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ASPECTS OF THE PHENOMENON OF DEGRADATION OF THE AUTHENTIC ROMANIAN FOLKLORE
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ASPECTS OF THE PHENOMENON OF DEGRADATION OF THE AUTHENTIC ROMANIAN FOLKLORE

ASPECTS OF THE PHENOMENON OF DEGRADATION OF THE AUTHENTIC ROMANIAN FOLKLORE

Author(s): Constantin Rîpa,Nelida Nedelcuţ / Language(s): English / Issue: 2/2011

Keywords: folklore; degeneration; repertoire; resuscitation; singer

The 20th century meant for the Romanian folklore the beginning of a process which led it towards the collapse that other cultures (the Italian, French, English, German ones, etc.) had experienced two or three centuries ago: the process of its disappearance through integration into the general musical wave meant for consumption and entertainment, and partially through being used by composers in genres of the erudite music. This process started with the appearance of the Romanian Radio Broadcasting Society (December 22, 1927). Broadcasting folklore by radio generated the new phenomenon of folklore consumption. This aspect triggered a shift of the accent from the daily folkloric performance within the process of developing diverse (household, agricultural, shepherding, etc.) activities by the peasants, which automatically involved the permanent functioning of the anonymous creative spirit that offered a profound individual satisfaction, onto (comfortable and passive) audition meant for (individual and collective) pleasure and enjoyment.

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THE ORGANIC FORCE OF PHYTOMORPHOUS ELEMENTS. SPECIFICATIONS –IDENTIFICATION – REFLECTION IN CONTEMPORARY ART
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THE ORGANIC FORCE OF PHYTOMORPHOUS ELEMENTS. SPECIFICATIONS –IDENTIFICATION – REFLECTION IN CONTEMPORARY ART

THE ORGANIC FORCE OF PHYTOMORPHOUS ELEMENTS. SPECIFICATIONS –IDENTIFICATION – REFLECTION IN CONTEMPORARY ART

Author(s): Daniela Acea - Constantin / Language(s): English / Issue: 2/2011

Keywords: art; space; nature; attitude; exorcism

From the sensorially faithful imitation representations of plant forms and of the dynamic (increase), metaphorical behaviour of nature, an artist’s path is motivated by the scientific and technical discoveries of the social and historical context in which he performs, and which gradually changes its orientation more and more towards an artistic conceptual development and to attitude art in contemporaneity.

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THE MODAL-FOLKLORIC AND THE NEOBAROQUE TYPOLOGIES: CONCERTO FOR STRING ORCHESTRA (NO.1) BY SIGISMUND TODUŢĂ
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THE MODAL-FOLKLORIC AND THE NEOBAROQUE TYPOLOGIES: CONCERTO FOR STRING ORCHESTRA (NO.1) BY SIGISMUND TODUŢĂ

THE MODAL-FOLKLORIC AND THE NEOBAROQUE TYPOLOGIES: CONCERTO FOR STRING ORCHESTRA (NO.1) BY SIGISMUND TODUŢĂ

Author(s): Gabriel Banciu / Language(s): English / Issue: 2/2011

An identification of the genres covered by the works of Sigismund Toduţă is illustrative in order to prove its area: from vocal, choral, vocal-symphonic and theatrical works, up to the symphonic and chamber areas. Nevertheless, one of the most widely spread genres of the time, the string quartet, seems not to represent the thinking of the composer from Cluj.

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RECENT EDITORIAL PRODUCTION IN NATIONAL UNIVERSITY OF MUSIC PUBLISHING HOUSE
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RECENT EDITORIAL PRODUCTION IN NATIONAL UNIVERSITY OF MUSIC PUBLISHING HOUSE

RECENT EDITORIAL PRODUCTION IN NATIONAL UNIVERSITY OF MUSIC PUBLISHING HOUSE

Author(s): Luminiţa Ciobanu / Language(s): English / Issue: 2/2011

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WATER, A PHYSICAL MATTER* WITHIN THE CONTEMPORARY ARTIST’S REACH
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WATER, A PHYSICAL MATTER* WITHIN THE CONTEMPORARY ARTIST’S REACH

WATER, A PHYSICAL MATTER* WITHIN THE CONTEMPORARY ARTIST’S REACH

Author(s): Marcel Bunea / Language(s): English / Issue: 2/2011

Keywords: water; symbol; matter; experiment; metaphysics

History of European thought is constantly crossed by the presence of the symbol in all its diversity of existential and spiritual manifestations. By extension, the visual arts have to do with a key binomial, namely imagined reality versus symbolic reality. The “old” Heraclitian “materials”: water, air, fire and earth, become from the second half of the twentieth century work materials used by artists in their creation.

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ARGUMENT
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ARGUMENT

ARGUMENT

Author(s): Alexandru Păsat / Language(s): English / Issue: 2/2011

Keywords: form; symbol; vectorial; spiritual; contemporary art

Scientific argumentation of the permanent reversion into the synthesizing tendency, to purification and simplification of the plastic – sculptural form, along the history of the art. The privilege of the form to periodically gain its freedom by the creative imagination of the artist, by the need to give always a new plastic sense to the “line of the absolute return”, either on own account, or in the name of a new aesthetics, crossing over parallel worlds in the eagerness to become elementary and simple.

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CODEX MADRID, FROM LEONARDO UP TO BEUYS
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CODEX MADRID, FROM LEONARDO UP TO BEUYS

CODEX MADRID, FROM LEONARDO UP TO BEUYS

Author(s): Vică Tilă Adorian / Language(s): English / Issue: 2/2011

Keywords: Leonardo; Beuys; Codex; Drawing; Interpretation

Not surprisingly, the Madrid Codex is part of the endless number of studies done during his life by Leonardo da Vinci, standing alongside Codex Leicester, Codex Atlanticus, Codex Trivulzianus , Codex Arundel, Codex Forster or its Flights of Birds Codex, the Painting Treaty or Manuscripts in Paris. However, surprisingly, is that after 500 years, Joseph Beuys interpreted in his own way this document, in which the idea plays crucial role, by bringing together images, notes or charts.

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FOLKLORE AS A CULTURAL SYSTEM
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FOLKLORE AS A CULTURAL SYSTEM

FOLKLORE AS A CULTURAL SYSTEM

Author(s): Eugen Petre Sandu / Language(s): English / Issue: 2/2011

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Table of Content
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Table of Content

Table of Content

Author(s): Author Not Specified / Language(s): English / Issue: 2/2011

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The Forms of Direct Democracy and Their Role in Ensuring Good Governance
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The Forms of Direct Democracy and Their Role in Ensuring Good Governance

The Forms of Direct Democracy and Their Role in Ensuring Good Governance

Author(s): Ramona Delia Popescu / Language(s): English / Issue: 01/2014

Keywords: democracy; representation; participation; accountability.

Over the last decade, democracy has become an issue for politicians, policy makers and ordinary citizens, following the rapid spread of democratization around the world, based on the principle of separation and balance of powers. The new nation states try to discover the line that describes democracy as the best available political system. On the other hand, the old democracies experience a crisis which has revealed the limits of democracy and has augmented public distrust of citizens in their political institutions. Representation is the key element of any democracy, the indirect participation of people being undertaken through competitive and regular elections. Representation is the relationship between the people or the nation and an individual or a group that stands for or acts on behalf of it. But representation cannot be the only expression of democracy, popular sovereignty implying the participation of people in making crucial decisions for the administration of public affairs. Following this approach, many constitutions stipulate that national sovereignty shall reside within the people/nation, that it shall be exercised by means of their representative bodies as well as by referendum. This article tries to grasp the value of participatory democracy and the advantages it can bring in boosting the image democracy has nowadays. Participatory democracy shall allow the citizens to be involved in conducting the public affairs at local, regional and national level by institutionalized ways, such as referendum or the citizens’ initiatives and/or by non‐institutionalized ones, as demonstrations, online petitions. Direct democracy could also amend the way in which public authorities administrate public affairs and enforce them in order to legitimate the governance on the will of the people. Consequently, direct democracy is the framework for representatives’ accountability. In some political systems, the people is demanded to intervene in order to balance the power between representatives bodies, as it happened recently in Romania in the process of suspension of the President. Within a system of multilevel governance, direct democracy may represent a solution for reducing the democracy deficit that characterized the European construction.

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Advanced Introduction to Comparative Constitutional Law, by Mark Tushnet
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Advanced Introduction to Comparative Constitutional Law, by Mark Tushnet

Advanced Introduction to Comparative Constitutional Law, by Mark Tushnet

Author(s): Author Not Specified / Language(s): English / Issue: 01/2014

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Towards a Legal Theory of Nationalization. Controversies of Company Law History in Central and Eastern Europe
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Towards a Legal Theory of Nationalization. Controversies of Company Law History in Central and Eastern Europe

Towards a Legal Theory of Nationalization. Controversies of Company Law History in Central and Eastern Europe

Author(s): Emőd Veress / Language(s): English / Issue: 01/2014

Keywords: history of company law in Central and Eastern Europe; nationalization; effects of nationalization; compensation.

This article gives an inside look on a research project on the history of company law in Central and Eastern Europe. This project has a special focus on a certain company: the Renner Brothers & CO, later called Dermata, János Herbák and finally Clujana, but on the basis of the particular legal history of this business entity general questions of company law are addressed: nationalization, privatization and present‐day effects of the historical evolution. After a short overview of the research the pivotal question raised by the present article is nationalization or more precisely the need to understand better the legal nature of nationalizations in Central and Eastern Europe, in contrast to nationalizations in Western Europe, which took place in a very different economic and political context. Nationalization in soviet type regimes was totally different compared to nationalizations realized in democratic societies. There are certain particularities which differentiate the two kinds of nationalizations and the purpose of this article is to briefly highlight at least some of these disparities and try to design a precise legal theory of nationalization in Central and Eastern European context.

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Conflicting Revisions to Romanian Constitution Give Rise to Questions about Semi‐Presidentialism
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Conflicting Revisions to Romanian Constitution Give Rise to Questions about Semi‐Presidentialism

Conflicting Revisions to Romanian Constitution Give Rise to Questions about Semi‐Presidentialism

Author(s): Simina Tănăsescu / Language(s): English / Issue: 01/2014

Keywords: political regime, semi‐presidential, constitutional revision.

The Romanian Constitution, adopted through a referendum on December 8th, 1991, had the goal of balancing the powers of a head of state elected directly by the people and a strong Parliament. However, the living Constitution twisted normative intentions into a different political reality. In order to deal with this issue two almost parallel and quite opposite processes for the revision of the Romanian constitution have been undertaken recently, one is favourable to hyperpresidentialism, while the other calls for a rebalancing of the Romanian political system rather towards parliamentarism. This confrontation at the level of Romanian institutional and normative practices raises once again the ontological and conceptual ambiguities of the said semi‐presidential political system, and poses even more sharply the theoretical question of its appropriateness to the context of countries in democratic transition.

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Parliamentary Oversight in “Atypical Foreign Affairs” under Semipresidentialism a Comparison of the French National Assembly, Romania’s Parliament and
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Parliamentary Oversight in “Atypical Foreign Affairs” under Semipresidentialism a Comparison of the French National Assembly, Romania’s Parliament and

Parliamentary Oversight in “Atypical Foreign Affairs” under Semipresidentialism a Comparison of the French National Assembly, Romania’s Parliament and

Author(s): Yueh‐Ching Chen,Da-Chi Liao / Language(s): English / Issue: 01/2014

Keywords: “Atypical Foreign Affairs”; Historical institutionalism; Parliamentary oversight, semi‐presidentialism, France, Romania, Taiwan

This article explores parliamentary oversight under semi‐presidential systems, and chooses the new phenomena of “atypical foreign affairs” as the object of its examination. It takes countries all of which are semi‐presidential, France, Romania and Taiwan, in its case comparison. The “atypical foreign affairs” refers here to France and Romania’s dealing with EU legislative affairs, as well as Taiwan’s handling of Cross‐Strait affairs. We take the perspective of historical institutionalism in comparing the countries and apply its theoretical elements, such as the historical path, the rational choices of key actors and situations factors (role, time, and precedent), and we divide the stages of parliamentary oversight into “ex‐ante,” “mid‐action,” and “ex‐post” in making deductions and providing logic concerning how institutional design comes about as a result of many situational factors in parliamentary oversight. In addition, this research provides further deductions concerning the oversight results arising from various institutional designs. In summarizing, France was one of the creators of the EU, and has a relatively long period of experience in dealing with its affairs. While it did not initially have precedents to follow, its executive showed strong desire in its proactive advocacy for EU affairs, and its rules allowed parliament to express opinion at the ex‐ante stage in order to lessen the possibility of ex‐post boycotts or backlash. In contrast to France, Romania was a “successor” in the EU, and its parliamentary oversight design had prefabricated norms it could follow: it created an ex‐ante oversight system based on the “Lisbon Treaty” written by France and other early EU members. In addition, the allowing of legislators to also serve as cabinet members in Romania’s “semi‐presidential” system opened up for the Parliament an extra avenue for oversight in the ex‐ante and mid‐action stages. Theoretically and logically, this should lead to fewer waves of opposition in ex‐post scrutiny. With respect to Taiwan and Cross‐Strait relations, it has insufficient experience in handling of Cross‐Strait affairs, and still lacks precedent. Also, its parliamentary oversight design tends to accord with the executive authority’s maximization based on rational self‐interest. As such, the legislature is allowed to participate in ex‐post scrutiny only. This institutional plan ensures there will eventually be a backlash in the legislature.

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Financing Of Law Faculties: Annual Conference and General Assembly of the European Law Faculty Association (ELFA), Strasbourg, 2014
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Financing Of Law Faculties: Annual Conference and General Assembly of the European Law Faculty Association (ELFA), Strasbourg, 2014

Financing Of Law Faculties: Annual Conference and General Assembly of the European Law Faculty Association (ELFA), Strasbourg, 2014

Author(s): Bianca Selejan-Gutan / Language(s): English / Issue: 01/2014

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Duvergerʹs Arguments on Semi‐Presidentialism: a Critical Analysis
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Duvergerʹs Arguments on Semi‐Presidentialism: a Critical Analysis

Duvergerʹs Arguments on Semi‐Presidentialism: a Critical Analysis

Author(s): Eric Millard / Language(s): English / Issue: 01/2014

Keywords: political systems; semi‐presidentialism; parliamentary regime; constitutional theory.

The works of Maurice Duverger on political parties, electoral systems and on the French Fifth Republic, provide a theoretical frame for the so‐called “semipresidentialism.” While those elements have lost influence in France, both in legal and political Science debates, they are still prominent in many other countries. The aim of this paper is to propose a critical reading on those papers, showing that his concept of semi‐presidential regime lacks of consistency on one hand, and that on the other hand that the French Fifth Republic cannot fall under this categorization as developed by Duverger.

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Semipresidentialism Across Continents: a Dialogue Between Asia and Europe
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Semipresidentialism Across Continents: a Dialogue Between Asia and Europe

Semipresidentialism Across Continents: a Dialogue Between Asia and Europe

Author(s): Author Not Specified / Language(s): English / Issue: 01/2014

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A Research On Belgrade’s Identity

A Research On Belgrade’s Identity

Istraživanje identiteta Beograda

Author(s): Bojana Bursać / Language(s): Serbian / Issue: 122-123/2009

Keywords: city identity; study; Belgrade

The survey on Belgrade’s identity was created and conducted on a sample of citizens of Belgrade, tourists coming from Serbia and from abroad, as well as the representatives of organizations and institutions in the domain of culture, arts, education and marketing in the spring of 2006. The open-question anonymous survey organized for tourists and citizens of Belgrade was done according to quota sampling. The interviews with representatives of Belgrade in culture, arts, education and marketing were part of a non-random sampling. Throughout the interviews with citizens, city representatives and tourists some new perspectives of Belgrade were introduced and others were confirmed. During the survey, Belgrade was identified as a city where dominant events were from or connected with a tradition of wars (Autonomy from the Turkish Empire, various bombings of Belgrade) and the political events from recent history - October 5th, 2000. Personalities best representing city of Belgrade were mostly politicians (dr. Zoran \in|i}, Branko Pe{i}, Despot Stefan Lazarevi}, Prince Mihailo Obrenovi}, Prince Milo{ Obrenovi}, King Petar I Kara|or|evi}, Josip Broz Tito and Slobodan Milo{evi}), but also some personalities were from the cultural field (Mira Trailovi}, Du{ko Radovi} and Ivo Andri}). Spatial identity of the city was dominated by the Belgrade fortress, maybe not the oldest but the most persistent trace of previous periods. Among other spatial characteristics, interviewees recognized Prince Mihailo street and Republic Square, Skadarlija street, the National Theatre and confluence of the Sava and the Danube, Konsan~i}ev venac and museums. The exciting parties and fun were still the best characteristics of the city according to the tourists. The PR and marketing of the city was not evaluated as good, since almost all of the mentioned tools are not properly, effectively and efficiently applied.

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The Beograd Festival As An Element In Shaping Image Of Beograd

The Beograd Festival As An Element In Shaping Image Of Beograd

Beograd festival u funkciji oblikovanja imidža Beograda

Author(s): Gorana Petrović / Language(s): Serbian / Issue: 122-123/2009

Keywords: city; identity; culture; festival; Belgrade

This paper analyses the influence of the first BeogrAD Festival, held in September 2004 in Belgrade (Serbia), on (re)designing of Belgrade cultural identity. The cultural identity of Belgrade is recognised as a system of heterogeneous components in interaction (cultural program, cultural heritage, cultural institutions, way of living, inhabitants etc.) and it is analysed through three following topics: The Cultural Program (Breathing) of Belgrade, The City of Moment and The Language, Letter and Orthography as Parts of Cultural Identity of Belgrade. Concerning special and particular features of Belgrade, as well as the characteristics of BeogrAD Festival (theme, program, duration, geopolitical character, participants, marketing, organizer etc.), it has been concluded that this Festival has influenced the image of Belgrade in the following manner: it enriched the Belgrade cultural program, presented and popularized the theme of Festival among auditory, gave rise to development of international and local cooperation (it promoted Serbian creative scene in the world, presented world creative scene in Belgrade and inspired interaction between the participants - lecturers and the audience), contributed to the marketing of Belgrade and encouraged personal initiative in creation of the Belgrade cultural program.

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On public spaces and artistic interventions

On public spaces and artistic interventions

O javnim prostorima i umetničkim intervencijama

Author(s): Jana Stefanova / Language(s): English / Issue: 122-123/2009

Keywords: identity; city; art; performance; public space

Artists’ attempts to directly intervene in their environment can be traced far back in the history of art. As this tradition has developed, public space has become more and more fascinating for performers who willing to test its potential to allow for creative affirmation. Streets, marketplaces, public squares, parks, parking lots, harbours, public transport, crossroads, traffic intersections, shopping centres, bookshops and squatter camps have all become places where one can interfere throught creative gesture in the often monotonous flow of public space. Whatever the motivations might be for carrying out a performative action or intervention in public space, these events illustrate the artists’ strong desire for involvement in their immediate surroundings. However, does the material openness of these places guarantee the public nature of these works ?

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CEEOL is a leading provider of academic eJournals, eBooks and Grey Literature documents in Humanities and Social Sciences from and about Central, East and Southeast Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, researchers, publishers, and librarians. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. CEEOL supports publishers to reach new audiences and disseminate the scientific achievements to a broad readership worldwide. Un-affiliated scholars have the possibility to access the repository by creating their personal user account.

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 102056
VAT number: DE300273105
Phone: +49 (0)69-20026820
Email: info@ceeol.com

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