Spór o "The Death of Klinghoffer" Johna Adamsa. Opera w opinii krytyków muzycznych

Author(s): Maryla Zając / Language(s): Polish Issue: 02 (29)/2016

In October 1985, several members of the Palestine Liberation Front hijacked the cruise ship Achille Lauro during its Mediterranean cruise. After the surrender of the terrorists, it came to light that a disabled passenger, Leon Klinghoffer, was killed by one of the kidnappers. The news of the attack was all the more disturbing that Klinghoffer belonged to the Jewish community. The case of abduction of Achille Lauro has been one of the most important topics in the field of international politics and the Israeli-Palestinian conflict for a long time. The idea of creating an opera based on those events came from one of the most distinctive directors of our time, Peter Sellars (1957–), who invited composer John Adams (1947–) to cooperation. Libretto was created by Alice Goodman (1958–). Stage presentation of the fate of the passengers of Achille Lauro was to be a musical background for the wider topic: Israeli-Palestinian conflict. The main aim of the authors of The Death of Klinghoffer, what they repeatedly stressed in interviews, was to present both sides: Jewish and Muslim; not only the design of the libretto and musical development, but also the right direction. Despite these assumptions, since the premiere in 1991 at the Brussels Théâtre Royale de La Monnaie, this opera is consequently dividing the audience into its hot enthusiasts and declared opponents. Demonstrations and protests, accusations of anti-Semitic content, presentation and justification of terrorism have led not only to a change in the score, but today they are almost inseparable elements of issue. This article focuses on the opinions on the opera by critics and music journalists. After presenting the context of creation, examples of the reception, analytical and creative works are shown, such as the opinions found in the reviews of the printed sources, as well as the online ones.

По трудния път: Цигански организации в Шумен (1944–1990)

Author(s): Dimitrinka Demirova / Language(s): Bulgarian Issue: 1/2017

The purpose of the present article is to trace the history and to show the activities performedby the gypsies/Romani organizations in Shumen, Bulgaria during the period between 1944 and 1990. The history of these organizations is going through several periods which match the political periods regarding the gypsy population in Bulgaria.It was founded in 1946, when Bulgaria was leading a policy of ethnical recognition of the gypsies and a wide consideration of their cultural and historical identity. Inthe beginning of the 1950s, due to the fear of the so-called “turcheene” (i.e. public demonstration of the Turkish ethnic identity) among a large part of the gypsies, there was a turning-point in the public policy – the Cultural and Educational organization of the gypsies was forbidden and they got into the hands of the “Fatherland Front” (“Otechestven front”). In spite of the restrictions and interdictions, in 1967 the leaders of the Gypsy movement in Shumen restored their organization by the name of “Roma”, but they didn’t get the recognition and validation from the government. In spite of this, they continued to work for the protection of the Gypsy community in Shumen and in all of their activities in several basic directions (socioeconomic, political, educational and cultural) were performed by the organization’s name. This continued until the beginning of the 1990s, when the organization was recovered, andalong side this a number of new organizations arose.

Периодика 2018

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 37/2018

Научни форуми 2018

Author(s): Nikola Kazanski / Language(s): Bulgarian Issue: 37/2018

Data about scientific events in the field of the humanities in Bulgaria in 2018.

Научен отзив за международната научна конференция „На терен в културата: автентично, зрелищно, (не)видимо”

Author(s): Niya Neykova / Language(s): Bulgarian Issue: 6/2019

Conference report on the International Science Conference ‘Culture as Fieldwork: Authentic, Spectacular, (In)visible'

Уеб телевизиите в България през 2017: от мечтата за кабелна телевизия към мечтата за високо дигитално качество

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 3/2018

The text presents the state of the web TV in Bulgarian based on the results from the project ‘Web radio and TV in Bulgarian language’ funded by the Research fund of Sofia University with supervisor prof. DSc Snezhana Popova.It is hard to show precise data about the number of web TVs in Bulgarian or with Bulgarian addresses in 2017. The platforms do not use the term web TV, ‘online TV’. In 2017 three types of web TVs prove to be sustainable: regional, lifestyle and radio and TV. The announcement style TVs that present service information as well as the only regional station ‘Epohi’ TV have disappeared. The sports TV projects do not function (with the exception of the TV of FC ‘Levski 1914’). At least formally the ‘music online TVs’ are the largest number. However, the research showed that behind this title on some of the platforms exist websites with pornographic content. Most of them are announced as pop-folk music TVs. The main problem in making web TVs in Bulgarian is the ambiguity of who is expected to watch them. Apart from regional TVs everyone else say they a looking for their audience instead of building a message for a specific group.The text presents the state of the web TV in Bulgarian based on the results from the project ‘Web radio and TV in Bulgarian language’ funded by the Research fund of Sofia University with supervisor prof. DSc Snezhana Popova.It is hard to show precise data about the number of web TVs in Bulgarian or with Bulgarian addresses in 2017. The platforms do not use the term web TV, ‘online TV’. In 2017 three types of web TVs prove to be sustainable: regional, lifestyle and radio and TV. The announcement style TVs that present service information as well as the only regional station ‘Epohi’ TV have disappeared. The sports TV projects do not function (with the exception of the TV of FC ‘Levski 1914’). At least formally the ‘music online TVs’ are the largest number. However, the research showed that behind this title on some of the platforms exist websites with pornographic content. Most of them are announced as pop-folk music TVs. The main problem in making web TVs in Bulgarian is the ambiguity of who is expected to watch them. Apart from regional TVs everyone else say they a looking for their audience instead of building a message for a specific group.

За първи път магистърска програма „Дигитални медии и видеоигри“ в историята на катедра "Радио и телевизия" във ФЖМК на СУ „Св. Кл. Охридски“

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 3/2018

In 2018/2019 the Radio and Television Department stated the Master’s program Digital Media and Video Games in the Faculty of Journalism and Mass Communications of SU St. Kliment Ohridski. The program is developed together with leading companies on the video games market.

Книги 2019–2020

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 40/2020

Selected bibliography in the field of Bulgarian Studies published in the current year

Права на издателите на публикации в пресата при използване в цифрова среда

Author(s): Diliana Kirkovska / Language(s): Bulgarian Issue: 7/2020

The system of protection of copyrights and related rights within the European Union is rapidly developing with putting forward of new assessment rules to protected content in digital environment. Changes occurred at the Directive (EU) 2019/790 of the EP and of the Council of 17 April 2019 refer to establishing of a brand-new retated right of the press publications publishers concerning digital issues, and also to harmonized legal protection for the press publications when used online by information society services providers. There appears necessity of licensing of the online use of publications of new providers, such as news aggregators and media clipping services.

Review/data bases/ conferences/ latest publications/projects

Author(s): Alessia Maria Rossi,Alice Isabella Sullivan,Vladimir Agrigoroaei,Ágnes Korondi,Mădălina Ungureanu,Cinzia Pignatelli,Ileana Sasu,Waldemar Deluga,Ana Dumitran,Daniel Dumitran,Ciprian Firea,Mihaela Sanda Salontai,Iustin Marchiș,Iosif Camară,Mirosław Piotr Kruk,Agnieszka Gronek,Alicja Z. Nowak,Anita Paolicchi,Francesca Tasca,Kateřina Voleková,Andrea Svobodová,Tomáš Gaudek,Ota Halama,Milada Homolková,Klára Matiasovitsová,Markéta Pytlíková,Laura Jiga Iliescu,Martina Jamborová,Michal Dragoun,Thomas Gaudek,Katerina Volekova,Václav Žůrek / Language(s): English Issue: 4/2020

Книги 2020

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 41/2020

Selected bibliography in the field of Bulgarian Studies published in the current year

Сравнително проучване на гръкоезични преселнически общности в България и Гърция

Author(s): Darina Slavova / Language(s): Bulgarian Issue: 3/2020

The Karioti are a Greek-speaking ethnographic group from Bulgaria, a large part of which migrated to Greece in the 1920s. The hypotheses about the emergence of the migrant community in the village of General Inzovo as well as the factors influencing the emigration to settlements in Northern Greece (the Municipality of Eginio, Thessaloniki region, and the village of Trikala in Imathias) are diverse: social, economic, political and others. The new environment in which the Karioti settled had a significant impact on the community. Language, traditional clothing and cultural features are part of the external manifestations that distinguish them from other communities. By using certain specific elements in traditional clothing, the community demonstrates a desire to be distinguished among others and vice versa, by rejecting others it reflects a desire to join the urban community.The preservation of the musical heritage of the Greek-speaking communities in the three settlements has gone through several periods, which are not identical in the two countries. Contemporary folklore manifestations and the activities of the community cultural institutions in the settlements aim to preserve the local identity of the Karioti in Bulgaria and Greece.

"Лицето на българщината": Националният събор за народно творчество в Копривщица и неговите медийни отражения

Author(s): Lozanka Peycheva,Lozanka Peycheva / Language(s): Bulgarian Issue: 12/2022

The article examines the National festival of folklore in Koprivshtitsa – a culmination of the assembly-singing movement – by looking for sustainable media representations of the folklore festivals, which has already been held for twelve editions (between 1965 and 2022). The mechanisms for organization and media coverage are sought in the chronological lines before and after 1989. The focus is on the discourses and presentation of the festival as a manifestation of collective and national identity, “the face of Bulgarianism”

"И българските евреи бяха спасени..." Погледи отвън и отвътре върху българската история

Author(s): Irina Nedeva / Language(s): Bulgarian Issue: 12/2022

We publish a conversation of the journalist Irina Nedeva with Roumen Avramov, economist and historian, on the occasion of the Bulgarian translation of Nadège Ragaru’s book ‘Et les Juifs bulgares furent sauvés…’. Une histoire des savoirs sur la Shoah en Bulgarie’, Sciences Po. Les Presses, 2020) (“And the Bulgarian Jews were saved...” History of knowledge about the Holocaust in Bulgaria”). The conversation was broadcast on November 8, 2022 in the “Horizont do obed” ("Horizon by noon") program of the Bulgarian National Radio; the text published here is a transcription of it. The questions have been preserved, and in the answers Rumen Avramov has made some stylistic edits, as well as brief substantive additions and clarifications

Документалното ни кино на фокус

Author(s): Petia Alexandrova / Language(s): Bulgarian Issue: 12/2022

XII Национален събор на народното творчество в Копривщица (5–7 август 2022 г.)

Author(s): Rosina Kokudeva / Language(s): Bulgarian Issue: 3/2022

Events

Първи национален фолклорен събор, Драгиново 2022 г.

Author(s): Petyo Krastev / Language(s): Bulgarian Issue: 3/2022

Events

Между два свята: подкастингът като сливане на технологията с човешкото

Author(s): Victor Chulev / Language(s): Bulgarian Issue: 14/2023

The present text, which is an edited excerpt from a master's thesis titled „The Video Archives Podcast as a Communicative Space“, seeks to roughly delineate the boundaries of the podcast space as a place where the technological and the human converge. By analyzing and comparing theories of podcast practices and communication theories before the advent of podcasting, the text attempts to overcome the opposition of novelty and tradition and concludes that the coexistence of man and media resembles not a war but rather a game of worlds.

Защо народният празник Сурова е в Списъка на ЮНЕСКО? (Резултати от една анкета)

Author(s): Tsvetana Manova / Language(s): English,Bulgarian Issue: 2/2023

The 2003 Convention and Its Implementation in Bulgaria

За книгата: Балканските култури: диалог, трансфер, метаморфози. Под ред. Орлин Събев, Лора Тасева, Антоанета Балчева.

Author(s): Fotiny Christakoudy-Konstantinidou,Kristina Stoyanova / Language(s): Bulgarian Issue: 1/2024

Book review: Балканските култури: диалог, трансфер, метаморфози. Под ред. Орлин Събев, Лора Тасева, Антоанета Балчева. София, ИБЦТ – БАН, 2023, 234 с., ISBN 978-619-7179-38-5 [The Balkan Cultures: Dialogue, Transfer, Metamorphoses. Ed. Orlin Sabev, Lora Taseva, Antoaneta Belcheva. Sofia, IBSCT – BAS, 2023].