СЕМАНТИКА ТА ПРАГМАТИКА УКРАЇНСЬКОГО МУЗИЧНОГО ФОЛЬКЛОРУ: ЕТНОКУЛЬТУРНИЙ КОНТЕКСТ
SEMANTIC AND PRAGMATICS OF UKRAINIAN MUSICAL FOLKLORE: ETHNOCULTURAL CONTEXT

Summary/Abstract: The article reveals the relevance of the discourse on the semantics and pragmatics of musical folklore in the ethnic-cultural context, which is determined by the real needs of society in the humanization of the socio-cultural space, which is impossible without the formation of a new style of thinking, worldview and actually spiritual activity. It has been proven that this is facilitated by musical folklore, with the help of which a person’s ideas about the world, the surrounding reality, the system of image perception, language, beliefs, knowledge and skills, traditions, customs, forms of work and social life were formed. In this article, the author expresses the opinion that the loss of meaningful forms and dominant values of musical folklore causes the disintegration of the spiritual and moral principles and norms of behavior accepted in the ethnic tradition, ethno-cultural synchronic and diachronic connections, weakening of the sense of national dignity, national self-awareness, and cultural identity , which today turns out to be one of the most important problems in public perception.This circumstance actualizes the need to overcome the inertia of scientific research in the field of spiritual culture, including musical folklore, folk creativity, which prompts us to study them not as a compilation of frozen artistic forms of folk music, but as an anthropological, social, cultural phenomenon endowed with infinite creative potential. which, as before, plays a key, unifying role, promoting rapprochement, mutual understanding between people, establishing the principles of agreement and tolerance in society, being the connecting link of the spiritual and practical experience of generations, the basis of the formation of the spiritual and moral personality of the new era. This will undoubtedly contribute to the awareness of one’s ethno-cultural and mental foundations, the understanding of the volitional, moral, aesthetic and intellectual abilities of a person, the knowledge of his essence, the explanation of the dialectic of the relationship "Man ‒ the world" through the prism of the ethnic-cultural context of the musical system.

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