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This is a chapter of the Interslavic reader which is a collection of working texts for teaching the Interslavic language. / Tuto jest kapitola iz čitateljnika, ktory jest spisok tekstov do učenja medžuslovjanskogo jezyka.
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Matija Valjavec can be considered one of the most important collectors of literary folklore in Slovenia and kaikavian Croatia. The rules of fieldwork which he followed could withstand, to a large extent, even contemporary professional critique. The purpose of this article is to present systematically Matija Valjavec's contribution to Slovenian and Croatian literary folkloristics. We should become aware of a task we still have in relation to Valjavec: to gather the folklore material which he published in various journals and other publications, and to republish it in a single volume in order to make his work more easily accessible to professionals, as well as to wider readership.
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The article analyses the intercultural elements in Maja Haderlap’s novel Angel of Oblivion (orig. 2011, transl. 2012). The novel, based on familial autobographical foundations and discussing the suffering of Carinthian Slovenenes during the Second World War, is unique also because the author, herself a Carinthian Slovene, wrote it in German. This fact was harshly criticized by Florjan Lipuš in his novel Enquiry for the Name (2013). He labeled Haderlap’s book release as linguistic heresy. The novel was translated into Slovene by Štefan Vevar. In this article, his innovative translation solutions, with which he stressed the role of the Slovenian language in Haderlap’s novel, are presented. In his translation, he managed to preserve the bilingual, intercultural and even Carinthian dialectal elements of which the novel comprises and which make this novel Slovene. It belongs to the work of the authors that are marked by a double, intercultural identity.
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Comparative analysis of the of the contemporary Slovene short prose awarded by the fable for the best short story collection, reveal some fundamental characteristics: the prevailing minimalism, from the perspective of the literary style, which is revealed through e.g. the dialogue discourse, mimetic speech with all linguistic specialties, short connections in communication between the characters and theming the subject’s identity crisis, interculturalism, intertwining of the rural and urban; the typology of the contemporary Slovene short prose is reaching new spheres (for example – Andrej Blatnik: Zakon želje, 2000).
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Slovenian literature in Austria represents a case of multiculturality, but most of the time, biculturality and interculturality. The researchers claim that this type of literature belongs to Slovenian as well as to contemporary Austria nor German literature. It discusses and linguistically reflects on both cultural-historical environments. The literary translations show that the Slovenian literature in Austria has a double, Slovenian-German identity
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Razpravo Iz boja slovenskega učiteljstva za neodvisnost (v letih 1926—1930) je Jože Pahor napisal leta 1960. Rokopis je ponudil s pismom z dne 2, maja 1962 Cankarjevi založbi. Ta mu je predlagala, da snov obdela obširneje, nakar je delo predložil Inštitutu za zgodovino delavskega gibanja. Tu je obležalo — iz nepotrebnih obzirov do avtorjevih sodobnikov. Vtem je umrl (1. septembra 1964). Na pobudo prof. Venčeslava Čopiča in podpisanega se je uredništvo Prispevkov za zgodovino delavskega gibanja odločilo za natis v tem letniku. Oba recenzenta sta opozorila na verodostojnost Pahorjevega prispevka in na njegov pomen za zgodovino slovenskega učiteljstva oziroma novejšo slovensko zgodovino sploh. [...]
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The article concerns the issue of the interpreter’s freedom concerning the translations of the titles of prose works. The matter seems important not only because of the necessity of reserving the title’s essential functions (identification, information, pragmatic), and not only because of the need of the complex analysis of the original title — its working relationship, but also because of the ‘ambassadorial’ role of — this title in the secondary cultural space.
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Parte prima - Ne znam da li je baš srećno odabran početak pisanja saopštenja o tome kako se sreća naselila (i kako se naseljava) u savremenoj slovenačkoj poeziji. I to ne samo zato što je slovenaoka poezija — zajedno sa slovenačkim kritičarima — zaokupljena turobnošću, žalošću i patetikom, što je postavljena na pijedestal ogranizma koji trpi i koji je ranjavan, čiji zadatak nije da otkriva radosti i uživanja ovog sveta, nego da govori o njegovoj prolaznosti i kraju. Ne znam, doduše, da li je poezija koja peva o sreći istovremeno i srećna poezija, ali su oni koji o sreći pevaju, uvek kada uopšte pevaju, svakako, srećni pesnici.
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Jozef Marušiak is one of the most distinguished translators of Polish literature into Slovak. The scope of his work is extraordinarily wide. In this paper his most important translations and translation areas are presented in order to show how the picture of the Polish literature in Slovakia has been affected and formed by his work.
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Dans cette atmosphère d’élan général de libération nationale après 1918, personne ne fut surpris de voir que les hommes de lettres Slovènes étaient plutôt en faveur de la révolution d’octobre. Si nous faisons abstraction du poème de Valerijan Brjusov »Révolte« écrit en 1905 et publié dans la revue »Ljubljanski Zvon« (La Cloche de Ljubljana) dans son numéro de mars 1918 dans la traduction d’Ivan Prijatelj, trois écrivains Slovènes qui avaient été en Russie au moment de la révolution d’octobre mais étaient bientôt rentrés dans leur pays contribuèrent le plus à interpréter les événements d'alors. Pavel Golia, Josip Vidmar, Vojeslav Mole. Un des interprètes les plus éminents de la révolution était le poète et publiciste Fran Albreht, mais son esprit révolutionnaire faiblit après 1920. Les idées de la révolution d’octobre ne laissèrent pas de troubler certains écrivains catholiques p. ex. Stanko Majcen et Jože Piber. Un groupe d'écrivains dont les plus en vue étaient Govekar, .Vladimir Levstik et Ivan Tavčar tentait consciemment de minimiser T importance de la révolution. La Yougoslavie bourgeoise, par le fameux »obznana« (1920) et la »Loi sur la sécurité de l'Etat« (1921) empêcha la création d’une feuille littéraire qui se serait appuyée sur T idéologie marxiste et aurait groupé autour d'elle les écrivains d’orientation marxiste et leurs sympathisants. Mais ils eurent à Trieste deux organes, surtout rédigés par Vladimir Martelanc. Malgré tout, chez de nombreux poètes et prosateurs, les thèmes sociaux et révolutionnaires restèrent à la base de leur inspiration; Tone Seliškar, Mile Klopčič, Srečko Kosovel, Lovro Kuhar, Ivan Vuk, Rudolf Golouh, Bratko Kreft, Juš Kozak et d’autres.
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In the introduction of the paper the author gives a short overview of the life of Petar Berke and of the content and structure of his work Kinch oſzebuini ſzlavnoga Orſzaga Horvatczkoga, the oldest monograph on Marija Bistrica, the oldest parish fête sight. The central part of the paper consists of the list and analysis of personal names mentioned in the work. They are analyzed according to the sex of the named person, word formation and the origin of names. The characteristics are considered and explained in the context of the Croatian anthroponimy of the 17th and 18th centuries.
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