За летящите създания фейтиен в китайската култура
About Flying Feitian Apsaras in Chinese Culture

Author(s): Iskra Mandova
Subject(s): Language and Literature Studies, Foreign languages learning, Semiotics / Semiology, Theoretical Linguistics, Translation Studies, Theory of Literature, Sociology of Literature
Published by: Великотърновски университет „Св. св. Кирил и Методий”
Summary/Abstract: The paper presents the fascinating and mysterious figures of the feitian (flying celestial beings) in Buddhist and Daoist art, particularly in China. These beings, originating from Hindu and Buddhist traditions, have evolved as a result of cultural exchanges between various civilizations. In Buddhist art, feitian are often depicted flying elegantly in the heavens, wearing exquisite garments, while in Chinese culture, they symbolize beauty and harmony, offering people a sense of warmth. The earliest feitian representations, particularly in the regions of Kucha, Kizil, and Kumtura, retained characteristics of the Indian and Central Asian celestial beings, with their faces depicted in full detail. Over time, however, their appearance softened, and they became earthlier and more approachable, resembling fairies or ethereal dancers. In later periods, feitian were shown with greater elegance, holding musical instruments and surrounded by colorful clouds. These depictions became emblematic of Chinese art and culture, symbolizing beauty, grace, and spirituality. Today, the feitian image has extended beyond art into modern Chinese culture with representations found on popular products such as the Moutai liquor and famous cigarette brands, as well as in the design of the spacesuits worn by the Chinese astronauts during the Shenzhou VII mission.

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