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DE/KONSTRUKCIJA STEREOTIPNIH PREDODŽBI U ROMANU NEBOJŠE LUJANOVIĆA OBLAK BOJE KOŽE I AUTOBIOGRAFSKOJ PROZI HEDINE TAHIROVIĆ-SIJERČIĆ ROM K`O GROM

DE/KONSTRUKCIJA STEREOTIPNIH PREDODŽBI U ROMANU NEBOJŠE LUJANOVIĆA OBLAK BOJE KOŽE I AUTOBIOGRAFSKOJ PROZI HEDINE TAHIROVIĆ-SIJERČIĆ ROM K`O GROM

Author(s): Simbi Husarić-Junuzović / Language(s): Bosnian Issue: 18-19/2022

This paper aims at deconstruction of cultural stereotypes about Roma population in contemporary literature in Bosnia and Herzegovina. The focus is on cultural constructions depicting the ethics of resposibility towards others found in two works of art, Oblak boje kože, a novel by Nebojša Lujanović and autobigraphical prose by Hedina Tahirović – Sijerčić, Rom k’o grom. The emphasis is placed on stereotypes and prejudice immanent to all identities. It also indicates discriminatory practice particularly pronounced in the case of Roma people minority, because they are more often than not excluded and outlawed from the social processes. They are ghettoized in every way, which is clearly seen in the examples of Enis Selmanić, the main character of the novel Oblak boje kože and the heroine of the autobigraphical prose Rom k’o grom. Alongside the deconstruction of negative stereotypes, these works of art also open up a number of gender issues, especially the issue of Roma women under patriarchal pattern and gender roles imposed on them not only biologically, but also by their Roma identity, in which they become otherness of others, a category that indicates a marginalization within the identity of Other. Both novel and autobiography use a specifi c ethnographic and culturographic manner to raise questions about neglected and dark historic stains, the neglected Roma history, their everyday struggles since forever or the more traumatic parts of their history, such as the Auschwitz experience. In the theoretical framework of this research, a hybrid approach is used, based on imagological studies and postcolonial theory. Key texts from the anthology “Kako vidimo strane zemlje” provide the basis for understanding literary depictions of foreign countries and peoples, particularly through the works of Manfred S. Fischer, Hugo Dyserinck, Karl Ulrich Syndram, Joep Leerssen, Daniel-Henri Pageaux, and Jean-Marc Moura. The imagological approach helps in addressing the perceptions of the Roma national minority and questioning intolerance and racism. The postcolonial aspect, along with the works of Homi Bhabha and Stuart Hall, enables a critical examination of identity through a system of differences and the affirmation of diversity. Feminist theory and works such as those by Simone de Beauvoir and Judith Butler contribute to understanding gender issues and marginalization within Roma communities. These approaches together enable a detailed exploration and deconstruction of stereotypical representations of Roma in literary works.

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Fragmente des Severus von Antiochia und Gregor von Nyssa im Učitelʼnoe evangelie des Konstantin von Preslav im Kontext der Matthäus- und Lukas-Katenen
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Fragmente des Severus von Antiochia und Gregor von Nyssa im Učitelʼnoe evangelie des Konstantin von Preslav im Kontext der Matthäus- und Lukas-Katenen

Author(s): Dobriela Kotova / Language(s): German Issue: 24/2024

The article draws attention to two long scholia by Severus of Antioch, Severus of Antioch, identified in Constantin Preslavski’s Didactic Gospel, which, however, did not refer to his name. The first one, a fragment from 77th Cathedral Homily of Severus, forms the second half of the exegetical part of Sermon 3. The other one, an excerpt from the 89th Cathedral Homily, which also contains two fragments by Gregory of Nyssa, constitutes a significant part of the Exegesis Section in Sermon 35. It appears in Sermon 35 as part of the Greek original, the catena on Luke CPG C130.1, which Constantine used when composing the sermons on the Gospel of Luke. The fragment in Sermon 3 is not part of the main Greek source of Constantine used to explain the passages from Matthew’s Gospel. It was borrowed from catena on Matthew C110.4, which was not used as a source anywhere else in the Didactic Gospel and was probably added later by an unknown author rather than Constantine himself. Nevertheless, the name of Severus, who was explicitly named as the author of the scholium in C110.4, was omitted in the Didactic Gospel, most likely because he was considered a heretical author in 10th century Bulgaria.

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Emprunts slaves en roumain dans le domaine du vocabulaire des émotions
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Emprunts slaves en roumain dans le domaine du vocabulaire des émotions

Author(s): Bilyana Mihaylova / Language(s): French Issue: 24/2024

The article tries to retrace the paths of the semantic development of some Slavic borrowings, which in the history of the Romanian language designate ‘fear’ at different degrees of this emotion: timidity, dread, fear or fright. Five word families have been examined: groază, a se (în)crâncena, scârbă, a se stidi, a se oțărî. As a result of the etymological analysis, various semantic changes have been established. The research on the semantic evolution of the Slavic loanwords in Romanian in the field of emotional vocabulary shows above all that these particular cases reveal the tendency of mixing emotions. The same tendency can be observed when we analyze the autochthonous words from different Indo-European languages.

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Ангеличното в творчеството на Юлиуш Словацки

Ангеличното в творчеството на Юлиуш Словацки

Author(s): Dimitrina Hamze / Language(s): Bulgarian Issue: 3/2023

Romantic philosophy and aesthetics provide a fertile ground for the development of the angelic element, which became a part of the conceptual journeys of the creators of the era. Drawing upon stereotypical notions of angels, Juliusz Słowacki, the most „romantic” and mystical among the three Polish poet-prophets (alongside Adam Mickiewicz and Zygmunt Krasiński), offers his creative „interpretation” of this celestial being. The aim of this study is to stylize the symbolic spectrum of the angel and provide a concise overview of its evolution in the works of the Polish poet and epistolographer. To achieve this goal, comparative, semantic-analytical, and interpretative methods have been employed.

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Родина в библейских переводах XVI в.,
созданных на территории Речи Посполитой
и Великого княжества Литовского

Родина в библейских переводах XVI в., созданных на территории Речи Посполитой и Великого княжества Литовского

Author(s): Alla Kozhinowa / Language(s): Russian Issue: 36/2024

W artykule dokonano analizy pojęcia ojczyzny w przekładach biblijnych z XVI wieku, powstałych na terenie Rzeczypospolitej i Wielkiego Księstwa Litewskiego na język polski – katolicka Biblia Leopolity (1561) i Jakuba Wujka (1599), protestancka Biblia Radziwiłłowska czyli Brzeska (1563), ariański przekład Szymona Budnego (Biblia Nieświeska, 1572) i cerkiewno-słowiański (Biblia Ostrogska, 1580–1581), a także w przekładzie hybrydowym Franciszka Skaryny (1517–1519). Twierdzi się, że pomimo różnic wyznaniowych i językowych tłumaczenia biblijne ujawniają dużą liczbę podobieństw. Podobieństwa te dają podstawy, by sądzić, że w XVI w. stanowił punkt zwrotny w rozwoju pojęcia ojczyzny, natomiast na jego kształtowanie się we współczesnym rozumieniu miały wpływ zarówno teksty Nowego, jak Starego Testamentu, lecz oddziaływały one w różny sposób.

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Figury afektywne w polskiej piosence

Figury afektywne w polskiej piosence

Author(s): Leszek Tymiakin / Language(s): Polish Issue: 1/2024

In the article, rhetorical devices which help to express external emotions are described and supported with examples (exclamatio, evidentia, sermocinato and similar prosopopeia, expolitio and similitudo). In the song genre, apart from the main constitutional role, these devices perform two other interdependent tasks: the first one is related to the sender, the second one – to the recipient. In addition to their expressive and conative functions, the supporting role is assigned to the following functions: amplifying, motivational and aesthetic. It is important that the beauty and charm of short, vocally performed pieces are to a large extent dependent on not only on the music but also on the words used in them to successfully express and engender emotions.

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„Wahrlich fuck you du Sau“ – Sprachliche Gewalt und Selbstermächtigung bei Lydia Haider

„Wahrlich fuck you du Sau“ – Sprachliche Gewalt und Selbstermächtigung bei Lydia Haider

Author(s): Susanne Teutsch / Language(s): German Issue: 5/2023

The article deals with linguistic violence, the functions of swear words and their use in literature. It aims to show how cursing can be used as an act of self empowerment. Austrian writer Lydia Haider’s text Wahrlich fuck you du Sau, bist du komplett zugeschissen in deinem Leib drin. oder: Zehrung Reiser Rosi. Ein Gesang. Is aggressive, not fair, irrational and arbitrary in the sense of violence as violentia. A linguistic violence that becomes semantically blind. She rises above everything else escaping argument and control. But her language is also comedic. The higher it rises, the lower it falls, in the excessiveness there is a form of jubilation and, last but not least, (self-)irony.

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Jubileusz Profesor Giovanny Brogi

Author(s): Teresa Chynczewska-Hennel / Language(s): Polish Issue: 11/2024

On the occasion of the Jubilee of Professor Giovanna Brogi from the University of Milan, her profile and scientific achievements were presented, and warm wishes were extended during the 5th International Conference titled “Philosophy of Being and Survival in Ego Documents of Ukrainian Writers, Painters, and Filmmakers (from the times of Orlik to the present). Being as Survival”. The jubilee celebrant is an outstanding linguist, philologist, historian, Polish and Ukrainian scholar. She has collaborated with numerous universities and research institutes worldwide and is a member of many scientific organizations and associations. Her research focuses on the historiography of Slavic lands and Western Europe from the Renaissance to the Baroque period. Another area of her research is the literary heritage of Kyivan Rus, with additional topics including the history of Slavic studies and the work of Taras Shevchenko in the context of European literature. She is also involved in popularization activities, teaching the history of Ukraine, particularly in response to the significant interest in Ukraine in Italy following the aggression by the Russian invader.

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Справа заснування Іваном Огієнком журналу „Рідна Мова” (Варшава, 1932–1933 роки) (На матеріалах архіву Інституту національної пам’яті Польщі у Варшаві)

Author(s): Mykola Tymoshyk / Language(s): Ukrainian Issue: 11/2024

This article is based on documents from the recently discovered Warsaw-Kholm collection of Ivan Ohienko, kept in the archives of the Institute of National Remembrance of Poland in Warsaw. The subject of study and analysis were documents related to the founding in Warsaw in 1933 of the Native Language monthly magazine, dedicated to the study and promotion of the Ukrainian language. In total, these are 177 archival sheets, the content of which has not been known to the public until now. The analysis is carried out in several directions. First of all, the circumstances of the origin and implementation of the plan, which were unfavourable from the very beginning, have been clarified: the economic crisis in the Western world, the weak organization of Ukrainian emigration. Despite such circumstances, the persistence of the initiator prevailed: he managed to launch the publication of the magazine and to ensure its existence for eight years. The characteristics of the mail are given by geography (apart from enclaves with a compact residence of Ukrainians and the territory of Poland at the time, a significant number of letters were sent to various countries of Western Europe and America) and authorship (well-known Ukrainian scholars, religious figures, editors, educationalists, as well as high school students, editors of newspapers and magazines, owners of bookstores and printers, graphic artists, activists of Ukrainian public organizations...). Also the question of the various forms of promotion of the publication and filling the address book of subscribers shall be discussed. Among the most common forms were: publications of informative nature in the existing network of periodicals of the Ukrainian diaspora; creation of a group of distributors of advertising materials and signature checks through personal letters of the editor to colleagues, friends, and acquaintances. An overview of the main actions to support the magazine, which were held in the USA and Canada, is made.

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Saturn i Eros. Radość jako forma samowiedzy

Saturn i Eros. Radość jako forma samowiedzy

Author(s): Jakub Momro / Language(s): Polish Issue: 2/2024

The text attempts to show joy in the modern dialectic of knowledge and reification. Both components of this dialectic lead deeper into current problems with the legitimization of science. Melancholic knowledge, personified by such figures as Walter Benjamin or Theodor W. Adorno, is an extension of this primary tension in the instrumentalization of joy as an autarkic affect on the one hand, and a nominalist utopia and fetishism of immediacy on the other. In the article, “melancholic knowledge” is accompanied by two other types of joy: Kant’s ethics of the heart and Nietzsche’s “joyful knowledge”, both seemingly phenomenological, reaching the edge of joy as a condition of possibility or impossibility of life and knowledge. In this way, one can understand the tension that truly radicalizes joyful modernity – stretched between Saturn and Eros, between cognitive theory criticism and fairy tale.

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Radość i bunt. O „Macierzy” Marii Rodziewiczówny

Radość i bunt. O „Macierzy” Marii Rodziewiczówny

Author(s): Ewa Graczyk / Language(s): Polish Issue: 2/2024

The writer tells the story of a protagonist named Pokotynka, who, from being a despised prostitute, becomes a woman worthy of (also social) trust. This process has a very unexpected course because it is accompanied by an extraordinary duel of moments of rebellion and joy with depression and conformism. The main protagonist’s evolution is related to the transformations of other characters – her father and her lover, who also has a dark past. It is worth emphasizing the importance of nature in Rodziewiczówna’s text; her approach to nature is amazingly empathetic and close to us.

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In and Out of the Text: Polish 1920s Avant-garde Poetics of Pleasure

In and Out of the Text: Polish 1920s Avant-garde Poetics of Pleasure

Author(s): Agnieszka Jeżyk / Language(s): English Issue: 2/2024

“We are related to enjoyment as something which intimately belongs to us, to our corporal existence and inner vitality, yet is separated from and independent from us, and thus can be surprising, bewildering, burdensome, disgusting, overwhelming, terrifying, thrilling, conflicted, uncanny, uncontrollable (and sometimes even pleasurable)” – claims Aaron Schuster (2016: 44). According to the theorist, enjoyment can manifest as its opposite, especially in the context of its representations in literature. In this essay, I would like to look at avant-garde erotic poems from the interwar period that address the fascinating entanglement of the bodily and the textual. The metaphors of reading and writing, lyrical dialogue between some of the poems, metatextual reflections on the nature of erotic poetry, and the problem of embodiment are some of the strategies that Bruno Jasieński (Moja nieśmiertelność [My Immortality], Słowo o słowie [A Word about a Word], Na bis [An Encore]), Tadeusz Peiper (Naga [Naked], Ja, Ty [Me, You]), and Mila Elin (Książka [The Book], Głód [Hunger]) use to discuss the joys and challenges of trying to represent jouissance in the text. The starting point for my reflection is Alenka Zupančič’s diagnosis of a similar type of satisfaction coming from sex and talking about sex and her insights on the procedures of intellectualizing sexuality.

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O anatomii radości – w archiwum

O anatomii radości – w archiwum

Author(s): Francesca Fornari / Language(s): Polish Issue: 2/2024

Joy as a destabilizing, unpredictable, and ephemeral emotion, laden with ethical dimensions, can also manifest itself as a consequence of intellectual engagement (Misrahi, Lénoir). Pleasure, joy, happiness are recurrent themes in the literature of scholars delving into the intricate realm of “recalcitrant” manuscripts. Drawing upon examples from Agamben, Corti, Farge, Grésillon, and Zweig, this article delineates a phenomenology of joy within archival contexts. From the anticipation of receiving the “living material” of a manuscript to the “slow and unprofitable” process of transcribing the “intimate signs” of writing, and through the act of reading where “passion and reason” intertwine, the experience of joy can astonish those who immerse themselves in the traces of others’ words, within the perpetually unfolding vistas of archival papers, like a universe in miniature.

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L’immagine del Turco nelle cronache moldave in lingua slava

L’immagine del Turco nelle cronache moldave in lingua slava

Author(s): Adriana Senatore / Language(s): Italian Issue: 2/2024

The Moldavian chronicles in the Slavic languages of the 15th–16th centuries expose the events of the country in a time of grave difficulties for the survival of the Christian states of Europe, threatened by the expansionary policy of the Ottoman Empire. The authors closely follow the progressive expansion of the Sublime Porte and the fall of boroughs, citadels, and cities (Gallipoli, Sofia, Veliko Tărnovo, Thessaloniki), as well as Chilia, Cetatea Albă, fortified Moldavian citadels. Naturally, the chroniclers rejoice for the rarest victories on the battlefield of the European sovereigns and the princes of Moldavia; they are saddened by the defeats suffered by Moldavian and, more generally, Christian arms. Above all, they fear that the new ‘paganism’ coming from the now subjugated Constantinople can suffocate the ancestral religion, although they do not neglect the dangerousness of other beliefs, such as the Lutheran, professed even by a prince. In the final analysis, the chronicler considers himself a scriba Dei who must educate the reader and strengthen him in the true faith, orthodoxy.

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Стратификация русскоязычного литературного сообщества Латвии, или ≪Кто Я?≫

Стратификация русскоязычного литературного сообщества Латвии, или ≪Кто Я?≫

Author(s): Nataļja Šroma / Language(s): Russian Issue: 34/2024

The article presents an overview of Russian-language literature in Latvia following the criteria for defining it as a minority literature. The author describes the autonomous mechanisms of legitimisation — Latvian publishing houses, periodicals, poetry festivals specialising in the popularisation of contemporary Russian literaturę — and identifies several strategies of self-identification of Russian-speaking writers in Latvia. She also concludes that in the new, “after 24 February 2022” context for Russian culture, the Russian-speaking Latvian literary community, just as after 1991, is experiencing serious tremors, leading to its greater polarisation. The author paid special attention to the artistic presentation of the new social reality — ‘emigration without emigration’ — with the leitmotifs of the new refugee and counter-memory, which have recently gained in importance.

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Tallin udoskonalony. Sprawcza moc wyobraźni w opowieści "Кармела" Goar Markosjan-Kasper

Tallin udoskonalony. Sprawcza moc wyobraźni w opowieści "Кармела" Goar Markosjan-Kasper

Author(s): Liliana Kalita / Language(s): Polish Issue: 34/2024

The subject of considerations is the role of artistic imagination and the causative power of aesthetic creation of the title character from the story by Goar Markosjan-Kasper. In the work, maintained in a postmodern style, the writer combines the problem of imagination with the category of memory/oblivion. He also uses the concept of an artists to show the duality of the imperfect material (real) world and the ideal world created by the causative power of the mind. Improving the world that takes place — pars pro toto — through changing the face of Tallinn has both a geographical and human dimension — communing with beauty triggers altruism and love in people.

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Współczesna apokalipsa Ludmiły Ulickiej. O symbolice i wymiarze mądrościowym cyklu opowiadań "Шестью семь" („Sześć po siedem”)

Współczesna apokalipsa Ludmiły Ulickiej. O symbolice i wymiarze mądrościowym cyklu opowiadań "Шестью семь" („Sześć po siedem”)

Author(s): Monika Sidor / Language(s): Polish Issue: 34/2024

The study offers an analysis of the latest work of Ludmila Ulitskaya from the point of view of cognitive poetics, considering the conditions of the book’s publication, the situation of the recipients’ first encounter with the Шестью семь cycle and associations related to the author’s current activity. Ulitskaya is among the most recognizable authors of contemporary Russian literature, and her emigration from the country which started a war is perceived as a political and moral declaration. This has led to some new ways of reading her works published after leaving Russia. In this article, the symbols contained in the plots of short stories and the structure of the cycle form the basis for the interpretation of the apocalyptic sense implied in the work. The author of the study states that the specific narrative, resembling Olga Tokarczuk’s concept of “the tender narrator” and including some traits close to the Eastern tradition of wisdom literature, strengthens the positive message of the work. Thus, the apocalyptic vision presented in the last part of Ulitskaya’s work opens to the eternal perspective and assumes waiting for salvation.

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Trujący strach (Siergiej Lebiediew, „Debiutant”)

Trujący strach (Siergiej Lebiediew, „Debiutant”)

Author(s): Aleksandra Zywert / Language(s): Polish Issue: 34/2024

In the novel Untraceable Sergei Lebedev focuses his attention on analyzing the genealogy of contemporary evil, its specificity, and responsibility for it. In this case, the impetus for the story described was an attempt to poison Sergei and Julia Skripal. Once again, the author turns to a current theme, but one that has not been thoroughly explored (also in literature), of “the poisoners from the Kremlin.” Using the example of the main character — Kalitin — a chemist, and inventor of the perfect poison (the title “untraceable”), Lebedev warns us not to forget about evil just because it belongs to a theoretically bygone era. People (especially scientists) should take it into account, take responsibility for their decisions and actions, because if crimes continue to go unpunished, it will not be possible to oppose — “the terror of toxic fear.”

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≪Скучная дистопия≫: „Радио Мартын” Филиппа Дзядко

≪Скучная дистопия≫: „Радио Мартын” Филиппа Дзядко

Author(s): Boris Lanin / Language(s): Russian Issue: 34/2024

The article discusses genre features of the “boring dystopia”, the novel Радио Мартын by Filipp Dzyadko. Among the most important features of the novel are the image of a pseudo-carnival, the situation of a “state of emergency”, intertextual quotation, the activity of a dystopian protagonist. The exchange of letters between the now deceased becomes a symbol of the rupture of the chronotope. The syntax of the novel is subordinated to the aim of the genre. The novel can thus be understood as a confession of an emigrant-writer to his readers.

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Взаємопроникнення стилістичних елементів магічного реалізму, слов’янського фольклору, художньої фантастики в контексті граматичної репрезентації часових координат у романі В. Стевановича Убогi

Взаємопроникнення стилістичних елементів магічного реалізму, слов’янського фольклору, художньої фантастики в контексті граматичної репрезентації часових координат у романі В. Стевановича Убогi

Author(s): Weronika Jarmak,Olena Vashenko / Language(s): Ukrainian Issue: 3/2024

The article examines the relationship, interaction and grammatical repertoire of different tense forms of the Serbian verb in the context of verbal representation of time coordinates in the novel The Wretched by the famous Serbian writer V. Stevanović. The linguistic aspect, the mechanism of layering in the time paradigm of a perfect sample of magical realism, is analyzed. In this research, data from related scientific fields were involved and an attempt was made to determine which features inherent in the poetics of the mentioned work in terms of time plan unite it with examples of postmodernism, and which methods are related to the peculiarities of the temporal characteristics of the Serbian folk-song epic tradition, Serbian lyric poetry, with time formulas in bugaršticas, with poetic techniques of artistic fiction. The stylistic role of synthetic preterite forms of the Serbian verb, various shifts in the semantics of the present etc. are characterized.

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