(ЗЛО)УПОТРЕБА НА ПОЕЗИЈАТА: ПОЛИТИЧКИТЕ ПАРТИИ И КОНЕСКИ

Author(s): Loreta Georgievska-Jakovleva / Language(s): Macedonian / Issue: 72/2018

The starting point of this paper is the impression that Blazhe Koneski’s poetry, in one way or another, has been mentioned often by the members or fans of the political parties in Macedonia. This condition imposes the question: Why is Blazhe Koneski the author that has been constantly (ab)used in political campaigns? Identifying the reasons by looking into his authority, his broad significance and the tendency his poetry to be brought closer to the people, I ask the question: What is so wrong in the use of someone’s poetry so that it becomes abused? By analyzing three separate cases including the requirement of one of the protesters, as reported in the newspaper Republika, the former mayor of the Centre municipality to read Koneski in the campaign-related videos of two parties SDSM and VMRO-DPMNE, we can conclude that the poems “Marko’s Monastery” and “Church” were used for political parties’ reasons on the basis of shallow and incorrect interpretation, while the poems “Teshkoto” and “Prayer require a complex process of transformation where the symbolic meaning has been replaced with communication. All three cases distort the idea and the message by the author and represent examples of the (ab)use of and manipulation with poetry.

A SOLID POETIC IDENTITY

Author(s): Kristina Nikolovska / Language(s): Macedonian / Issue: 6/2020

Igor Krajchev‘s latest poetic achievement is called ―21‖, a book of verses, winner of the ―Jovan Koteski‖ award. Krajchev - is a poetic and spiritual descendant of Racin, a poet full of energy and creativity, with an authentic self-perception and experience of the world, with a special and cultivated attitude to poetry. Krajchev is a poet with powerful intonation, with a solid poetic identity, with a refined poetic appearance, a poet who experiences and revives his poems in performance, a poet who has a sense of presence and respect for poetic and cultural life. Moreover, he is a creator of cultural life in our country, one of the most successful, excellent young creators and producers of cultural events, manifestations, as well as a participant in many domestic and foreign festivals, and poetry and cultural events. Krajchev is a poet of philosophemic poems. Poems that ask questions that he openly shares with us. The poet is remarkably up-to-date, contemporaneous. But also nectariferously wise. His poetic diction is already one of the pivotal houses of poetry - pillars of the latest young Macedonian poetry. His philosophemic lyric is among the latest Macedonian poetry that can freely represent us before the rest of the world.

Antiuputstvo za jedan sasvim ličan pogovor

Author(s): Aco Peroski / Language(s): Serbian / Issue: 31-32/2020

The review of: Aleksandar Prokopiev, 222 antiupatstva za lična upotreba 1978-2018, Avant Pres, 2020., Skopje

Balkanistika a makedonistika v díle Bohuslava Havránka

Author(s): Ivan Dorovský / Language(s): Czech / Publication Year: 0

Dvacetileté období mezi dvěma světovými válkami bylo pro poznání Makedonie, makedonské lidové slovesné tvorby, makedonských nářečí, dějin, zeměpisu i sociálních poměrů, tzv. makedonské otázky a tudíž také vzájemných česko-slovensko-makedonských a česko-slovensko-jihoslovanských kulturních styků velmi významné. Tvoří samostatnou etapu. V desetiletích 1918–1939 došlo mj. k rozvoji vzájemných hospodářských, politických a kulturních styků a vztahů také mezi ostatními slovanskými národy.

BETON - Kulturno propagandni komplet br. 112, god. VI, Beograd, utorak, 21. jun 2011.

Author(s): Biljana Andonovska,Jasna Koteska,Rumena Bužarovska ,Vladimir Jankovski,Pandalf Vulkanski,Dimitar Samardžiev,Nikola Madžirov,Igor Isakovski,Lidija Dimkovska / Language(s): Serbian / Publication Year: 2011

Biljana Andonovska: IntroSKop; NOVA MAKEDONSKA KNJIŽEVNA SCENA; Izbor: Jasna Koteska i Biljana Andonovska; Prevod s makedonskog: Biljana Andonovska; Rumena Bužarovska: Ne plači, tatino; Vladimir Jankovski: Večno sadašnje vreme; Pandalf Vulkanski: Skopske priče iz 2014., Četiri haikua; Dimitar Samardžiev: Emancipaternalizam; Nikola Madžirov: Pre nego što smo se rodili i druge pesme; Marko Petruševski: Bliskosti; Igor Isakovski: Višenamenski nožić; Lidija Dimkovska: Razlika

BETON - Kulturno propagandni komplet br. 133, god. VII, Beograd, utorak, 19. mart 2013.

Author(s): Adriana Sabo,Dalibor Plečić,Marko Matić,Ivan Zlatić,Predrag Lucić / Language(s): Serbian / Publication Year: 2013

MIXER, Adriana Sabo: Rod i klasična muzika u Srbiji; CEMENT, Dalibor Plečić: Goce (nije Delčev) i sestre revolucije; ARMATURA, Marko Matić: Srbija u začaranom krugu, Ivan Zlatić: Kuda iz stečaja?; VREME SMRTI I RAZONODE, Predrag Lucić: Banka na Neretvi; BLOK BR. V, Mr. Stocca: Zbog tebe mi se povraća

BETON - Kulturno propagandni komplet br. 93, god. IV, Beograd, utorak, 6. april 2010.

Author(s): Saša Ilić,Robert Alagjozovski,Saša Ćirić,Tomislav Marković,Gojko Božović,Lazar Bodroža / Language(s): Serbian / Publication Year: 2010

MIXER, Saša Ilić: Nebo nad Leipzigom 2010; ŠTRAFTA, Robert Alagjozovski: Makedonska literatura u ćošku; ARMATURA, Saša Ćirić: Srebrenico, sramoto moja; VREME SMRTI I RAZONODE, Tomislav Marković: Sajamski jadi mladoga Kecmana; BULEVAR ZVEZDA, Božović, Gojko; BLOK BR. V, L. Bodroža & T. Marković: Karta srpskog spasa (24)

Context/Контекст

Frequency: 1 issues / Country: North Macedonia

DOĞU MAKEDONYA İŞTİP YÖRESİNİN YÖRÜK MASALLARINDA FORMEL UNSURLAR

Author(s): Rabie Rushid / Language(s): Turkish / Issue: 7/2019

A research on motives and types in stories of nomads living in Stip region of Republic of Macedonia division of Folk Literature. This study has been based on 40 out of 50 stories composed in nomadic villages of Stip area, and these stories have been analyzed differentially. Type numbers of folk tales were given in the work of Antti Aarne-Stith Thompson named “The Types of The Folktale”, and folktales were summarized according to their motif line. Thompson’s fivefold classification (animal tales, original folk tales, vertabras, folk tales with chaining, folk tales which did not take place in the classification) were applied to the study. In addition to my collected study on the stories, I have also analyzed general description of nomads and such topic as a review of their history and life style, and then evaluated general information about the stories, observations during the composition of the stories, and former studies on the stories done in Macedonia.

DVE PRIČE

Author(s): Mitko Madžunkov / Language(s): Serbian / Issue: 515/2019

Two stories by Mitko Madžunkov

Emigrantologia Słowian

Frequency: 1 issues / Country: Poland

“Emigrantologia Słowian” is an interdisciplinary  scientific journal of the Committee of Slavonic Emigration Studies affiliated by the International Committee of Slavists. The main aim of “Emigrantologia Słowian” is to publish research papers, reviews and reports on various aspects of life of the Slavonic communities in emigration: culture, literature, language situation (with special reference to bilingualism).

Ethica Anthropophagi

Author(s): Aleksandar Prokopiev / Language(s): Serbian / Issue: 22/2015

Budite večito gladni! Tada ste već slični. Najpre, gutajte očima. Onda, iznenadan, uzbudljiv zagriz! Važnost prvog ujeda: začetak bogate uzajamne gozbe.

Funkcija dokumenta u suvremenom makedonskom romanu(Na primjerima iz romana S. Janevskog)

Author(s): Zlatko Kramarić / Language(s): Serbian / Issue: 296/1983

Prije nego što pokušamo odrediti funkcije dokumenata u suvremenom makedonskom romanu, dužni smo odgovoriti na pitanje: što je roman? Već sam naslov naše rasprave implicira sva ona poimanja koja smatraju da je roman jedini žanr u nastanku, odnosno da je riječ o žanru koji ne podliježe »kanonizaciji«.1 Roman je žanr koji neprestano pomjera svoje žanrovske granice »prema nebeletrističkoj prozi (memoarskoj literaturi, putopisu, dijalogu, satiri, istoriografiji, dnevnicima, pismima), a romaneskni govor postojano je upućen prema različitim savremenim govornim slojevima, odnosno, postoji u više jezičkih ravni,2 u ’razngglasju’ karakterističnom za žive jezičke procese. Otud je jezik ovog žanra, zapravo, ’sistem je zik a ’, i od početka podrazumeva mogućnost literarnog korišćenja raznorodnih neliterarnih oblika: dijalekatski govor, stilova epistolarnih i dnevničkih, dokumentarističkih, naučnih, filozofsko-esejističkih« (Lj. Jeremić, 1978, 84), a da i pored toga zadrži status načelno promjenjivog i nestabilnog, a i relativno rano u svojoj povijesti svjesnog sebe kao izuzetnog u ovom smislu.

In the Clutches of Postmodernism

Author(s): Robert Alagjozovski / Language(s): Albanian / Issue: 3/2014

Përcaktuesit kryesorë poetikë të letërsisë maqedonase nuk kanë ndryshuar shumë këto njëzet vitet e fundit. Ndryshimi formacional që ndodhi në të tetëdhjetat, atëherë kur postmodernizmi mbisundonte skenën letrare,vazhdoi të shfrytëzojë frytet e suksesit të vet edhe në dy dekadat e ardhshme.

INTERART STUDIES OF LITERATURE AND VISUAL ARTS

Author(s): Vladimir Martinovski / Language(s): English / Issue: 22/2018

Interart studies must constantly consider the relations and interaction of at least two media, that is, at least two semiotic systems. The position of reading those relations, as the position of research, implies continual awareness and a dangerous search for balance in the analysis of that interaction. Hence the path of the scholar could be compared to tightrope walking. At times the scholar must focus more on the analysis of one of the arts, for instance, of the literary text (as in the ekphrasis), but the relevant study must not at any given moment ignore the other art. The study of ekphrasis would be impossible if one neglects the iconographic sources of the works of literature. The study of mixed discourses is also a sort of a movement in the mutual space created by the image and the text. The scholar must never treat only verbal or visual aspects, whereby disregarding their interaction. In the case of syncretic art forms, we find the most evident the ontological position of in-between: the cultural product is neither a merely verbal nor a merely visual entity.

Interkulturalni dijalog u svetlu politike različitosti Laslo Blašković i Laslo Vegel

Author(s): Dragana V. Todoreskov,Aleksandra Đurić-Bosnić / Language(s): Bosnian,English / Issue: 3/2016

This paper studies the cultural, in this case literary (prose),communication between writers-representatives of different nations. After the determination of the term interculturality and function of culture in slowing the stigma, ghettoisation, passes to the analysis of literary and social activities of two writers,members of the same minority in Serbia - Laslо Vegеl and Laslo Blašković. In the case of different strategies (writing in their native or second language, orientation towards his national community, the relationship to the majority, according to a former state – Yugoslavia – and present, Serbia, treatment of political issues, etc.) Establishes their relationship to their own entity stronghold and possibilities of overcoming its possible oppression (the term Gayatri Chakravorty Spivak) or oppressiveness (termed Susan Stanford Friedman).

Intertekstualne varijante u savremenoj makedonskoj priči: vakantna citatnost

Author(s): Marija Gorgieva Dimova / Language(s): Serbian / Issue: 3-4/2011

The aim of this text is to examine the vacant quotation as one of the intertextual variants in the recent Macedonian short story. The subject of analysis is the short story Rakopisot od Kitab-an by Vlada Urosevik. The analysis shows the main characteristics and procedures of this model of quotation (pseudoquotation, deductive narration, mistification, paradoxes) as well as shows his metatextual functions: this short story contains implicit comment on the intertextuality and comment on studies of intertextuality. Accordingly, Urosevik shows the epistemological uncertainity and ontological relativism of the literature and in the literature.

Izbor iz poezije

Author(s): Bogomil Gjuzel / Language(s): Serbian / Issue: 1-2/2019

Poetry written by Bogomil Đuzel ‒ Izbor iz poezije: Bekstvo; Penzija; Rast; Smešna briga; Živ (ali poželjno mrtav) klasik; Bajka o besmrtnosti.

Kako se (sve) stvarala makedonska inteligencija

Author(s): Zlatko Kramarić / Language(s): Croatian / Issue: 30/2019

Jedan od najeksplicitnijih opisa u makedonskoj literaturi o tome kako se stvarala makedonska inteligencija dat je u romanu Porodična freska Zorana Kovačevskog. Roman je napisan 1976. godine i u njemu se, na jedan krajnje šarmantan i diskretan način, između ostaloga, govori i o mukotrpnom stvaranju makedonske inteligencije. A ta se šarmantnost i diskretnost očituje u činjenici da nam autor kroz benigne opise "ljubavnih jada" Veselka, makedonskog mladića koji je došao studirati u Beograd, zapravo, priča i neke druge, puno važnije priče od opisa uobičajenih ljubavnih nevolja u koje, manje-više, upadaju svi mladi ljudi, studenti. Veselko se iskreno zaljubio u Nenu, a opet nije posvema siguran u postojanost osjećaja svoje partnerice. Naime, ona se u isto vrijeme viđa i s drugim mladićima.

Kazalište kao stjecište kolektivne i privatne traume u Erigonu Jordana Plevneša

Author(s): Ivica Baković / Language(s): Croatian / Issue: 16/2016

The text problematizes the concept of national history and trauma in the play Erigon, written by the contemporary Macedonian playwright Jordan Plevneš. The starting point of the analysis are some peculiarities of Plevneš’s poetics and of the theatrical conceptions of Antonin Artaud that are central to Erigon as well as the problem of the representation (and performance) of history in drama and theatre. In Erigon one can recognize the critique of eurocentrism and the European centres of power along with their influence on the formation of political and historical processes in Macedonia and the Balkans in general. The main question concerns the societal role of political theatre and its power.