Пропаганда и јавни наративи у социјалистичкој Југославији
The propaganda and public narratives in Socialist Yugoslavia
Author(s): Bojana Bogdanović, Kristijan Obšust
Subject(s): History, Cultural history, Social history, Post-War period (1950 - 1989), History of Communism
Published by: Етнографски институт САНУ
Keywords: Propaganda; Yugoslavia; Public narrative; Communist propaganda; Cultural history; Narrative Studies; Political Propaganda; Socialist Yugoslavia; Ideology; Public Discourse
Summary/Abstract: Although the study of narrative has a long tradition in psychology, linguistics, and literary theory, it is only in the last three decades, as Jens Brockmeier and Rom Harre point out, that narrative has become the subject of numerous “new” studies. With the narrative turn in the social and human sciences, it has gained a privileged place in anthropology, political science, gender studies, sociology, history, etc., thereby “expanding the horizon of research from ‘story’ as a literary phenomenon to ‘story’ as a form of knowledge storage.” Today, scholars from different theoretical and methodological positions debate the concept of narrative, the structures of “stories,” and the strategies of “narrative telling,” offering multiple, sometimes even contradictory, interpretations of these phenomena. However, regardless of whether they define them as “time-bounded linear forms that can be heard, seen, or read” (Suzanne Keen); “constellations of connections embedded in time and space and constituted by what is called ‘causal emplotment’ – translating an event into an episode and giving the event a meaning that derives from the overall story” (Margaret Somers) and/or “‘cognitive schemas’ by which we receive and interpret the world” (Shlomith Rimmon-Kenan), many authors agree that narrative “as the unity of story, telling, audience, and protagonist, is what constitutes a community, its activities, and its coherence in the first place”.
- Print-ISBN-13: 978-86-81930-12-0
- Page Count: 284
- Publication Year: 2021
- Language: Serbian
Замена наратива у циљу идеолошке пропаганде: Студија случаја Споменика борцима револуције у Ваљеву
Замена наратива у циљу идеолошке пропаганде: Студија случаја Споменика борцима револуције у Ваљеву
(Replacement of narratives for the purpose of ideological propaganda – Case study of the Monument to the Fighters of the Revolution in Valjevo)
- Author(s):Vladimir Krivošejev, Željko Bjeljac
- Language:Serbian
- Subject(s):Politics, History, Cultural history, Historical revisionism, Politics of History/Memory
- Page Range:15-43
- No. of Pages:29
- Keywords:narrative; replacement of narrative; ideological propaganda; Monument to the Fighters of the Revolution; Stjepan Filipović; Valjevo; Serbia
- Summary/Abstract:The primary goal of this paper is to point out the replacement of old historical narratives with new, ideological ones through a case study from the city of Valjevo. Two narratives have been singled out. The first prevailed in the Second World War, and he continued to merge the two narratives that united the focus of the historical and cultural heritage of Valjevo, from the XIX century to the end of the First World War. The second narrative was imposed after the war, with the build up of the Monument to the Fighters of the Revolution, with the figure of the national hero Stjepan Filipović, as a symbol of the social revolution and the partisan movement. The idea for the construction of this monument was based on the idea related to the first narrative: setting up the Monument to the famous Valjevo fallen in all wars. In order to built up of the Monument to the Fighters of the Revolution, a large old-town cemetery preceded it, where thousands of victims of the First World War were buried, both in the fighting and from typhus. The paper uses analytical-synthetic and inductive deductive methods, with the application of critical reasoning, in order to point out the ideological transmission that is being built in a civilized way and the great narrative related to the socialist resolution, and they demand that it be forgotten.
Меморијални комплекс „Кадињача”: идеолошки потенцијал, иницијатива за изградњу и одлике архитектонско-скулпторалне целине
Меморијални комплекс „Кадињача”: идеолошки потенцијал, иницијатива за изградњу и одлике архитектонско-скулпторалне целине
(Memorial complex “Kadinjača”: ideological potential, intiatitve for construction and features of architectural-sculptural complex)
- Author(s):Katarina Dogandžić-Mićunović
- Language:Serbian
- Subject(s):Politics, Cultural history, History of Communism, Politics of History/Memory
- Page Range:45-86
- No. of Pages:42
- Keywords:Memorial complex “Kadinjača”; The Battle of Kadinjača; culture or commemoration; the art of Socialist Yugoslavia; memorial complexes in SFRY; Miodrag Živković; Aleksandar Đokić
- Summary/Abstract:This work will present Memorial complex “Kadinjača” as a place of commemoration of People’s Liberation War and as a monumental complex whose architectural and sculptural elements are a represent of high modernism in Yugoslav art after World War II. Significant space in the work is dedicated to the initiative for construction and promotion of the project for raising this monumental complex, therefore, both the place that (Titovo) Užice had in the formation of the cult of partisan fight and revolution. To the degree which was necessary for understanding of commemoration practice of Memorial complex “Kadinjača”, this work gives a retrospect of the development of monumental art in SFRY.
Биоскопска култура у Новом Пазару у периоду социјализма
Биоскопска култура у Новом Пазару у периоду социјализма
(Cinematic culture in Novi Pazar in period of socialism)
- Author(s):Nina Aksić
- Language:Serbian
- Subject(s):Cultural history, History of Communism
- Page Range:89-119
- No. of Pages:31
- Keywords:culture policy; Novi Pazar; film; cinema; repertoire and audience
- Summary/Abstract:The paper will present cinema culture in Novi Pazar from 1945. to 1991, through its segments such as: audience, repertoire policy, finance etc. Through these segments, we will present the influence of socialist ideology on film art and cinema culture. Comparative presentation of local and state cultural policy on this plane will contribute to the content and more precise reading of archival data. Also, this comparative presentation will contribute to the analysis which will explain the ways of development of this segment of culture, at the local level. The aim of this paper is to present the development of cinema culture in Novi Pazar, but also considering the fit or non-fit of local patterns in the state cultural policy and thus the presentation of local characteristics, but also the material and ideological dependence of the locals on the republic (state).
Музејски наративи у дискурсу југословенског социјализма: Стална поставка Музеја устанка 1941. у Титовом Ужицу
Музејски наративи у дискурсу југословенског социјализма: Стална поставка Музеја устанка 1941. у Титовом Ужицу
(Museum’s narratives in the discourse of the Yugoslavian socialism Permanent exhibition at the Museum of the 1941 Uprising in Titovo Užice)
- Author(s):Bojana Bogdanović
- Language:Serbian
- Subject(s):Cultural history, Museology & Heritage Studies, History of Communism, Politics of History/Memory
- Page Range:121-145
- No. of Pages:25
- Keywords:museum; nation/nation state; narratives; socialism; Yugoslavia; Titovo Užice; the Museum of the 1941 Uprising
- Summary/Abstract:The paper discusses, with the example of the Museum of the 1941 Uprising in Titovo Užice, the way in which, through museum practices, socialist Yugoslavia produced “knowledge about itself”. In accordance with the official socialist “speech”, the permanent museum exhibition become, in 1961, as a result of its reconstruction and expansion, the frame of the politically mythicized narrative where the central “topic” was the People`s Liberation fight. Relying on written and visual sources, the role of the museum’s narratives in the political life of the Yugoslavian community as well as the function of the museum’s narrative about the nation through the permanent exhibition at the Museum of the 1941 Uprising is analyzed in an internal and external context.
Штампа у служби КПЈ на територији Војводине после Другог светског рата (1944–1953)
Штампа у служби КПЈ на територији Војводине после Другог светског рата (1944–1953)
(Press in the service of the CPY on the territory of Vojvodina after the Second World War (1944–1953))
- Author(s):Ivana Petrović
- Language:Serbian
- Subject(s):Politics, Cultural history, Media studies, History of Communism, Politics of History/Memory
- Page Range:149-175
- No. of Pages:27
- Keywords:press; Agitprop; communists; Vojvodina; journalists; economy; political parties; church
- Summary/Abstract:The 20th century had shown that the possessing of the right information by political system represents the source of social power, but also their sustainability. Especially the techniques and propaganda in totalitarian regimes were extremely aggressive and were not hiding the intention of propaganda, followed by cruel punishments towards everybody who did not obey their methods. In this respect the CPY considered that the duty of the state was to make the press in the way to serve exclusively to the interests of the party, as a mean of communication with broad masses, as well as a weapon of fight for promotion ideological and political program. Author of the paper has analysed, using periodicals and archival records, establishment of the mechanism of control over media and described the ways of manipulation in Vojvodina press from 1944 to 1953. Inital year represents understandable referent point for establishining the new government in the territory of Vojvodina, and the final, according to most of historians of this period, rounding out reforms in the spirit of democratization of the society.
Речник технологије: поглед изван „огледала”
Речник технологије: поглед изван „огледала”
(Dictionary of Technology – A look behind the ‘mirror’)
- Author(s):Ivana Bašić, Ivan Tomašević
- Language:Serbian
- Subject(s):Politics, Media studies, History of Communism, Politics of History/Memory
- Page Range:177-215
- No. of Pages:39
- Keywords:Dictionary of technology; (post)modernism; socialist culture; art; ideology; manifesto for possible freedom
- Summary/Abstract:The paper analyzes the Dictionary of Technology, published in the edition of the student magazine Vidici in 1981, which in both formal and semantic terms represented an unusual step forward from the socialist theoretical and artistic production of the time. Having first encountered harsh ideological condemnation, the Dictionary of Technology was then curtailed, only to experience new readings and interpretations almost four decades after its publication. Analyzing the aesthetic (both visual and poetic) and ideological, philosophical and anthropological levels, we try to answer the question why this pioneering postmodernist writing of Yugoslav culture was recognized by the establishment as a subversive endeavor doomed to historical oblivion and what its significance is in the present time – as it deals with a key issue of today – technology and its social, anthropological and artistic implications. Although there have been attempts to interpret the Dictionary of Technology as a text that “restores” the ethos of Serbian Middle Ages and Orthodox spirituality, and the spirit of nationalism in the form of ethnophyletistic cult of St. Sava („svetosavlje”), as opposed to communist ideology and Yugoslavia, the Dictionary resists these simplified interpretations both visually and textually. It brings a different, universalistic message, opposing the terror of history, ideological simulacra of reality and technology of their creation, and striving for higher knowledge, which does not accept divisions into East and West, Catholicism and Orthodoxy, Cyrillic and Latin, Romanesque and Moravian style, Serbian and Yugoslav nationalism, communism and ideologized, controlled modernity versus romantic, national and ethnophyletistic/traditionalism/ (and) conservatism. The Dictionary exposes this type of oppositions as a result of amnesia. Although it resists strict genre definitions, the Dictionary can still be precisely defined as – a manifesto for possible freedom.
Социјалистички наратив и традиционална култура
Социјалистички наратив и традиционална култура
(Socialist narrative and traditional culture)
- Author(s):Milina Ivanović Barišić
- Language:Serbian
- Subject(s):Cultural history, History of Communism, Politics of History/Memory
- Page Range:219-247
- No. of Pages:29
- Keywords:socialism; social processes; traditional culture; Serbia
- Summary/Abstract:The socialist period, that is, the history of the second half of the 20th century represents a time of the accelerated social development, a time of innovations, and a time of a break with the past and its culture. During the period of socialist development, government structures tended to move away from traditional heritage and reshape the social reality. Social processes-above all, modernization, industrialization, urbanization, women`s emancipation, mass media, and everyday life changes, can be considered the base of the socialist development, that is the socialist narratives that changed society as a whole as well as almost every individual. Socialism and its narratives significantly influenced the way the community changed in the spirit of the socialist ideas which, consequently, caused the traditional communities’ identity change. The way in which socialist narratives influenced the change of traditional culture is the subject of this research.
Сремачке прославе Јулских свечаности 1945–1989.
Сремачке прославе Јулских свечаности 1945–1989.
(Celebrations of the July festivities in Srem 1945–1989.)
- Author(s):Bojan Arbutina
- Language:Serbian
- Subject(s):Cultural history, History of Communism
- Page Range:249-269
- No. of Pages:21
- Keywords:Socialist Yugoslavia; Socialist holidays; public manifestations; Day of the Uprising of the People of Serbia; Day of the Fighters; July festivities; Srem; People’s Liberation War and Revolution
- Summary/Abstract:The organization of public manifestations dedicated to holidays and celebrations of Socialist Yugoslavia was a recognizable symbol of Yugoslav society. Holidays in Socialist Yugoslavia were mostly dedicated to events from the Second World War and celebrated important dates from the history of the People’s Liberation Struggle and revolution. Among the most important holidays were the Day of the Uprising of the People of Serbia and the Day of the Fighters. The aforementioned holidays were celebrated on 4th and 7th July and are hence remembered in the public consciousness as the ‘July festivities’. Organization of the celebrations gave the authorities space for propaganda activities, which was used by the authorities of Socialist Yugoslavia for implementation of their own ideological convictions and construction of socially desirable narratives. The July festivities were a playground used to mould the collective consciousness of those present regarding the events of the Second World War, but also a forum in which the positions and guidance of the political leadership of Socialist Yugoslavia regarding contemporary developments in Yugoslavia and the world could be transmitted by the most prominent socio-political activists of the time. The location of the festivities, the speakers, speeches, as well as the cultural, sporting and musical programs offer answers to the question of what role the public manifestations had in shaping a socially acceptable collective consciousness of the Yugoslav people - in our case, what was the role of the celebration of the July festivities in forming the collective consciousness of the citizens of Srem?
Подаци о ауторима
Подаци о ауторима
(Author information)
- Author(s):Author Not Specified
- Language:Serbian
- Subject(s):History
- Page Range:271-280
- No. of Pages:10
