Intertekstualnost Andrićevih zapisa

Author(s): Jelena Novaković / Language(s): Serbian

Citati koje je Andrić uneo u svoje beležnice upućuju na fenomen intertekstualnosti shvaćene, kako čitamo u Ženetovim Polimpsestima, kao "relaacija istovremenog priststva dvaju ili više tekstova", kao "efektivno prisustvo jednog teksta u drugom", čiji je eksplicitni oblik citat, a implicitni aluzija. Andrić je, međutim, mali broj zabeleženih citata uneo u svoja dela, dok je najveći broj ostao samo u obliku odvojenih zapisa u sveskama. Tekst u koji bi se oni uključili nije nikada napisan, ali bi se mogao vaspostaviti njihovim smeštanjem u dvostruki kontekst što ga predstavljaju misli njihovih autora i misli samog Andrića, koji se kroz njih na posredan način izražava.

Jovan Jovanovič Zmaj and the Serbian Identity between Poetry and History

Author(s): Bojan Aleksov / Language(s): English

The recent violent outburst of Serbian nationalism has attracted significant interest in the ever-growing field of nationalism studies. In addition, the socalled „cultural turn“ has engaged scholars in the reappraisal of significant aspects of Serbian culture, namely the ones that make it national, such as literature. Two writers – Petar Petrović Njegoš and Ivo Andrić – pillars of the Serbian literary canon, have naturally been debated the most and their works are often referred to either as illustrations of eternal hatred among South Slavs or as providing impetus for the conflicts. Presenting part of this debate to an international audience, Celia Hawkesworth argued that the main problem of the recent reassessment of major literary figures in the former Yugoslavia was the inability of many commentators to separate the political from the artistic, something I believe is both impossible and futile. After all, the characters at stake here were not lonely riders. One was the spiritual and political leader of his (Montenegrin) state in the 19th century, and the other was the highest diplomatic representative of another (Yugoslav) state in the 20th century. Even more instrumental than their political positions was the influence of their literature on political imagining and identity building over the last two centuries. Nonetheless, their influence was not a one-way and one- dimensional phenomenon. Illuminating the interplay between the two is a task for both historians and literary critics.

Критика и метакритика

Author(s): Igor Perišić / Language(s): Serbian

Приче и Карикатуре. Необјављена Документа. Књига прва

Author(s): Dragomir Ilić / Language(s): Serbian

I would be embarrassed if anyone would take this book as a mockery of anything.During our historical events, there were also funny things. Although it is not in our people’s nature, after the wars, events have however made us too serious that we have become too gloomy. We forgot about Triša and Nerandža, and the others. Many will find the title strange: "Unpublished documents”.The idea was given by Captain Triša. Somehow, after the war, one of the Great Powers published its "White" or was that "Blue" book of unpublished war documents."This is nothing," Triša says. I will also write my unpublished documents! And he started talking….For those I am convinced will not be angry, I used real names. For the rest, I'm sorry, I had to use other names, because of the press laws. Perhaps the book would have been more interesting if the other names had not been replaced.However, I believe that almost every reader will recognize both Nerandža and Trifun. May 1929.

Коста Абрашевић. Његов Живот, Рад и Идеје

Author(s): Moma Popović / Language(s): Serbian

Issue of the United Workers' Art Group "Abrašević"

BETON - Kulturno propagandni komplet br. 031, god. II, Beograd, utorak, 30. oktobar 2007.

Author(s): Saša Ćirić,Miloš Živanović,Dragoljub Stanković,Tomislav Marković,Momčilo Mihajlović / Language(s): Serbian

MIXER, Saša Ćirić: Prizivanje dobrote, ignorisanje nasilja, Miloš Živanović: Konji u revoluciji crkavaju, zar ne?; CEMENT, Dragoljub Stanković: Uroboros Blues; VREME SMRTI I RAZONODE, Tomislav Marković: Himna Nacionalnog stroja; BULEVAR ZVEZDA, PAJKIĆ, Nebojša; BLOK BR. V, Kosmoplovci: Migrena

Spam

Author(s): Lazar Pašćanović / Language(s): Serbian

A novel by Lazar Pašćanović

Ништа се није десило

Author(s): Stefan Janjić / Language(s): Serbian

A novel by Stefan Janjić

Antiklimaks

Author(s): Vasilije Glomazić / Language(s): Serbian

The talented Slobodan Karl lives and writes anticlimax. For fifteen years he has been trying desperately to write “the best novel in the world” by which he will cross the self-imposed limit and call himself a writer - a man who lives exclusively from writing. As a guide for weekend trips, he turns interesting ideas into weak endings, and in relation to people - impressive first impressions into disappointments. Slobodan is convinced that in order to turn his talent into success, he needs material security and time, which exist in his life as mutual exclusivity. Uncertain, he finds solace in superficial relationships. When his life is further complicated by the divorce and the condition of his son, Slobodan is ready to do what he can do best - write another average novel that no one needs, least of all. A chance meeting with Dušan Jadrančić, a self-proclaimed risk trader and a man of seemingly vague intentions, will initiate a series of emotional and structural changes in Slobodan that will bring him to the brink of success.

Etnos serbski. Czasy patriarchy Arsenija IV Jovanovicia Šakabenty (1726–1748)

Author(s): Piotr Kręzel / Language(s): Polish

The main purpose of this monograph was a multiperspective look at the fate of the Serb population in a time, when patriarch Arsenije IV Jovanović Šakabenta (1726–1748) was its undisputed leader. It was a crucial moment in the history of the Serbs, due to the shift of focus in their spiritual and political life from Peć to Karlovci. For the Serbian community, who did not have its statehood then, it was undoubtedly a particularly significant event. The problems of the Serbs in the first half of the 18th century have been presented against the background of crucial events of the general history of the period. These include, among others, “the Tulip Period” in the Ottoman Empire (1718–1730), the Austrian-Turkish war (1737–1739) and the War of the Austrian Succession (1740–1748). The monograph is based on the lesser known sources which were collected during archival and library research in Serbia, Austria, Croatia and Russia.

РЕЦЕПЦИЈА И РЕПРЕЗЕНТАЦИЈА ХОЛОКАУСТА У ИСТОЧНОМ БЕРЛИНУ И БЕОГРАДУ НАКОН ДРУГОГ СВЕТСКОГ РАТА

Author(s): Milena R. Nešić Pavković / Language(s): Serbian Issue: 75/2021

The goal of this paper is to investigate the memory of the Holocaust, i.e. the reception and representation of the suffering of the Jewish population during the rule of the Third Reich (under Nazi rule and occupation) in the capitals of the states constituted after the Second World War - in East Berlin, GDR, and Belgrade, SFRY, during the period from 1945 to 1989/1991. Relying on the achievements of memory studies and analyzing the political moods of that time and the ways of constructing official narratives about Jewish suffering in selected post-war Communist countries, the similarities and differences in the policy of representing Jewish suffering in these two countries and the memory of Jewish victims in places of remembrance and in the practices of remembrance in their capitals will be pointed out.

Priče iz Palmotićeve

Author(s): Branimir Jovanović / Language(s): Serbian

Budući da sam bio na velikim mukama, primenio sam oprobani srednjovekovni lek, puštanje krvi. Ne kažem da predrasude, moje i moje okoline, nisu bile presudne za donošenje takve odluke, ali bilo kako bilo stigao sam do bolnice u U. gde mi je dežurni, dok mi je ušivao levu nadlanicu, prebacio što nisam nešto popio (neko jako piće, verovatno), pa bih poštedeo i sebe i njega. Kao da to nije njegov posao, da se služi hirurškom iglom i koncem. Nije mi učinio ništa dobro što mi je to rekao, jer sam mnogo kasnije, kad bi me obuzela depresija, imao potrebu za votkom, kojom sam (votkom, da me žena ne bi osetila, nekad je to uspevalo, nekad ne) zadovoljavao tu potrebu, ne znam koliko mi je to pomoglo u sadejstvu sa dobijenim lekovima. Ali šta izvoljeva i taj lekar, društveni interes je da on ima posla. Društvo je i mene iskoristilo da se njemu obezbedi puna zaposlenost, a on se žali što se nisam prepustio piću, pa da me leči neko drugi. Valjda u antialkoholičarskom dispanzeru, a on da hvata zjala. Sve je to bilo tako zato što su to bila zlatna vremena, ali ne znam gde je u tome svemu lekarska etika.

Serbska ruletka. Dramat serbski po 1995 roku. Wybór tekstów. T. 1–2

Author(s): / Language(s): Polish

Serbska ruletka to wybór współczesnych dramatów serbskich. Znalazło się w nim 9 tekstów 9 autorów w następującej kolejności: w tomie pierwszym: Svetislav Basara Dolce vita; Miroljub Nedović Kraina ciemności; Mirjana Ojdanić Ślad ludzkich zębów; Nebojša Romčević Karolina Neuber; w tomie drugim: Goran Marković Willa Sachino; Milena Marković Statek dla lalek; Milena Minja Bogavac Czerwona. Seks i konsekwencje; Marija Karaklajić Twarz ze szkła; Maja Pelević Może jesteśmy Myszką Miki.Wszystkie utwory powstały po 1995 roku i żaden z nich nie był wcześniej ani w Polsce wydany, ani na język polski przetłumaczony. W wyborze uwzględniono zarówno teksty autorów średniego pokolenia, tych o ugruntowanej już pozycji, jak i młodych twórców, czasem zaledwie przed kilkoma laty debiutujących, ale już zauważonych i docenianych, teksty zróżnicowane tematycznie i gatunkowo. Ich autorzy nie są bynajmniej dla polskiego odbiorcy zupełnie anonimowi, trudno bowiem nie rozpoznać chociażby w osobach Gorana Markovicia, Svetislava Basary czy Mileny Marković artystów o międzynarodowej sławie. Wybrane dramaty to sztuki znane w Serbii, ale często też już poza jej granicami, nagradzane, zarówno za tekst, jak i za jego realizację sceniczną, na licznych festiwalach i konkursach teatralnych.

Мемоаристика и „друг фолклор“

Author(s): Nemanja Radulović / Language(s): Bulgarian Issue: 2/2022

Phenomena defined in contemporary folkloristics as postfolklore, small groups folklore, urban folklore have for long been out of the focus of Serbian folkloristics, and papers on this topic have only recently started appearing. Quite understandably, the studies are directed towards contemporary material. However, the diachronic aspect of these phenomena exists too. The testimonies of the existence of such forms of folklore in the past can be found in memoir and diary literature, as well as in the corpus of historical (not folkloristic) archives. All these past phenomena are covered here with the umbrella term “other folklore” whose function is descriptive, not theoretical. Everything that folkloristic paradigms in the past failed to see as a “real” folklore (equated with oral, rural, and traditional) – making that material invisible and hidden in the sources less used by folklorists – is classified here as “other.” “Other folklore” in this case encompasses a few kinds of folklore: folklore of small groups (criminals and prisoners, students, seminarists) and urban folklore (mostly connected to Belgrade). Political folklore could belong here too. It is often close to traditional genres in its forms, but historical and political conditions have made it unsuitable and evicted it to the out-of-sight memory of memoirs and diaries (such are, say, monarchist songs from World War II, or political jokes from the time of Communism). Political folklore sometimes coincides with other “otherness” categories, say, the parodic urban folklore from the time of the Nazi occupation of Belgrade that is an example both of political and urban creativity; humoristic and unheroic, it did not fit the folklore of resistance ideal even upon the end of the war. Such a corpus approach makes it possible to see the diachronic background of many contemporary examples and discover new sources of folklore in the less examined material. More importantly, the definitions of folklore themselves are tested by this approach (surely, along the lines of Popper’s criticism of “facts,” it is definitely not a “discovery,” but a re-evaluation of concepts before approaching the corpus). Finally, such analyses can be useful to historians too, because they reveal the hidden side of certain epochs and their mind-sets, as well as the genre conditionality of historical sources.

Диалектолог, етнограф, писател: стратегии за вторична текстуализация на народните приказки в Етнографската сбирка на Архива на Сръбската академия на науките и изкуствата до 1914 година

Author(s): Marina Mladenović Mitrović / Language(s): Bulgarian Issue: 2/2022

The Ethnographic Collection, today a part of SASA Archives, was initiated by Stojan Novaković in order to continue Vuk Karadžić’s work on collecting folklore. The goal of the Academy was to get the material collected, systematized and published, and the task of collecting was entrusted to individuals, such as teachers and priests, who lived among the people and were literate enough to record various forms of folklore. The questionnaires they used were intended for ethnographic and anthropogeographic research, which means that there were no clear instructions for recording folk tales. In this paper, I use the term textualization (after Lauri Honko), defined here as secondary, because it refers to the representation of the written (rather than spontaneous oral) text, in order to point out different models/strategies of recording folk tales used by collectors in the last decades of the 19th and first decades of the 20th century. Depending on their position, recording of the folklore material was sometimes influenced by ethnography or dialectology, considering that the mentioned disciplines were on their rise, while the literary model appears as a regional distinction.

Фолклорът и фантастиката в славянски контекст

Author(s): Ana Savić / Language(s): Bulgarian Issue: 2/2022

Book Review: Савремена српска фолклористика VIII ‒ словенски фолклор и књижевна фантастика. Ур. Дејан Ајдачић и Бошко Сувајџић. Београд: Удружење фолклориста Србије, Универзитетска библи- отека „Светозар Марковић”; Кијев: Комисија за фолклористику Међународног комитета слависта; Лозница: Центар за културу „Вук Караџић”, 2020. 518 стр. ISBN 978-86-7301-149-3

„Вода от извор извирала“ – за символиката на водата в южнославянската устна поезия

Author(s): Dejan Ilić / Language(s): Bulgarian Issue: 2/2022

Book Review: Ана Вукмановић. У трагању за извир водом. Слике воде у јужнословенској усменој лирици. Београд: Академска књига, 2020. 296 стр. ISBN 978-86-6263-301-9

Разомагьосване, повторно омагьосване и фолклорни жанрове

Author(s): Ana Vukmanović / Language(s): Bulgarian Issue: 2/2022

Book Review: Disenchantment, Re-enchantment and Folklore Genres. Ed. by Nemanja Radulović, Smiljana Đorđević Belić. Belgrade: Institute for Literature and Arts, 2021. 286 pp. ISBN 978-86-7095-286-7

ПРОСТОР И ВРЕМЕ У ДЕМОНОЛОШКО-МИТОЛОШКИМ ПРЕДАЊИМА ‒ САВРЕМЕНА ТЕРЕНСКА ИСТРАЖИВАЊА

Author(s): Ana Savić / Language(s): Serbian Issue: 79/2022

The paper sheds light on the way in which the categories of time and space in demonological-mythological legends constitute a specific chronotope, reflecting the disturbing atmosphere of encounter with the paranormal. The author seeks to expose the poetics of the demonological-mythological legends, with special empha- sis on their temporal and spatial determinants. In the demonological-mythological legends space and time are deeply related. The paper considers the genre determina- tion of the chronotope in demonological-mythological legends and points out that the construction of the narrative world through temporal and spatial categories must proceed in accordance with certain genre laws, so the audience can recognize the story as demonological-mythological legend. This work is based on the folklore material which was gathered from 2018 to 2019 in the Rasina District. Interviews were conducted with two interlocutors from the village of Ribare.

Между литературата и фолклора: девойката с отсечените ръце

Author(s): Vihra Baeva / Language(s): Bulgarian Issue: 2/2024

The article is focused on an internationally known plot type: the story of a maiden whose hands were cut off and miraculously restored. The author studies the variants of the motif and their symbolism in Bulgarian milieu, and suggests the hypothesis that it has originated as an element of archaic initiation rites. From there, it permeates the folk tale, where its symbolism refers to the heroine’s passage from a maiden into a wife and mother. At a later stage, this motif is utilized in religious literature and acquires Christian interpretation. In the course of time, a series of borrowings and mutual influences take place in both directions. Thus, the Christian and the folkloric narratives share a common thesaurus of plots, motifs, images and symbols. These refer to an ancient archetypal basis, but preserve their ability to assimilate versatile meanings in different contexts.