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Result 81-100 of 324
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IONA DE MARIN SORESCU. PARABOLA UNEI LUMI

IONA DE MARIN SORESCU. PARABOLA UNEI LUMI

Author(s): Angelica-Elena Farmus / Language(s): Romanian Issue: 1/2021

During the post-war period, Romanian literature passes, without its will, through a series of mutations that makes the writer adapt his books to the new rules of the game, the ones imposed by the communist regime. Facing censorship, the literary communication has to take other forms: escaping the present, avoiding the literary themes confiscated by the communist propaganda, practicing an allegoric discourse. In the play «Iona», Marin Sorescu, an important poet and dramatist, one of the leaders of the 1960‘s generation, rewrites the myth of the biblical Iona, making his character a symbol of a conscious humanity, living the nightmare of history, forced to assume an existential regime that means: solitude, lack of communication, insular living. But the greatest threat seems to be the cancelling of his individuality. Yet Iona manages to avoid his dissolution; his solution for this is refusing to live his life tragically. In this manner, Marin Sorescu‘s play is representative for the destiny of an entire type of literature written in this period.

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ANGELA MARINESCU (MARCOVICI). CREATION AS A MEAN OF EDIFICATION IN "JOURNAL WRITTEN IN THE THIRD PART OF THE DAY"

ANGELA MARINESCU (MARCOVICI). CREATION AS A MEAN OF EDIFICATION IN "JOURNAL WRITTEN IN THE THIRD PART OF THE DAY"

Author(s): Ileana Doicaru (Bratu) / Language(s): Romanian Issue: 28/2022

The essays and journalistic work of Angela Marinescu are a natural extension of her poems, and extends the realm of theoretical with an inner psychology charged with lyricism and intellect. Confession has had a therapeutic purpose for Angela Marinescu (Marcovici), helping her cope with obsessions, and becoming an obsession with time. In her poems, confessions, selfportraits, interviews or essays, the author constantly presents her creed and manner of relating to herself and to the life around her and its significance. Her being and work has been marked by suffering and disease, which has turned her joy of creation into a tool rather than a pleasure, which granted her some degree of movement. The physical pain and the portrayal of the insanity of her existence made her an outcast; as her life, her writing it on the edge of bearable, an edge of the knife. The link between an artist’s life and their work is most relevant in the case of Angela Marinescu (Marcovici), who has turned language in the perfect instrument of relating her thoughts and way of living. This language, which often presents notes of violence, is a method of probing her own individuality, traumas and obsessions, her voice being charged with authenticity and the will to push beyond the limits of the humane. This language converts violence into creativity and a modus of expression.

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THE DIARY. A GENRE OSCILLATING BETWEEN TACITURNITY AND LOQUACITY

THE DIARY. A GENRE OSCILLATING BETWEEN TACITURNITY AND LOQUACITY

Author(s): Lucia Ispas / Language(s): English Issue: 29/2022

Oscillating between apparent loquacity and a paradoxical muteness, the diary represents a distinct communicational act, having a powerful God-like sender, an intricate message, a receiver that functions sometimes as an undesirable intruder and a code that cannot be broken by using the key of absolute sincerity (involving the author) and of total trust (as to what the reader is concerned). The writing about oneself remains an offering field of expertise, in which both the author and the exegete can excel, as testified by the large number of both diaries and diary theorists. The analysis in depth, of what the intricate mechanisms of this articulate and intriguing yet peculiar type of discourse are, can never exhaust its investigative means, and cannot elucidate all the mysteries woven around this particular piece of writing. My paper aims at tackling the most significant aspects concerning the literary diary and its inherent yet limited talkativeness.

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BOTSCHAFT DER MINIATUR UNIVERSUM: DAS BEDÜRFNIS NACH EINER GESCHICHTE

BOTSCHAFT DER MINIATUR UNIVERSUM: DAS BEDÜRFNIS NACH EINER GESCHICHTE

Author(s): Simona Olaru-Poşiar / Language(s): German Issue: 29/2022

The article is dedicated to the psychology of fairy tales. It tries to answer the question of what is the purpose of fairy tales in today’s society, where do they stand with the digitalization of society, of literature altogether, can they keep up or has the genre lost ground in favour of modern digital approaches? Child psychology and literature stems from the literature we grow up with and there is a constant fountain of ideas that feeds the literature of today.

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I.L. CARAGIALE FOLLOWING THE REPORTAGE

I.L. CARAGIALE FOLLOWING THE REPORTAGE

Author(s): Iuliana Miu / Language(s): Romanian Issue: 29/2022

After exposing some defining characteristics of the reportage, we focus our attention on the one practiced by I. L. Caragiale and on the way in which this protean species, both journalistic and literary, is found in some of his writings. We follow, in the first phase, after a prior classification and datin, the features and the means of elaboration of some reportages written according to all the rules of the genre: ”A. Odobescu”, ”Culisele chestiunii naționale”, ”Drama din strada Alecsandri”, ”O vizită la castelul «Iulia Hasdeu»”, ”O plimbare la Căldărușani”. We notice here the care for the form, the spectacular structure of the text, the interference with other journalistic categories (the interview, for example), but also how the author is questioning the limits of the journalistic discourse. Highlighting the Caragialian stylistic imprint, among other things, we talk, about the tone of evocation, the nuances of irony and satire contained in descriptions and portraits, and the narrative that sometimes takes over the rhythm of the characters’ movements and pulse or about the reporter’s postures. Then, we are interested in the way Caragiale relates to reportage in literature, looking for the occurrences of specific terms, but also the technical and visional approaches in proses like ”Articol de reportaj”, ”Groaznica sinucidere din strada Fidelității”, ”Reportaj”, ”O cronică de Crăciun”, ”Dintr-un catastif vechi” etc. We notice that the reportage becomes a subject of parody or a writing model, and the reporter – a representative character.

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THE POETICS OF SUFFERING AND FAILURE IN THE EPISTOLARY GENRE OF I.D. SÎRBU

THE POETICS OF SUFFERING AND FAILURE IN THE EPISTOLARY GENRE OF I.D. SÎRBU

Author(s): Carmen-Ancuța Morari / Language(s): Romanian Issue: 29/2022

Living through all the significant atrocities of the twentieth century - the experience of war, professional interdictions, investigations, detention, semi-exile, persecution, loneliness and illness -the theme of I.D.Sîrbu's nonfiction work is failure or loss of self. Perfectly lucid when writing about them in his correspondence, the diarist takes refuge in literature, carrying the „cluster of suffered memoriesˮ through almost all his texts. Lucian Blaga's favorite student, in fact, recovers the history of his own failure, thus considering himself a loser of the era who takes revenge through his writings.

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FATALISM AND POSITIVISM IN THE EXISTENCE OF A LESS KNOWN ROMANIAN SCHOLAR

FATALISM AND POSITIVISM IN THE EXISTENCE OF A LESS KNOWN ROMANIAN SCHOLAR

Author(s): Sebastian Drăgulănescu / Language(s): Romanian Issue: 30/2022

The writer Dan Rădulescu, expert in organic chemistry, in the domain of the spirans, spent his childhood in the region of Prahova, in the parental home from Câmpulung-Muscel and he passed away in the beautiful Sinaia resort. The details of his life, almost entirely, can be found in the book of Memoirs, volume elaborated at his friend’s request, at the venerable age of eighty years. The author oscillates between the belief in Fate, named ‘’the Great Weaver”, and the trust in science, because he is a peasant at the origins, but he also proves an academic background which dominates his entire life. Although his memories are impregnated by nostalgy and melancholy, the volume is full of objectivy, sincerity and lucidity.

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PRESERVING INGENUITY, THE PURPOSE OF TEODOR MAZILU’S TRAVELS

PRESERVING INGENUITY, THE PURPOSE OF TEODOR MAZILU’S TRAVELS

Author(s): Luminița VELKER (COLOPELNIC) / Language(s): Romanian Issue: 32/2023

Especially known as a prose writer and dramatist, it is right to be remembered that Teodor Mazilu was also a memoirist. After mentioning the important predecessors in travel literature, the article analyzes the purposes of seeking such a refuge from loneliness for Mazilu, but also for others, the thematic and affective universe of his notes, the need for communication and the humor that accompanies him in these texts as well as in his whole literary work.

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CIORAN CASE

CIORAN CASE

Author(s): Elena Bădoiu (Tudose) / Language(s): French Issue: 32/2023

The article shows a different perspective both on Cioran's work and on the author's personality. By applying terms from the legal field, I have proposed an innovative analogy with the literary domain in which I capture different aspects of the great philosopher's creative and personal journey. This way, the work exposes one by one the usual tabs of a police or prosecutor's file but adapted to the writing style. We discover documents such as the existential register, the literary record, the literary research report and the confession.

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THE UNIVERSE OF LACONIC SKEPTICISM IN E.M.CIORAN

THE UNIVERSE OF LACONIC SKEPTICISM IN E.M.CIORAN

Author(s): Marinela-Alexandra POPA (ENACHE-POPA) / Language(s): French Issue: 32/2023

Starting from the topic of our global research, namely, the Decoding of Cioran’s pessimism, in this article we will treat the universe of laconic skepticism, which follows the French elitist of Romanian origin, on his azoic journey through the metropolis of France. The corpus Cahiers will help us identify the problem of the term skepticism, which will be debated and deepened, unanimously highlighting the characteristics of philosophy from antiquity to the 20th century, in which the prestigious E.M. Cioran makes a difference. We will also present the exceptional level of French language, especially the experienced level of literary language, which places the erudite E.M. Cioran next to the great classics of universal literature.

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THE EVOLUTION AND LIMITS OF THE INTIMATE DIARY

THE EVOLUTION AND LIMITS OF THE INTIMATE DIARY

Author(s): Carmen-Ancuța Morari / Language(s): Romanian Issue: 32/2023

Researching the evolution of biographical genres in relation to self-discourse from various historical eras, one can observe the importance of romanticism, but also of modernism in the development of most species. Their withdrawal from literature or the reduction of their importance coincided with the period of wars and the totalitarian phenomenon, which took possession of the language to use it in its interest. But because ideology does not have an absolute monopoly on man unless it persuades him to use the word against himself, these genres returned in force at the end of the twentieth century. Investigating the development of the diaristic genre, it has been observed that the poetics of these types of texts are claimed from uncertain concepts, such as naturalness and spontaneity, and that their uncertain status is due to the violation of some conventions of this species.

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THOMAS PAVEL, THE EXILE AND THE KINGDOM

THOMAS PAVEL, THE EXILE AND THE KINGDOM

Author(s): Iulian Băicuș / Language(s): Romanian Issue: 33/2023

In this article I sought to find the connection between the theoretical and fictional part of the work of one of the best known American professors of Romanian origin, Thomas Pavel, emphasizing the interpretation of parallel series of concepts in literary theory, comparative literature or classical French literature, all three being the fields of competence of the literary critic and theorist, who, immediately after his emigration to France and then Canada and the USA was forbidden to Romanian readers, but who managed to return to the forefront of the local literary phenomenon, especially through translations its. He is now quite well known to Romanian specialists and often returns to his country and to his Alma Mater University of Bucharest, in order to meet with students, masters and doctoral students of the Faculty of Letters and to present the various projects he develops as professor emeritus of the American university.

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REVERBERATIONS OF CARAGIALISM IN ANDREI PLEȘU’S ESSAYS (II)

REVERBERATIONS OF CARAGIALISM IN ANDREI PLEȘU’S ESSAYS (II)

Author(s): Loredana Nicoleta Ilie / Language(s): Romanian Issue: 34/2023

In order to continue the effort of systematizing the Caragialian literary legacy, initiated in the book One Century of Caragialism, the present paper aims at adding to the post-Caragialian literary corpus the publicistic essays written by Andrei Pleșu. In his volumes Faces and Masks of Transition (Chipuri și măști ale tranziției), Comédies at the Gates of the Orient (Comèdii la porțile Orientului), The Public Obscenity (Obscenitatea publică), essential components from the paradigm of Caragialism, such as the “grand chatter”, the chaotic discourse, Mitică and the demagogue politician, the irony and the sarcasm - are reactualized and revalued, in a network of clear allusions that allow us to consider Andrei Pleșu a worthy literary descendant of I. L. Caragiale. Besides the discovery of numerous intertextual trades in these volumes, the decisive proof of Andrei Pleșu’s belonging to the Post-Caragialian literary trend, is the observation that some of his essays are deliberate “hypertextual” transformations of various Caragialian “hypotexts”.

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HIGHLIGHTS OF DETENTION LITERATURE AND MEMOIRS IN THE POST-TOTALITARIAN ROMANIAN SPACE

HIGHLIGHTS OF DETENTION LITERATURE AND MEMOIRS IN THE POST-TOTALITARIAN ROMANIAN SPACE

Author(s): Camelia-Vasilica Munteanu (Gheorghișor) / Language(s): Romanian Issue: 34/2023

The man of the 21st century rediscovers confessional literature with delight due to the fact that it offers direct, "hot" testimony of the dramas experienced in the two world wars and in totalitarian regimes, a more convincing testimony than any official document or work of fiction. Thus, in our culture from the post-December decade, there is a major interest in memorialism. Whether this kind of concentration literature is aesthetic or not, literary histories will have their say.

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N. IORGA, THE HISTORY OF ROMANIC LITERATURES, A TREASURE BOOK

N. IORGA, THE HISTORY OF ROMANIC LITERATURES, A TREASURE BOOK

Author(s): Iulian Băicuș / Language(s): Romanian Issue: 35/2023

In this article we have tried to analyze one of the most important studies of N. Iorga, History of Romanesque Literatures, which, apart from the History of Romanian Literature, is not only a study of comparative literature, which today we can call a term derived from Welt Literatur, invented by Goethe, World Literature, but which can also be considered a study belonging to the field of Cultural Studies. N. Iorga is limited to the study of Romanesque literatures and the relationship between them but in the text there are many references to the work of William Shakespeare but also to German literature, as the study aims as specified in the subtitle both their development and always relations of literary influence, but more complex, more elaborate relations. Perhaps the only shortcoming of the book is the fact that we do not have a vision of Romanian literature, from the perspective of the relationship with the study of other Romance literatures.

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THE REFLECTION OF IN-BETWEEN IN GEORGE BANU’S ESSAYS AND MEMORIALISTIC WRITINGS

THE REFLECTION OF IN-BETWEEN IN GEORGE BANU’S ESSAYS AND MEMORIALISTIC WRITINGS

Author(s): Roxana-Maria Sînescu / Language(s): Romanian Issue: 35/2023

The starting point of this study were some confessions that George Banu makes in Scena supravegheatǎ. De la Shakespeare la Genet, one of his essays. In the above-mentioned work, he defines himself as “an unfulfilled writer” and also as “an incomplete theorist”, stating that this permanent in-between left its mark on his writings. The present article deepens this topic, which has been discussed only in broad terms so far. By focusing on Banu’s essays and memorialistic writings, this survey shows how both form and content are influenced by the in-between.

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Литературно четене и представяне на антологията „Стихопади“, издание по повод 145-ата годишнина на Националната библиотека

Литературно четене и представяне на антологията „Стихопади“, издание по повод 145-ата годишнина на Националната библиотека

Author(s): Yanitsa Radeva / Language(s): Bulgarian Issue: 5/2023

In front of the National Library “St. St. Cyril and Methodius” the anthology “Stihopadi” was presented. The event is part of a series of initiatives to mark the Library‘s 145th anniversary. The anthology includes 145 poems by 29 contemporary Bulgarian poets. The following took part in the literary reading: Boyko Lambovski, Ivan Landzhev, Tsveta Delcheva, Petar Chuhov, Aksinia Mihailova, Kristin Dimitrova, Plamen Antov, Iliana Deleva, Amelia Licheva, Aziz Shakir-Tash, Elizabeta Georgiev, Galina Nikolova, Valeri Valeriev, Kaloyan Pramatarov. The event was also attended by the Mayor of Sofia, Yordanka Fandakova.

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W archiwum Melchiora Wańkowicza. Albumy fotografii ze zbiorów Muzeum Literatury

W archiwum Melchiora Wańkowicza. Albumy fotografii ze zbiorów Muzeum Literatury

Author(s): Anna Grochowiak / Language(s): Polish Issue: 2/2023

The author presents and describes the archives of Melchior Wańkowicz, donated by his daughter to the Adam Mickiewicz Museum of Literature in Warsaw, in 1974. The researcher focuses on photographs, that the reporter mostly took himself. In the albums, arranged by him or his wife, the author seeks information on the true character of the “father of Polish reportage” and his life, which has been blurred by his great legend. The comparison of selected photos with the statements of the writer and the researchers of his works, allows to see the pictures as some kind of illustration and documentation of the writer’s life. The author indicates the wide possibilities of using the photographs and albums in the work of biographers or researchers of the writer’s work, as well as historians, interested in the turbulent period in Polish history, which Wańkowicz consolidated not only in his reports, but also in photographs.

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Archiwa Jana Lechonia w Nowym Jorku i Kazimierza Wierzyńskiego w Londynie – nieco o historii i niektórych ineditach

Archiwa Jana Lechonia w Nowym Jorku i Kazimierza Wierzyńskiego w Londynie – nieco o historii i niektórych ineditach

Author(s): Beata Dorosz / Language(s): Polish Issue: 2/2023

The article presents the history of the archives of Jan Lechoń at the Polish Institute of Arts and Sciences of America, based in New York, and Kazimierz Wierzyński at the Polish Library in London, noting the fundamentally different way in which they were created. It also discusses the inedita found in both collections, pointing out, on the one hand, why they would be worthy of publication years later, and on the other, signaling the multiple problems, of varying degrees of difficulty, that an editor would have to face. This applies to the unknown texts of Wierzyński’s series of radio storytelling Listy z Ameryki [Letters from America] and the autobiographical novel Aurora. Lechoń’s inedita include the novel Bal u senatora, known in small fragments, and a biographical and political sketch about Henryk Floyar-Rajchman, or political satires written in the style of Warsaw’s Wiech. A separate problem is Lechoń’s diary, a critical edition of which would require, first of all, a rereading of the extremely difficult manuscript.

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Archiwum Kazimierza Sowińskiego. Warsztat edytora, dziennikarza i poety

Archiwum Kazimierza Sowińskiego. Warsztat edytora, dziennikarza i poety

Author(s): Janusz S. Gruchała / Language(s): Polish Issue: 2/2023

The article presents Kazimierz Sowiński’s archive, stored in Cracow together with the documents of Poets’ and Painters’ Press (London), bequethed by Krystyna Bednarczyk to Jagiellonian University in 2011. The archive consists of 138 files. Documents divide in three groups: 1. Results of the editorial work concerning Vade-mecum by Cyprian Norwid; the text had been prepared by Sowiński and printed in Poets’ and Painters’ Press in 1953, the archive contains important editorial commentaries, which Sowiński didn’t manage to finish on time; 2. Literary materials of Tadeusz Sułkowski, Sowiński’s close friend: letters, documents related to Sułkowski’s stay in POW camp in Murnau during the II WW, and materials for an edition of Sułkowski’s literaty oeuvre. 3. Sowiński’s poetic texts with numerous variants, and results of his activity in Polish section of Radio Free Europe, chiefly the texts of cultural programmes prepared by him.The documents stored in Sowiński’s archive give the evidence of his activity as poet, editor, and radio journalist.

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