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MOTYWY RELIGIJNE W POWIEŚCI GODY MAGDEBURSKIE GERTRUDY VON LE FORT

MOTYWY RELIGIJNE W POWIEŚCI GODY MAGDEBURSKIE GERTRUDY VON LE FORT

Author(s): Ewa Anna Piasta / Language(s): Polish Issue: 29(34)/2016

Gertrud von le Fort, who was born in 1876 in Minden in Westfalen and died in 1971 in Obersdorf, was a German writer, poet and essayist. A number of her works are backgrounded with historical events. The aim, however, is not to evoke concrete events or their historical reconstruction but to show some spiritual problems and the timeless Christian message. The objective of the article is to analyse religious motifs in the novel The Magdeburg Wedding. The religious elements are taken from a concrete aspect of reality, such as liturgy, or wider, i.e., the cult, the Bible and other religious texts or even authentic events from the history of the Church. Those motifs are present in the sphere of style, metaphor, subject matter and the ideological content of the work. The literary genres structurally connected with religious tradition are interwoven in the novel. The function of the Biblical paraphrases is to correct the thoughts or attitudes of the protagonists; they as well act as a determinant of morality. The metaphysical perspective, which is manifested in the novel in a variety of ways, is not only expressed by the elements belonging to the Christian tradition but as well shows the traces of magical thinking.

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Prekrupni Edip

Prekrupni Edip

Author(s): Gilles Deleuze,Félix Guattari / Language(s): Bosnian Issue: 28/2018

Pismo ocu, na koja se oslanjaju žalosna psihoanalitička tumačenja, je portret, fotografija, potajno ubačena u stroj posve druge vrste. Otac ima pognutu glavu…: ne samo zbog toga što je on sam kriv nego zato što sina čini krivim i ne prestaje da mu sudi. Sve je očeva greška: ako imam seksualne poteškoće, ako ne uspijevam da se oženim, ako pišem, ako ne mogu da pišem, ako hodam oborene glave po svijetu, ako sam trebao napraviti neki drugi svijet beskrajno pust. No to pismo je suviše zakasnilo. Kafka veoma dobro zna da ništa od toga nije istinito: njegova nesposobnost za ženidbu, njegovo pisanje, privlačna snaga njegovog intenzivnog pustinjskog svijeta ima savršeno pozitivne motivacije sa stanovišta libida i nisu nekakve izvedene reakcije iz odnosa s ocem. Reći će on to tisuću puta, a Max Brod će podsjetiti na slabost edipovskog tumačenja čak i dječjih konflikta. [...]

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Abejoti dėl laiko. Belaikiškumas vėlyvojoje Paulio Celano kūryboje

Abejoti dėl laiko. Belaikiškumas vėlyvojoje Paulio Celano kūryboje

Author(s): Inga Bartkuvienė / Language(s): Lithuanian Issue: 4/2019

The poetry of Paul Celan has a reflected intention to ask about the temporal determination of human being and simultaneously questions the term and definition of time. In may of his works he reflects he the catastrophic transformation, the reflection also includes the revision of the conventional conception of time. He tries to show, that beside the usual forms of historical, causal und linear time, individuals also perceive timelessness. Paradoxically, the accomplishment of a historical event (Holocaust) evokes a consciousness of the historical caesura, and thus of the untold and the inhospitable. In his perception, for the poet, writing (after holocaust) means writing after apocalyptic break, where history does not exist, in other words surrounded by the timelessness. The task of preserving the memory of what happened in poetry goes hand in hand with the awareness of a disorder and often borders on the impossibility of verbalizing what has happened or even being able to express itself verbally. The experience of disconnection from the temporal sequence of events (through trauma) coincides with the moments of speechlessness, emptiness in consciousness, verbal utterance, and time experience overlap. This tendency is radicalized especially in his late work. In this article late works of Paul Celan, that deal with the questions of timelessness and manifestations of it are analysed (“Zeitlücke”, “Die Trombonestelle” “Largo” and others).

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Karnavališkumo estetika: Uwes Timmo Johannisnacht ir Herkaus Kunčiaus Lietuvis Vilniuje

Karnavališkumo estetika: Uwes Timmo Johannisnacht ir Herkaus Kunčiaus Lietuvis Vilniuje

Author(s): Violeta Katinienė / Language(s): Lithuanian Issue: 4/2019

Carnivalisation in literary prose has been gaining prominence both in Lithuanian and German literature. The present paper compares two novels, namely, Johannisnacht by Uwe Timm (1996) and Lietuvis Vilniuje by Herkus Kunčius (2011), related not merely through their themes of current affairs and reflections of the past, but also through poetics which continues the tradition of Carnivalesque. Although the two authors represent distinctly different cultural and literary backgrounds of two countries (West Germany and Lithuania), the novels transcend to a common intercultural space by their similar narrative strategies and carnivalised worldview.

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O jednej z kartek konwersacyjnych Kafki

O jednej z kartek konwersacyjnych Kafki

Author(s): Łukasz Musiał / Language(s): Polish Issue: 15/2020

Translator’s commentary on Franz Kafka’s “conversation cards,” including information on their biographic context of that last text-document written by Kafka, as well as observations on the stylistic peculiarities imposed by the material form of the cards (terseness) and the advancing disease which made the physical activity of writing difficult (run-on sentences, wrong punctuation, and grammatical errors). However, the commentary is not a typical translatological analysis, but rather a note on Kafka’s writing in general. One of the card messages seems to encourage such an approach in particular: "The worst is that I cannot even drink a glass of water, but one can get somewhat satiated with the thirst itself.”

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Frau Avos Antikristas. Poemos kompozicijos analizė ir vertimas į lietuvių kalbą

Frau Avos Antikristas. Poemos kompozicijos analizė ir vertimas į lietuvių kalbą

Author(s): Aleksej Burov,Modestas Kraužlys / Language(s): Lithuanian Issue: 4/2020

The present article explores Frau Ava’s (1060–1127) apocalyptic poem Antichrist, in which, for the first time in German literature, the opponent of Christ is the protagonist. Antichrist will be Frau Ava’s second poem translated into Lithuanian. By drawing on canonic and apocryphal texts of the Scripture as well as on patristic literature, the article aims to identify traces of written and oral forms of Christian apocalyptic tradition found in the poem. The main focus will be on Adso Dervensis’ (circa 910–992) text De ortu et tempore Antichristi. The analysis of the composition of Antichrist suggests that Ava did not only translate and compile well-known narratives and motifs but also displayed a variety of artistic expressions unattested in apocalyptic tradition. Moreover, the article provides a Lithuanian translation of 118 lines of the poem.

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ASPEKTY METAFIZYCZNE W POEZJI ROSE AUSLÄNDER

ASPEKTY METAFIZYCZNE W POEZJI ROSE AUSLÄNDER

Author(s): Ewa Anna Piasta / Language(s): Polish Issue: 22(27)/2012

This article analyzes six poems by Rose Ausländer, a poet of Jewish origin, who lived in the years 1901–1988. She was born at Chernivtsi (then in the Austro-Hungarian Empire), and died in Düsseldorf (Germany). Ausländer wrote in German and in English. The aim of this paper is to discuss the metaphysical aspects of Ausländer’s poems and to demonstrate that these aspects are manifested on the semantic, lexical and axiological levels. My interest is in the spiritual experience evoked by her poetry, resulting from a transcendence- and Absolute-oriented existence, experienced in terms of mystery. Another objective is to determine whether the said metaphysical experience receives religious specification. The ergocentric method, as proposed by Zofia Zarębianka in her research into the sacred in literature, is based on the assumption that this phenomenon is inherent in the text itself and can thus be investigated without referring to external circumstances or searching therein for its origins. This allows for a greater concentration on the very phenomenon of the sacred as present in a literary text. The analysis of the poems shows that references to God the Creator tend to be frequent, and that human participation in the act of creation is repeatedly stressed. The speaker assumes a posture of dependence on, respect for and admiration of the Absolute. Significant to the spiritual dimension of this poetry is seeing material reality and the affairs “of this world” in eschatological terms. Ausländer’s poetry reveals a system of Bible-based beliefs, such as those concerning the love for one’s neighbour. An adequate reading of the meanings evoked in Ausländer’s lyrical texts becomes possible when the Bible is seen as the prototype of the lyrical situations presented in her poems. The primacy of spiritual meanings, as well as the search for identity, eternity, fullness and the creative powers of God, become clear indeed.

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В модернистской «школе для дураков»: топика письма и ученичества в немецкой и русской прозе ХХ–XXI вв.

В модернистской «школе для дураков»: топика письма и ученичества в немецкой и русской прозе ХХ–XXI вв.

Author(s): Vera Kotelevskaya,Maria Matrosova / Language(s): Russian Issue: 2/2021

The article suggests a comparative analysis of the modernist writing and apprenticeship topics in German and Russian fiction of the twentieth and twenty-first century. Writing is considered to be calligraphy, a writer’s craft, the character’s existence as a scriptor, a form of escapism, a (neo)mythological ritual of destruction and renewal of language and the world. Apprenticeship is explored in its connection with rhetorical culture of imitation and forms of rebellion against it, be it rebellion against the bourgeois society (R. Walser, H. Hesse, T. Bernhard) or the Soviet school and Social Realism (S. Sokolov, M. Shishkin). The literary tradition serves here as an object of imitation and/ or deconstruction. This ambivalent attitude takes the form of irony, buffoonery, foolishness, schizophrenia and is rather often represented in the doppelganger motif. The study uses cultural-historical, comparative, narratological methods, leitmotif analysis, etc. The authors identifies new typological links between German and Russian literature.

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Höflichkeit, Derbheit und Grobheit in ausgewählten literarischen Texten des deutschen Mittelalters

Höflichkeit, Derbheit und Grobheit in ausgewählten literarischen Texten des deutschen Mittelalters

Author(s): Ioana Crăciun / Language(s): German Issue: 18/2021

The literature of the German Middle Ages is rich in texts in which courtesy is thematized as an attitude of mind that characterizes the noble. This mindset is the result of an educational process, the length, and consistency of which are themselves discussed. In the divine order of the Middle Ages, courtesy is a God-willed attribute of the nobility, because only a courtly educated nobleman can function as an instrument in God's plan of salvation and through his actions make God's will a reality. Literary figures of noble descent can sometimes express themselves rudely and behave wildly for lack of education, but their language is never crude or even obscene. No matter how strong their negative feelings may be, their style of speech shows self-control and discipline. Coarseness on the other hand appears as a historical linguistic product of a slowly unfolding urban culture that breaks with the courtly tradition in its striving for its own identity or parodies it. All these aspects are discussed in the present paper on the basis of selected literary works written between the 9th and the 15th century.

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Lessing und die Architektur

Lessing und die Architektur

Author(s): Erich Unglaub / Language(s): German Issue: 18/2021

Lessing's interest in the fine arts is well known, and the boundaries between poetry and painting have been discussed by him in detail. Lessing's comments on the architecture of his time have hardly come into focus. It seems as if the poet were hardly interested in buildings and did not take note of the aspirations of the 18th century. Lessing dealt with architecture on different occasions. The stage directions in his dramas show that Lessing was familiar with and referred to the building conventions of the time and the realities of the theatrical stage. In matters of aesthetics, he received inspiration from the writings of Moses Mendelssohn on architecture and its position in the system of the arts. His view of the buildings he perceived on his Italian journey is influenced by this. In contrast, his assessment of the rediscovered architecture of the Middle Ages is critical. A reflex of his preoccupation with architecture is Lessing's parable about the 'palace', which arrives at astonishing architectural claims.

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Ethnologischer Blick und hermeneutische Skepsis: Ernst Grosse und Carl Einstein über ostasiatische bzw. japanische Kunst

Ethnologischer Blick und hermeneutische Skepsis: Ernst Grosse und Carl Einstein über ostasiatische bzw. japanische Kunst

Author(s): Matthias Berning / Language(s): German Issue: 18/2021

In 1922 and 1923 Ernst Grosse and Carl Einstein published illustrated art books about Asian drawings and woodcuts. Both try to bring a foreign culture closer to the German readers and both have doubts whether this can succeed. With the help of ethnology, they believe to be able to explain the Asian ink drawings and woodcuts in their historical contexts. Nevertheless, they state a loss of the traditional context and are skeptical whether the Asian culture can be translated into the European one. Both authors are placed by research in the context of primitivism, at the same time criticizing an imperial Western policy. Both are influenced by the scientific worldview but formulate a critique of scientific rationality. Ernst Grosse developed a definition of literary science (Literaturwissenschaft) in contrast to literary history (Literaturgeschichte) as well as of art science (Kunstwissenschaft) versus art history (Kunstgeschichte).

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Faustiška sutartis ir kultūros politika

Faustiška sutartis ir kultūros politika

Author(s): Gintautas Mažeikis / Language(s): Lithuanian Issue: 76/2021

The article deals with one of the topics of the cycle “Faustian Cultural Policy,” namely “The Faustian Bargain,” which briefly describes what is considered cultural policy: the social struggle for meanings and values. Other parts of the cycle are “Faustian Transgression” and “Faustian Politics.” The purpose of this article is to discuss the intentionality of pre-reflection, the conscious contract, and its continuation or attempts to avoid the consequences of the bargain. The concept “Faustian Cultural Policy” and the corresponding bargain are associated with both personal and social or even state decisions and their consequences. The Faustian Bargain is considered presumably equivalent to an agreement to the contract between the stronger and the much weaker parties for exclusive privileges for the weaker, deferring payment for an indefinite future and thus gaining access to the naivete of the weaker, thereby making him dependent. The Faustian typology is borrowed from the texts of Johann Wolfgang von Goethe and Oswald Spengler, although the literary works of Christopher Marlowe, Klaus Mann, Thomas Mann and Ernst Junger as well as the agreements of Albert Speer and Petras Cvirka with totalitarian authorities are also discussed. The article compares the Odysseyan and the Faustian types of Western culture; discusses the dialectics of suzerain and vassal; the proximity of the Faustian spirit to gambling and betting; and the personal drama that completes such transactions. As for the ways to overcome the consequences of the bargain, there is a distinction between moral self-determination and mastery of the game. However, only moral self-determination in the presence of other people is considered as a real way of liberation, while at the same time both Machiavellianism and the doctrine of Realpolitik or the conception of Nietzsche’s Ubermensch are worthy of criticism.

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“Sinağrit Baba” ve “Köpek Balıkları İnsan Olsaydı” İsimli Kısa Öykülerde Sistem ve Toplum Eleştirisi

“Sinağrit Baba” ve “Köpek Balıkları İnsan Olsaydı” İsimli Kısa Öykülerde Sistem ve Toplum Eleştirisi

Author(s): Meryem NAKİBOĞLU,Betül Aşık / Language(s): Turkish Issue: 03/2021

Human beings are the only creatures that "evaluate their actions within a certain meaning, select them and take responsibility for what they encounter as a result. However, in an unequal system where the strong rule over the weak, individuals become dependent, obedient and to be pasture individuals over time. In this context, the factor that brought together Bertolt Brecht and Sait Faik Abasıyanık, who lived in different nations in the same period, at a common point; their belief that every problem encountered at the level of individual and society can be solved by taking the mind as a guide and assimilating the critical view. In this study, written in two different geographies, in two different languages; Sait Faik's short story Sinagrite Father and Bertolt Brecht's short story If Sharks Were Human were handled with hermeneutic method. Purpose; to explain the critical attitude of both authors towards the system and society with a comparative understanding. As a result of the study, it has been observed that in the short stories that both authors deal with an allegorical narrative, they bring a universal criticism towards the oppositions such as strong/weak, oppressor/oppressed, active/passive degeneration of human beings and the existing system that causes it.

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SARAJEVO U PUTOPISNOJ LITERATURI NA NJEMAČKOM JEZIKU OD 1878. DO 1939.

SARAJEVO U PUTOPISNOJ LITERATURI NA NJEMAČKOM JEZIKU OD 1878. DO 1939.

Author(s): Zijad Šehić / Language(s): Bosnian Issue: 8-9/2020

This year marks 142 years since the occupation of Bosnia and Herzegovina, 112 years since the annexation of Bosnia and Herzegovina and 102 years since the fall of the Austro-Hungarian monarchy. In order to present this historical period, travelogue literature published in German was used, which is a direct testimony to the social circumstances in Sarajevo at that time, in significantly different circumstances. The selection of texts from three travelogues is a direct testimony to the circumstances in Sarajevo at the time. On the following pages, there are translations of a part of the travelogue that represent a first-class source for understanding the history of Sarajevo.

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Grüße an die unvergessliche Stadt, das Steinerne Tor, die Strossmayerpromenade Camilla Lucerna und Julius Franz Schütz: Briefwechsel (1928–1962)

Grüße an die unvergessliche Stadt, das Steinerne Tor, die Strossmayerpromenade Camilla Lucerna und Julius Franz Schütz: Briefwechsel (1928–1962)

Author(s): Vesela Tutavac / Language(s): German Issue: 30/2021

The correspondence between Camila Lucerna and Julius Franz Schütz presented in this paper consists of 258 pieces of writing in German, preserved in two libraries in Graz: the University of Graz Library and State Library Styria. The correspondence reveals a deep friendship between the authors. The letters did not serve as mere communication of news to a person who is absent but convey the authors’ opinions on artistic trends and philosophical ideas as well as social and matters of state politics of their time. The correspondence is an expression of a multifaceted dialogue in historically memorable times.

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„Ich war als Neurotiker erkannt…“ Krankheit, Leiden und Schmerz bei Hermann Hesse

„Ich war als Neurotiker erkannt…“ Krankheit, Leiden und Schmerz bei Hermann Hesse

Author(s): László Szabó / Language(s): German Issue: 2/2021

Der Beitrag geht dem Themenkomplex Krankheit-Leiden-Schmerz bei Hermann Hesse nach, indem er einen Überblick über einschlägige Texte des Autors bietet. Gefragt wird nach Relationen zwischen Krankheit, Genie und Kunst in Prosatexten wie Taedium vitae, Gertrud, Kurgast oder Der Steppenwolf teils in Bezug auf Hesses Biographie, teils auf zeitgenössische Diskurse über (psychische) Krankheit oder Heilung, wie sie etwa bei Nietzsche oder Freud vorgeprägt waren. Es werden auch Verbindungslinien zwischen Hesses Auffassung der Krankheit als psychogenen Phänomens und seinem Kunstverständnis verfolgt. Schließlich werden die von Hesse etwa im Kurgast oder im Steppenwolf dargestellten psycho-physiologischen Heilungsprozesse ins Auge gefasst.

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Krankheitsbilder im Roman Schornstein von Jan Faktor und Terminifera von Michael Stavarič

Krankheitsbilder im Roman Schornstein von Jan Faktor und Terminifera von Michael Stavarič

Author(s): Renata Cornejo / Language(s): German Issue: 2/2021

Der Beitrag beschäftigt sich mit den Entwürfen von Krankheitsbildern in den Prosawerken Schornstein (2006) von Jan Faktor und Terminifera (2007) von Michael Stavarič und befragt die Texte im Hinblick auf die Exklusionsmechanismen, die sich an der Marginalisierung und zunehmenden ‚Pathologisierung‘ beider Hauptfiguren beteiligen. Im Vordergrund steht dabei die Frage, wie sich die Wahrnehmung der Hauptfiguren durch die Außenwelt auf deren Selbstwahrnehmung und Handeln auswirkt. Nicht zuletzt wird überlegt, inwiefern die hier entworfenen Krankheitsbilder als eine Parabel bzw. ein Abbild der ‚Krankheiten‘ unserer heutigen Welt gelesen werden können.

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Den Tod mit dem Tod bekämpfen. Suizid als Ausweg in Wolfgang Herrndorfs Arbeit und Struktur

Den Tod mit dem Tod bekämpfen. Suizid als Ausweg in Wolfgang Herrndorfs Arbeit und Struktur

Author(s): Zarah Rietschel / Language(s): German Issue: 2/2021

Das vorliegende Paper widmet sich der textnahen Analyse von Wolfgang Herrndorfs autobiographischem Text Arbeit und Struktur hinsichtlich des Zusammenhangs von der Suizidentscheidung des autobiographischen Ich und der ihm gestellten Diagnose eines tödlichen Hirntumors (Glioblastoms). Es lässt sich erkennen, dass die wiederholten Untersuchungen und deren Ergebnisse sowie eigens angestellte Recherchen und das Heranziehen von Statistiken hinsichtlich der Selbsttötungsabsicht als sogenannte ,Entscheidensressourcen‘ fungieren. Sie nehmen demnach Einfluss auf die dem autobiographischen Ich verbleibende Zeit und zeitgleich auf die Frage nach einem geeigneten Zeitpunkt für den visierten Suizid. Neben der Untersuchung unterschiedlicher Reaktionen auf den fortschreitenden Krankheitsverlauf anhand der Methode des Close Readings nimmt das Paper außerdem eine Parallelisierung der geäußerten Suizidabsicht und des intensiven Arbeitens des autobiographischen Ich als Formen der Bewältigungsstrategie für die diagnostizierte Erkrankung vor. Dem Arbeiten in Form des Schreibens kommt dabei in erster Linie die Rolle einer sinnstiftenden Beschäftigung zu, während der geplante Suizid als ,Exitstrategie‘ fungiert, die als letztmögliche Lösung herangezogen wird, um nicht der Krankheit zu erliegen. Während eine Vielzahl von interdisziplinären Diskursen dem Thema Suizid seit jeher mit Ablehnung begegnet, erfährt der Suizid als Krankheit eine historisch verankerte Legitimation, die sich auch in dem untersuchten Text anhand der Reaktionen des sozialen Umfeldes des autobiographischen Ich erkennen lässt. Der unabdingbare Tod angesichts der medizinischen Diagnosen legitimiert somit die Selbsttötung.

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Oryginalne fragmenty kroniki Wiganda von Marburg – opis źródłoznawczy, nowa edycja i polskie tłumaczenie

Oryginalne fragmenty kroniki Wiganda von Marburg – opis źródłoznawczy, nowa edycja i polskie tłumaczenie

Author(s): Krzysztof Kwiatkowski / Language(s): Polish Issue: 59/2021

The article presents a new edition of the original fragments of Wigand von Marburg’s chronicle that have been preserved. In the introduction, the author discusses its manuscript basis, taking into account its previous editions and the editorial principles. The edition includes a total of eleven fragments of the original text of the chronicle in verse, written in 1393–1394 in Middle High German. These fragments have survived as remains of two late-medieval manuscripts and in the sixteenth-century edition of Caspar Schütz’s chronicle. The original text is supplemented by the relevant extracts of the Latin translation of the chronicle, based on its new edition published in 2017.

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FRANZ KAFKA ŞI EUGEN IONESCU. GÂNDACUL ŞI RINOCERII

FRANZ KAFKA ŞI EUGEN IONESCU. GÂNDACUL ŞI RINOCERII

Author(s): Florin Dochia / Language(s): Romanian Issue: 02/2022

The play draws attention to a comparison between Franz Kafka's short stories Metamorphosis and Eugen Ionescu's play The Rhinoceros, from the perspective of the influence of the former on the meanings of the text of the latter, both belonging to the same literary movements of the twentieth century - the absurd & existentialism, largely practitioners and magical realism.

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