čuješ li me? I tri drame

Author(s): Petra Pogorevc / Language(s): Croatian / Issue: 1-2/2018

Izdavanje koje nove knjige za mene je predstavljalo centralni događaj na slovenskoj književnoj sceni u prošloj godini - na to pitanje ne mogu odgovoriti u jednini. Bila su to objave dvije knjige, koje nose potpis iste autorice, dramatičarke Simone Semenič. Definitivno najboljoj, najhrabrijoj i najizrazitijoj savremenoj slovenačkoj dramskoj spisateljici je u proteklom desetljeću uspio spektakularan proboj sa scenske margine u glavne pozorišne institucije, više djela joj je uprizoreno, također, u inozemstvu - no, ipak je tek s izlaskom te dvije edicije dobila prve knjige svojih drama. Zbog toga što je svojim pisanjem i drugim zalaganjem za razvoj savremenog dramskog teksta zaista temeljito prodrmala savremenu slovensku dramu, za meneje izdavanje njenih knjiga književni vrhunac 2017. godine.

Studia Universitatis Babes-Bolyai - Philologia

Frequency: 4 issues / Country: Romania

ISSN (print): 1220-0484

ISSN (online): 2065-9652

ISSN-L: 1220-0484

Subject : Lingvistics Journal

Text in : English, French, German, Romanian, multiple languages;

Abstract and Keywords in English

Year of the first edition : 1956

History: [1956-1957: Buletinul Universitatilor "V. Babes" si "Bolyai" Cluj. Seria Ştiinte Sociale ISSN 1220-0395; 1958-1961: Studia Universitatis Babes-Bolyai. Series IV (Historia, Philologia), ISSN 1220-0417; 1962-1973: Studia Universitatis Babes-Bolyai. Series Philologia, ISSN 0039-3444; 1974: Studia Universitatis Babes-Bolyai. Series Historia. Philologia. Oeconomica, ISSN: 1220-0476; 1975-today: Studia Universitatis Babes-Bolyai Philologia, ISSN 1220-0484]

Periodicity : quarterly

(March, June, September, December)

Type of the publication: scientific/academic

Editor : Prof. Dr. Corin Braga, Babeş-Bolyai University, Cluj-Napoca, Romania

For more than a half-century (its first issue was published in 1956), Studia Universitatis Babeş-Bolyai Philologia has run continuously, acquiring national and international prestige. Its fields of interest – literary and linguistic research, together with ethnology, poetics, etc. – have attracted many contributors, the great majority of them from Romania and Europe.

The publication’s thematic diversity attracted appreciation from many academic environments: European (especially Germany, France, Italy, Spain, Norway, Sweden, Hungary, Czech Republic, Poland, and Russia), American and, recently, Japanese and Korean, which has lead to an increase in the number of external partners in charge of coordinating thematic issues.

Studia Universitatis is presently enjoying higher visibility in the academic circles thanks to the quality of the published material and the activity of the review committee (both domestic and foreign) who evaluate the contributions from authors and coordinators of thematic issues.

After the CNCSIS evaluation in 2005 all issues were published entirely in foreign languages, mainly in English, French and German, but also in Spanish, Italian, Norwegian and Japanese.

The editorial board have included personalities representative for the new fields of research towards which the publication is expanding. The editorial team, as well as the ISI reviewers, believe that linguistic diversity acts as a guarantee for global visibility for Studia Universitatis Babeş-Bolyai Philologia.

Susret stare priče i nove kulture: hrvatski prijevodi Martina Krpana

Author(s): Darja Mazi-Leskovar / Language(s): English / Issue: 02/2017

This article explores four Croatian translations of the Slovenian historical tale Martin Krpan z Vrha (1858) by Fran Levstik. It focuses on personal and geographical names, and analyses selected aspects of paratextuality in order to determine some of the specific features of the target texts and to uncover the possible reason for the relatively high number of retranslations published between 1949 and 1986. In the first section, literary translation is presented in the light of cultural textualisation, intertextuality and translation strategies. In the second section, a comparative-contrastive analysis is applied to the obtained data and the explored aspects of the target texts. The study also shows that the translations reveal the complexity of this picturebook that can address a double readership and the fluctuating gap between the source and target cultures.

The archaic strata of the linguistic image of the world (on the basis of Slovenian and Slovak magic formulae)

Author(s): MÁRIA ZSILÁK / Language(s): English / Issue: 2/2013

It is the theoretical background of the linguistic image of the world that serves as a base to the author to present Slovenian and Slovak magic formulae as the archaic strata of the language. She has chosen texts of the same type from the scope of Slovenian and Slovak peasants’ way of healing. The Slovak texts were collected by the author at the end of the 20th century, while the Slovenian texts which were set down earlier are quoted from Vinko Möderndorfer’s work. Apart from the common Central European attitude, the author also points out the unique, national, and linguistic features, all reflected by the linguistic image of the world.

The New Women from the Margins

Author(s): Katja Mihurko Poniž,Viola Parente-Capková / Language(s): English / Issue: 2/2015

The New Woman makes an appearance in the texts of both male and female fin de siècle writers, although unsurprisingly she was more often an important focus for women writers. And although women writers from the margins of Europe faced many challenges that were similar to those of their contemporaries in English speaking countries, they were also simultaneously confronted with local and contextually specific issues. In this article, we tackle the specificities of the literary New Women in Slovenian and Finnish literature, and in particular, the texts of Zofka Kveder (1878–1926) and L. Onerva (1882–1972). Both women writers sought ways of engaging with questions of female identity in societies obsessed with cultural nationalism, and which saw woman primarily in terms of her role as wife and mother. Both L. Onerva and Kveder foregrounded the New Woman, depicting her as wanting to live her life on her own terms, even if this coincided with a painful awareness of the difficulty of such an enterprise. Both writers suggested that the New Woman’s personal ambivalences and inhibitions were often felt more acutely than any external force. L. Onerva and Kveder enriched Finnish and Slovenian literature with bold new themes and depictions, adding their own provocative ideas about love, sexuality, and emancipation to those being expressed by other better known New Woman writers, including Ellen Key.

Trieste, périphérie slave Une question de minorité à travers la slovénitude de Boris Pahor

Author(s): Igor Fiatti / Language(s): French / Issue: 1/2017

Torn by ideological and identity stresses (existential ruptures in posse et in esse), Trieste has lived the European tensions looking for an impossible balance between the Austro-Hungarian cosmopolitanism and the affirmation of national cultures. With an application of the centre/margin paradigm, we intend to consider the role of the peripheral literature of this city – namely, the role of the literature of its ethnic minorities, especially the literary production of the Slovene minority. The work of Boris Pahor will help us to particularize the subject of this essay, which aims to grasp the "differential fact" expressing the singularity of the comparative approach.

Truth and lie in literature: Slovene writers sued for slander

Author(s): Aleksander Bjelcevic / Language(s): English / Issue: 29/2017

In 1999 novelist Breda Smolnikar was sued for defamation in her novel Ko setam gori olistajo breze (When the Birches Up There Are Greening) by certain family Nakrst. Smolnikar received broad public support. In public defence different arguments were in play, the most frequent were trying to prove that the novel does not speak about the family Nakrst because (a) all literature is fiction and all literary characters are fictional beings; (b) similarity between literary character and a real person is always a coincidence; (c) all literature is a possible world and refers to people’s counterparts which are connected to real people only by transworld identity relation. In the article I try to show that these arguments are false: (a, b) literature sometimes refers to real people and thus the question whether a certain character is fictitious or real is an empirical question and not a question of poetic principle, can in the case of Smolnikar be resolved empirically (she published all judicia ldocumentation with detailed descriptions of the family Nakrst); c) the possible world argument is contradictory because it blends two opposite interpretations of possible worlds (the Transworld identity interpretation and the Counterpart interpretation). Dealing with these arguments I define fiction as follows: a) literary work becomes work of fiction when it contains at least one fictional being; b) Fictional being is a non-existent being which is intentionally created as such; c) whether or not a character is fictional is on author to decide (not the reader). In B.Smolnikar’s case the similarities between characters and the portrayed family are so numerous that no coincidence is possible. In the year 2007 Slovene Constitutional Court decided that the defamation was not deliberate and Smolnikar was declared innocent.

Vlastní jména v prózách Cirila Kosmače při překladu ze slovinštiny do češtiny / Nazwy własne w prozie Cirila Kosmača w przekładzie z języka słoweńskiego na język czeski

Author(s): Jana Šnytová / Language(s): Czech,Polish / Issue: 1/2015

The article focuses on the issues related to the translation of proper names from Slovenian into Czech in the prose written by C. Kosmač and translated by F. Benhart. We will point to the function of proper names in the literary text as defined in Czech grammar and describe the possible methods of translating proper names. By means of examples, we will show the methods used by the translator, thereby influencing the interpretation of texts in the target language.

What is the Rationale of Periodization?

Author(s): Imre Szíjártó,István Molnár / Language(s): English / Issue: 1-3/2003

Literary evolution in Hungary and Poland has had very much in common since the very beginning up to the present, but the division into epochs within each national literature has always been considerably different. Political changes played an important part in distinguishing various epochs of Hungarian literary history in the scholarship. Certain scholars combine the historical periods with literary movements or with spiritual movements. In Polish and Slovenian periodization literary movements dominate. The term Enlightenment and Positivism are also current. The latter corresponds to Realism and Naturalism in Hungarian and Slovenian criticism. The period between 1918-1939 does not have a common name in Hungary and Poland, whereas it is referred to as Expressionism and Social Realism in Slovenia. The comparative periodization of literatures in East-Central Europe can make literary scholars’ views more exact in cases when opinions differ in stating time limits for different periods. Such a comparison may contribute to a more thorough understanding of the “phase delays” that may have occured between these literatures.

Wina bez prawa. Struktura nowej iluzji

Author(s): Andrzej Leder / Language(s): Polish / Issue: 2 (7)/2015

Basing his argumentation on Freud’s essay “Civilisation and Its Discontents”, the author poses a question about the essence of suffering which appears when the Law of the Father is suspended and no longer protects against the death drive. The author formulates a thesis that in the contemporary social space, abandoned by the Law of the Father, it is disciplinary practices that play a key regulative role, pretending to form the relations based on the law. These practices transform the drive energy of Thanatos, which then finds its embodiment in the everyday lifelessness of bureaucracy, the coolness of rules and the excess hidden beneath them. The answer to this situation is Eros, which drives people to community – yet not so much in the form of a family as of an infinite and noneconomic continuum of local games of love and death.

Wolność tłumacza wobec kalejdoskopu kultur na przykładzie esejów Božidara Jezernika

Author(s): Joanna Cieslar / Language(s): Polish / Issue: 1/2015

The article discusses the problem of translating an essay as a genre which is located between science and art. It focuses on the translation of the Božidar Jezernik’s book published in Poland in 2011. It reveals the different effects of the translation due to the translation strategies which were applied in the text.

ZNAČILNOSTI KRAJŠE PROZE SLOVENSKIH KNJIŽEVNICA

Author(s): Silvija Borovnik / Language(s): Slovenian / Issue: 2/2014

This article is an overview of the characteristics of the short prose of Slovenian female writers from its beginnings to modernity. It indicates that even among the pioneers of this group (many of whom discussed various taboo subjects of Slovenian social and family life) there was a woman who rebelled against tradition. This tradition is still in place today. Furthermore, an overview will be provided of the most distinctive female authors of the 20th century, and of their short prose. The first Slovenian female writers were frequently characterized as “fellow travelers” with their male colleagues in important literary directions. Nowadays, previous and current female writers are recognized, and share new literary historical findings and interpretations such as this article.

Zoofolklori dhe Zoopoetika në Letërsi

Author(s): Marjetka Golež Kaucic / Language(s): Albanian / Issue: 44/2014

This article proceeds from general introduction on Slovenian folklore research in past and present and deliver the first insights in new scientific discipline zoofolkloristics. With the help of new concepts in folklore studies (zoofolklore, ecopoetics in literature) as well as including findings of ecocriticism (animal as nonhuman subjectivity) analyse folklore and literature that includes animals in a wide variety of contexts. It represents an effort to shape a network of animal images and various human-animal relations in Slovenian folklore (songs and narratives) and literature from authors such as Robert Burns, Charles Baudelaire, Mark Twain, Gregor Strniša and Jure Detela. The aim of the article is to explore and problematize relationship between human and non-human subjectivity and to rethink this relationship on the ecological and ethical basis.

Župančičeva Kovaška in gibanje preporodovcev

Author(s): Ivan Vogric / Language(s): Slovenian / Issue: 1/2010

The author emphasises the influence that Oton Župančič had on the members of the Preporodovci movement, a national radical group named after the newspaper called Preporod (Renaissance). This movement was active before World War I, especially among pupils and students. The author especially focuses on the poem Kovaška (The Blacksmiths' Song), published for the first time 100 years ago and chosen as a motto of the aforementioned group in the Preporod newspaper. It is interesting that the influence of this poem can also be felt in the symbolism connected to this movement and in the names for its key members ("kovači" and "kladivarji"). The author also establishes that the Kovaška poem is an example of socially conscious literature, similarly as certain other Župančič's poems from that period.

За първи път на български език: "Еротика" на Иван Цанкар

Author(s): Mariya Russeva / Language(s): Bulgarian / Issue: 2 (4)/2016

ИНОСТРАНЦЫ В СОВРЕМЕННОЙ СЛОВЕНСКОЙ ЛИТЕРАТУРЕ И ИММИГРАЦИОННАЯ ПРОБЛЕМА ЗАПАДНЫХ СТРАН ЕС

Author(s): Anetta Buras-Marciniak / Language(s): Russian / Issue: 2/2014

A new and different world, hitherto unknown, has begun to emerge in many districts of certain European cities, in a tendency that dismays and often shocks their native populations. Immigrants living on the outskirts of the secities, and pushed to the margins of society, create their own states within states, where integration processes are non-existent. This paper deals with the problems of national identity and analyzes the emergence of invisible/visible ghettos and borders on the basis of contemporary Slovenian and European literature.

Йоже Топоришич (11 ноября 1926 г.–10 декабря 2014 г.)основоположник современной словенистики,пропагандист и популяризатор словенского языка

Author(s): Elena Konickaja / Language(s): Russian / Issue: 60/2015

In memoriam: Jozhe Toporishich (November 11, 1926–December 10, 2014)

Комиссия эмигрантологии славян Международного комитета славистов

Author(s): Lucjan Suchanek / Language(s): Russian / Issue: 1/2015

Преоткриване: Супрасълски сборник, старобългарски паметник от Х век/ Rediscovery: Bulgarian Codex Suprasliensis of 10th Century

Author(s): Dilyana Radoslavova / Language(s): Bulgarian / Issue: 25/2012

Рибајев Идиотикон као доказ о словачком лексичком фонду с краја 18. и почетка 19. Века : Miroslav Dudok. 2017. Ribayov Idiotikon. Báčsky Petrovec: Slovenské vydavateľské centrum, 212 strana.

Author(s): Jasna Uhlarik / Language(s): Serbian / Issue: 8/2018