Search results for: tamara constantinescu colocvii teatrale in All Content

Eliza Constantinescu-Bagdat, the portrait of a feminist from the interwar academie

Eliza Constantinescu-Bagdat, potretul unei feministe din lumea academică interbelică

Author(s): Ana-Maria Stan / Language(s): Romanian / Issue: 49/2010

Keywords: University; professor; education; feminism; economical studies

This article is a case study outlining the bio-bibliographical portrait of Eliza Constantinescu-Bagdat, one of first the female Romanian university professors of the interwar period. Teaching in Cluj, at the Academy of Higher Commercial an Industrial Studies between 1927 and 1943, this lady had a very a interesting professional and public life, which made her travel to France and Switzerland in order to achieve her education, and later saw her use that knowledge in her home country. Therefore, she can be considered an eloquent example of the importance and mechanisms of the peregrinatio academica phenomenon.

Tamara Cărăuş: "The Identity promises more than it offers"

Tamara Cărăuş: "Identitatea promite mai mult decât oferă"

Author(s): Author Not Specified / Language(s): Romanian / Issue: 108-109/2003

Interview with Tamara Caraus - the autor describes her experiences during a scholarship in Oxford.

Look on the undergraduate theater pedagogy

Privire asupra pedagogiei teatrale preuniversitare

Author(s): Irina Scutariu / Language(s): Romanian / Issue: 1/2013

Keywords: theater pedagogy; acting; selfawareness

Choosing a life path becomes a situation designed to close or open roads, dreams, hopes. Pre-university pedagogy is the training phase that should follow working principles that are objective and appropriate to the individual stage of adolescent development. This form of education should activate, individually and collectively, potential artistic skills. The judging experience at a National Olympics in acting, for the past two years, has lead me to a number of comments and suggestions that may be useful to pre-university professors in this field.

THE ANNUNCIATION IN PAUL CONSTANTINESCU´S CHRISTMAS ORATORIO: MUSICAL AND ICONOGRAPHIC DECODING

THE ANNUNCIATION IN PAUL CONSTANTINESCU´S CHRISTMAS ORATORIO: MUSICAL AND ICONOGRAPHIC DECODING

Author(s): Bianca Ţiplea-Temeş / Language(s): English / Issue: 1/2010

Keywords: Paul Constantinescu; Annunciation; Byzantine music; hymnography; iconography; eckphonetic notation.

This study engages in hermeneutics to offer a set of decoding clues regarding the integration of the Byzantine melos into Paul Constantinescu’s creation. Nowadays, the author is regarded as a forerunner in the expansion of the psaltic monody beyond its familiar vocal tradition: both his Oratorios transform the Byzantine melodic heritage into a key ingredient of the instrumental genres. The musical rendering of the Annunciation (opening part of the Christmas Oratorio), serves as an ideal symbiotic model between traditional hymnography and the modern composition techniques of that time. By adopting authentic sources from Macarie, Suceveanu, Stupcanu, Anton Pann, but also by interfacing music with the ekphonetic cantillation of the annunciation pericope (Panţîru – Iaşi Evangelic Lectionary), Paul Constantinescu seems to assume the role of an “iconographer”: respecting the canonical norm at the melodic level while accessorising music with personal exterior elements. The Annunciation segment also admits a symbolic decoding: it prepares the birth of a superior integrative vision promoted by the Romanian composers of the next generations, ushering in a new assimilation stage of the Byzantine chant.

Ștefan BOSOMITU, Miron Constantinescu. A Biography

Ștefan BOSOMITU, Miron Constantinescu. O biografie, București, Editura Humanitas, 2014

Author(s): Mariana Lalescu / Language(s): Romanian / Issue: 83/2016

PAUL CONSTANTINESCU. MANUSCRISE NECUNOSCUTE SAU MAI PUŢIN CUNOSCUTE

PAUL CONSTANTINESCU. MANUSCRISE NECUNOSCUTE SAU MAI PUŢIN CUNOSCUTE

Author(s): Sanda Valentina HÎRLAV-MAISTOROVICI / Language(s): Romanian / Issue: 3/2016

Four centuries of opera in Grigore Constantinescu’s view

Patru secole de operă în viziunea lui Grigore Constantinescu

Author(s): Loredana Viorica Iațeșen / Language(s): Romanian / Issue: 15/2015

Keywords: Grigore Constantinescu;opera; history and styles;

Grigore Constantinescu, Patru secole de operă. Istorie şi stiluri, personalităţi creatoare, capodopere, repertorii [Four centuries of opera. History and styles, creators, masterpieces, repertoires]. București: Editura ONB, 2014. Four centuries of opera. History and styles, creators, masterpieces, repertoires, Bucharest, ONB Publishing House, 2014.

Personal development by theatrical techniques

Dezvoltare personală prin tehnici teatrale

Author(s): Adelina Dobrea / Language(s): Romanian / Issue: 1/2016

Keywords: education; theatre pedagogy; acting techniques; theatre games; play; development; method; self-knowledge;

The author details the use of theatrical methods in education. The theatre gamesare the main instrument she works with. Through game, children discover the world and themselves.The game helps us to evolve, to discover things about ourselves that we weren’t aware of and, especially, it helps us to develop important and necessary abilities, such as: attention, how tofocus our attention on certain elements, memory, creativity, expression, imagination etc.

ORIGINALITY OF APPROACH TO THE PSALMODIC MELODY IN LITURGY IN THE PSALMODIC STYLE BY PAUL CONSTANTINESCU

ORIGINALITY OF APPROACH TO THE PSALMODIC MELODY IN LITURGY IN THE PSALMODIC STYLE BY PAUL CONSTANTINESCU

Author(s): Petruţa Maria Coroiu,Alexandra Belibou / Language(s): English / Issue: 2/2017

Keywords: liturgy; psalmodic; polyphony; choir.

“Liturgy in the Psalmodic Style” by Paul Constantinescu is the expression of an original style based on the archaic Byzantine melody. This is concert music which differentiates it from the other liturgies created by Romanian composers for the Orthodox Church. The approach to the psalmodic melody in the harmonic-polyphonic context is an original one, the fusion is achieved by skilfully combined methods, thus we can notice Paul Constantinescu’s ability to synthesize the two-musical direction – the western and the eastern. The polyphonic choral composition fully enforces the Byzantine melodies, and the modal harmonies used are a bridge between the two musical systems – the tonal functional one and the eighth mode one in the psalmodic music. The techniques, such as the accompaniment, the modulation according to the wheel principle, the rhythm supporting the word are specific for the Byzantine melody, but they are integrated in the mixt choral texture proposed by the composer without diminishing their value or purpose. On the other hand, the strict or liberal imitation and the modal or tonal-functional harmony of the psalmodic melodies do not affect the richness of the Byzantine language; on the contrary, they enrich it. The Romanian spirituality is reflected in the composer’s musical creation, although he managed to by an universal musician through his widespread musical language.

PAUL CONSTANTINESCU'S BYZANTINE ORATORIOS – UNIQUE MUSICAL EXPRESSIONS OF A CREATIVE GENIUS

PAUL CONSTANTINESCU'S BYZANTINE ORATORIOS – UNIQUE MUSICAL EXPRESSIONS OF A CREATIVE GENIUS

Author(s): Dan Alexandru Streza / Language(s): English / Issue: 4/2018

Keywords: Paul Constantinescu, Byzantine Music; Modal Harmony; Resurrection; Nativity;

Paul Constantinescu is famous for his efforts to process and draw attention to the potential of the Romanian Byzantine monody concretized in the two masterpieces that belong to the vocal-symphonic genre: “The Passion and Resurrection” Byzantine Easter Oratorio (1946-1948), and “The Nativity” Byzantine Christmas Oratorio (1947). These works represent the materialization of a brilliant creative enterprise, set to realize a double cultural-musical symbiosis between musical art and the Byzantine church chants on the one hand and between the eastern Byzantine tradition and the European musical culture on the other hand, with the well-defined goal to bring the man closer to his Creator through music.

THEATRE TECHNIQUES IN WALDORF PEDAGOGY

TEHNICI TEATRALE DIN PEDAGOGIA WALDORF

Author(s): Raluca Rădulescu / Language(s): Romanian / Issue: 1-2/2017

Keywords: theatre; Waldorf; skills; education; emotional intelligence; empathy; children; alternative education; multiple intelligence;

Education’s main purpose is to prepare people forthe society they live in, that is why it is in a constant adaptation process to its needs and tendencies. It is beneficialfor children, pupils and students that the educational systemin which they are located be set up with all the tools needed todevelop skills and habits useful in „real life”. However, theeducational „bet” consists of „packaging”. The form in which we present the package called „EDUCATION” makes thedifference. And that's what specialists, teachers, students and children have found to be true. Theatre offers a type of education that can simply becalled education for cooperation. Through theatre, childrenlearn to communicate better, through images, but they can alsolearn to express their emotions better, to understand theemotions of others, thus increasing their degree of empathy towards others.

”ROMANIA IN THE PERIOD OF EMIL CONSTANTINESCU ADMINISTRATION” Author Alex Mihai STOENESCU

„ROMÂNIA ÎN PERIOADA ADMINISTRAȚIEI EMIL CONSTANTINESCU”Autor: Alex Mihai STOENESCU

Author(s): I. Gabriel Năstase / Language(s): Romanian / Issue: 42/2020

Keywords: documentation; archive; historiography; presidential administration; Emil Constantinescu;

In the autumn of 2019, between November 20-24, in the Pavilion B2 of the ROMEXPO Exhibition Complex, the 26th edition of the GAUDEAMUS Book Fair and Literary Cafe took place. On the occasion of this event, hundreds of cultural events were proposed, in a friendly and relaxed atmosphere. It was not without interest and did not go unnoticed the launch of Alex Mihai STOENESCU’s book, in two volumes. 

George (Gogu) Constantinescu, (18815–1965) – Inventor and Scientist

George (Gogu) Constantinescu, (1881–1965) – inventator şi om de ştiinţă

Author(s): Ştefan Iancu / Language(s): Romanian / Issue: 8/2015

Keywords: transformation of the vibrations in the mechanical energy; sonics science; a method for target firing with a machine gun;

The inspired inventor and science man, the engi neer George (Gogu) Constantinescu (1881–1965), has started his scientific preparation beeng preocupied with the music and he continued with the study of the vibrations of the musical instru ments, asking himself if this vibrations can be transformed in the mechanical energy. After 1910, George (Gogu) Constantinescu has been working in London as an engineer and he has realized transforming the vibrations in the mechanical energy and cre ated a method for target firing with a machine gun, during the flight, through the aeroplane helix. In London, George (Gogu) Constantinescu created a lot of inventions using the transforma tion of the vibrations in the mechanical energy, transformation that has constitued the principels of a new science – sonics science. In 1918, George (Gogu) Constantinescu publised in London the scientific treaty „Theory of Sonics” that has been published also in Romania in 1922 with the title „Teoria sonicităţii”. At 10 june 1920, George (Gogu) Constantinescu has became coressponding member of the Romanian Academy, and at the 3 February 1965, he becames full member of the Romanian Academy.

Actor’s Art and Theater Games

Arta actorului şi jocurile teatrale

Author(s): Ana-Maria Nicu / Language(s): Romanian / Issue: 1/2020

Keywords: theatre games; acting; abilities; development; Viola Spolin; Ion Cojar;

Many of the fundamental Performing Arts principles can be discovered while playing theater games. They are a key point in helping a first-year student enhance his natural abilities. Not only that, but theater games also lead to a higher individual and group performance. Both of these elements are of great importance when it comes to becoming a professional actor. The article points out key aspects such as „process, not success”, me in the given circumstances, the relationship with the scene partner, organicity and so forth. Several quotes from Viola Spolin and Ion Cojar are mentioned in order to support the analysis. At the very end there are 3 theater games (which are presented from the point of view of the facilitator) in order to exemplify the fundamental Performing Arts principles.

STYLE AND LANGUAGE IN ROMANIAN MUSICAL CREATION. PAUL CONSTANTINESCU (1909‐1963)

STIL ȘI LIMBAJ ÎN CREAȚIA MUZICALĂ ROMÂNEASCĂ. PAUL CONSTANTINESCU (1909‐1963)

Author(s): Veronica Laura Demenescu / Language(s): Romanian / Issue: 1/2021

Keywords: musical language; style; creation; Romanian music; Paul Constantinescu;

Paul Constantinescu's musical language is based oncapitalizing on Romanian folk songs, by using the quotefolk or by creating their own popular songs. Anothersource of inspiration, that of cult music, by using Byzantine singingRomanian, completes the sound syntheses created by Paul Constantinescu.

Tamara Hundorova. The Post-Chornobyl Library: Ukrainian Postmodernism of the 1990s

Tamara Hundorova. The Post-Chornobyl Library: Ukrainian Postmodernism of the 1990s

Author(s): Oksana Lutsyshyna / Language(s): English / Issue: 1/2022

REVIEW OF: Tamara Hundorova. The Post-Chornobyl Library: Ukrainian Postmodernism of the 1990s.

Professor Nicolae Constantinescu and Sibian ethnological research – correspondence pages –

Profesorul Nicolae Constantinescu și cercetarea etnologică sibiană – pagini de corespondență –

Author(s): Ilie Moise / Language(s): Romanian / Issue: 35/2021

Keywords: anniversary; ethnology; popular culture; cultural anthropology; letters;

L’étude est un hommage que l’auteur rend au professeur universitaire Nicolae Constantinescu à l’occasion de son anniversaire de 80 ans. Contributeur exceptionnel du périodique „Studii și comunicări de etnologie” depuis long temps avec des études dʼune profondeur idéologique et scientifique particulière, Nicolae Constantinescu est en même temps un bon collègue et ami de tous les ethnologues de Sibiu, quelle que soit lʼinstitution dans laquelle ils travaillaient: le Musée Astra, lʼUniversité „Lucian Blaga” ou lʼInstitut de Recherche Socio-Humaine de lʼAcadémie Roumaine. Avec son style unique, Nicolae Constantinescu sert, comme peu de gens ont réussi à le faire, le folklore roumain, la nation et le pays. Ses lettres que nous publierons ci-dessous vont renforcer et confirmer nos déclarations. Même depuis la huitième décennie du siècle passé – conclut l’auteur – le professeur Nicolae Constantinescu imposait une nouvelle manière de recherche, une nouvelle perspective dans le traitement de la culture populaire, celle de l’anthropologie culturelle.

Mitiţă Constantinescu, constant supporter of Romania's industralization in the interwar period

Mitiţă Constantinescu, susţinător constant al industrializării României în perioada interbelică

Author(s): Ioan Codruţ Lucinescu / Language(s): Romanian / Issue: 15/2022

Keywords: economic doctrines; neoliberalism; Romanian economy; process of industrialization;

The interwar period might be considered a period of spectacular modernization in Romanian society. The country’s development in multiple domains was emphasized in order to place the country within the larger family of European nations. It took Romania many years so that, in 1938–1939, it could be considered as a country who took decisive steps in the process of industrialization. Neoliberalism was supposed to be the economic doctrine meant to give a momentum to the capitalist society which was affected by the consequences of WWI to a great extent. In Romania, the neoliberalism will become the governmental politics for a scientifically based evolution. Mitiţă Constantinescu, economist and leading political figure, is one of the prominent and ardent supporters of neoliberalism.

Elements of Romanian Psaltic music in Christmas Oratorio by Paul Constantinescu

Elemente ale muzicii psaltice românești în Oratoriul de Crăciun de Paul Constantinescu

Author(s): Ștefan Dejica / Language(s): Romanian / Issue: 1/2022

Keywords: Oratory; Christmas Oratory; Paul Constantinescu; Byzantine; religious music; orthodox; romanian music;

The Birth - The Byzantine Christmas Oratory was composed in 1947 and is considered a contrasting continuation of the Oratory of the Passion and Resurrection of the Lord. The premiere took place in Bucharest on December 21, 1947, being performed by the State Philharmonic. Paul Constantinescu proposed that in the vocal-symphonic work to combine the essence of orthodox singing with the western form of the oratory, for this reason he attributes the name of Byzantine in the title. As a professor at the Academy of Religious Music in Bucharest, Constantinescu has always had a concern for religious music, so he designed symphonic works that included Byzantine music. In addition to numerous choirs, the most important works in which elements of liturgical music are found, are the Easter and Christmas Oratorios.

Tamara Ćapeta, Iris Goldner Lang, Tamara Perišin, Siniša Rodin (eds.): Preliminary procedure in the law of the European Union, Narodne novine, Zagreb, 2011

Tamara Ćapeta, Iris Goldner Lang, Tamara Perišin, Siniša Rodin (ur.): Prethodni postupak u pravu Europske unije, Narodne novine, Zagreb, 2011

Author(s): Maja Brkan / Language(s): Serbian / Issue: 2-3/2011