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Влияние османского завоевания 1475 г. на культуру жителей Южного Крыма (по материалам керамических комплексов конца XV—XVI вв.)
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Влияние османского завоевания 1475 г. на культуру жителей Южного Крыма (по материалам керамических комплексов конца XV—XVI вв.)

Author(s): Iryna B. Teslenko,Dilyara Alyadinova / Language(s): Russian Issue: 6/2019

A successful campaign led by the Grand Vizier Gedik Ahmed Pasha to the Crimea in 1475 brought new territories to the Ottoman Empire — the Southern Taurica and the eastern edge of the Kerch Peninsula, which previously belonged to the Genoese and the local principality of Theodoro. This event, as well as new political and economic realities, had a significant impact on the material culture of the local population. Substantial changes also occurred in the ceramic assemblage. According to the written sources of the first half of the 16th century, pottery manufacturing in Taurica, particularly in the Ottoman province Kefe (former Genoese Caffa), also persisted. However, archaeological data tell about disappearance of glazed pottery, inherent for the previous epoch. In the Ottoman period, the new forms and decorations of vessels, more common for the central regions of the Porte, prevailed among ceramic utensils used by the local inhabitants. At the same time, import from other lands of the Empire became a significant part of the Crimean ceramic assemblage too, especially in the early years of the Ottoman rule. Among them, there are ordinary courseware and glazed tableware, which came in significant amounts. For the first time, changes in ceramic assemblages, which occurred after the catastrophe of 1475, are analyzed on the basis of the materials from well-dated archaeological contexts of the end of the 15th — beginning of the 17th centuries, from various archaeological sites of the Crimea.

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Балаклава: введение в историческую топографию османского города 1475—1774 годов на Крымском полуострове
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Балаклава: введение в историческую топографию османского города 1475—1774 годов на Крымском полуострове

Author(s): Sergei Gennadievich Bocharov / Language(s): Russian Issue: 6/2019

The article discusses the main points of the historical topography of the town of Balaklava, located on the Crimean Peninsula coast, which was part of the Ottoman Empire between 1475 and 1774. The author offers a graphic reconstruction of the general plan of Balaklava for the last quarter of the 18th century, the final stage in the life of this Turkish town. All basic elements of the historical topography of the late medieval town were recreated. The quarterly development plan and street network were reconstructed. The Ottoman city consisted of three fundamental parts: a fortresses with military and residential buildings, the town territory outside the fortifications and the unfortified suburbs. Localized were four city mosques, three Greek churches, one Armenian temple, a bathhouse, five fountains supplying the town’s population with water, one hotel — caravanserai, a market square with shops and coffee houses, shopping arcades, the main cemeteries of the town, a tile factory and vineyards in the northern suburbs. At the final stage of the Ottoman rule on the Crimean Peninsula, the total urban area of Balaklava was 10.2 hectares, including the ruins of the fortress of 3.3 hectares, the main territory of the town with an area of 5.8 hectares and the northern suburbs occupying 1.1 hectares.

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Les paysans et la pauvreté dans le kaza d’Edirne durant le XVIIe et les premières décennies du XVIIIe siècle
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Les paysans et la pauvreté dans le kaza d’Edirne durant le XVIIe et les premières décennies du XVIIIe siècle

Author(s): Stefka Parveva / Language(s): French Issue: 1-2/2019

The study aims to add touches to the study of one of the problems of the 17th – first decades of the 18th century – the intensified processes of impoverishment among the rural population. The main documents attempting to determine the poverty parameters of villages and their inhabitants in the territory of kaza of Edirne are two avarız defters, compiled in 1676 and 1685/1686, as well as numerous sultan orders, petitions and complaints of the population, kadı huccets, marginal notes in liturgical literature, etc. The study analyzes the main causes and mechanisms of rural impoverishment. The quantitative parameters of poverty among taxpayers at the level of the kaza as a whole and on level of the individual nahiye are reconstructed. The study seeks to answer the following questions:Was there a connection between the religious characteristics of the population and its property status, and between the geographical location of the village in particular and the nahiye as a whole?What was the ratio between poor villages and taxpayers and those who managed to cope with their tax obligations; in other words, between those who produced a scarce agricultural product and those who produced in sufficient quantity or with a surplus?The article examines the behavior of peasants in the context of increasing taxation and increasing poverty.

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Money and Prices in the 18th – 19th Centuries. Bulgarian Historiography on the Monetary History of the Balkan Provinces of the Ottoman Empire
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Money and Prices in the 18th – 19th Centuries. Bulgarian Historiography on the Monetary History of the Balkan Provinces of the Ottoman Empire

Author(s): Hristiyan Atanasov,Nikolay Nenovsky / Language(s): English Issue: 1-2/2019

The paper’s aim is a historiographical review and an analysis of the basic works published by Bulgarian scholars and devoted to the topic of money and prices in the Ottoman Balkans during the 18th and 19th centuries. This period is very important, both in a more general context – from a European and Ottoman perspective, as well as from a Balkan and Bulgarian point of view. We have used a chronological approach and have outlined two periods in our study – between 1878 and 1989 (the time of the Third Bulgarian Kingdom and the subsequent communist regime in Bulgaria) and from 1990 until today (i.e. the period after the democratic changes). The reviewed studies are divided into two main groups: (i) historical studies on money and prices and (ii) numismatic ones. We have given priority to some smaller publications, as they are less known to Bulgarian and foreign researchers. In general, larger studies are known to scholars dealing with the region’s monetary history.

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Болгария и болгары глазами участников Русско-турецкой войны 1877–1878 гг. (художника-баталиста, лейб-медика, казачьего офицера)
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Болгария и болгары глазами участников Русско-турецкой войны 1877–1878 гг. (художника-баталиста, лейб-медика, казачьего офицера)

Author(s): Igor I. Kaliganov / Language(s): Russian Issue: 1-2/2019

The article analyzes the perception of Bulgaria and the Bulgarians by the participants in the Russian-Turkish war of 1877–1878: the war artist V. V. Vereshchagin, the surgeon in ordinary to the Tsar S. P. Botkin and Cossack officer P. Dukmasov. The author shows how different the assessments of the same phenomena can be depending on the age, profession and social status of witnesses.

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Странстващи и уседнали селски търговци в провинция Румелия в края на ХVІІ–ХVІІІ век
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Странстващи и уседнали селски търговци в провинция Румелия в края на ХVІІ–ХVІІІ век

Author(s): Stefka Parveva / Language(s): Bulgarian Issue: 4/2019

Studies in the field of trade show that the main contingent of traders originated in urban communities and worked on urban and international markets. But as far as nine out of ten of the subjects of the sultan in Bulgarian lands were peasants, it is logical to assume that some of them earned their living in the field of trade. In this regard, it should be noted that the issue concerning the involvement of peasants as professional traders in the economic life of the Ottoman Empire has remained poorly investigated in the historiography on the subject. The study seeks to outline an approximate portrait of the itinerant and settled rural merchants who participated in the trade, both between a town and a village, and among different regions of the empire at the late seventeenth and eighteenth centuries. Features of their family and property status have been reconstructed on the basis of individual case studies. Issues related to the legal regulation of their business activities are analyzed. The assortment and volumes of the goods sold by them are also investigated. The author examines the problems related to the commercial practices of association of rural traders and crediting such traders. Conclusions were drawn regarding the involvement of institutions in regulating business and relations between traders and their families, partners and creditors; the level of their literacy; the role of their journeys on the level of awareness of the communities in which they operate; the importance of their professional activity in the formation of the modern traders in the Bulgarian society from the pre-Tanzimat period. The study relies on unpublished Ottoman-Turkish documents – estate inventories of deceased merchants, litigations on associations and loans, sultan fermans, petitions and complaints, tax registrations, as well as promulgated laws, travelogues, and more.

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Един достоен юбилей: професор д.и.н. Николай Жечев Николов на 90 години
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Един достоен юбилей: професор д.и.н. Николай Жечев Николов на 90 години

Author(s): Plamen Bozhinov / Language(s): Bulgarian Issue: 4/2019

Anniversaries have always been a good occasion to look back in time and take stock of what we have done, and what is left unfinished. However, when the Jubilee has ninety years of life experience behind him, of which more than sixty have been devoted to historical science, with dozens of books and hundreds of articles and studies published, the balance is truly full-blooded and the anniversary worthy of note. Prof. Nikolay Zhechev, who is referred to in this article, is undoubtedly a deserving, dignified but humble scientist who does not like when people make a lot of noise about his name and thus place him in the spotlights. However, his numerous historiographical works and his significant contributions in various fields of the history of the Bulgarian National Revival oblige us to briefly dwell on what he has done. The article chronologically traces the key moments in his life, his scientific career, and the major thematic circles in which he works. It also draws attention to Zhechev‘s major contributions to the research of the history of the settlement of Bulgarians north of the Danube River and their cultural and political activities. The article also notes his writings on the literary, spiritual and educational activities of Bulgarians from the period of our National Revival, as well as on their revolutionary-political deeds for national liberation.

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STARI DRVENI NADGROBNI KRIŽEVI NA KATOLIČKOM GROBLJU TUTNJEVAC U ŽUPI ŠPIONICA

STARI DRVENI NADGROBNI KRIŽEVI NA KATOLIČKOM GROBLJU TUTNJEVAC U ŽUPI ŠPIONICA

Author(s): Marko Matolić / Language(s): Bosnian Issue: 11/2019

This work was the result of a field study aimed at locating, recording, photographing and describing old, tombstones, wooden crosses in the Catholic cemetery in Tutnjevac, which belongs to the parish of Spionica in church and administrative terms. The settlement of Spionica has a centuries-old continuity, it is mentioned in the first half of the 16th century, while the first author's well-known record of a Catholic cemetery in the town of the same name dates from 1772. The wooden crosses that are the subject of this work date from the second half of the 20th century, but they undoubtedly have a longer tradition, which was interrupted under various circumstances at the end of the last century. At the cemetery, in November 2017, we found twelve such crosses, among which there is a differentiation between male (6 pieces) and female (6 pieces). Making such crosses is one of the types of vernacular art that will not be seen in situ.

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BABIN MEZAR NA LOKALITETU BABINA LUKA U OPĆINI KALESIJA

BABIN MEZAR NA LOKALITETU BABINA LUKA U OPĆINI KALESIJA

Author(s): Ekrem Sakić,Senaid Hadžić / Language(s): Bosnian Issue: 4/2011

U radu se govori o jednom manje poznatom lokalitetu nadgrobnih spomenika „Staro mezarje“, na lokalitetu Babina Luka u općini Kalesija, posebno o „Babinom mezaru“, koji je u mnogo čemu epigrafski karakterističan. Autor ovo svoje istraživanje zasniva na značaju ovog lokaliteta kao dobra kulturnohistorijskog naslijeđa Bosne i Hercegovine, koji do sada nije istraživan pa otuda ni kategorisan kao kulturno-historijski spomenik. Nakon ukazivanja na značaj epigrafskih spomenika kao historijskih izvora, a koji su do sada nedovoljno istraživani, autor donosi nove podatke o ovom lokalitetu nišana, posebno o „Babinom mezaru“ koji je stavio u fokus svoga istraživanja. Dosadašnja uzgredna i površna osvrtanja na ovaj lokalitet nišana, autor mijenja i dopunjava svojim istraživanjima provedenim na samom lokalitetu. Otkriva da se radi o jednom od raritetnih nišana iz prvih decenija osmanske vladavine, sa ucrtanom šakom i sa uklesanim datumom izrade, a sve to potkrepljuje sa više priloga – karata, skica i fotografija, sve to sa osnovnom namjerom da stručnoj i naučnoj javnosti i čitaocima uopće pruži što realniju predstavu o ovom spomeniku kulture, kako bi nadležne institucije poduzele potrebne aktivnosti da se isti kategoriše i time adekvatno zaštiti.

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SAPNA - ANTROPOGEOGRAFSKI PRIKAZ

SAPNA - ANTROPOGEOGRAFSKI PRIKAZ

Author(s): Jusuf Omerović / Language(s): Bosnian Issue: 4/2011

Sapna pripada geografskom prostoru sjeveroistočne Bosne, i administrativno-teritorijalno čini jednu od trinaest općina Tuzlanskog kantona. Općina Sapna ima obnovljeni status postojanja od 1998. godine od dijela općine Zvornik koji je entitetskom podjelom pripao Federaciji BiH. Ovaj prostor čini jednu kompaktnu cjelinu, koja egzistira na ovom prostoru stoljećima. U radu će biti izvršen antropogeografski prikaz, odnosno bit će prikazan historijskoteritorijalni i društveni razvoj ovog područja kroz prošlost. U geografskom smislu Sapna obuhvata istočne obronke planine Majevice i gornji tok rijeke Sapne, koja čini lijevu pritoku Drine, pa se može reći da ovaj prostor pripada i Podrinju. Površina općine Sapna je 118 km2, što čini 4,45% teritorije Tuzlanskog kantona. Najgušće je naseljen južni dio općine, odnosno prostor oko rijeke Sapne i prostor koji se nalazi u neposrednoj blizini centra Sapne, dok je prostor sa većom nadmorskom visinom, odnosno dijelovi Majevice, veoma rijetko naseljen. Ovaj prostor je još od davnih vremena bio povezan dolinom rijeke Sapne sa Podrinjem. Puštanjem u promet puta Kalesija-Sapna prostor općine Sapna dobija povezanost sa magistralnim putem Tuzla-Zvornik, čime je omogućena bolja povezanost tuzlanske regije sa ovim dijelom Podrinja.

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KULTURNO-HISTORIJSKO NASLIJEĐE NA PODRUČJU OPĆINE ŽIVINICE

KULTURNO-HISTORIJSKO NASLIJEĐE NA PODRUČJU OPĆINE ŽIVINICE

Author(s): Redžo Butković / Language(s): Bosnian Issue: 4/2011

U kulturno-historijskom nasljeđu na određenom području spadaju, između ostalog, i gradine, stećci (i nekropole), mezarja, džamije, vodenice i tradicionalna narodna arhitektura. Do devedesetih godina XX stoljeća na području Tuzlanskog kantona pa tako i u općini Živinice bio je mali broj tekstova posvećeno ovom problemu a još manje je bilo štampanih knjiga. No, danas je situacija sasvim drugačija. Sve je veći broj onih koji se zanima za ovaj vid istraživanja kako na općini Živinice tako i šire.

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NAUČNI SKUP „NASLIJEĐE I BAŠTINA SEMBERIJE (BIJELJINE I JANJE)“

NAUČNI SKUP „NASLIJEĐE I BAŠTINA SEMBERIJE (BIJELJINE I JANJE)“

Author(s): Benjamin Bajrektarević / Language(s): Bosnian Issue: 4/2011

Zavod za zaštitu i korištenje kulturno-historijskog i prirodnog nslijeđa Tuzlanskog kantona je u proteklih nekoliko godina organizovao nekoliko naučnih skupova i okruglih stolova o naslijeđu na području Tuzlanskog kantona i sjeveroistočne Bosne. Zadnji takav skup je Zavod organizovao 14. 12. 2011. godine u Bijeljini.

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NAUČNI SKUP KULTURNO-ISTORIJSKO NASLIJEĐE SREBRENICE KROZ VIJEKOVE

NAUČNI SKUP KULTURNO-ISTORIJSKO NASLIJEĐE SREBRENICE KROZ VIJEKOVE

Author(s): Almira Bećirović / Language(s): Bosnian Issue: 4/2011

U Srebrenici je 26. oktobra 2011. godine održan naučni simpozij pod nazivom „Kulturno-istorisko naslijeđe Srebrenice kroz vijekove“.

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Македония в българската литература (1878 – 1989)
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Македония в българската литература (1878 – 1989)

Author(s): Nikolay Poppetrov,Nikolay Poppetrov / Language(s): Bulgarian Issue: 3/2019

The theme of Macedonia occupies an important place in Bulgarian literature. Poems, short stories, novels, dramas, essays, travelogues are devoted to it. Suffice it to mention the names of writers such as Ivan Vazov, Peyo Yavorov, Anton Strashimirov or Dimitar Talev. Interest in the subject, especially in the lyrics, is strongly influenced by the particular historical situation (uprisings, wars, and other extreme events). At the same time, writers born in Macedonia such as Simeon Radev, Aleksandar Balabanov, Atanas Dalchev and others play a significant role in Bulgarian literature and literary criticism. The article presents these two aspects. It shows the specifics of reflecting the topic in particular historical periods. Emphasis is placed on literary facts from the period between 1878 and 1944, the time when the theme of Macedonia was most authentic.

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ICONOMIA BISERICEASCĂ, UNUL DINTRE TEMEIURILE JUSTIȚIEI PENALE ÎN MOLDOVA

ICONOMIA BISERICEASCĂ, UNUL DINTRE TEMEIURILE JUSTIȚIEI PENALE ÎN MOLDOVA

Author(s): Cătălina Chelcu / Language(s): Romanian Issue: 56/2019

The research topic is actually an episode of what we may call the “survival” of Byzantium in the political culture of the Romanian Principalities. The field of Law was one of the controversial aspects of this issue. My incursion into the characteristics of the imperial Byzantine ideology is meant to explain certain political behaviours of the reign in Moldavia, mainly in the legal practice in late 18th century and the first decades of the 19th century. The Byzantine political tradition present in the Romanian Principalities until the 18th century entailed a reprisal of the governing principles of the Empire. The princes of the country continued to get on the Moldavian throne “with God’s mercy”, a title preserved by those who occupied the princely see in the 18th century and the first decades of the 19th century. The princely institution was affected severely by the Turkish-Phanariote regime of the 18th century but, at the level of the domestic princely policy, the institution per se did not undergo significant changes. In terms of legal practice, historical sources attest – as shown throughout my paper – that the princes preserved their right of jus gladii, namely of sentencing to death the persons guilty of several criminal acts. The princes would use this right, as always, as they saw fit (my italics). As we get to the 19th century, death sentences are ever rarer. Most penalties were limited to mine labour, preceded by mutilations and – quite often – by beatings. How can one explain the change in paradigm? On one hand, by the fact that – for criminal power – the loss of an asset or right as a punishment method became far more effective in terms of attaining punitive purpose. On the other hand, we must consider the consolidation of the princely institution, given that it imitated the ideological imperial Byzantine model, based on the image of a good and merciful prince. I believe that these explanations prove valid because legal practice attests fully the reprisal of the Byzantine ideological foundation of oikonomia in governing the country, with the two essential principles: philanthropy and leniency.

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A Queer Approach to the Classical Myth of Phaedra in Music

A Queer Approach to the Classical Myth of Phaedra in Music

Author(s): Federica Marsico / Language(s): English Issue: 03 (34)/2017

Three musical adaptations of the myth of Phaedra, in which the wife of King Theseus of Athens desperately falls in love with her stepson Hippolytus, were composed in the second half of the twentieth century by three homosexual composers: the dramatic cantata Phaedra for mezzosoprano and small orchestra (1976) by Benjamin Britten (1913-1976) after a text by the American poet Robert Lowell, the opera Le Racine: pianobar pour Phèdre (1980) by Sylvano Bussotti (1931-) after a libretto drafted by the composer himself and consisting of a prologue, three acts, and an intermezzo, and, last but not least, the two-act concert opera Phaedra (2007) by Hans Werner Henze (1926-2012) after a libretto by the German poet Christian Lehnert. The aim of this paper is to prove that the three homosexual composers chose a myth about an incestuous—and thus censored—love in order to represent homoerotic desire, labelled as deviant by the coeval heteronormative society and hence condemned by it. The study sheds light on the aspects of the most famous literary elaborations that affect gay sensibility, and on how the three composers experienced their homosexuality and gave utterance to it in their other works. The analysis of the three works at issue demonstrates that the discourse about gayness takes shape through the interplay of numerous aspects. The elaboration of the literary sources, the organization of the libretto, the characters’ definition, and the mise-en-scène, together with the music, put the myth into that perspective.

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The Modification of the Genre of Mystery Play in the Wagner’s, Schoenberg’s and Messiaen’s Compositions

The Modification of the Genre of Mystery Play in the Wagner’s, Schoenberg’s and Messiaen’s Compositions

Author(s): Nana Katsia / Language(s): English Issue: 03 (34)/2017

The purpose of my paper is to reveal the main features of the mystery genre in the European musical culture of the 19th and the 20th century on the basis of the genre features established in the Antiquity and the Middle Ages.The mystery play genre, as we know, in essence means the firm unity of certain stable features. The complexity of those features consists of two specific elements—religion and social, and a general one—the model of the world for a certain epoch.If in the mysteries of Ancient civilizations and the Middle Ages, the aforementioned components operated as a firm unity of inseparable elements; later, in the period after the “new times”, especially at the end of the 19th century and in the 20th century, the stable elements were disintegrated from each other. This process is discussed on the examples of the following operas:• The common religion and ethical model—Wagner’s Parsifal;• The code of moral rules and principles in the social context—Schoenberg’s Moses und Aron;• The explication of Thomistic ideas in the modern world—Messiaen’s Saint François d’Assise.What is outlined is the unity of necessary components of the genre of the mystery play: multidimensional sources of libretto; a mission of the main hero; the author’s interpretation of the mystery; the abundance of ritual scenes; the relationship between the internal and externaldramaturgical processes; synthesis of the different theatrical genres; static dramaturgy. All of these features suggest a specific type of musical main mystic spheres: divine, terrestrial and demonic. Consequently, the dramaturgy of opera staging has three levels of activity: superficial, inner and upon time.

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Musical Interpretation of the Selected Poems by Paul Verlaine. Analysis of Irena Wieniawska’s Songs in the Comparison to the Compositions by Fauré, Debussy, and Ravel

Musical Interpretation of the Selected Poems by Paul Verlaine. Analysis of Irena Wieniawska’s Songs in the Comparison to the Compositions by Fauré, Debussy, and Ravel

Author(s): Anna Al-Araj / Language(s): English Issue: 02 (33)/2017

The aim of this article is to interpret songs by Gabriel Fauré, Claude Debussy, Maurice Ravel and a less-known composer—Irena Wieniawska (1879−1932), based on the same poems by Paul Verlaine. In the first part of this paper, the relationships between Wieniawska, Fauré, Debussy, Ravel and Verlaine are subsequently described. Then, the author makes a comparison between selected songs by French composers and Madame Poldowski, indicating main similarities and differences. The final part consists of some remarks related to the fact that Wieniawska fulfills features of the French mélodie very strictly. This is why her songs seem to be more traditional, not as allusive and sophisticated as Debussy’s or Ravel’s vocal works.

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Apolinary Kątski as an Infant Prodigy

Apolinary Kątski as an Infant Prodigy

Author(s): Ewa Chamczyk / Language(s): English Issue: 01 (36)/2018

Infant prodigies were a common phenomenon in the 19th century. They astonished the audience not only through their impressive abilities, but also the innocent beauty and the youthful grace. The perfect example of this is Apolinary Kątski (1826–1879), a violin virtuoso and a composer, known mainly as the founder of the Institute of Music in Warsaw, who, since he was three, was recognizable in concert halls all over Europe.According to the author, the early stage of the violinist’s activity requires more attention. The presented article sketches the path of young Apolinary’s life from the moment of his first performance in 1829 to May 1838, when he was granted with the famous recommendation of Niccolò Paganini. It introduced him to numerous concert halls of Europe and positively influenced his further artistic activity. The hereby presented paper makes an attempt to find out the date and place of birth of Kątski in the context of the rich musical activity of his family members. It also shows the first artistic tours of the young virtuoso against the background of his artistically talented siblings: a violinist Karol, pianists Stanisław and Antoni, and a singer Eugenia. The crucial moment are reflections on the stay of the family in Paris and their first performances in the musical centre of Europe as well as contacts of the young violinist with Niccolò Paganini.The studies on the correspondence of the father of the virtuoso, Grzegorz Kątski, and research on the foreign newspapers let the author reconstruct the life of Apolinary Kątski in the very first stage of his musical activity and place him in the context of infant prodigies of the 18th and 19th centuries.

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Chopin on Barricades: About the 100th Anniversary of Chopin’s Birth (1949) and Socialist Realism Doctrine in Poland

Chopin on Barricades: About the 100th Anniversary of Chopin’s Birth (1949) and Socialist Realism Doctrine in Poland

Author(s): Michał Bruliński / Language(s): English Issue: 01 (36)/2018

The main aim of this paper is to examine the discourse on Frédéric Chopin that took place in Poland in 1949, when the 100th anniversary of his birth coincided with the culmination of the socialist realist propaganda in the field of Polish culture. The discourse, initiated and moderated under effective surveillance of the Polish People’s Republic’s government, was filled with communist ideology. The authorities aimed at creating a sense of communion in the Polish nation, therefore they undertook numerous actions in the area of cultivating memory of Chopin and reception of his works. The composer was used as a banner under which the culture of socialist realism was to be consolidated. Chopin was presented by the narrators in the socialist realist context in various dimensions.“Deep humanism”, “truth”, “optimism”, “sincerity” and “democratic features” of Chopin’s music were the crucial notions used by them. Chopin was depicted, among others, as a revolutionist and a prophet of triumph of communism. The oeuvre of Chopin was said to bring together “fraternal countries and nations”, Polish People’s Republic and Soviet Union, while being simultaneously a crucial element of class conflict. The authorities had a tendency to overemphasize folk roots of his compositions, thus among musical genres composed by Chopin the importance of Mazurka was exaggerated. Other genres without such strong folk connotations, as sonatas, ballades and scherzos, were marginalized in the discourse.

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