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Mak Dizdar’s poem Meki jastuk za mrtvace which was dedicated to Tin Ujević will be analyzed in the text. The analysis will include research of semiotic processes with regard to the semantic, syntactic and pragmatic aspect of poetic sign, and of the comparison poetic conception of two poets.
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Mehmedalija Mak Dizdar as one of the most prominent Bosnian poet, in reciprocity with his extraordinary artistic creativity, very little represented in the plans of the educational program. Animosity, conditionally speaking, according to his poetry does not follow from the rejection of this writer, but on the contrary, it is the result of insufficient knowledge and recognition of the value of his poetry among wider circles of lecturers in the teaching-scientific process. Ease of key messages contained in the titles of historical concretization cycles and thematic sections, the traditional interpretation of certain underlying values in life and existence of man and humanity, would not in its extreme interpretation, especially in the teaching process should be the only distinctively directed through a critical and artistic and creative reading Mak, but universal application of the overall process of educating and informing the general public. The basic message stylistic variables Mak lies a very complex and the significance of ethnological and etymological treasure of the cultural legacy that would be in its final definition, should initiate much hidden wealth of terms, phrases, and whole poetic phraseology units, which are pushed into oblivion. This would be a wealth of language and its own accumulated reserves that the scientific research process and the placement of appropriate information, provide high quality innovated vocabulary, which would no doubt be sure to significantly enrich the value of our mother tongue and spread information about the complexity of its creation and development. “
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The paper analyzes various repetitions in the poem Hiža u Milama and tries to point out to its importance in meaning, but also hearing the poem. The paper starts with the Jacobson’s theory that repetition is the key principle in poem building. We will stress repetitions on all linguistic levels and try to explain in what manner they influence the total understanding of the poem, but also its hearing.
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This article gives a detailed syntactic description of Mak Dizdar’s cycle of poems „Radimlja“. The corpus was analised first at the level of phrase, then simple sentence and finally complex sentence. In a separate chapter gives a detailed description of word order in a sentence. Through the analyses are given syntactic features, either as the presence or absence of certain syntactic phenomena, or as specific phenomena unusual or less common in the standard language. Although these features are also the syntactic stylemas, this paper does not deal with stylistics comments, but in the end only gives a list of syntactic characteristics of this cycle of poems.
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In die Studie sind die Elemente der sprachlicher Kunst und der Enzyklopedismus bearbeitet und als wertvollsten Bestandteilen des universellen Ästhetizismus in Dzumhurs Reisebeschreibungen interpretiert. Diese beide Werte sind bisher in der Rezeption des Dzumhurs Werk als unbemerkte Werte geblieben und oberflächlich in der Literaturkritik angenommen worden. Mit der Erläuterung das Wesentlichen im Dzumhurs Werk in der Vertiefung und Erweiterung der fundamentaler Erkenntnis über Gleichwertung der Weltanschauungen, Kulturen und Religionen in der Zeit und Raum. Diese These ist durch die meine Interpretation der textuellen Selbstidentifizierung Dzumhurs mit der materiell-geistlichen menschlichen Erbe bewiesen. Dabei ist auch die universelle Ästhetik in der Reisebeschreibungen durch die Erzeugung der Freude und Begeisterung im Text nachgewiesen. Solche Erzeugung des Entzückens mit der menschlichen Schaffung macht den gemeinsamen Ethos der Reisebeschreibungen und dieser Studie aus. Mit gemeinsamen Versuch zu finden: auf welche Art und Weise kann der Mensch das Leben zu lieben und zu genießen.
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The paper aims to offer several possible models for reading poetry of itinerary Obituary of a čaršija (the downtown/main street Ottoman-Turkish style bazaar) of Zuko Džumhur. First part of the paper is talking about culture trip to Bosnia, then the indications semiotics demolition and destruction of the city in individual itineraries from already mentioned collection of itineraries. Subsequently, the paper seeks to offer models of reading the city as a palimpsest, and as a place of memory. Besides all this, it aims to detect ways of Džumhur confrontation with the cities which are burdened with the past and history. That loads in history were created by religious, mythical and great historical events tied to these cities and thus create their personal identity.
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The paper offers potential readings of urban / city space in Zuko Džumhur’s Putovanje bijelom lađom. Interpretation of space as a structural element in literature has already been extended to the inquiry of producing the space through the literary text, ie. to the question: how does the urban / city space become a metaphor for the text we are trying to read and perceive. The poetics of space has already been studied during the twentieth century by Gaston Bachelard and contemporary readings of urban/city space in literature have been analyzed by, inter alia, Mirko Kovač, Dževad Karahasan and Krešimir Nemec. Enumerating the topoi (atelier, streets, parks, hotels, restaurants, pastry shops) in this book, Džumhur has formed tithe Yugoslavian cities (spaces of nostalgia and memory) and represented few significant artists, mostly writers and painters, who exist as figures memories.
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The paper deals with the question of narrator in the travel writing by Zuko Džumhur. It particularly focuses homo-autodiegetic and heterodiegetic narrator as typical of the author’s travelogues. In this connection, the paper examines the return of the narrator to childhood and history as important characteristics of Džumhur’s travelogues.
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In the context of wider interest in Franciscans as particular ‘sites of memory’ (Pierre Nora) in Bosnian-Herzegovinian literature, this paper deals with how Matija Divković, his biography and work, is remembered in contemporary Bosnian-Herzegovinian and Croatian literary works, which, although not particularly numerous, vary chronologically as well as in terms of their genre. Namely, the paper discusses four literary pieces by four different authors: Lovrenović’s short story Iskušenje fra Matije Divkovića u Mlecima (The Temptation of Fra Matija Divković in Venice), Milić’s poem Matija Divković (1611), Karahasan’s drama Kotač svete Katarine / Čudo u Latinluku (The Wheel of St. Catherine / A Miracle in Latinluk) and Ivanković’s poem Divkovićeva molitva za zavičaj (Divković’s Prayer for Home) written and published over a period of thirty years (1973, 1982, 1991, 2002). The paper attempts to draw conclusions about the modes in which Divković is remembered and how they infl uence the construction of the Franciscan from the late 16th and early 17th centuries as a ‘symbolic and cultural capital’ of both Bosnian-Herzegovinian and Croatian traditions.
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This paper is actually an analysis of motifs and terminology of tasawwufin Bulbulistan by Fevzi Mostarac. Shaykh Fevzi Mostarac holds a prominent place among the authors who greatly contributed to the cultural heritage of Bosniaks in Oriental languages. The work that brought him fame is Bulbulistan, in translation the Garden of Nightingale, which is at the same time the only prose work in Persian in this region.
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Poems by Adisa Bašić: -In dieser Stadt, in dieser Finsternis -Das Volk spricht -Erstaunliches Landschaftsbild -Die Alten -Wünsche
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Poems by Tatjana Bijelić: -Die Lawrence – Dekonstruktion; -Der alte Mann und der Laptop; -Die Anzeige im Lebensmittelladen.
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Poems by Ahmed Burić: -Manifesto; -Marvel, not a dream; -Ulf Kirsten, der Fünfzackmann; -Woytila.
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Poems by Dragoslav Dedović: -Taverna Alekos; -Wenn sie nicht da ist; -Wenn sie da ist; -Wenn ich daran denke sie niemals zu berühren; -Wenn ich denke, dass alles ein Hirngespinst ist.
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Poems by Suzana Lovrić: -die provinz; -die vornehme artikulation unverschämter worte; -briefe; -ich verwandle mich doch; -die grubenarbeiterin; -die summe; -der brief; -gute nacht; -nachdem man die zypresse gefällt hat; -ich legte dein hemd zusammen.
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Poems by Tanja Stupar: -Trifunović; -Männer; -Gott existiert; -Zen Barbie; -Mein Kopf und mein Herz und meine Möse sind eine Wunde; -Das Gedicht über Ema.
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