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The Leverage of Psaltic Melos in the Liturgical Creation of the Composer Paul Constantinescu

Valorificarea melosului psaltic în creația liturgică a compozitorului Paul Constantinescu

Author(s): Daniela Dorosnica / Language(s): Romanian / Issue: 01+04/2012

Keywords: Church Music; Psaltic Melos; Paul Constantinescu

Paul Constantinescu is the composer who managed to create the most valuable compositions in Romanian music inspired from psaltic music. Due to his contact with valuable specialists in the field of psaltic music, the composer has completed his knowledge about the richness of modes and rhythms of this ancient treasure and he developed they with Professor Egon Wellesz in Vienna. From the great byzantinolog, Father Ioan D. Petrescu, he learned the old Church hymns, authentic byzantine chants, which he put out in his instrumental and vocal-instrumental works and the renowned musicologist George Breazul initiated him in the Romanian folk art. Thus, the composer assimilated the specific features of each type of music, he used and developed like no other in his works, especially in the well-known relation subton-tone, present in both melodic structures, but also the modal instability specific for the Byzantine melos.

Theatre Studies in Romania: Theatre and University

STUDIILE TEATRALE ÎN ROMÂNIA: TEATRUL SI UNIVERSITATEA

Author(s): Marian-Valentin Popescu / Language(s): Romanian / Issue: 05/2003

BOOK REVIEWCARMEN TAMARA UNGUREANU, MANUAL OF CIVIL LAW. GENERAL PART. PERSONS, Bucuresti, Ed. Universul juridic, 2011

BOOK REVIEWCARMEN TAMARA UNGUREANU, MANUAL OF CIVIL LAW. GENERAL PART. PERSONS, Bucuresti, Ed. Universul juridic, 2011

Author(s): Irina Apetrei / Language(s): English / Issue: 1/2012

Keywords: Manual of Civil Law; General Part; Persons; Carmen Tamara Ungureanu

The Manual of Civil Law. General Part. Persons, authored by Carmen Tamara Ungureanu1 is a welcome publication in the Romanian legal space. As the author herself notes in the foreword, her work - suggestively named “Manual”, since it represents a classical approach to the general part of the civil law - constitutes a very useful instrument, for both students and law graduates, as well as for practitioners, scholars in law, and also for anyone interested in understanding the “meanders” of the civil law.

Tone-Semitone Scale – Modal System, Emblematic for Paul Constantinescu’s Creation

Tone-Semitone Scale – Modal System, Emblematic for Paul Constantinescu’s Creation

Author(s): Roxana Pepelea / Language(s): English / Issue: 1/2014

Keywords: Paul Constantinescu; modal language; tone-semitone scale

This emblematic mode is a three-stage process: I. anticipations of the mode constitution; II. stage of the constituted mode; III. mode decomposition in subunits. The modal anticipations in the first stage rely on two procedures: modal amplification applied to archetypes that reveal the semitone-tone periodicity (1, 2) and the filling of the minor-third interval within defective systems. With reference to the second stage, note the formative system role (with limited transposition) of the tetrachord. In the third stage, the phenomenon occurs on smaller surfaces and is characterized by premodal-system intertwining, which determines the emphasis on the chromatic aspect of the musical discourse.

Creating Romania’s Foreign Trade: Interview with Ambassador Adrian Constantinescu

Creating Romania’s Foreign Trade: Interview with Ambassador Adrian Constantinescu

Author(s): Author Not Specified / Language(s): English / Issue: 07/2011

In this remarkable new interview, Adrian Constantinescu, the outgoing Romanian ambassador to Macedonia, recounts the highlights of almost 40 years of academic, governmental and diplomatic experience- with emphasis on his specialty, foreign trade negotiations. One of a handful of figures who helped guide Romania’s economy out of the depths of communism during the 1990s, Ambassador Constantinescu also shares his insights on the economic and political exigencies now facing Western Balkan countries aspiring to do what Romania did- join the European Union. This long, lively and often humorous interview, conducted by Balkanalysis.com Director Chris Deliso, is peppered with anecdotes and interesting details deriving from Ambassador Constantinescu’s wealth of experience.

National Conference "Drama techniques in education"

Conferinţa Naţională „Tehnicile teatrale în educaţie”

Author(s): Author Not Specified / Language(s): / Issue: 1-2/2015

Subiectul Conferinței desfăşurate în cadrul UNATC „I.L. Caragiale” Bucureşti în perioada 21-22 noiembrie 2014 este legat de un proiect pe cale a se realiza: implementarea orelor de artă teatrală în școli și licee în curriculum-ul OPŢIONAL.

Education through theatrical techniques - radio drama

Educaţie prin tehnici teatrale – teatru radiofonic

Author(s): Mihai Lungeanu / Language(s): / Issue: 1-2/2015

Keywords: radio drama/audio drama/audio theatre; art form; The National Radio Drama from Romania; theatre – optional subject; theatre techniques; voice awareness; microphone; speech defects; proprer articulation

The Romanian Director of The National Radio Drama, Mihai Lungeanu, lectured in the National Conference about the importance of audio theatre in the education of young generations. Through voice awareness, children gain self awareness and responsibility. Also, it will be very important that, after the implement of optional theatre classes, to train teachers in theatre pedagogy.

Constantinescu, I.: The Adaptation of the Big-Five IPIP-50 Questionnaire in Romania revisited

Constantinescu, I.: The Adaptation of the Big-Five IPIP-50 Questionnaire in Romania revisited

Author(s): Petru-Mădălin Constantinescu,Iuliana Constantinescu / Language(s): English / Issue: 1-Suppl/2016

Keywords: IPIP – 50; Big-Five Model; test adaptation

Besides the proprietary questionnaires that asses the five traits of the Big Five Model, that are worldwide available, there is also an internationalscientificcollaborative public domain project that developed IPIP-50 questionnaire that measures the five traits of the model. IPIP-50 has been translated and validated in Romania. The study had some methodological limitations but the instrument appeared psychometrically sound. Thus, we conducted two studies for the improvement of the Romanian IPIP-50, in which the translation has tested, psychometric properties of Romanian IPIP-50 were further tested and we replicated to a large degree some of the findings of the previous study of Romanian IPIP-50 adaptation.

Theatrical Games in Education of Children of Different Ages

Jocurile teatrale în educaţia copiilor de diferite vârste

Author(s): Andreea Jicman / Language(s): Romanian / Issue: 1/2016

Keywords: education; theatre pedagogy; acting techniques; theatre games; play; creativity; spontaneity; different ages; focusing attention; concentration; rhythm; imagination;

The author describes the use of theatre games in the context of the Theatre Pedagogy Master’s programme of UNATC „I.L. Caragiale” Bucureşti organizing a demonstrative workshop on the 9 and 10th of April 2016. The game is an instrument that can be used to discover and to develop the human being. Its utility has been proven by the work of various theatre pedagogues, such as Viola Spolin. Both child and adult learn by doing, which is the reason why the game is so needed: it completes the learning activity.

The Struggle for the Privilege of Lying: Ion Popescu-Puţuri versus Miron Constantinescu

Lupta pentru privilegiul minciunii: Ion Popescu-Puțuri versus Miron Constantinescu

Author(s): Cosmin Popa / Language(s): English,Romanian / Issue: 1/2017

Keywords: Academy of Social and Political Sciences; Miron Constantinescu; Institute of Social and Political Studies; Ion Popescu-Puţuri; Nicolae Ceausescu

The appointment of Miron Constantinescu in 1970 at the leadership of the Academy of Social and Political Sciences (ASSP) meant the climax of his post-1965 career as ideologue. The establishment of a new scientific center for human resources under the aegis of the Central Committee of the Romanian Communist Party (RCP) led to the emergence of bipolarity within Romanian cultural-scientific and ideological apparatus. The role of ASSP was to scientifically replicate the ideology of the communist regime through the agency of academic publications, books, periodicals and so on. However, the Party Academy „Ştefan Gheorghiu“, another ideological institution with scientific goals, has similar objectives. Moreover, the aforementioned institutions, together with the History Institute of the RCP (ISISP), had to contribute both to Soviet type cadres formation, and the career planning of cadres. Only apparently their prerogatives seemed different. In fact, all of them competed for the good graces of Nicolae Ceauşescu, the secretary general of RCP, who guided their scientific and ideological activities.

TAMARA STOILOVA, 18TH CENTURY BALKAN STORIES

ТАМАРА СТОИЛОВА, БАЛКАНСКИ ИСТОРИИ ОТ XVIII ВЕК

Author(s): Penka Danova / Language(s): Russian / Issue: 3/2019

"Leksykon chrześcijaństwa rosyjsko-polski i polsko-rosyjski", Antoni Markunas, Tamara Uczitiel, Poznań 1999

"Leksykon chrześcijaństwa rosyjsko-polski i polsko-rosyjski", Antoni Markunas, Tamara Uczitiel, Poznań 1999

Author(s): Albert Bartoszewicz / Language(s): Polish / Issue: V/2000

THE SYSTEMATIC OF THE CHARACTERS FROM THE OPERA A STORMY NIGHT BY PAUL CONSTANTINESCU

THE SYSTEMATIC OF THE CHARACTERS FROM THE OPERA A STORMY NIGHT BY PAUL CONSTANTINESCU

Author(s): Consuela Radu-Țaga / Language(s): English / Issue: 19+20/2020

Keywords: comic opera, leitmotif; character; urban folklore; musical declamation;

In the history of the Romanian musical theatre the comic opera A Stormy Night written by Paul Constantinescu set up the buffa style. All along the two acts carried out in approximately 50 minutes you can hear Romanian folklore resonances, with Anton Pann echoes, as the 7 characters from the opera live in the Bucharest of the 19th century. The leitmotif technique is at the basis of the musical story, 9 melodious-rhythmic configurations getting detached. The musical discourse of the singers is entirely subordinated to the text, and the ample breath appeals to the recitative singing, which evolves towards arioso. The categorical overlapping of the musical declamation with the spoken language initiates a route in which we encounter phenomena such as sprechgesang, parlato, yelling, buffa slipping of the voice. The characters are X-rayed with a deep critical spirit and the capacity to illustrate funny situations gains a lot from Constantinescu’s experience

The Image of Queen Bona in Polish Drama

L’immagine di Bona Sforza nella letteratura teatrale polacca

Author(s): Monika Werner / Language(s): Italian / Issue: 1/2020

Keywords: Bona Sforza; Barbara Radziwiłł; Sigismund Augustus; Bari; literatary image; Polish drama in the 19th century; Polish drama in the 20th century; the Lviv Theatre in the 19th century; the Poznań Theatre

The article presents literary image of queen Bona appearing in Polish nineteenth and twentieth century drama and makes an attempt at explaining the reasons for painting such an image. The action of the majority of plays discussed (written in the nineteenthand the beginning of the twentieth century) was inspired by the stormy course of marriage between Sigismund Augustus and Barbara Radziwiłł while Bona, as a character depicted in dark colours, was opposed to excessively idealised Barbara. The queen from the Sforza family was shown as a woman blinded by hatred, power-thirsty, a cunning and unscrupulous plotter, pitiless poisoner, foreigner acting against the interests of Poles and implementing the controversial teaching of her countryman Machiavelli. The negative and historically false image became blurred with the passage of years to change radically as result of a more critical attitude to Barbara in the literary works written after the Second World War. From a bad monarch wishing Poland ill, Bona turned to a wise ruler and far-sighted politician defending the interest of her second homeland. The article discusses separately radically differing images of queen Bona outlined in two dramas set in Bari and not inspired by Sigismund Augustus’ marriage. Additionally the stage history of one of the dramas is presented.

Theater Games in Student-Actor Specific Education

Jocurile teatrale în educaţia specifică studentului-actor

Author(s): Ana Vicovan / Language(s): Romanian / Issue: 1/2020

Keywords: theatre games; acting; creativity; online drama games; focus; point of concentration;

When approaching an improvisation exercise, working on a performance, or constructing a character, an actor often embodies the same level of freedom and involvement as a child at play, who simply experiments with all the various situations they see in their everyday circumstances. This allows the artist to fully utilise his or her full creative potential and find original ideas to not only express their unique vision on the task at hand but also learn about their own internal world by observing and reflecting on responses to different outer and inner stimuli. Like anything that requires training, establishing discipline is a crucial step in an actor’s preparation and developing it as early as possible, through appropriate creative exercises and games, will sustain the artist’s competence and allow them to achieve outstanding results in the art of acting.

The Role of Theatre techniques in the Process of Self-Knowledge

Rolul tehnicilor teatrale în procesul de autocunoaştere

Author(s): Raluca Rusu Dita / Language(s): Romanian / Issue: 2/2020

Keywords: theatre pedagogy; Viola Spolin; improvisation; development of abilities; theatre games; sensory awareness exercises; self-presentation games; empathy development; teamworking skills; learning through;

This article presents a series of benefits that the study of acting through the technique of improvisation brings not only to the theatre students, but to all those interested in rediscovering themselves, testing new ways of personal development, accessing a depth of latent resources, taking the step towards the magical world of creativity. The author focuses on some characteristics of the improvisation method inspired by the use in her own practice of Viola Spolin’s seminal text ”Improvisation for the Theater” that gives both the professionals and non-professionals the joy of expressing themselves in an authentic way. Experimenting with theatrical techniques is all the more important at a time when digitalization and online communication tend to further isolate the individual. Through the theatrical art, one can work to restore his connection with the immediate and concrete reality of our life, with ”the other”.

"Cities on stage", intercultural dialogue through theatre projects

„Cities on stage”, dialog intercultural prin proiecte teatrale

Author(s): Alexandra Pâzgu / Language(s): Romanian / Issue: 2/2014

Keywords: European projects; performance; intercultural dialog; documentation; Cities on Stage;

The text summarizes an argumentative debate around the concept of “intercultural dialog” in theatre. Starting from the short description of the European project “Cities on Stage”, realized in collaboration with Radu Stanca Theatre in Sibiu, the text questions the necessity of intercultural dialog in arts and its use and application in cultural policies in European Countries. The case of the Romanian Cultural Institute is being used as an example of how Romanian cultural policies are being designed and applied in comparison to countries like The Netherlands and Belgium. Finally, “intercultural dialog” is being addressed as a defining phenomenon of the process of Europeanization, whereby the role of art is that of constant interrogation and validation of the concepts proposed by cultural policies.

Maria Onofraș, Tamara Pahomi, Valeriu Sclifos, Lidia Vrabie, Ana Vulpe. Explanatory Thematic Dictionary: Universe. The nature.

Maria Onofraș, Tamara Pahomi, Valeriu Sclifos, Lidia Vrabie, Ana Vulpe. Dicționar explicativ tematic: Universul. Natura. Omul.

Author(s): Livia Caruntu-Caraman / Language(s): Romanian / Issue: 3/2022

Keywords: review; Explanatory Thematic Dictionary; Universe; The nature; The man; Maria Onofraș; Tamara Pahomi; Valeriu Sclifos; Lidia Vrabie; Ana Vulp;

Review of: Maria Onofraș, Tamara Pahomi, Valeriu Sclifos, Lidia Vrabie, Ana Vulpe. Dicționar explicativ tematic: Universul. Natura. Omul. Chișinău: Reclama, 2020, 460 p.

Destalinization in the Romanian Version. The Case of Miron Constantinescu - Iosif Chișinevschi, 1956-1961

Destalinizarea în versiune românească Cazul Miron Constantinescu - Iosif Chișinevschi 1956 - 1961

Author(s): Dan Cătănuş / Language(s): Romanian / Issue: 3-4/1999

Keywords: Romania; destalinization; Miron Constantinescu; Iosif Chișinevschi; 50s; 60s;

The climate created by Khruschev’s report to the 20th Congress of the CPSU became the ideal environment for some of the latent tensions accumulated in the Romanian Workers’ Party (P.M.R.) to break out. Miron Constantinescu and Iosif Chișinevschi thought it was time for a change in the party and, implicitly, in their personal careers, and they tried to describe Dej as a promoter of Stalinism. After the Soviet intervention in Hungary in the fall of 1956, Gheorghiu-Dej had the green-light to eliminate all those who had contested his position: Chișinevschi and Miron Constantinescu, first of all, and this happened in the Plenum of the of P.M.R. Central Committee on June 28-29 - July 1-3, 1957.

Colloquiums and conferences

Colocvii și conferințe

Author(s): Author Not Specified / Language(s): Romanian / Issue: 01/2023

Keywords: Colloquia; conferences;maritime transport;

This article contains the titles and locations of conferences and colloquia on the theme of maritime transport that took place between 2017-2020.