Научният Еверест - мечта или реалност

Author(s): / Language(s): English,Bulgarian,Russian

The academic forum “Literature of the Recent Past (1944-1989)”, organized by the Faculty of Philology at the South West University, combined the efforts of literary theorists of several generations to reflect on that part of Bulgaria’s recent past which has already turned into history. However, this history has not been completed yet in a comprehensive and objective manner. The aim of the forum was to create the proper discourse in which the history of literary theory writing will be attributed a multifaceted pluralistic ring. The project was a part of the attempt to reveal the Bulgarian literary history not only from the point of view “the history of generals”, but from the perspective of cultural identity manifestations on a national scale.

1968. и либерализација југословенског позоришта: БИТЕФ и „Коса”

Author(s): Anja Suša / Language(s): Serbian Publication Year: 0

1960s brought about liberalization in all spheres of life. Thanks to her specific policy, Yugoslavia was in a special position, constantly balancing between consumerist influences of the West and the communist ideology. The achievements of counter-culture left their marks on all arts, and thus on theatrical art too. The dominant concept of the „box stage” and the theater based on a drama text, on which theatrical art of the Western civilization was founded was abandoned in this period. Instead of that, theater became the place of political activity and direct clash with the reality. Theater left the indoors-space and went into the street, provoking and searching through direct contact with the audience, expanding the limits of its activity. Theatrical artists of those days found inspiration in distant cultures and civilizations, applying in their plays achievements of catacaly or of No drama. The theater of this period was more active politically and socially than ever in its history, facing the reality rather than running away from it. The most important theatrical influences during 1960s came to Yugoslavia from America, which had the same inspirational role for theatrical rebels of 1968 as Germany had for ideologues of 1968. 1960s brought certain liberalization in Yugoslav theater too, which was quite in keeping with the trend of „opening” in other spheres of the society. One of the watersheds in the history of Yugoslav theater was 1967 because for the first time Belgrade became equal part of the world theater system in the full sense of the word, thanks to the founding of the BITEF (Belgrade International Theater Festival). That year the Belgrade theater audience could for the fi rst time see some of the newest world avantgarde theatrical trends. It was no coincidence that the idea to start the festival came from the Atelje 212, the most avant-garde theater in Belgrade in those times. Having made a bang like a bomb, during the next few years the BITEF became a reference point for many young Yugoslav authors. However, despite diffi culties and occasional misunderstanding of conservative part of the theatrical community, the BITEF greatly infl uenced the formation of taste of young artists, above all of those who by the year when they were born, belonged to the so-called „generation of 1968”. It is very interesting to note that theatrical professionals within official institutions showed „decent” interest in avant-garde theatrical trends and that considerable space in the leading cultural journals was devoted to critical essays about certain phenomena coming, above all, from the West. The theatrical „case” of staging the cult play Hair, shows the openness of the Yugoslav society, particularly in cultural matters. By allowing Hair to be played, the regime made possible the incursion of the latest theatrical trends into Belgrade theater, but at the same time, it institutionalized and toned down the „spirit of rebellion”.

Kazališni potencijal „Kamenog spavača“

Author(s): Tina Laco / Language(s): Bosnian Publication Year: 0

Šantićeva dramska slika “Hasanaginice“

Author(s): Almedina Čengić / Language(s): Bosnian Publication Year: 0

„Hasanaginica“ , one of the most representative texts of Bosnian – Herzegovinian literary tradition, functions as a poetic challenge for many poets. Aleksa Šantić was inspired by ballade`s emotional qualities and he used its poetical potentials to made drama Hasanaginica. Šantić tries to present dramatical picture of a legend that functions as a synonym of our oral tradition. Following the traditional stereotypical fable of the ballade, with a few real episodic characters of the time, Šantic remains consistent in sketching the main actors and their expected actions. On the other hand, the poetic melodrama that is projected onto the aggregated monological forms, and the drama’s main character’s pathetic sentiments, in its exaggerated nature, poetically predetermines Šantić’s attitude towards the writing of the dramatic text.

Digitalno ja

Author(s): Jelena Guga / Language(s): Serbian

The ubiquitous use of digital technologies has enabled vast possibilities such as instant access to information, presence on any part of the planet, multiplication and transformation of identity, as well as re-articulation and reconstruction of embodiment. Science fiction film and literature, new media art practices, scientific research, and cyber theories often deal with the idea of leaving the body behind and uploading the immortal mind into digital databases where we can be whatever and whoever we want. Compared to modern technology, biological body is often considered obsolete and, as such, it is not “equipped” keep up with the exponential technological development. It is not surprising then that many studies, either scientific or popular, disregard the problem of corporeality and focus more on the issues of identity, consciousness, and disembodiment in digital worlds. Therefore, this book presents the works that focus on the issues of embodiment in the context of new media and their impact on social reality. The starting premise of the discussions is that without a physical body, there is neither virtual nor real. The book points to the importance of the physical body in biotechnological interfaces and the ways the role and functions of the body transform in virtual environments and affect our perceptions and understanding of human ontology

SJEĆANJE NA ŽIVOT I RAD PRVE SARAJEVSKE BALERINE KROZ PRIKAZE JUGOSLOVENSKE DNEVNE ŠTAMPE

Author(s): Hatidža Dedović / Language(s): Bosnian Publication Year: 0

Oduševljena sam magičnom privlačnošću svijeta pozorišta. Osobito baletom, jer je to scenska predstava koju sačinjava: igra, pokret i muzika. Države, kraljevstva, carstva su propadali, ali ples je opstao u svim vijekovima. Poznato je da je carica Teodora koja je nekad bila cirkuska plesačica igrom zavela Justinijana, Sveti Jovan Baptista je Salominom igrom izgubio glavu. Balet, kao ples je nezaobilazan dio bosansko-hercegovačke kulturne historije. A, Sarajevo kao grad može biti i danas ponosno što je u periodu nakon Prvog svjetskog rata, u vremenu plesnog amaterizma, imalo primabalerinu, jevrejku Rifku Salom.

ISTORIJA (NE)VIDLJIVOSTI ŽENA: ŽENE, POZORIŠTE I FEMINIZAM

Author(s): Nađa Duhaček / Language(s): Serbian Publication Year: 0

Ovaj tekst se neće baviti celokupnom istorijom pozorišta, niti će nastojati da pruži kompletnu sliku pozorišnog XX veka, koji odlikuje mnoštvo teorija i praksi – ženskih, feminističkih i mnogih drugih zanimljivih koje se možda ne mogu uklopiti u neku od te dve kategorije. U ovom tekstu ću izabrati pojedine primere koji ilustruju na koje sve načine učenjem o pozorištu i konstruisanjem njegove istorije nastavljamo da reprodukujemo rodne stereotipe, i kako ih lako ugrađujemo u pozorišne (i svakodnevne) prakse. Na kraju teksta ću dati primere kako neki pristupi pozorištu otvaraju druge mogućnosti, i postaju jedan od načina da se stereotipi, nejednakost i različiti društveni problemi koji iz njih proističu, dovedu u pitanje, a možda čak i promene.

Divković u kontekstu suvremenog mu teatra

Author(s): Dževad Karahasan / Language(s): Bosnian Publication Year: 0

“Život svete Katarine” Matije Divkovića je crkveno prikazanje. Vjerujem da taj tekst nije moguće žanrovski preciznije odrediti, ma koliko čovjeku od teatra “crkveno prikazanje” bilo nedovoljna i gotovo neupotrebljiva odredba. Divkovićev tekst se naprosto ne može bez ostatka klasificirati ni u jednu od formi tradicionalnog kršćanskog teatra, jer ima jasno izražena obilježja različitih žanrova.

Jean Cocteau, comment être grand en étant minoritaire

Author(s): Miroslava Novotná / Language(s): French Publication Year: 0

During all his life Jean Cocteau (1889–1963) was facing death. The death has been taking away his best friends so often and harshly that the death necessarily had become one of the most important, if not directly the principal, figures of his works (the movies The Death of Poet, Orfeus, The Testament of Orfeus, theatre plays Bacchus, Antigona, Evil Machine and others). Perhaps that is the reason why Cocteau all his life was seeking ways how to draw close to death, how to include it into his poetic imagery. The Death as a character in his works tends to be Noblewoman, Princess, a beautiful woman who loves the poet and tries to do everything possible to draw close to him.In this paper we deal with the personality of death (The Death) mainly in author´s theatre and film creation, the psychologic-literatural essence of the Death, its influence on author´s creative attitudes.The work and the life of Cocteau always rose many reactions full of contradiction. But it is indisputable that today Cocteau´s work is accepted more positively than during his life. In the Czech ambient just a fragment of his vast literatural work is known.

Piękno, sztuka i elementy edukacji estetycznej w pismach polskich neotomistów dwudziestolecia międzywojennego

Author(s): Janina Kostkiewicz / Language(s): Polish Publication Year: 0

In the neo‑scholastic perspective, beauty is construed as the property of being and a feature of reality and human production, including art. It could be found in people’s ways of being and cultural heritage under the name of harmony, perfection or brilliance. The study of beauty is subject to the basic principles of the study of metaphysics. Beauty is an important factor in the development of identity: it uplifts and ennobles. The love of beauty includes rest, respite necessary for the human development. Art itself, not bound by the virtue of prudence, does not aim at improving the human subject, but it is concerned with the work of art itself. It is precisely because of this fact that the neo‑ Scholasticists perceive a conflict between morality and art; that danger, however, can be avoided if the artist is endowed with their own ethic, which contributes to an unwitting creation of ethical works. Art is without a doubt extremely important for the functioning of society and therefore should fulfill its social obligation through aesthetics education and making beauty, truth and goodness available to people from all walks of life.

Muzyka Szymanowskiego w dialogu intertekstualnym

Author(s): Bogumiła Mika / Language(s): Polish Publication Year: 0

The author approaches the works of Karol Szymanowski—treated both as a subject and as an object—in an intertextual dialogue within the field of music. The article begins with a quick overview of intertextuality as a concept. The main aim of the article is to highlight the intertextual references to Szymanowski’s music. Those references, according to the author, are of a twofold nature: they can be either found in the works of Szymanowski themselves, through quotations, borrowings and styling his music after other composers (the subjective aspect), or they can be traced to works of other 20th‑century composers, who referred toSzymanowski’s oeuvre in their own music (the objective aspect). This analysis, in turn, leads to the conclusion that a lively dialogue between various texts of music constitutes a guarantee of the pleasure which comes from listening as well as an indisputable value in the domain of art.

Methodical Sonatas by Georg Philipp Telemann (1681–1767) and Their Contribution to Contemporary Instrumental Music Teaching

Author(s): Karol Medňanský / Language(s): English Publication Year: 0

In the Baroque period of the 17th and 18th centuries, several excellent tractates that focused on the instrumental early music performance were printed. Alongside them, the published methodical early music was devoted to particular problems of instrumental performance. The example of that are Methodical Sonatas for Violin or Flute and Basso Continuo by Georg Philipp Telemann. They deal with quite a serious problem of ornamentation while drawing inspiration from the principles of the mixed – German style. Their methodical quality lies in the fact that the author writes their compositions in one line in the form the compositions are commonly written, while in the line beneath they add the recommended ways of ornamentation. In addition, they also serve as the methodical guide for a precise assignment of the period tempo at which the verbal expression had a different meaning than in the present time. In this sense we can benefit from the tractate by Johann Joachim Quantz entitled Attempt to Create Manual of Playing Diagonal Flute.

Wokół Kół… Graficzne refleksje

Author(s): Adam Czech,Natalia Pawlus / Language(s): Polish Publication Year: 0

Since 2005, in Cieszyn, at the Department of Graphic Design at the Universityof Silesia, there have been two active Research and Art Circles. The Lithographers Research Circle Kurant and the Woodcutters Research Circle Deha have organized multiple exhibitions and graphic design workshops directed at high school students and students from other faculties. The members of the research circles usually arrive at their choice of topics on their own. Similarly, the choice of the template’s format and technique are dependent on and selected for the particular project. The students can improve their skills and learn how to incorporate the element of chance in their projects; they can experiment with color and incorporate the capabilities of graphic design software in their projects. They are aware of the existence and use of drawing techniques in print. They search for new drawing media. Their goal is to shape the artistic and academic life of students, developing not only their artistic butalso their interpersonal and organizational skills, as well as promoting themselves and the University. The members of Kurant and Deha are passionate, academically inclined people who know their goals and are open to new technologies. They treat their extracurricular activities like a journey, in which each stage constitutes a challenge on the road to self-fulfillment and search for beauty.

Pedagogický a estetický rozmer vnímania hudby

Author(s): Irena Medňanská / Language(s): Slovak Publication Year: 0

The hearing of sound is a natural physiological process of each healthy person. This process is not equivalent with the process of the perception of music. Listening to music is a complex psychological process which leads to aesthetic experiences in a sophisticated manner. The perception of music is the ability to receive, to distinguish the pitch of tones and to understand sound relations, which at the same time is applied in musical education and which influences ear training. This difference is just one of the elements of a multi-faceted structural phenomenon which is called perception of music. The term musical reception should be understood as the perception of dynamics, timbre, key, rhythmic, melodic and harmonic properties, intervals between tones and metric values. The role of a teacher of musicconsists in the selection of didactic methods and procedures in order to teach studentsto perceive music in the process of musical education.

Wartości uznawane i realizowane przez studentów Akademii Muzycznej w Łodzi

Author(s): Ewa Kumik / Language(s): Polish Publication Year: 0

Everyone acts according to one’s own system of evaluating and qualifying values, dependent on one’s personal way of perceiving reality. Which values we recognize as valid and prefer in everyday life has been predicated on out upbringing and what has been presented to us as good and morally right. In the following article, the author presents the results of a study she conducted among the students of the Academy of Music in Łódź, concerning the values they recognize as valid and apply in everyday life. In her analysis, the author refers also to selected works on the topic, discussing the issues of the hierarchy of values and psychological and social conditioning for the choice of particular values.

Start zawodowy nauczyciela przedmiotów muzycznych w szkole wyższej

Author(s): Monika Waligóra / Language(s): Polish Publication Year: 0

The initial stages of the teacher’s professional career have always invited a plethora of questions, emotions and curiosity. This issue has become, therefore, the subject of study of the author of the following article. The presented preliminary research on the beginnings of the teaching career of a music teacher at a university showed that it is an area of study which deserves more attention, vaguely established and lacking empirical verification. The overview of literature on the topic allowed to create a preliminary list of criteria determining the professional adaptation of the young teacher. Among them, the author enumerates the following: research potential, teaching potential and interpersonal potential. The analysisconcludes with a presentation of research findings and an announcement of the intention to further pursue the topic academically.

Uplatnenie regionálnych folklórnych tancov v hudobnej výchove

Author(s): Jana Hudáková / Language(s): Slovak Publication Year: 0

Folk dances utilised in education may foster the awareness of cultural heritage, dialogue with music and language and the ways of acquiring specific skills and developing musical capacity. The teaching of music with the incorporation of dance constitutes a complex of the components of studying in direct reference to the natural emotional and aesthetic experiences. This facilitates the development of numerous aspects of a child’s personality and enables them to express themselves by means of music.

On the origin of species by means of civilization or the preservation of favoured races in the cooperation for life

Author(s): Konstantinos Maritsas / Language(s): English

Charles Darwin: The founder of the theory of natural selection declared that he was a believer till 1859, when his well-known book The Origin of Species was published. After his death, in 1882, he was honoured by a burial in the Westminster Abbey. However, as his notes prove, he had never thought of betraying science for the sake of religious reasons. He had already written in 1838 that: “The great break in the organic chain between man and his nearest allies, which cannot be bridged over by any extinct or living species, has often been advanced as a grave objection to the belief that man is descended from some lower form; but this objection will not appear of much weight to those who, from general reasons, believe in the general principle of evolution”. This “great break” between men and animals, between Civilization and Natural Selection: this is what we shall make an effort to bridge over in this book.

Potisnuta istina – Kolaboracija u Srbiji 1941-1944

Author(s): Olivera Milosavljević / Language(s): Serbian

Upravo doneti Zakon kojim se rehabilituju svi “ideološki” protivnici komunizma, počinje sa datumom od 6. aprila 1941. što je istovremeno i njegov najzanimljiviji deo. Imali smo priliku da slušamo predlagače i zagovornike zakona1 koji su svojom srčanom odbranom ratnih “ideoloških” protivnika komunizma, nedvosmisleno potvrdili da je čitava stvar i smišljena isključivo zbog njih, a da ih oni posle 1945. ustvari i ne zanimaju, odnosno, da su samo “kolateralna šteta” pokušaja rehabilitacije kvislinga iz vremena Drugog svetskog rata. Saopštili su nam i da bi čitav komunistički period trebalo jednostavno proglasiti zločinačkim čime bi, misle oni, po automatizmu bili rehabilitovani svi njegovi “ideološki” protivnici, a oni ratni proglašeni borcima za pravednu stvar. Zato možemo očekivati da će (kao što se već desilo sa četnicima) ovog puta “demokratama” biti proglašeni nedićevci i ljotićevci, pa će po automatizmu “demokrate” postati i balisti, hortijevci, ustaše, i na kraju, sam nemački Rajh. Svi oni zaista jesu bili “ideološki” protivnici komunizma, ali je, sasvim sigurno, Hitler bio najveći. Zato nije slučajno danas, njihov “ideološki” antikomunizam i početak i kraj svake argumentacije, uz prećutkivanje da su kao protivnici komunizma bili i aktivni protivnici celokupne antihitlerovske koalicije čiji je komunizam bio sastavni deo. Prećutkuje se i da je njihov “ideološki” antikomunizam u tadašnjem shvatanju pojma podrazumevao veličanje nacizma, antidemokratiju, i na prvom mestu, antisemitizam, “slučajno”, baš u vreme kada su milioni Jevreja ubijani u “Velikom Nemačkom Rajhu”.

Türk Göçü 2016 Seçilmiş Bildiriler 1

Author(s): / Language(s): Turkish

4th Migration Conference was held in Vienna. After a meticulous referee process at the Turkish Migration Conference, a conference program consisting of 72 sessions and 2 workshops was created. 350 oral presentations were made by 400 authors from various countries around the world. Some of the selection papers presented at the 4th Turkish Migration Conference were revised and expanded and published in various national and international magazines and books. In this review, we offer you a selection of the papers presented at the conference. This abstract collection consists of four sections within the framework of the basic areas in the field of migration. The first part includes migration, economy and social policy, migration, identity and diaspora in the second part, Urbanization, Politics and Migration Policies in the third part, and the fourth part of history, art and migration under the heading various works. We hope that these studies will also contribute to the development of turkish migration.