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The article discusses the subject of virtualization – the process of partial transmission significant discursive fields into the Internet – of the film culture, which is defined as the group of practices and discourses accompanying cinema, which connect it with the socio-cultural environment. According to the author, the virtualization process is specifically exposed during pandemics and social isolation, what is presented in the text from the perspective of film audience. Pandemic is treated here as liminoidal moment, in which, due to the disorder of cinema’s functioning, its social networks happen to transform in certain manner. By interpreting results of his own fieldwork, author points at general dynamics of virtualization as an element of contemporary film culture, highlighting both the possibilities opened by such situation and dangers it brings.
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The article deals with the subject of the sitting figure, which seems to be an important element of both practice and reflection in Buddhism. The real inspiration to write this article was the introduction of quarantine in many countries, including Poland, and this fact certainly changed the lifestyle of many people, contributing significantly to the immobilization of many of them. Looking at this situation through the prism of Buddhism, especially Zen Buddhism, to which most of the information contained in this text refers, would be best considered only as a contribution to reflection on the cultural dimensions of the „sitting figure„. This figure, at least from the Buddhist perspective, seems to be an important element conditioning the view of reality.
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The paper examines the impact and influence of the Peter Vergo’s book The New Museology and the ways it colonized the knowledge already existing outside United Kingdom. It discusses the concepts that existed before the 1989 book following the development of La Nouvelle Museologie and ecomuseums, ideas spread at conferences, symposiums and round tables, diverse declarations and resolutions. Also, beyond the New there is the narrative of museology itself and its past in the centers outside the “traditional” centers of colonial powers. The paper follows the early development of ideas in East Europe and Poland and the practical solutions recently developed in the country in a relation to British publication.
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According to the Resolution no 1, adopted by the ICOM’s General Assembly in 2016, “Museums have a particular responsibility towards the landscape that surrounds them, urban or rural”. And thus, they should “manage buildings and sites of cultural landscape as ‘extended museums’, offering enhanced protection and accessibility to such heritage in closed relationship with communities”. This document arises from new museology thinking developed in the 1970s and 1980s. In the article we discuss this newly “codified”responsibility illustrated with an example of four Polish museums – Muzeum Śląskie in Katowice, Museum of King Jan III’s Palace at Wilanow, Muzeum Podgorza and Ethnographic Museum in Krakow –with intention to examine strategies and positions museums adopt, and contexts that determining those actions. We conclude that museums must play active parts in societies and take actions regarding changes in the landscape that surrounds them. However, the ICOM resolution is only a signpost, and broader recognition of museums as subjects of discussion on urban and rural space is required.
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The article focuses on art activism directed to museums and their sponsorship relationship with the oil industry. It considers the form and content of protests undertaken by art collectives such as Liberate Tate, BP, or not BP?, and Fossil Free Culture NL. The author recognizes the goals of activists in undermining the reality of capitalocene. She frames this form of protest with the term “unauthorized curating”, which she derives from the analysis of participation paradigm and the definition of curatorial practice proposed by Marta Kosińska. Finally, she analyzes the strategy undertaken in art of protest.
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The article addresses legal pluralism, namely the interaction of norms resulting from either custom or law, which takes place in the face of emancipation processes in Polish Silesia. It concerns legal conceptualizations of regional autonomy and the negotiations of the legal status of the regional group that aims at a higher level of sovereignty. Namely, investigating the relationship between cultural and legal norms, I analyse the judicial procedure regarding the way of adjudicating and defining Silesianness. Considering the existence of multiple parallel ethnic identities in Poland, I strive to illuminate the question of the legal definition of Polishness and the normative dimension of legal definition. I bring to light the making of the adjudication in the Polish justice system, and thus highlight the mechanisms present in the legislative process and rationalisations operating wherein. I am interested in the consequences of these processes for establishing the legal and the factual status of different groups. The conception of identity used by modern jurisdiction derives from the definition of the dominant group (of Poles) and works towards strengthening its status against the status of other, parallelly existing groups whose self-identities do not fall squarely within the hegemonic construction. My hypothesis is that the process of interpreting the law in force in Poland follows subjective ideas and is often drafted in programmatic terms.
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The article presents the results of research, the axis of which were help initiatives taken during the COVID-19 pandemic. A characteristic feature, and previously unheard of on such a scale, is the initiation, and often full implementation of these activities in the virtual world. The time of the pandemic has blurred the clarity of the categories of those most affected or most in need of help in the events that took place. Another feature of the observed events is their phased. Its elements are spontaneously emerging groups that undertake aid actions. Restoring the “state of normality” and taking over the aid activities by institutions established for this slowed down and weakened the participation of ordinary people in organizing spontaneous activities. The time lived has the features of Turner’s liminality, and assistance groups can be described by the term Communitas.
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The subject of the article is the occupational humor of museum employees and the laughter community connected to it. The author shows which aspects of work in a museum trigger off comical effect according to the employees themselves. The research material comes from the author’s personal experiences as well as the interviews with other staff members and Facebook fanpage Muzealnicy. The author tries to answer the question concerning the cultural and social functions of the laughter community of museum employees. The theoretical framework of this analysis is provided by K. Żygulski’s concept of the “laughter community”.
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By the use of critical anthropological perspective, in this paper I unsettle specific theoretical and methodological premises of studies on Opole Silesia, which have in many ways determined resultant images of the region in scholarly literature. In this context, I find particularly problematic essentialised approaches toward “(Silesian) women,” and the more recent discourses of “disintegration,” which dwell on depopulation, migration, and collapsing social and family relations, or Silesian culture. To this end, I discuss social activities of women in the Dobrzeń Wielki commune, exemplified by an educational group focused on family issues, an association acting for a local community, a vocal ensemble, and a sporting team. Variously embedded in the late industrial condition, these activities are conceived as problematisations. Seen through this prism, they become significant contexts for emerging “norms and forms” of gender, Silesianity, and/or locality. At the same time, they encourage critical insights into such “norms and forms,” and their contribution to various idioms of Opole Silesia. Such problematisations allow therefore for revealing “discursive gaps” and “risks” (re)produced in the aforementioned literature on the region. By unsettling subjects and discursive forms with which it deals, the proposed ethnographic analysis turns into a tool for “generating surprises.”
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The article is based on empirical research, one of the elements of which was to verify the knowledge, beliefs and ideas of young Wrocław residents about the Jewish cemeteries located in the city. The subject of the analysis was, first of all, knowledge of their history, importance for local culture and community; ideas about the role of cemeteries in Jewish culture and customs related to death and funeral. An important aspect was also finding out what the place of cemeteries is and how they are perceived in the local community, do they function in the minds of young people and in what way, are they really known to them and are they associated with the Jewish community living here, or rather perceived as places of memory and museum space.
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