Două viziuni ale timpului în cinematografie: Gilles Deleuze și Andrei Tarkovski
Two visions of time in cinema: Gilles Deleuze and Andrei Tarkovsky
Author(s): Lorena-Valeria StuparuSubject(s): Philosophy, Fine Arts / Performing Arts, History of Philosophy, Contemporary Philosophy, Film / Cinema / Cinematography
Published by: Editura Academiei Române
Keywords: time-image; movement-image; sculpture in time; cinematic language; immanent and transcendent in art;
Summary/Abstract: In this paper I present two complementary visions of time in the art of film, namely Gilles Deleuze’s vision focused on the notions of “movement-image” and “time-image” and Andrei Tarkovsky’s vision based on the idea of sculpture in time. The philosopher and film director both highlight the way in which thinking in images can reach the depth and complexity of philosophical concepts and situate the seventh art in one of the first places in the economy of the spirit.
Journal: Revista de filosofie
- Issue Year: LXXII/2025
- Issue No: 5
- Page Range: 647-658
- Page Count: 12
- Language: Romanian
