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Result 4081-4100 of 4140
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Ofiara czy drapieżca? Kobieta-potwór w wybranych powieściach Aleksieja Szołochowa

Ofiara czy drapieżca? Kobieta-potwór w wybranych powieściach Aleksieja Szołochowa

Author(s): Anna N. Wilk / Language(s): Polish Publication Year: 0

Anna N. Wilk’s chapter delivers an analysis of novels by Alexei Sholokhov (Tyelo and Podval ) as an example of an updated vision of the dark side of femininity. Over the centuries, women have been accused of having magical abilities. Consequently, their physicality have been viewed as arousing both desire and fear of death, or loss of control over one’s life. Different varieties of female monsters survived in cultures aroundthe world as the antithesis of the usual “human” women, such as, for example, demonic lovers or vindictive, malicious ghosts. Despite the development of civilization and social changes leading to the empowerment of women in family, social, and professional life, the aforementioned concerns are still haunting the collective imagination. In Sholokhov’s novels, “women-monsters” focus their attacks on men, exhibiting outrageous brutality and sadism. Wilk’s analysis allows to demonstrate that the fear of the negative femininity is still an actual, timeless trope in popular culture.

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"Анна Каренина. История Вронского" на Карен Шахназаров - граници на киноинтерпретацията

"Анна Каренина. История Вронского" на Карен Шахназаров - граници на киноинтерпретацията

Author(s): Nataliya Nyagolova / Language(s): Bulgarian Publication Year: 0

The article outlines the aesthetic and culturological context of the inception and functioning of the series “Anna Karenina. The History of Vronsky” (2017) by Karen Shakhnazarov. It describes the transformations of the original narrative model of L.N.Tolstoy’s novel and its relation to the structure of the parable (Gabdullina) and the parallel story structure (Nabokov). It also interprets the novel’s narrative assembly with the documentary prose of V. V. Veresaev as a model of presenting Russian history of the end of the XIX – early XX century.

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K teorii ruské literatury a jejím souvislostem
23.14 €

K teorii ruské literatury a jejím souvislostem

Author(s): Ivo Pospíšil / Language(s): Czech

From a theoretical point of view the Russian literature is highly inspiring in its specific development from the Middle Ages to the present. Based on the research of literary theory and history in the broader context of Slavic languages and literatures the author outlines in several related studies the concept of the theory and history of Russian literature viewed from positions of comparative and genre studies in the background of several other Slavic and European literatures. As a natural part of Slavonic Studies this work follows current attempts to reinvent the theory and history of Slavic literatures. The text can also be seen as a preparatory study for designing comparative history of Russian literature and Slavic Literatures.

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Языковое оформление образов природы в поэтических текстах В. С. Соловьёва

Языковое оформление образов природы в поэтических текстах В. С. Соловьёва

Author(s): Simona Koryčánková / Language(s): Russian Publication Year: 0

The author of the article analyzes the images of nature in the poetic works of Vladimir Soloviev, depicting the internal state of the poet, his feelings and emotions. Language means with the semantics of natural phenomena allow readers to imagine the poet´s ideas, his philosophy and mystical conception of the world. Displaying the colour scale, light and dark tones, sounds, and emotions is a typical feature of the poems where the poetic images and symbols concretize idiostyle of the writer.

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Aykırı Bir Yazarın Göçmen Oğlu: Vadim Andreyev’in “Bir Yolculuk Hikâyesi”
4.50 €

Aykırı Bir Yazarın Göçmen Oğlu: Vadim Andreyev’in “Bir Yolculuk Hikâyesi”

Author(s): Mehmet Özberk / Language(s): Turkish Publication Year: 0

19. yüzyılın sonu 20. yüzyılın başlarında Rus edebiyatının en çok okunan ve eleştirilen yazarlarının başında gelen aykırı yazar Leonid Nikolayeviç Andreyev (1871-1919) 1917 Şubat Devrimi’ni büyük bir coşkuyla karşılar. Ancak Bolşevik iktidarı onu büyük bir hayal kırıklığına uğratır. Çarlık rejiminde sıkça şahit olduğu insanların ölümü, daha trajik bir hal alarak Bolşevik yönetiminde şiddetli bir biçimde artar. Peterburg’daki evinin karşısında gördüğü darağaçlarında asılan ve kurşuna dizilen insanlar, onun devrim sevincini hemen söndürür. Oldukça hümanist ve duyarlı bir insan olan ve yaşananlara sessiz kalamayan Leonid Andreyev, Ekim Devrimi’nin hemen ardından yazdığı siyasi içerikli makaleler nedeniyle Finlandiya’ya göç etmek zorunda kalır.

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Literackie konstelacje (w) twórczości Andrieja Zwiagincewa
23.00 €

Literackie konstelacje (w) twórczości Andrieja Zwiagincewa

Author(s): Beata Waligórska-Olejniczak / Language(s): English,Russian,Polish

This book presents the interpretation of the films made by Andrey Zvyagintsev, one of the best-known contemporary directors, in the context of the selected texts of Russian literature. Although his films tend to be compared with the masterpieces of the world cinematography (i.e. the achievements of Michelangelo Antonioni, Ingmar Bergman, Robert Bresson, Michael Haneke, Alexander Sokurov, and most often Andrey Tarkovsky) it is easy to note – both in Poland and overseas as well – the lack of thorough monographs that would treat all his works as a complete and consistent art project. This book constitutes the first attempt of such research undertaking. The presented interpretation has comparative character, its methodological basis is the category of cultural memory as expounded in the theories of Astrid Erll and Renate Lachmann, enrooting this term in a broadly understood notion of intertextuality, close to the concept of the memory of the text. Each of the chapters contains the case study of one of the short or feature films (including TV series) and turns attention to metaphors, motives and migratory themes, taking their origin in the literary texts of Mikhail Bulhakov, Ivan Bunin, Fyodor Dostoyevsky, Mikhail Saltykov-Shchedrin and Lev Tolstoy. The monograph offers also a wide overview of articles published so far on Zvyagintsev in Russian, English and Polish. The author takes into account the comments given by the Russian director himself concerning his works.

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Литературная сказка в индивидуальном стиле Геннадия Цыферова: в контексте чешской рецепции русской литературы для детей и молодежи во второй половине ХХ века
28.93 €

Литературная сказка в индивидуальном стиле Геннадия Цыферова: в контексте чешской рецепции русской литературы для детей и молодежи во второй половине ХХ века

Author(s): Eva Kudrjavceva Malenová / Language(s): Russian

The monograph fills the gap in the research of Russian children’s literature from the Czech and Russian perspective. As for the time period, it is focused on the 2nd half of 20th century with an overlap into the present. It combines a new approach to the history of the Czech perception of Russian children’s literature and the first complex overview of the fairy tale works by G. Cyferov ever, with the first publication of his complete biography. The part devoted to G. Cyferov is (together with the theoretic summary on the authorial fairy tale) written in the comparative Czech-Russian view. Within the framework of Czech-Russian relations in the field of children’s literature, the work introduces into the academic discussion facts in the form of a new database of Czech translations from Russian, published in the appendix.

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Mladá slavistika IV: Výzkum slovanského areálu: generační proměny
13.22 €

Mladá slavistika IV: Výzkum slovanského areálu: generační proměny

Author(s): / Language(s): Slovak,Russian,Czech

“Young Slavistics IV” is the seventh consecutive publication in a series of annual publications of doctoral students from the Department of Slavonic Studies in Brno. The book was introduced by a study from Prof. Ivo Pospíšil called “Generations in Literary Criticism, Their Fame and Traumas”. There are also six studies by doctoral students of different Slavonic fields, in which the students focus on specific chosen topics of Slavonic literatures, languages and cultures. Their research is based on dissertations currently being prepared. Therefore, the publication is a presentation of current research topics solved in Brno by young students of Slavonic studies and at the same time they indicate the trends which this emerging generation of researchers brings to contemporary Slavonic research.

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METAPHORIC REPRESENTATION OF THE CONCEPT “CREATIVE PROCESS” IN V. NABOKOV’S NOVEL “THE GIFT”

METAPHORIC REPRESENTATION OF THE CONCEPT “CREATIVE PROCESS” IN V. NABOKOV’S NOVEL “THE GIFT”

Author(s): Albina Novikova,Yuliya Vladimirovna Golovnyova / Language(s): English Publication Year: 0

Descriptions of the process of artistic creation take an outstanding place in V. Nabokov’s works and abound both in conventional and creative metaphors. In this article we analyze metaphoric representation of the concept “creative process” in V. Nabokov’s novel “The Gift”. The theoretical basis of research is the descriptor theory of metaphor by A.N. Baranov. The article reveals the most frequent metaphorical models of creative process in the novel and the areas of its metaphoric conceptualization.

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IMAGES OF SOUND IN ORIGINAL AND TRANSLATED POEMS BY BORIS PASTERNAK

IMAGES OF SOUND IN ORIGINAL AND TRANSLATED POEMS BY BORIS PASTERNAK

Author(s): Anna Vladimirovna Khiznichenko,Larisa Borisovna Kryukova / Language(s): English Publication Year: 0

The aim of the article is a linguistic analysis of sound images in the context of original and translated poems by Boris Pasternak. The authors focus on the author’s individual features of perceptual imagery representation. This imagery is the basis for poetry transformations found in Pasternak’s Russian translations of poems by John Keats. Sound images in the translated poems have the same semantic and ‘poetic’ characteristics as in the original works by Pasternak.

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FACT AND ALLEGORY: TWO POLES IN THE REPRESENTATION OF WAR (ON THE EXAMPLE OF “WAR’S UNWOMANLY FACE” BY S. ALEXIEVICH AND “THE CURSED AND THE SLAIN” BY V. ASTAFIEV)

FACT AND ALLEGORY: TWO POLES IN THE REPRESENTATION OF WAR (ON THE EXAMPLE OF “WAR’S UNWOMANLY FACE” BY S. ALEXIEVICH AND “THE CURSED AND THE SLAIN” BY V. ASTAFIEV)

Author(s): Olga Jilevich,Olga Gubskaya / Language(s): English Publication Year: 0

The military actions of the 20th century (Revolutions, the First and Second World Wars, the Cold War, the war in Kosovo, Chechnya, Iraq) left a terrifying mark on the history. The article discusses traditional and innovative forms of recreating the military context in the Russian and Russophone Belarusian military prose on the example of V. Astafiev and S. Alexievich’s works.

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WORK WITH METAREALISM/NEO-BAROQUE POETIC TEXTS IN THE RUSSIAN AS A FOREIGN LANGUAGE CLASSROOM

WORK WITH METAREALISM/NEO-BAROQUE POETIC TEXTS IN THE RUSSIAN AS A FOREIGN LANGUAGE CLASSROOM

Author(s): Andrea Grominova / Language(s): English Publication Year: 0

Based on key aspects of the analysis and interpretation of the poem Rural Cemetery (Сельское кладбище) by one of the main representatives of metarealism Alexei Parshchikov, the concept of Literary-interpretive seminar for university students of Russian as a foreign language will be outlined. Decoding of individual metaphors and metabols can lead to increased interest of students in historical, social, cultural and technical topics as well as the expansion of knowledge in various areas of life.

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Teroristický čin jako rituál obětování a literární mýtus o teroristovi-revolucionáři v ruské literatuře druhé poloviny xix. A počátku xx. Století

Teroristický čin jako rituál obětování a literární mýtus o teroristovi-revolucionáři v ruské literatuře druhé poloviny xix. A počátku xx. Století

Author(s): Kateřina Judith Krulišová / Language(s): Czech Publication Year: 0

Terrorism, the creation of which is associated with the second half of the 19th century, developed in the Russian empire territory. Terrorism in the concept of revolutionists represented a phenomenon linked to the ancient concept of the sacrificial ritual and it was considered to be the only way out of the ever-deepening social crisis. In response to the unprecedented assassinations, the victims of which were representatives of the government’s mechanism, a literary myth appeared about a terrorist-revolutionist who was supposed to explain and justify the violent acts in terms of their contribution to the future revolution. The myth, which was born and developed in artistic literature, is a collection of independent literary works in which a terrorist is the main protagonist. The article examines the connection of principles of ancient sacrificial rituals with terrorist acts and the subsequent creation of a literary myth about a terrorist, whose protagonist went through a significant change from the second half of the 19th to the beginning of the 20th century.

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Percepce jedince a problematika společnosti na pozadí dějinných událostí v ruském a bulharském prostředí (na příkladu děl b. Okudžavy a i. Vazova)

Percepce jedince a problematika společnosti na pozadí dějinných událostí v ruském a bulharském prostředí (na příkladu děl b. Okudžavy a i. Vazova)

Author(s): Magdaléna Marie Semrádová / Language(s): Czech Publication Year: 0

The subject of this research is the concept of man and society in the second half of the 19th century in the context of Russian and Bulgarian literature. The research was carried out using a historical novel by Bulat Okudzhava called “Poor Avrosimov” and a realistic novel by Ivan Vazov titled “Under the Yoke”. Both texts contain specific features caused by different environments and influences which significantly contributed to the nature of the chosen works. The basis of the research is the reflection of the society and its changes by the narrator’s view through literary-scientific and sociological methods as well as comparative analysis. Continuity of both the work and the author forms one of the central pillars in the work. Further, we came to the conclusion that the historiosophical element fulfils an essential function in the works; it is necessary to remember significant historical events and to observe the movement of society as well as influences that affect the life of man. This way, we confirmed that literature fulfils its educational function, which the author greatly contributes to himself.

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Славянские претериты с исторической точки зрения: к истории форм перфекта в русском языке (на материале служебных миней на май XI-XIII вв.)
0.00 €

Славянские претериты с исторической точки зрения: к истории форм перфекта в русском языке (на материале служебных миней на май XI-XIII вв.)

Author(s): Anastasia Sokolova / Language(s): Russian

The present monograph is engaging to the development of the analytical construction, which is traditionally called the perfect tense and which served as the basis for the universal preterit of the present Russian. As the primary source of materials were chosen Slavonic liturgical Menaions for the month of May from 11th to 13th centuries (Putyatina Mineya, 11th c., Menaion Sof. 203, 12th c., Menaion Sof. 204, 13th c.). Since the examined texts are translations from Ancient Greek, also the Greek Mineje was used to analyse the units under examination.

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Влияние школьного театра на драматическое творчество Симеона Полоцкого

Влияние школьного театра на драматическое творчество Симеона Полоцкого

Author(s): Ivana Petković / Language(s): Russian Publication Year: 0

In the present work we will show how school theatre influenced dramatic works of Simeon Polotsky. Considering him as a founder of drama genre in Russian baroque literature, we will try to demonstrate the importance of school plays in that process (didactic role, elements of rhetoric, and declamation patterns). We will focus on his two dramas in order to examine this influence: Parable of the Prodigal Son, and On Nebuchadnezzar the King. Further, we will examine the importance of Polish and Ukrainian school theatre, National University of Kyiv-Mohyla Academy and Slavonic-Greek-Latin Academy. Moreover, we will focus on the influence of Catholic and Orthodox religions on Simeon Polotsky’s works through the school theatre.

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«МОСКВА - ПЕТУШКИ» ВЕН. ЕРОФЕЕВА: ОПЬЯНЕВШЕЕ ВОССТАНИЕ ПРОТИВ СОВЕТСКОЙ ДЕЙСТВИТЕЛЬНОСТИ. БОРЬБА РАБА-БУНТОВЩИКА ЗА СВОБОДУ ДУШИ И ЕЕ РЕЗУЛЬТАТ

«МОСКВА - ПЕТУШКИ» ВЕН. ЕРОФЕЕВА: ОПЬЯНЕВШЕЕ ВОССТАНИЕ ПРОТИВ СОВЕТСКОЙ ДЕЙСТВИТЕЛЬНОСТИ. БОРЬБА РАБА-БУНТОВЩИКА ЗА СВОБОДУ ДУШИ И ЕЕ РЕЗУЛЬТАТ

Author(s): Martyna Sienkiewicz / Language(s): Russian Publication Year: 0

In V. Erofeev’s Moscow–Petushki, the main character is both a rebel and a slave who cannot find himself. Venichka does not understand the Soviet reality or its rules. Because of his bipolar disorder, he resists the broken system and submits to it at the same time. This paradoxical behaviour is seen as typical of people who grew up under the communist regime. Drinking is for him an attempt to escape the suffering brought by the Soviet system: Venichka js trying to save his soul and ideals. On one hand, he is too weak to fight the system in earnest, and, on the other hand, he cannot fully agree with it and become a devoted servant of the state. In the end, he is defeated and killed.

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Сказка – вопросы перевода и восприятия
0.00 €

Сказка – вопросы перевода и восприятия

Author(s): Eva Kudrjavceva Malenová,Maria Nenarokova,Paulina Wójcikowska-Wantuch,Giulia De Florio / Language(s): Russian

The collective monograph brings together four authors and four scientific views on folk and authorial fairy tales. The primary comparison focuses on the Russian context, which is complemented by other contexts - Czech, Polish and Italian. Compared to traditional genre approaches to fairy tales, the given publication offers comparative, translation-oriented research, which is focused primarily on exploring the possibilities and possible consequences of international reflection within the above-mentioned language contexts. The collective monograph presents the theoretical and terminological bases together with partial results of comparative analyses.

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Лекции по истории русско-українских литературных связей
0.00 €

Лекции по истории русско-українских литературных связей

Author(s): Vladimir Janovič Zvinjackovskij / Language(s): Russian

The book contains 16 chapters, which in the form of lectures are devoted to various aspects of the history of Russian-Ukrainian literary relations, especially in the 19th and 20th centuries. Some myths still alive in the consciousness of the wider and professional public are set to the right level, and issues of double cultural identity are tehere also discussed, namely on a philosophical, historical and literary level. The book is intended for readers fluent in the Russian language from among students of philological fields focused on the East Slavic area, professional literary scholars and the wider public.

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Современный польский Достоевский: рецепция писателя в ежедневнике «Gazeta Wyborcza» (1989–2019)
0.00 €

Современный польский Достоевский: рецепция писателя в ежедневнике «Gazeta Wyborcza» (1989–2019)

Author(s): Siarhei Padsasonny / Language(s): Russian

The book offers first-ever analysis of the Polish reception of Fyodor Dostoevsky, based on 1989-1990 material from the daily „Gazeta Wyborcza”. Over 1,200 newspaper articles have been woven into a panorama of the writers’ reflections in Polish culture. The author traces the reception of Dostoevsky’s biographical narrative, his literary and journalistic oeuvre, and his correspondence, presents a comparative discussion of literary and cultural interrelations, glimpses into theatre stages and cinema theatres, traces the presence of Dostoevsky’s literary legacy in the Polish educational process, history, politics, social life, and mass and elite cultures, as well as other, surprising contexts. Special attention is paid to Dostoevsky’s world of ideas as interpreted in "Gazeta Wyborcza": his Christo- and anthropocentrism, the women’s question, “the Polish question”, “the Eastern question”, etc. The publication is aimed at humanities scholars as well as anyone interested in Fyodor Dostoevsky and Polish, Russian and world cultures.

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