Search results for: šimić tonin in All Content

“Disappeared” Villages in the Region of Kreševo 1765-1945

“Nestala” sela i zaseoci u okolini Kreševa 1765-1945

Author(s): Milo Jukić / Language(s): Croatian / Issue: 30/2009

Keywords: Kreševo; sela; zaseoci; matice; katolici

U radu se navode podaci o selima i zaseocima na području općine Kreševo koja su, u razdoblju od 1765. do 1945. godine, u župnim maticama navođena kao posebna naseljena mjesta, a danas kao takva ne postoje. Neka od njih su potpuno nestala, t.j. na njihovim nekadašnjim lokacijama uopće nema naselja, a neka su postala samo dijelom većih sela, pa su nekadašnji nazivi naselja potpuno zaboravljeni.

THE CZECH MARIOLOGICAL (AND MARIAN) BIBLIOGRAPHY 1900–1910

ČESKÁ MARIOLOGICKÁ (A MARIÁNSKÁ) BIBLIOGRAFIE 1900–1910

Author(s): Štěpán Martin Filip / Language(s): Czech / Issue: 4/2012

Keywords: Theology; History of Czech theology; Mariology; Virgin Mary; 1900–1910

The proposed study is an continuation of the research regarding the Czech mariology of the 19th century. After the methodological introduction, three parts are proposed: the first one containing an annotated bibliography of Czech Marian books from 1900 to 1910; the second one with a survey of articles from the revue Časopis katolického duchovenstva from these years; the third one containing an annotated bibliography of foreign Marian books translated into Czech over these years. The study is concluded by a synthetical review and evaluation of the mentioned Marian literature.

From the extreme form to the perfect poetic sign

Od krajnjih oblika do savršenog pjesničkog znaka

Author(s): Branko Vuletić / Language(s): Croatian / Issue: 3/1981

Les fonnes extrêmes des structures de sons dans la poésie croate contemporaine présentent deux cas: 1) une structure sonore devient son propre but, et ce n'est qu'incidemment qu'elle peut avoir un sens conventionnel; 2) un poème représente tout d'abord sa structure iconique. Dans les deux cas la structure verbale conventionnelle est abîmée: dans le premier cas la structure verbale étant complètement subordonnée à la structure sonore est souvent insolite; dans le deuxième cas la structure verbale étant subordonnée à l'image devient difficile à dechiffrer.

Catholic priests victims of murders in Apostolic Vicariate in Ottoman Bosnia

Katolički svećenici žrtve ubojstava u vrijeme Apostolskog vikarijata u Otomanskoj Bosni

Author(s): Ante Škegro / Language(s): Croatian / Issue: 44/2016

Keywords: Apostolic Vicariate in ottoman Bosnia; alcoholism among the Bosnian Catholics; murders committed by the Catholic priests in Apostolic Vicarite in ottoman Bosnia; Franciscans Philip Teševac; Steve Sold

Between 1735 and 1881, Catholics in Bosnia and Herzegovina, except the ones from Trebinje- Mrkan Diocese, were organized in Apostolic Vicariate. During this period in Ottoman Bosnia, many priests and monks lost lives because of their faith. Two Franciscans and one Glagolitic priest themselves committed murders at that time. One was defending basic human dignity, the other two were under the infl uence of alcohol. As a result, they lost their jurisdictions as priests. Furthermore, multiple killings were committed by a prospective member of the Franciscan province of Bosnia Argentina.

The vice

Zëvendësi

Author(s): Luigi Pirandello / Language(s): Albanian / Issue: 1/2013

Keywords: Luigi Pirandello; play;

Kjo dramë e nobelistit italian Luigi Pirandello është shkruar në vitin 1892, ndërsa është inskenuar për herë të parë më 1910, në Teatro Metastasio, në Romë. Ka mëse njëqind vjet që shfaqet me sukses nëpër teatro të ndryshme.

In the name of the father

Në emër të atit

Author(s): Ridvan Dibra / Language(s): Albanian / Issue: 5/2015

Skena paraqet një trapez të rregullt, të madh e të hapur në bazë. Në të tria faqet e trapezit, të cilat janë të vendosura vertikalisht në një lartësi prej 4 - 5 metrash apo më shumë, projektohen turma njerëzish në lëvizje, mbledhje, tubime të ndryshme etj.

Ceramic from Basarba and Basarba decorations in Bosnia

Keramik mit Basarabi und basarabi-artiger Ornamentik in Bosnien

Author(s): Mario Gavranović / Language(s): German / Issue: 36/2007

Keywords: Ceramic; Cultural history; Basarba; Bosnia;

Zu den wichtigsten Merkmalen der beginnenden Eisenzeit im Raum der mittleren und unteren Donau gehört die im sog. Basarabi-Stil verzierte Keramik. Ihr Verbreitungsschwerpunkt kann durch den Morava Zusammenfluss im Süden, den Fluss Bosut im Westen sowie durch Siebenbürgen im Norden und die untere Moldau im Osten umrissen werden . Dieser Raum wird auch als Kerngebiet der Basarabi-Kultur bzw. Basarabi. Komplexes / Gruppe aufgefasst . Neben der Kernzone werden in der Forschung auch eine Randzone und ein sog. Ausstrahlungsterritorium bzw. eine Einflusssphäre unterschieden . Als Beispiel eines Randgebietes kann die im Mitteldnestergebiet (Nordwestpontikum) angesiedelte Şoldăneşti-Variante der Basarabi-Kultur mit mehreren dicht beieinander liegenden Siedlungen genannt werden . Der Raum zwischen dem Bosut und Südostalpenrand in dem die mit Basarabi Motiven verzierte Keramik nur noch vereinzelt auftritt und eindeutig ein fremdes Element im einheimischen Milieu darstellt, kann in diesem Sinne als Einflusssphäre verstanden werden.

Philosophical life

Filozofski život

Author(s): Josip Guć,Antonio Kovačević,Demian Papo,Hrvoje Potlimbrzović,Lidija Knorr,Petra Horvatić,Roni Rengel,David Levatić,Ervin Jančić,Igor Salopek,Milan Potpara,Ivana Zagorac,Bernard Špoljarić / Language(s): Croatian / Issue: 04/148/2017

Keywords: conference report; scientific life; reports; philosophy; bioethics; politics; Croatia; science; religion;

XI. Mediteranski korijeni filozofije; 7. Studentski filozofski simpozij»Renesanse u filozofiji«; 16. Lošinjski dani bioetike; Simpozij »Politika i bioetika: odnos i svrha u suvremenom društvu«; Godišnji simpozij Instituta za filozofiju »Hrvatska filozofija i znanost: jučer, danas, sutra 3«; Znanstveno-stručni skup»NeuroetiKA: između bioetike i neuroznanosti«; Prvi studentski simpozij u Novom Sadu »Summa studiorum philosophiae«; Susret Varaždinskog filozofskog kruga; XX. studijski tjedani konferencija »Znanost i religija«; Ljetna škola Bioetika u kontekstu IV: »Filozofija i znanosti o životu u dijalogu. Teorijska i praktična pitanja«;

Cracks and Light

Cracks and Light

Author(s): Selma Harrington,Branka Dimitrijević,Salama Ashraf / Language(s): English / Issue: 23/2018

Keywords: contested heritage; architecture and public history; renovation;resilience;

Among the seven national institutions of the former socialist Yugoslav period that appear to have been assigned to the category of ‘contested’ and ‘unwanted’ heritage, the History Museum of Bosnia and Herzegovina stands out. Originally built as a Museum of Revolution, it bears a legacy of a specific identity and cultural narrative developed in the socialist period, which has been projected in the architecture displaying the hallmarks of early Modernism. Even though the Museum was listed as a national monument by the Commission to Preserve National Monuments in 2012, the building is in an alarmingly advanced state of disrepair, with little indication that such trend will be reversed any time soon.The paper firstly discusses the Museum in the context of current international developments and the aspects related to museum architecture. Secondly, the Museum is observed through a critical heritage lens and within phenomena of a deliberate destruction of heritage in Bosnia and Herzegovina.Since 2003 the Museum has a permanent exhibition The Besieged Sarajevo, illustrating the practical modes of survival during the 1990s war, consisting of artefacts donated by citizens. Other exhibition themes, ranging from the labour movement traditions, the legacy of World War I, life in former Yugoslavia, the Dayton Peace Agreement mapping, and The Obliteration of Cultural Heritage project, posit critical questions for and about the contemporary society in Bosnia and Herzegovina. This work combines two disciplinary fields, architecture and public history, to inquire into selected contemporary activities of the Museum. Its resilience is viewed as representative, symbolic, and symptomatic of an over-reaching cultural, political, and economic condition in the country.

THEATRE PHOTOGRAPHY AND ITS AUTHORS REPRESENTED IN MUSEUM OF THEATRE ART OF SERBIA

POZORIŠNA FOTOGRAFIJA I NJENI AUTORI ZASTUPLJENI U MUZEJU POZORIŠNE UMETNOSTI SRBIJE

Author(s): Mirjana Odavić / Language(s): Serbian / Issue: 156-157/2011

Keywords: Theatre photography; Museum of Museum Art; Serbia;

Pozorišna umetnost je, s obzirom na svoju efemernost, uz pomoć medija fotografije, sebi obezbedila trajanje u vremenu i time, na neki način, pobedila svoju „smrtnost“. Zahvaljujući fotografiji, slike o predstavi, glumcima, o atmosferi oko predstave, pre ili posle nje, nisu više samo pusta imaginacija. Fotografija se pokazala kao idealan medij-posrednik, omogućujući da slike mnogostrukog pozorišnog života ostanu zabeležene u prostoru i vremenu. Medij fotografije omogućio je da trag o predstavi ne ostane samo u sećanju njenih protagonista i gledalaca, već i da budući naraštaji mogu da dobiju informacije o njoj. Fotografija je postala ne samo dokument, svedočanstvo o održavanju predstave, već i njena dopuna, drugi život, podatak koji će jednog dana omogućiti da ona pređe u istorijsko pamćenje.

Bjelovar in the Plans and Activities of the Serbian Democratic Party

Bjelovar u planovima i aktivnostima Srpske demokratske stranke

Author(s): Janja Sekula Gibač / Language(s): Croatian / Issue: 8/2014

Keywords: Bjelovar Municipality; Serbian; Serbian Democratic Party; Serbian Autonomous Region Western Slavonia (Srpska Autonomna Oblast Zapadna Slavonija); the Republic of Serbian Krajina;

Soon after its establishing, the Serbian Democratic Party imposed itself as the key factor in the execution of the political, and later also armed goals of rebel Serbs. The paper shows that – according to the plans of rebel Serbs – the Municipality of Bjelovar, or at least parts thereof, should have become an integral part of the Serbian Autonomous Region Western Slavonia (Srpska Autonomna Oblast Western Slavonia). Croatian forces liberated the Bjelovar area in autumn 1991; nevertheless, after the enforcement of the Sarajevo Truce at the beginning of 1992, rebel Serbs, in particular those in western Slavonia, held that the Republic of Serbian Krajina (declared meanwhile) included parts of the area that rebel Serbs had failed to conquer, inter alia also parts of the Municipality of Bjelovar; hence, plans were developed regarding the expansion of the borders to this territory.

Poland and the creation of the state of Israel. Mutual relations in 1945-1950

Polska wobec powstania państwa Izrael. Stosunki wzajemne w latach 1945-1950

Author(s): Magdalena Góra / Language(s): Polish / Issue: 3/2004

Memory and History in Post-totalitarian Discourse

Kujtesa dhe historia në diskursin post-totalitar

Author(s): Gjergj Sinani / Language(s): Albanian / Issue: 15/2018

Keywords: communism; punishment; justice; witness; memory; responsibility;

This article treats dilemmas after Albania dictatorship. After the overthrow of communism everything was covered with the slogan “All victims, all guilty.” In these cases, more important than punishment,but also reparation, is the word of justice that defines publicly the responsibilities of each of the protagonists and defines the respective sites of the aggressor and the victim in relation to a fair distance. Can be forgiven one who does not accept his guilt? Should be offended one who forgives? Can someone forgive himself? We are still in time to face these existential questions in order to create a life worthy of living.

Harmonic Preferences as a Style Feature of the Composer’s Poetics. A contribution to the characterisation of Miloslav Francisci’s adaptations of folk songs for piano

Harmonické preferencie ako štýlový znak skladateľskej poetiky. Príspevok k charakteristike úprav ľudových piesní pre klavír Miloslava Francisciho

Author(s): Eva Ferková / Language(s): Slovak / Issue: 2/2017

Keywords: harmonic preferences; style feature; chordal analysis; software instruments; songs; adaptation of folk songs; harmonisation;

This article presents an application of software instruments for detection and quantification of the incidence of eleven chords of classical harmony in three groups of songs. The first two groups consist of selections from piano adaptations of Slovak folk songs by Miloslav Francisci entitled Trávnice I (Haymaking Songs I: a selection of 78 compositions from 100) and Trávnice II (Haymaking Songs II: a selection of 13 compositions from 100). The third is a group of 38 original songs by Ján Levoslav Bella, which we acquired already in digital form in MIDI format. The software instruments are described in the article, and in the tables of results of computer analysis of the three groups we present findings on the percentage incidence of the individual chords in each song individually. This result may be regarded as new information about the harmonic preferences of the composers, in terms of the selection of chords for harmonisation and musical creation. Between Francisci and Bella there is an obvious difference in preference: Bella worked with a greater variety of types of chords, and in this regard his compositional style is more complex and expressively more multiform.

Depoliticization of the ‘zoon politic’ border

Depolitizmi i kufirit të ‘zoon politikon’

Author(s): Kastriot Kurti / Language(s): Albanian / Issue: 19/2020

Keywords: zoon politikon; polis; homo sacer; nuda vita; antropolitics; biopolitics;

This work is a meta-philosophical adventure in the philosophical concepts of Giorgio Agamben, taken as one of the most able thinkers in interpreting present reality from a philosophical point of view. It addresses works including Homo Sacer, Language and Death, Remnants of Auschwitz, and Infancy and History, through which responsibilities and irresponsibilities in different places and sectors are interpreted. Conceived as a lost Eden of post-history, this piece deals with the chaotic condition of modern man.

Verses of Ovid in the work of Bogdani

Vargjet e Ovidit në veprën e Bogdanit

Author(s): Ilir Breca / Language(s): Albanian / Issue: 19/2020

Keywords: intertextual; stratagem; reconfiguration; invariant; paraphrases;

This article investigates the presence of Ovid’s verses in the writing of Bogdani. This phenomenon manifests itself as a paraphrasing of familiar Latin verses in one of the best-known texts of early Albanian literature. This paraphrasing is interpreted as poetic hypertext, demonstrating Bogdani’s aesthetic self-awareness in exploiting the texts of a former age. The interpretation thus focuses on an investigation of the links between Bogdani and Ovid, seeking the aesthetic function of such inter-textuality.

Postmodern prose (Novels by Rexhep Qosja)

Proza postmoderne (Romanet e Rexhep Qosjes)

Author(s): Feride Papleka / Language(s): Albanian / Issue: 20/2020

Keywords: poetics; intertext; irony; metanarrative; originality; analepsis; prolepsis;

This study discusses four novels by Rexhep Qosja: Death comes to me from such eyes, One love and seven sins, The night is our day and The sons of no one. For the article’s author, Qosja’s novels are expressions of great aesthetic possibility and formal and thematic richness. She addresses the question of representation and inter-textuality, analyzing the poetics of the four novels which display and represent a distinctive form in Albanian literature.

Albanian music in the streets of socialist construction: institutions and institutionalization

Muzika shqiptare në rrugët e ndërtimit socialist: institucione dhe institucionalizim

Author(s): Mikaela Minga / Language(s): Albanian / Issue: 1/2018

Keywords: institutionalization; musical discourse; state socialism; modernity; history of music;

This article takes into consideration a specific period in the history of music in Albania: the one that runs from the mid 1940s until the 1960s. The focus is on the process of musical institutionalization during the dictatorial regime. I am not referring just to a history of musical instititions but to that complex and thorough process of institutionalization that took place during that period. The research method combines the institutional memory traced from archival data sources and the discourse about music. It is an ethnomusicological approach in the study of the history of albanian music.

The Slovak Folk Song as Seen by the Music Historian Dobroslav Orel

Slovenská ľudová pieseň v pohľade hudobného historika Dobroslava Orla

Author(s): Hana Urbancová / Language(s): Slovak / Issue: 2/2022

Keywords: music folkloristics; folk song; musical analysis; church music; historical sources; history of music

Czech musicologist Dobroslav Orel (1870–1942) incorporated Slovak musical folklore intothe domain of his scholarly interests after his move to Bratislava in 1919. His article Teorieo lidové písni slovenské [Theory of the Slovak Folk Song] (1928) brought an idea of thehistorical church music influences on Slovak folk singing and became part of the evolutionof opinions on the fundamentals of Slovak musical folklore, its genesis, musical stylefeatures, inter-ethnic and inter-cultural connections. Orel regarded Slovak musical folklorein the form of live tradition as an independent field of musicological research. The historicalsources of Slovak folk song and music were, in his view, part of the history of music anda research object for historical musicology.

Scientific Research in Austrian Security Strategies and Research on Security and Defence

Scientific Research in Austrian Security Strategies and Research on Security and Defence

Author(s): Krzysztof Szewior / Language(s): English / Issue: 15/2022

Keywords: Austrian security and defense strategies; security and defense research; national security in Austria; European Security Policy

Official documents of the Austrian government indicate the growing dependence of the economy and society on technical infrastructure, which required continuous research. Austria has developed a national research program to promote its economy, technology and cooperation. It is also intended to support the Austrian defence and civilian economy as a coherent part of the EU’s research, technology and economic structures. This text is based in particular on primary literature, which includes documents of EU institutions, Austrian security and defence strategies, and statements of the Ministry of Defense. This publication attempts to answer the question of how Austria made an effort to integrate security and defence issues with the national research-technology-innovation system (Forschung-Technologie-Innovation, hereinafter FTI), with the specificity of the domestic industry dominated by small and medium-sized enterprises. This paper is based on the analysis of documents and scientific interpretation of key EU and Austrian positions. The research aims to analyze and understand the role of research in the concept of (national) security in Austria and to link it with the EU’s security and defence policy. Research and this publication verify the assumption that the security and strategic autonomy of the EU / Member States require integrated solutions (Europeanization process). Going beyond the soft impact toward hard instruments requires a knowledge-based development and synergies of coherent strategies, technologies and research. The EU saw the need for a structured promotion of research and innovation in the field of security and defence. Austria has been developing such research for several years, mainly at the national level and application. The steps taken by Austria demonstrate the will to operate in wider EU (infra) structures and to benefit from financial instruments while supporting and profiting from socio-economic processes.