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4.50 €

Kobiecy dyskurs podróżniczy na przykładzie "Mojej wyprawy na Pamiry w roku 1929" Jadwigi Toeplitz-Mrozowskiej

Author(s): Agata Zawiszewska / Language(s): Polish Publication Year: 0

The article proposes a critical reading of the report from a journey to Russia by Jadwiga Toeplitz-Mrozowska "La Prima spedizione italiana attraverso i Pamiri 1929" (Società Georgafica Italiana: Roma 1930). The tools used to the analysis and interpretation of the text come from the instruments of gender and postcolonial studies. By means of them, the entanglement of the emancipation discourse into a patriarchal colonial discourse was presented, reflected in three areas of narration: the status of an emancipated European woman as an imperialist, a picture of a “Russian woman” as a “loner”, identification of the criteria of emancipation with the West-European civilization mission in the USSR.

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Podwórkowa powieść polityczna – "Wióry" Krystyny Kofty

Author(s): Arleta Galant / Language(s): Polish Publication Year: 0

The author of the article discusses "Wióry", a novel by Krystyna Kofta, published in 1980. The most important interpretation motives concerning the work written by a Polish female writer are connected with the issues related to a political narration and ideology of the space that is organized by the worlds of child and adult characters. A backyard in Poznań – the place of action – was perceived here as a specific (both a private and public) conventional sphere being a reflection of complicated social relations of the Stalin era.

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Zmaganie z „syndromem wygnania”. O "Unsere" Jana Darowskiego

Author(s): Agnieszka Nęcka / Language(s): Polish Publication Year: 0

The article reminds us of Jan Darowski, a writer almost unknown in Poland until recently. The author pays special attention to his autobiographic novel entitled "Unsere", that was published as late as in 2012 and constitutes a unique record of an experience of a war man who grew up in Silesia on the Polish-German borderline, was conscripted to Wehrmacht during war, and, subsequently, escaped to the ally army in order to fight with Germans. Writings having an auto-therapeutic overtone allowed him to search himself and his place in the world. A battle with the “syndrome of exile” was connected with the need to give evidence on the past and people who created it. The past, influencing the present made “I” from the past overlap with “I” from the present. As a result, the character from "Unsere" is a hostage of his own memories. Searching himself is also the need to be a part of the group. Thanks to it, what is personal and individual permeated and supplemented what is collective. What is deposited remained in a privatememory was connected with what was located in the culture, giving fundaments of his own identity.

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Göç/göçer yazını incelemelerinde Çatışma ve Göç Kültürü Modeli

Author(s): Ali Tilbe / Language(s): Turkish,English Publication Year: 0

Kökleri çok eskilere uzanan göç ya da sürgün olgusu, özellikle içinde bulunduğumuz çağın, evrensel sorunsal konularından birisi olarak değerlendirilebilir. Cumhuriyetimizin kuruluşunu izleyen yıllarda, özellikle ellili yıllardan sonra yurtiçinde Doğu’dan Batı’ya, kırsaldan kente göçlerle birlikte, ülkemizdeki kenter sayısı her geçen gün artmakta ve bu göç dalgası günümüzde de sürmektedir. Altmışlı yıllardan sonra, Almanya ve Fransa gibi Avrupa ülkeleri başta olmak üzere, Türkiye’den dünyanın birçok ülkesine göçler yaşanmış, sayısı birkaç milyonu bulan ulusötesi Türk göçer nüfusu ile Türkiye dışgöç olgusunu deneyimlemiştir. Görüldüğü üzere, göç olgusu, göçebe geleneğinden gelen Anadolu insanı için günümüzde de en temel sorunsallardan birisi olarak belirmektedir.

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Yahya Kemal’de yolculuk ve şiirin varoluş serüveni

Author(s): Pinar Aka / Language(s): Turkish Publication Year: 0

Yahya Kemal, 1903 senesinde, o sırada padişah olan Abdülhamid’in baskıcı rejiminden kaçmak düşüncesiyle İstanbul’dan tek başına bindiği gemiyle Marsilya’ya doğru yola çıktığında henüz on sekiz yaşındadır. Şair, oradan geçtiği ve o sırada Batı medeniyetinin ve modernitenin başkenti olarak görülen Paris’te dokuz sene kalacaktır. Peki onu genç yaşta böyle bir maceraya iten ne olmuştur?

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Tuna dergisi ve göç edebiyatına bir bakış - yazar ve şair Zahit Güney’in göç ile ilgili yazıları üzerine

Author(s): Cahit Kahraman,Ilhan Güneş / Language(s): Turkish Publication Year: 0

Bulgaristan Türkleri ve göç hep iç içe olmuş bir olgudur. Osmanlı-Rus savaşı sonrası yoğun göç dalgaları başlamış, en son 1989 göçüne kadar sürmüştür. Türkiye ve Bulgaristan arasında imzalanan ikili antlaşmalarla 1950-51 yıllarında göç devam etmiş ve bu göç sırasında parçalanan aileleri birleştirmek amacıyla 1969- 1978 yılları arasında yoğun olarak sürmüştür (Akgün, 2011, s.76). Son Göç veya Büyük Göç olarak da bilinen 1989 Bulgaristan Türklerinin göçü, bu göçün canlı tanıkları yüz binlerce göçmenin hafızasında yaşamakta olduğu gibi, yüzlerce yazar ve şairin kalemlerinde halen canlanmaktadır. Hayriye S. Yenisoy, “1989 Bulgaristan’ın gerçekleştirdiği geniş kapsamlı zorunlu göçün sebeplerini 1984/85 olaylarında aramamız gerektiğini” belirtir (Kırcaali Haber, 16 Haziran 2010, s.3). 1989 Bulgaristan Türklerinin göçü zorunlu göç kapsamındadır ve iki ülke arasında bir antlaşma olmaması bu göçü özel ve farklı kılmaktadır.

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Граф Дракула и художествените образи на злото: Имагологии, идеологии, туризъм

Author(s): Nikolay Papuchiev / Language(s): Bulgarian Publication Year: 0

The article is focused on the role and the power of the horror and terror literature and movies to create very popular images, which become important factors in the developing of contemporary tourism. These supernatural creatures have turned into objects of cult for big fan-groups all over the world. The fans share common interests reflecting – along with the rest – the longing to see the special places that inspired authors and moviemakers. In this way, Bram Stoker’s novel Dracula, used as a basis for many literature and movie interpretations during 20th and the first two decades of the 21st century, has become an influential generator of images for mass consumption. The bloodthirsty Count gathers strength in people’s imaginations during the years and changes the historical medieval fortress – Bran Castle – into a very popular museum, visited by different people striving to see his scary home.

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Версии на литературен перипатетизъм в романа на модернизма

Author(s): Cleo Protohristova / Language(s): Bulgarian Publication Year: 0

It is generally acknowledged that the fundamental anthropological modus of walking once transformed from a necessary and indispensable human activity into a matter of individual choice, emerged as ideology and was simultaneously appropriated into the realm of „the fictive and the imaginary“ (in W. Iser’s terminology), which brought about the conceptualization of the literary peripatetic. Meanwhile, attributed to that same modern ideology was an ancient legacy traced back to Aristotle’s school of philosophy. The paper is concerned with the re-actualization of the peripapetic in Modernism – that is to say, with the conceptual, cultural, and textual aspects ofwalking, represented in modernist novels, evaluated in the perspective of the alternating historical, ideological, aesthetic, philosophical, and poetical contexts, that construct the complex narrative rationalizing the interconnectedness between walking and thinking, and walking and writing.

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Българската класика чете италианската

Author(s): Boyka Ilieva / Language(s): Bulgarian Publication Year: 0

The focus of the current study is the perception of the Italian literary classics by influential figures in Bulgarian literature like Iv. Vazov, K. Velichkov, P. Yavorov, P. P. Slaveykov and K. Hristov. It is traced in several aspects – preferences for specific authors, translation activity and literary criticism. In various sources, the Bulgarian classical authors displayed an affinity for Dante, F. Petrarca, T. Tasso, U. Foscolo, G. Leopardi and the “national poet of Italy” G. Carducci. Their works were distributed in Bulgaria through the translations of Vazov, Velichkov and Hristov. In some cases, the foreign classical authors had an inspiring effect on the original works of established Bulgarian writers. Thus, for example, Vazov immortalized in verse Dante, Tasso and Leopardi. Velichkov eulogized Dante and Petrarca, and Slaveykov – Michelangelo. Velichkov wrote a critical sketch of Dante, Hristov – of Foscolo, and Yavorov translated a feature story about Carducci.

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(Re)Negocjacje kultur pamięci – słowo wstępne

Author(s): Joanna Godlewicz-Adamiec,Dominika Wyrzykiewicz / Language(s): Polish,German Publication Year: 0

Memory – Discourse – Identity. Interdisciplinary Reflections is a bilingual book aligning with the memorial discourse trend. It contains reflections on the condition of man and the world in the context of Polish and German memory discourse in the post-war culture. The authors refer to the category of memory in public and private dimensions and present various approaches to the issues of memory turn and transformations concerning mutual relations and interpenetration of literature, music, art. And contemporary media. The book includes the papers written by German and Polish studies scholars, historians, and art. Historians from Poland, Germany and Spain.

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Bilder trotz allem? – Medialität und Erinnerung in Herta Müllers Text-Bild-Collagen

Author(s): Beate Sommerfeld / Language(s): Polish,German Publication Year: 0

The article analyses the collages of Herta Müller as an appropriate means of articulating traumatic experiences made under the regime of rumanian dictator Ceausescu. The own liminal position and the contingency of west-german print-media offer a space for poetological reflections and experiments. Müller develops a strategy of playfulness that allows to free traumatic experiences and initiates a process of healing memory. The collages also try to give an answer to the question, to what extent the terror experienced in the Past can be articulated across aesthetic forms.

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Nebliges Feld, knietief im Morast. Zeitgenössische Kunststrategien zu Flucht und Vertreibung

Author(s): Heidi Stecker / Language(s): Polish,German Publication Year: 0

On the basis of relevant works of art contemporary concepts about remembrance will be presented to the forced migration of Germans. This is Christine Bachmann with “BIRKENORT. VANISHING POINTS”, Rosemarie Zens with The Sea Remembers David Adam with Marie Scheibner, among other things, Heike Lydia Grüß with Der getrübte Körper/The clouded body, Yvon Chabrowski with Sun + Land + Diagonal and Sven Johne with Ostpreußen/East Prussia. The works were created in the period from 2003 to 2014 and situate itself in the Czech Republic, Poland and the Kaliningradskaya Oblast. The media of photography and film are preferred. The focus is on critical analysis of the traditional canon of motifs, with image structures and mechanisms of presentation.

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„Zapośredniczenie” i „spóźnienie” – O interdyscyplinarnych zmaganiach z pamięcią w twórczości Mirosława Bałki

Author(s): Dominika Wyrzykiewicz / Language(s): Polish,German Publication Year: 0

The main assumption of presented article is dwelling on the term of memory and ways of presenting the past in modern culture on the example of the work of a painter Miroslaw Balka. The artist is characterized by a visual acuity of phenomena surrounding him and a special concentration on the other man with all aspects of his life as well as awareness of the past, his own biography and the artistic work. Time and history influence his work and are shaping their form.

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Niemiecka trylogia filmowa Christopha Schlingensiefa: pamięć w czasie rzeczywistym

Author(s): Anna Damięcka-Wójcik / Language(s): Polish,German Publication Year: 0

The German trilogy consists of three films by Christoph Schlingensief: „Das deutsche Kettensägenmassaker“, „100 Jahre Adolf Hitler“, „Terror 2000“. On the political uncorrect way the regisseur deals with the unsolved problem of the getting over of the Nazi-time and its delayed effect of neo-nazizm and the east-west-confrontation after the German reunion. He represents hereby a different opinion from the official political line.

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Reprezentacje pamięci w narracji cyfrowej

Author(s): Ewa Szczęsna / Language(s): Polish,German Publication Year: 0

This article presents ways in which memory can exist in digital texts. We characterize digital representations of the work of human memory, the influence of digital technology and changes in the digital narration on realization of mnemonic function of the text (e.g. the use of the perceptive linearity, intersemiotic repetition, engaging the user in the creation of texts). Structural tricks and textual strategies used to create the textual representation of different existing forms of memory are analyzed on the example of digital poetry and hypertext narration. These are for instance: the remembering, the mentioning, the recalling, the presenting of the past.

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Niemiec płakał, jak sprzedawał. Niemcy i kultura niemiecka w polskich memach internetowych

Author(s): Iwona Burkacka / Language(s): Polish,German Publication Year: 0

In the analyzed Polish mems a selective treatment of culture and a duplicationof stereotypes concerning the appearance of German women,men and the German language can be observed. However, in the memsthere appear new elements which are connected with a clever observationof the changes that take place, and an awareness of the existenceof stereotypical images, and, perhaps, an attempt at referring to themin a perverse way (a series Ładna Niemka – ‘A Pretty German Woman’).In the series with the phrase Niemiec płakał, jak sprzedawał (A Germanwas crying as he was selling) we can notice a play with the typicalperception of German cars, their owners and the arguments of carsalesmen. Therefore, on the one hand, mems strenghten conventionalperspectives, and on the other hand, they oppose them, frequentlyshowing their absurdity, ridiculousness and conventionality.

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Pamięć Mazurów na przykładzie powieści Dzieci Jerominów Ernsta Wiecherta

Author(s): Paweł Porzych / Language(s): Polish,German Publication Year: 0

The article presents an analysis of the construction of the memory in the book Jerominkinder by Ernst Wiechert. In the first part the author describes the reception of Wiechert’s work in Poland in consideration of a turning point in 1989. After that, the author passes on a definition of the memory. The next part describes the most important elements of the memory of the inhabitants of Sowirog. The wars, above all the World War I, and the persons of Mr. von Balk and Michael Jeromin were mentioned.

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Zaklęte źródło wspomnień – sztetl jako uniwersalna przestrzeń żydowskiej biografii w poezji Stefana Pomera i malarstwie Adama Muszki

Author(s): Aleksandra Bednarowska / Language(s): Polish,German Publication Year: 0

Shtetl, a mosaic of cultures, languages and religions, was presented by Polish-Jewish artists of the interwar period as a juxtaposition of two worlds: the idyllic world of childhood and the ugly, miserable place of Jewish existence in Eastern Europe. After the Holocaust the portrayal of shtetl became the symbol of the lost world of European Jewry. This essay focusses on two Polish-Jewish artists: a poet Stefan Pomer, who came from a Podolian shtetl and became victim of the Holocaust and an artist Adam Muszka, a Holocaust survivor, who devoted his life to painting a shtetl of his childhood Piotrków Trybunalski, and examines how the memory of shtetl is represented in their works.

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Oblicza pamięci – społeczność żydowska w polskiej i niemieckiej świadomości historycznej

Author(s): Anna Górajek / Language(s): Polish,German Publication Year: 0

The past does not exist objectively. It exists as an image in our memory. The following article is devoted to the perception of the past related to the Second World War by representatives of two different communities – Polish and German. The example of the memory of the Jewish community that lived before the World War II in contemporary Poland will show a different sensitivity of perceiving facts related to this period, depending on the social framework of the two nations.

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Der Friedhof als Ort der Erinnerung und des Vergessens

Author(s): Jan Hajduk / Language(s): Polish,German Publication Year: 0

The article discusses memory processes that occur above all in the context of the cemetery. The first part demonstrates Jan Assmann's conceptof the memory which concerns the recollection of the dead through special tokens, rites and institutions. The remainder of the article presents examples of gravestone inscription with their narrative potential, gravestone photos, church and secular rites such as celebrations or name giving practices. Next there is shown the process of forgetting that occurs in anonymous burial sites and new burial places.

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