public defence different arguments were in play, the most frequent were trying to prove that the novel does not speak about the family Nakrst because (a) all literature is fiction and all literary characters are fictional beings; (b) similarity between literary character and a real person is always a coincidence; (c) all literature is a possible world and refers to people’s counterparts which are connected to real people only by transworld identity relation. In the article I try to show that these arguments are false: (a, b) literature sometimes refers to real people and thus the question whether a certain character is fictitious or real is an empirical question and not a question of poetic principle, can in the case of Smolnikar be resolved empirically (she published all judicia ldocumentation with detailed descriptions of the family Nakrst); c) the possible world argument is contradictory because it blends two opposite interpretations of possible worlds (the Transworld identity interpretation and the Counterpart interpretation). Dealing with these arguments I define fiction as follows: a) literary work becomes work of fiction when it contains at least one fictional being; b) Fictional being is a non-existent being which is intentionally created as such; c) whether or not a character is fictional is on author to decide (not the reader). In B.Smolnikar’s case the similarities between characters and the portrayed family are so numerous that no coincidence is possible. In the year 2007 Slovene Constitutional Court decided that the defamation was not deliberate and Smolnikar was declared innocent.

Vlastní jména v prózách Cirila Kosmače při překladu ze slovinštiny do češtiny / Nazwy własne w prozie Cirila Kosmača w przekładzie z języka słoweńskiego na język czeski

Author(s): Jana Šnytová / Language(s): Czech,Polish / Issue: 1/2015

The article focuses on the issues related to the translation of proper names from Slovenian into Czech in the prose written by C. Kosmač and translated by F. Benhart. We will point to the function of proper names in the literary text as defined in Czech grammar and describe the possible methods of translating proper names. By means of examples, we will show the methods used by the translator, thereby influencing the interpretation of texts in the target language.

What is the Rationale of Periodization?

Author(s): Imre Szíjártó,István Molnár / Language(s): English / Issue: 1-3/2003

Literary evolution in Hungary and Poland has had very much in common since the very beginning up to the present, but the division into epochs within each national literature has always been considerably different. Political changes played an important part in distinguishing various epochs of Hungarian literary history in the scholarship. Certain scholars combine the historical periods with literary movements or with spiritual movements. In Polish and Slovenian periodization literary movements dominate. The term Enlightenment and Positivism are also current. The latter corresponds to Realism and Naturalism in Hungarian and Slovenian criticism. The period between 1918-1939 does not have a common name in Hungary and Poland, whereas it is referred to as Expressionism and Social Realism in Slovenia. The comparative periodization of literatures in East-Central Europe can make literary scholars’ views more exact in cases when opinions differ in stating time limits for different periods. Such a comparison may contribute to a more thorough understanding of the “phase delays” that may have occured between these literatures.

Wina bez prawa. Struktura nowej iluzji

Author(s): Andrzej Leder / Language(s): Polish / Issue: 2 (7)/2015

Basing his argumentation on Freud’s essay “Civilisation and Its Discontents”, the author poses a question about the essence of suffering which appears when the Law of the Father is suspended and no longer protects against the death drive. The author formulates a thesis that in the contemporary social space, abandoned by the Law of the Father, it is disciplinary practices that play a key regulative role, pretending to form the relations based on the law. These practices transform the drive energy of Thanatos, which then finds its embodiment in the everyday lifelessness of bureaucracy, the coolness of rules and the excess hidden beneath them. The answer to this situation is Eros, which drives people to community – yet not so much in the form of a family as of an infinite and noneconomic continuum of local games of love and death.

Wolność tłumacza wobec kalejdoskopu kultur na przykładzie esejów Božidara Jezernika

Author(s): Joanna Cieślar / Language(s): Polish / Issue: 1/2015

The article discusses the problem of translating an essay as a genre which is located between science and art. It focuses on the translation of the Božidar Jezernik’s book published in Poland in 2011. It reveals the different effects of the translation due to the translation strategies which were applied in the text.

ZNAČILNOSTI KRAJŠE PROZE SLOVENSKIH KNJIŽEVNICA

Author(s): Silvija Borovnik / Language(s): Slovenian / Issue: 2/2014

This article is an overview of the characteristics of the short prose of Slovenian female writers from its beginnings to modernity. It indicates that even among the pioneers of this group (many of whom discussed various taboo subjects of Slovenian social and family life) there was a woman who rebelled against tradition. This tradition is still in place today. Furthermore, an overview will be provided of the most distinctive female authors of the 20th century, and of their short prose. The first Slovenian female writers were frequently characterized as “fellow travelers” with their male colleagues in important literary directions. Nowadays, previous and current female writers are recognized, and share new literary historical findings and interpretations such as this article.

Zoofolklori dhe Zoopoetika në Letërsi

Author(s): Marjetka Golež Kaučić / Language(s): Albanian / Issue: 44/2014

This article proceeds from general introduction on Slovenian folklore research in past and present and deliver the first insights in new scientific discipline zoofolkloristics. With the help of new concepts in folklore studies (zoofolklore, ecopoetics in literature) as well as including findings of ecocriticism (animal as nonhuman subjectivity) analyse folklore and literature that includes animals in a wide variety of contexts. It represents an effort to shape a network of animal images and various human-animal relations in Slovenian folklore (songs and narratives) and literature from authors such as Robert Burns, Charles Baudelaire, Mark Twain, Gregor Strniša and Jure Detela. The aim of the article is to explore and problematize relationship between human and non-human subjectivity and to rethink this relationship on the ecological and ethical basis.